Carol Lynley Movies

In this romance, an ex-Marine begins looking for a fellow Vietnam vet in hopes of making it as musicians in New York. He does not realize it, but he is driving in stolen cars. After being chased by the police, he ditches the cars and hitchhikes the New York. By the time he arrives, his pal has already left. At the friend's former apartment, the Marine gets romantic with a hippie chick and begins singing in the Village where he finds audiences unreceptive. He then boards a bus where he meets a young woman on her way to marry a Marine who ends up refusing to marry her. Soon she and the musical Marine are traveling companions. They are accompanied by a trick chicken, and a midget. Just as he finally finds his friend, the girl states that she is pregnant and the honorable fellow offers to marry her, but she will not. Then her old fiancé appears and a fight ensues. She ends up going with him. When the singer finally gets his big chance, he sees the girl watching him and realizes they are in love. ~ Sandra Brennan, All Movie Guide

In the second of the feature-length Quincy, M.E. episodes produced for the NBC Sunday Mystery Movie anthology, medical examiner Quincy (Jack Klugman) performs an autopsy on Margo Bentley (Joanna Barnes), a novice writer who at the time of her death was working on a scandalous "roman a clef" about the Hollywood elite. Since the woman was suffering from cirrhosis, the police are quick to conclude that she died of alcoholism. But Quincy has a different diagnosis, one involving murder. While pursuing his own personal investigation, the feisty Quincy crosses the path of a fraudulent coroner--and ascertains a link between Margo's death and the murder of a New York literary agent. ~ Hal Erickson, All Movie Guide

America is no longer the home of the free in this futuristic drama. Now the country is ruled by a powerful, tyrant and his henchmen. The story centers on two brave underground rebels who work to usurp the dictator and restore democracy to the beleaguered land. ~ Sandra Brennan, All Movie Guide

This horror is set in a scary haunted house where researchers have come to investigate. Ten years before, a number of murders occured there and now it is rife with restless spirits lead by the mummified corpse of a fallen priest who resides in the basement. The only one who can save the imperiled researchers is another fallen priest who must somehow regain his lost faith if he is to succeed. ~ Sandra Brennan, All Movie Guide

The cartoon firm of Hanna-Barbera produced the live-action TV movie The Beasts are On the Streets. No, the beasts aren't Yogi Bear, Snagglepuss and Scooby-Doo, but instead a contingent of dangerous jungle animals. A tanker truck has smashed through the fence at a Texas game preserve, releasing the beasts upon a screaming and scrambling populace. Zoologist Carol Lynley tries to predict where the animals are most likely to strike-and strike they do, 'cause they're smarter than the av-er-age beasts. Filmed on location in Grand Prairie, Texas, The Beasts are On The Streets was first telecast May 18, 1978. ~ Hal Erickson, All Movie Guide

Frank Willard's 1927 stage play The Cat and the Canary was filmed several times before this 1978 version saw the light of day. In the story, Annabelle West (Carol Lynley) is one of several potential heirs to a huge fortune. Brought to his foreboding mansion to learn who will benefit from his death, the anxious heirs must sit still for the deceased's taped recitation of his bequests. The dead man, Cyrus West (Wilfred Hyde-White), takes advantage of the occasion to scold his greedy and unpleasant relatives. He leaves behind several posthumous practical jokes which drive his points home. It's a rainy night, the mansion is full of surprises, most of the heirs are an anxious, unpleasant lot, and at least one of them is not above committing murder to have his way. ~ Clarke Fountain, All Movie Guide

An all-star "disaster" flick set in an elevator: is there no limit? This made-for-TVer top-bills James Farentino as a bank robber suffering from claustrophobia. Fleeing from his latest crime, the criminal is forced to take an elevator, populated with the likes of Roddy McDowall, Craig Stevens, Teresa Wright, Myrna Loy and Carol Lynley. Naturally, the elevator stalls between floors, high above ground level. The Elevator debuted as an ABC Movie of the Week on February 9, 1974. ~ Hal Erickson, All Movie Guide

TThough barely released to theaters, the tongue-in-cheek crime melodrama Four Deuces became a Late Late Show fixture in the '80s. Jack Palance plays Vic Morano, a high-ranking Prohibition-era mobster with a weakness for women. Vic's humanity begins surfacing when he falls for gorgeous blonde Wendy (Carol Lynley). The film's title refers to the name of his speakeasy, and to his gang, which consists of himself, Wendy, and a brace comic-relief hoodlums. The plot concerns Vic's ongoing war with rival hoodlum Chico Hamilton (Warren Berlinger). ~ Hal Erickson, All Movie Guide

Part of a pointless string of sequels ostensibly based on the werewolf novels by Gary Brandner, this entry deserves credit for taking the creatively dead series in an interesting new direction. Set in the barren rural town of Canton Bluff, the story centers on the enigmatic figure of Ian (Brendan Hughes), a likeable but severely solitary drifter who takes a job making repairs to the local church. Eschewing human contact, Ian seems unnaturally leery of the impending full moon, a fear shared by a man named Harker (Bruce Payne), the owner of a sleazy traveling carnival. Aware that Ian is a genuine werewolf, Harker is able to blackmail the young man into working for his carnival, where he is put on display with other human oddities. To further complicate matters, Harker is revealed to have a monstrous secret of his own -- he's a vampire, who sees Ian's condition as a cover for preying on the blood of local folk. In a nod to Tod Browning's Freaks, Ian joins forces with the other carnival freaks to destroy their evil master. Director Hope Perello's taut, suspenseful debut makes clever references to classic horror films without lapsing into parody or imitation, and the production has a classy look and feel, helping to shrug off the unpleasant stigma normally associated with the otherwise mediocre Howling franchise. ~ Cavett Binion, All Movie Guide

Roy Thinnes was the star of this 1967-1968 science fiction series, about an Earth poised on the brink of alien takeover. ~ Jason Ankeny, All Movie Guide

Those who learned to dislike Conrad Richter's novel The Light in the Forest when it was required reading in high school will be pleasantly surprised by this Disney adaptation. In his second film appearance, James MacArthur plays Johnny Butler, a white youth who was captured by the Delaware Indians in infancy. In 1764, a peace treaty is signed between the Delaware and the British, requiring that all white captives be returned to their families. But 18-year-old Johnny, now known as True Son and now thoroughly assimilated into the tribe, violently resists being torn away from the only life he has ever known. Kindly Indian scout Del Hardy (Fess Parker) tries to help Johnny through his transitional period; the same cannot be said by Johnny's Indian-hating Uncle Wilse (Wendell Corey), who vows to kill every Delaware he meets. Only by defeating Wilse-and, by extention, his own inner demons-will Johnny ever be able to readjust to the white lifestyle without totally turning his back on his adoptive Indian family. Carol Lynley makes her screen debut as Shendandoe, Johnny's white sweetheart; likewise making his entree into films is TV director Herschel Daugherty. Partially filmed on location in Tennessee, Light in the Forest benefited from the expertise of technical advisor Iron Eyes Cody. ~ Hal Erickson, All Movie Guide

Seedy newspaper reporter Carl Kolchak (Darren McGavin) is assigned the Las Vegas police beat by his boss Tony Vincenzo (Simon Oakland). A series of murders has been plaguing the Glitter Capital; the victims, all beautiful showgirls, have had the blood drained from their bodies. Kolchak can't understand why the authorities are so uncooperative as he probes the case. Nor can he believe the evidence he's gleaned on his own: There can't possibly be a Dracula-like vampire stalking Las Vegas, or can there? Adapted by Richard Matheson from a novel by Jeff Rice, The Night Stalker debuted January 11, 1972 - -and on that fateful evening, this thriller became the highest-rated TV movie up to its time, as well as an instant cult classic. The film spawned a popular sequel, The Night Strangler (1972), and a 1974 TV series. ~ Hal Erickson, All Movie Guide

The Poseidon, an ocean liner larger than the Queens Elizabeth and Mary combined, is charting its course on New Year's Eve. Just after midnight, Captain Harrison (Leslie Nielsen) spots the mother of all tidal waves. It is the last thing that Harrison and practically everyone else onboard sees before drowning -- the Poseidon is turned upside down, with only a handful of survivors. The ten lucky ones -- including Mike Rogo (Ernest Borgnine), Linda Rogo (Stella Stevens), Acres (Roddy McDowall), Belle Rosen (Shelley Winters), and Manny Rosen (Jack Albertson) -- led by no-nonsense minister Frank Scott (Gene Hackman), desperately attempt to climb from the top of the ship (now submerged) to the bottom (now "the top"). The film's theme song, "The Morning After," sung by Maureen McGovern, earned an Oscar. In addition, The Poseidon Adventure received the Special Achievement Award for Special Effects; L.B. Abbott and A.D. Flowers were the recipients. A sequel, Beyond the Poseidon Adventure, came out in 1979. ~ Hal Erickson, All Movie Guide