Virna Lisi Movies

A misguided attempt to dramatize the psychological triad formed by German philosopher Friedrich Nietzsche (Erland Josephson), his Jewish friend Paul Rees (Robert Powell), and a Russian girl named Lou Von Salome (Dominique Sanda), this overbearing drama fails mightily. Nietzsche is portrayed as a jealous sociopath who drives Rees to suicide, and director Liliana Cavani cannot resist including a drug-hallucination ballet about Good and Evil which approaches the excesses of her controversial Il Portiere di Notte in its melodramatic sexual hysteria. Cavani's film is feverish where it should have been calculating and lurid where it should have been provocative. The result may be the first exploitation film aimed at philosophy students, and even deft supporting turns by Virna Lisi and Philippe Leroy cannot make the dialogue -- drawn hamfistedly from Nietzsche's own writings -- any less ridiculous. ~ Robert Firsching, All Movie Guide

Apparently in the Italy of the 1920s, the only way to keep your home out of the maws of the tax collector was to steal and cheat from everyone in sight -- and the dupes you'd swindle wouldn't know the difference since all their attentions would be focused upon cheating you. That little bit of homespun philosophy is the only conclusion to be drawn from Arabella, a broad sex-farce enlivened with British comic Terry-Thomas appearing in a quartet of roles, and the sexy Virna Lisi as the title character, who is compelled into chicanery in order to prevent her mother's home from being taken away by the tax man. To raise funds, Arabella rooks money from Terry-Thomas, in various fake beard incarnations as a general, a duke, a hotel manger, and an insurance agent. But while she is busy conning the four Thomases, she steps on the toes of an equally tricky burglar (James Fox) and two young lovers -- Giancarlo Giannini and Melina Vukotic. Arabella ultimately becomes attracted to the burglar. Now she must hold her base animal urges in abeyance and concentrate on squeezing more cash out of the Terry-Thomases. ~ Paul Brenner, All Movie Guide

Gérard Depardieu stars as the great French author Honoré de Balzac in this historical biography produced for French television. Balzac's childhood is marked by a difficult relationship with his mother, Charlotte-Laure (Jeanne Moreau), whose strident criticism and inability to show affection are not abated when he reaches adulthood. Balzac begins to gain the confidence he needs through his relationship with a wealthy society matron, Madame de Berney (Virna Lisi), but in time he abandons her when he falls in love with Countess Eva Hanska (Fanny Ardent), who already has a husband. When Madame de Berney dies, Balzac is filled with remorse, and his sorrow inspires him to create some of his greatest work; his writing finally gains the acceptance of the mass audience, and Balzac achieves the fame and wealth he's always wanted. However, Balzac's spending soon begins to outstrip his income, and his new celebrity begins to wane when critics respond coolly to his work. Balzac received its American premiere on the Bravo cable television network. ~ Mark Deming, All Movie Guide

Bluebeard is the retelling of the now familiar story of a wealthy aristocrat who marries and murders and marries again. Baron Von Sepper (Richard Burton), the BlueBeard of the story, meets and marries Anne (Joey Heatherton) who becomes suspicious of Von Sepper when she finds evidence of his murders shortly after their wedding. Van Sepper then, in graphic detail, tells Anne the stories of his former wives' lives and deaths. The movie, directed with ham-handed archness by Edward Dmytryk, attempts to tell the story as a black comedy. Despite an array of beautiful women, including (Virna Lisi), (Nathalie Delon) and (Raquel Welch), nothing can distract from the abysmal performances of Burton and Heatherton. The film has some nice costumes and is beautifully photographed by cinematographer Gabor Pogany, but all the humor is unintentional and the actors, particularly Richard Burton all seem to wish they were elsewhere. ~ Linda Rasmussen, All Movie Guide

Marcello Mastroianni portrays the handsome lover Casanova pitted against a thoroughly modern woman. This is a legendary hero often depicted in movies, but this time he is portrayed with a slightly different problem - the only time he's "in the mood" is when he feels that he is in danger. His job as NATO officer offers plenty of opportunity for his sexual arousal problems to be assuaged. ~ Tana Hobart, All Movie Guide

In this romance, the magic of gay Paris is not lost on a young couple who fall in love there. ~ Sandra Brennan, All Movie Guide

A lovely young nurse finds herself framed for the murder of a hospital patient who died after she administered an injection. She goes to court where eventually, the real killer is revealed by his own jilted lover in this French drama. ~ Sandra Brennan, All Movie Guide

George Axelrod's script for How to Murder Your Wife isn't politically correct in the least, but you're likely to get a charge out of it -- provided you are of the male persuasion, that is. Jack Lemmon stars as Stanley Ford, a successful cartoonist and a confirmed bachelor who shares a lavish apartment with his misogynistic manservant, Charles (Terry-Thomas). While attending a friend's bachelor party, Stanley falls head over heels in love with the gorgeous bikini-clad girl (Virna Lisi) who pops out of a cake. He impulsively marries her, but thinks better of it the next day. Alas, Stanleycan't get a divorce because his bride is an Italian Catholic (this is 1966). Dicier still, she is a "domestic goddess," lovingly plying her hubby with rich Italian food until Stanley's once-athletic physique is as bloated as the dirigible Hindenberg. Stanley's descent into husbandhood is reflected in his work: his popular adventure comic strip "Bash Brannigan" metamorphoses into a Blondie-like "idiot husband" daily. As a catharsis, Stanley vicariously "kills" his lovely wife by having Bash Brannigan murder his missus. Stanley's wife sees the finished strip on his desk and runs tearfully out of his life (at least temporarily). The publication of the strip, coupled with his wife's disappearance, results in Lemmon being put on trial for murder. We won't tell you how things turn out; suffice it to say that most feminists will be outraged, while most husbands will laugh immoderately. Eddie Mayehoff and Claire Trevor provide sparkling support as Lemmon's bombastic editor and his dragon-like wife. ~ Hal Erickson, All Movie Guide

Somewhere there is someone who finds the lunatic Italian comedy team of Franco Franchi and Ciccio Ingrassia funny; most filmgoers watch in stony silence, longing for Jerry Lewis to make a comeback. In The Shortest Day, F and C play a pair of zany World War I conscripts who cause more trouble on the front than all the Kaiser's troops combined. To assure international distribution of the Franco and Ciccio films, most of their vehicles featured popular veteran stars in secondary roles. In War Italian Style, Buster Keaton was the unlucky guest performer, while in Dr. Goldfoot and the Girl Bombs Vincent Price did the box-office duty. The Shortest Day, perhaps in emulation of Darryl Zanuck's somewhat more expensive The Longest Day, has a manifest of 44 celebrity "bit actors:" Walter Pidgeon, Simone Signoret, Sylva Koscina, Steve Reeves, Stewart Granger, David Niven, Jean-Paul Belmondo, Anouk Aimee...There are more, but there's no point in embarrassing the entire motion picture industry. ~ Hal Erickson, All Movie Guide

In this Italian drama, Wilma, an aging dance hall girl, befriends La Cicada, a feisty, free-spirited woman who refuses to have sex for money. Together, they go traveling and on the rode take up with the handsome Hannibal, who dreams of opening up his own truck stop/gas station. The two women end up helping him achieve his dream. The place becomes a nightspot which they name La Cicada and turn into a big success. During this time, Wilma marries Hannibal, but Wilma begins worrying that her husband would rather have the young, sexy Cicada. The younger woman proves that he does not want her. When her lovely 18-year-old daughter comes to call, Wilma really gets worried because like her mother, the daughter has also become a whore. ~ Sandra Brennan, All Movie Guide

Set in Italy during WW I, this war drama centers on the off-beat relationship between a Bavarian general an a peasant girl after they both end up captured by a bungling Italian soldier. ~ Sandra Brennan, All Movie Guide