Susan Barnes Movies

In the conclusion of a two-part story (originally telecast as a single one-hour episode), Laverne (Penny Marshall) and Shirley (Cindy Williams) have come to regret their impulsive decision to quit their brewery jobs and join the WACS. Now the girls are in the hands of merciless drill sergeant Alvinia T. Plout (Vicki Lawrence). The situation reaches the crisis stage during a series of staged combat games, with L&S caught in the crossfire between the "Red Team" and the "Blue Team". ~ Hal Erickson, All Movie Guide

Director Robert Aldrich's last film, All the Marbles stars Peter Falk as a "win-at-all-costs" type manager of a ladies tag-team wrestling combo. These girls are good and Falk wants them great. And he doesn't really care what they've got to do to get there. (This film's "R" rating is not for Raunchy, but it could be for "Revealing.") Following sort of a Rocky theme, this film finds our ladies tag team climbing its way to the top of the women's wrestling world where they face off against the world's best. ~ All Movie Guide

In the conclusion of a two-part story, Laverne (Penny Marshall) and Shirley (Cindy Williams) must retrieve an angry letter that they have written to their boss. Unfortunately, it is well "after hours", and the letter is safely locked in the boss' office--which is safeguarded by the most thorough and complex security system in sitcom history! It falls to Lenny (Michael McKean), Squiggy (David L. Lander) and Carmine (Eddie Mekka) to pull off the obligatory "Mission: Impossible" that will save the girls' jobs. ~ Hal Erickson, All Movie Guide

Alex Cox's directorial debut was a wickedly funny and willfully bizarre story that became a major cult item once it began making the art-house rounds a year after its release (an initial run in a string of Southern grind houses and drive-ins, where it was billed as an action film, was a resounding failure). Having lost his job and his girlfriend, punk rocker Otto (Emilio Estevez) meets a guy named Bud (Harry Dean Stanton) who offers him $25 to drive his wife's car out of a "bad area." When a handful of angry people start chasing Otto, he realizes that something is up, and he discovers that Bud repossesses cars for a living. With few immediate prospects, Otto joins Bud at the repo yard and is soon "ripping" cars with the best of them. When an anonymous source posts a $20,000 reward for a missing 1964 Chevy Malibu, it turns out that what's valuable isn't the car itself, but what's in the trunk, which is very hot, glows brightly, and kills anyone who comes in contact with it. A vaguely surreal modern-noir science-fiction comedy with echoes of Kiss Me Deadly (1955), Repo Man is packed with more incongruous sight gags than anyone can absorb in one viewing; keep your eyes peeled for the air fresheners, the generic newspaper box, and the watches without hands. Harry Dean Stanton gives a superb comic performance as the intense but laid-back Bud, Emilio Estevez delivers perhaps the best work of his career as the petulant but goofy Otto, and Tracey Walter is hilarious as the spaced out repo-yard man Miller. Iggy Pop wrote and performed the theme song and The Circle Jerks appear as a lounge band. ~ Mark Deming, All Movie Guide

Co-written by Paul Reubens and Phil Hartman, Pee Wee's Big Adventure marks the debut of director Tim Burton, who stamps the entire film with his quirky trademark style. The premise: Pee Wee (Reubens), an overgrown pre-pubescent boy sporting a molded Princeton cut, blush, lipstick, and a shrunken gray flannel suit, lives an idyllic life in his bizarre home (some have compared the remarkable set design to the expressionistic The Cabinet of Dr. Caligari) until someone nabs his most prized possession: a fire engine-red customized bicycle. He then embarks on an epic cross-country search to find his lost love, not to mention more than a little adventure. Along the way, he makes friends with various oddball characters, visits the Alamo, endures various hallucinatory nightmares, and has a supernatural run-in with a spectral trucker. In this reprisal of his popular standup routine, Reubens is wonderful as the nerdy man child; he plays it silly, yet he manages to imbue the role with some sensitivity without ever seeming maudlin. The score by Danny Elfman is terrific -- as is the case in nearly every film Burton has directed -- and the script is fresh and inventive. Some of the most memorable moments: the opening sequence involving Pee Wee's morning activities is a stroke of genius (note the bunny slippers and talking breakfast), as are the scenes at the truck stop, and the "Hollywood" version of Pee Wee's story at the end (starring James Brolin and Morgan Fairchild in surprise cameos). In all, Pee Wee's Big Adventure is a delightful film, enjoyable for children as well as adults. ~ Jeremy Beday, All Movie Guide

Any film with a cast that runs the age-and-experience gamut from Ione Skye to Maureen O'Sullivan is certainly worth at least one look. Stranded casts Ione as a lonely 17-year-old, living in a remote farmhouse with her grandmother, O'Sullivan. Late one evening, five space aliens crash-land near the farm. Holding Skye and O'Sullivan prisoner, the extraterrestrials run afoul of the law when one of them impulsively kills Ione's boyfriend, who happens to be the son of local hothead and rabblerouser Michael Greene. Despite the aliens' laser weaponry, sheriff Joe Morton intends to treat the incident as a standard hostage crisis, but Greene wants to storm the farmhouse, with no consideration of Skye and O'Sullivan's safety. In true "Stockholm syndrome" fashion, the hostages befriend the more likeable aliens--one of whom is played by Flea, bass player for the Red Hot Chili Peppers. A curious blend of several genres, Stranded has true cult-classic potential, should any distributor want to give it a second chance on the midnight-movie circuit. ~ Hal Erickson, All Movie Guide

A darkly comic and surreal contemporization of Charles Dickens's A Christmas Carol, this effects-heavy Bill Murray holiday vehicle from 1988 sees the former SNL funnyman assuming the role of television executive Frank Cross, the meanest and most depraved man on earth. Cross will stoop to unheard of levels to increase his network's ratings -- even if it means mounting outrageous programs to retain an audience, such as "Robert Goulet's Cajun Christmas" and Lee Majors in "The Night the Reindeer Died," with an AK-47-toting Santa. Cross plots his foulest move, however, for the Christmas holiday, when he will force his office staff to mount a live production of A Christmas Carol on national television -- and thus work through Christmas Eve. Cross's life is turned upside down with visits from three ghosts: a craggy-faced cabbie known as The Ghost of Christmas Past (David Johansen); the sugar-plum fairy Ghost of Christmas Present (Carol Kane) (who gets her jollies by bonking Frank across the face with a toaster oven); and, eventually, the caped, headless Ghost of Christmas Future, who will send Frank sliding into a crematory oven -- just before he gives the sleazoid one last chance to redeem himself. Along the way, the spirits carry Frank to scenes from his past, present, and future (per Scrooge) and impart a glimpse of how he became so thoroughly rotten. The radiant Karen Allen co-stars as Frank's girlfriend, Claire Phillips, and the film packs in cameos from countless celebrities -- among them, Mary Lou Retton, John Houseman, Jamie Farr, and, in a truly grisly and tasteless bit, John Forsythe. Richard Donner directs, from a script credited to the late Michael O'Donoghue and Mitch Glazer. ~ Nathan Southern, All Movie Guide

Made for TV, A Deadly Silence was based on the book by New York Times reporter Dena Kleiman. It is the doleful story of Long Island teenager Cheryl Pierson (Heather Fairfield), who in February of 1986 orchestrated the murder of her electrician father James Pierson (Charles Haid). The film does not argue that Cheryl was innocent. It does, however, delve into the deep waters of "extenuating circumstances". With the utmost taste and discretion, A Deadly Silence reveals that, four at least five years, Cheryl had endured sexual abuse at the hands of her father. Over and above the basic story, the film explores the "deadly silence" of incest-a silence often maintained not only by the victim, but by friends and family members who don't want to cause "trouble". Mike Farrell, Richard Portnow, Jeff Corey and Sally Struther costar, while future Friends regular David Schwimmer essays an important minor role. A Deadly Silence premiered April 16, 1989. ~ Hal Erickson, All Movie Guide

Upset by Carol's dismissive, derisive attitude toward those less fortunate than she, Jason (Alan Thicke) arranges for her to volunteer at the free clinic. While thus occupied, Carol (Tracey Gold) meets a charming ex-convict named Webster (Scott Lawrence), and begins dating him. Not surprisingly, Jason is now sorry that he ever allowed Carol to see "how the other half lives"--and Carol herself experiences a real eye-opener when Webster is confronted by one of his former robbery victims. ~ Hal Erickson, All Movie Guide

The Applegates is the video title for the darkly satirical comedy Meet the Applegates. The titular family, for all intents and purposes human beings, are actually a clan of giant Brazilian Cocorada bugs. Paterfamilias Dick Applegate (Ed Begley Jr.) takes a job with an Ohio nuclear power plant, with the intention of triggering an explosion, thereby exterminating all humankind and allowing the bugs to live in safety. Alas, every one of the Applegates falls victim to assimilation: Dick becomes a typical suburban philanderer, his wife Jane (Stockard Channing) succumbs to the seductions of the credit card, and the Applegate kids transform into obnoxious mall-cruising teens. By the time the Applegates' Aunt Bea (Dabney Coleman) links up with them to supervise the nuclear explosion, the family considers Auntie a nuisance and plots a fitting demise for her. Director Michael Lehmann had previously skewered upper-middle class values in Heathers; completed in 1989, Meet the Applegates buzzed into local cineplexes in 1991. ~ Hal Erickson, All Movie Guide

After being released from an institution, a manic-depressive attempts to get custody of her 5 children and struggles with the opposition of her oldest daughter and the foster parents. ~ All Movie Guide

This ambitious Disney movie uses a remarkable screenplay from Steven L. Bloom and Robert Rodat to tell a rollicking tale of America's transition from a close-to-the-land culture of mythic heroes to a corporate world of real estate tycoons. The strong theme about the decline of folk culture is expressed through a series of high octane adventures experienced by 12-year-old Daniel Hackett (Nick Stahl) at the dawn of the 20th century. Daniel's father, Jonas Hackett (Stephen Lang), runs a farm in a place called Paradise Valley, but his land is coveted by a greedy developer, J.P. Stiles (Scott Glenn). Daniel looks longingly at postcards of New York City while growing increasingly skeptical of his father's tales of legendary folk heroes. Then, through a series of incredible adventures, Daniel meets up with the legends that his father has spoken about -- cowboy Pecos Bill (Patrick Swayze), lumberjack Paul Bunyan (Oliver Platt), and finally, ex-slave and strongman John Henry (Roger Aaron Brown). Each of these heroes hooks up with Daniel and becomes involved in an increasingly bitter and boisterous fight against Stiles, whose plans to buy up land threaten the very strength of the folk heroes and the well-being of the common people. Pecos Bill has a horse named Widowmaker and can lasso a tornado. The giant Bunyan is accompanied by his famous blue ox, Babe. At one point, another legend, the cowgirl Calamity Jane (Catherine O'Hara), joins in the adventures. ~ Michael Betzold, All Movie Guide