Angela Lansbury Movies

Based on the Ferenc Molnar play Olympia, A Breath of Scandal serves as an elegant vehicle for a ravishing Sophia Loren. The star plays Princess Olympia, who despite her station in life cannot resist the urge to satisfy her sexual appetites. Exiled to the countryside, Olympia falls in love with American millionaire Charlie Foster (John Gavin). Meanwhile, a marriage of state is arranged between the princess and Prince Ruprecht of Prussia (Carlo Hintermann). Jealous rival Countess Lina (Angela Lansbury) endangers this union by threatening to tell all about Olympia and Foster. A cute, continental plot twist brings this harmless confection to a close. Maurice Chevalier dispenses his usual all-knowing glances and sly smiles as Olympia's understanding father. A Breath of Scandal was directed by Michael Curtiz, who uncharacteristically allows the pace to lag at crucial junctures. Scriptwriter Sidney Howard was credited with the script posthumously, some 21 years after his death. ~ Hal Erickson, All Movie Guide

Beauty and the Beast is widely considered the best animated Disney feature of the studio's 1980s/1990s renewal of the form. Based on the classic French fairy tale, it tells the story of Belle (voiced by Paige O'Hara), an intelligent young woman scorned by her townspeople for being a bookworm, weary of fighting off the advances of the arrogant Gaston (Richard White), and dreaming of escape. When her father gets lost in the woods and captured by the forbidding Beast (Robby Benson), a once-handsome prince turned into a monster by a witch, Belle goes off to rescue him. Taken with her, the Beast agrees to release Belle's father if she agrees to stay with him forever. Initially repulsed, Belle soon finds much to appreciate in the Beast's hidden, tender nature. The Beast's servants -- a clock (David Ogden Stiers), a teapot (Angela Lansbury), and a candlestick (Jerry Orbach) -- see Belle as their salvation: if the Beast and a woman fall in love before his 21st birthday, he will be free from the curse. The songs are first-class, the tale is told with sincerity but not sentimentality, and the characters of Belle and the Beast, complex individuals who defy stereotyping and change over the course of the story, are more three-dimensional than in most live-action movies. The eye-popping animation is beautifully rendered, and Beauty and the Beast certainly deserves its place amongst Disney's animated classics. In 2002, a special 89-minute edition of the film was released in IMAX theaters with the addition of a newly animated song, ""Human Again."" ~ Don Kaye, All Movie Guide

Broadway's Lost Treasures is a two-hour collection of musical highlights, culled from 19 years (1967-1986) of Tony Awards telecasts by Christopher A. Cohen, son of the original telecasts' producers, Alexander H. Cohen and Hildy Parks. The program is divided into four self-explanatory segments -- "Broadway Divas," "Leading Men," "Dancin'," and "Record Breakers" -- and presented by hosts Angela Lansbury, Jerry Orbach, and Chita Rivera. Musical numbers include the "Broadway Divas": Vivian Blaine ("Adelaide's Lament" from Guys and Dolls), Patti LuPone("A New Argentina" from Evita), Angela Lansbury ("The Worst Pies in London" from Sweeney Todd), Carol Channing ("Before the Parade Passes By" from Hello Dolly), and Julie Andrews ("Send in the Clowns" from A Little Night Music). Next up are the "Leading Men": Zero Mostel ("If I Were a Rich Man" from Fiddler on the Roof), Yul Brynner ("Shall We Dance?" from The King and I), John Raitt ("Hey There" from The Pajama Game), Robert Preston ("Trouble" from The Music Man), and Paul Lynde("Kids" from Bye Bye Birdie). Now for the "Dancin'": Joel Grey ("Wilkommen" from Cabaret), Tommy Tune and Twiggy ("Chasin' the Clouds Away" from My One and Only), Chita Rivera and Gwen Verdon perform "All That Jazz" and "Nowadays" from Chicago, and Jerry Orbach from 42nd Street ("Lullaby of Broadway"). Then there are the "Record Breakers": Andrea McArdle and cast ("Tomorrow" from Annie), the cast of Annie ("You're Never Fully Dressed Without a Smile"), and Betty Buckley and the cast of Cats) ("Jellicle Songs" and "Memory"). This also includes the bonus performances not seen on the PBS pledge-special broadcasts: Ann Miller and Mickey Rooney ("McHugh Medley" from Sugar Babies), Patti LuPone ("Buenos Aires" from Evita), Barbara Harris ("Movie Star Gorgeous" from The Apple Tree), Bonnie Franklin ("Applause" from Applause), and Dorothy Loudon and cast ("Easy Street" and "Tomorrow" (reprise) from Annie). ~ Laura Mahnken, All Movie Guide

Directed by Rick McKay, who traveled across five continents during the documentary's production, Broadway: The Golden Age is both a celebration of current Broadway stars and a tribute to Broadway legends past. Through a plethora of interviews and vast amounts of archival footage, McKay presents a variety of factoids, anecdotes, and memories from over 100 Broadway actors, writers, and directors. The careers of Laurette Taylor, Kim Hunter, Jessica Tandy, and Marlon Brando are all animatedly retold, as is some of the Broadway "lore of olde," such as Angela Lansbury's struggle to land a role in Mame and the shocked reaction to West Side Story on its opening night. In addition to footage and discussion regarding highly successful Broadway stars, a variety of actors recount their experiences and struggles in finding even a small amount of critical recognition. The cast includes Shirley MacLaine, Bea Arthur, Edie Adams, Alec Baldwin, and Kaye Ballard, and many others. ~ Tracie Cooper, All Movie Guide

Legendary film preservationist Kevin Brownlow (infamous for his 1982 restoration of Abel Gance's Napoléon) and Patrick Stanbury co-helm the affectionate cinematic homage Cecil B. DeMille: American Epic. As narrated by Kenneth Branagh, this documentary explores the life, legacy, and cultural contributions of director extraordinaire DeMille, widely regarded as the 20th-century equivalent of P.T. Barnum -- and hence, one of the greatest showmen in modern history. The film documents how DeMille became the first individual to define the perfect cinematic admixture to satisfy the taste of the average lay viewer: a combination of unearthly sets, magnificent costumes, and earth-shaking spectacles, cloaked in an oxymoronic blend of two-dimensional moralizing and envelope-pushing sexuality -- in other words, the very same formula still employed by Hollywood, decades after DeMille's death. A number of top American filmmakers turn up to offer insights into DeMille's craft, including Steven Spielberg and Martin Scorsese, as well as actors including Charlton Heston and Angela Lansbury; several of DeMille's family members also shed light on the director's private life and personal relationships. The film discusses DeMille's childhood and early theatrical career, his co-establishment of Paramount Pictures, and his production of some of Hollywood's most magnificent spectacles, including Cleopatra (1934), Samson and Delilah (1949), and The Ten Commandments (1956, for which, Brownlow and Stanbury interpolate stunning behind-the-scenes footage of the parting of the Red Sea). Brownlow received the coveted Mel Novikoff Award in the year of this film's release. ~ Nathan Southern, All Movie Guide

Ingrid Bergman won her first of three Oscars for this suspense thriller, crafted with surprising tautness by normally genteel "women's picture" director George Cukor. Bergman stars as Paula Alquist, a late 19th century English singer studying music in Italy. However, Paula abandons her studies because she's fallen in love with dapper, handsome Gregory Anton (Charles Boyer). The couple marries and returns to the U.K. and a home inherited by Paula from her aunt, herself a famous singer, who was mysteriously murdered in the house ten years before. Once they have moved in, Gregory, who is in reality a jewel thief and the murderer of Paula's aunt, launches a campaign of terror designed to drive his new bride insane. Though Paula is certain that she sees the house's gaslights dim every evening and that there are strange noises coming from the attic, Gregory convinces Paula that she's imagining things. Gregory's efforts to make Paula unstable are aided by an impertinent maid, Nancy (teenager Angela Lansbury in her feature film debut). Meanwhile, a Scotland Yard inspector, Brian Cameron (Joseph Cotten), becomes suspicious of Gregory and sympathetic to Paula's plight. ~ Karl Williams, All Movie Guide

Of the two competing Jean Harlow biopics released in 1965, producer Joseph E. Levine's Harlow is the more slickly professional, though neither film is exactly a cinematic landmark. Carroll Baker plays 1930s "platinum blonde" Jean Harlow, who, in keeping with the portrait painted by biographer Irving Schulman and Arthur Landau (upon whose book this film is based) was a forlorn waif tossed around like a football by the predatory males of wicked old Hollywood. Prodded by a hellish stage mother (Angela Lansbury) and an implicitly incestuous stepfather (Raf Vallone), Harlow rises to the pinnacle of movie stardom but never finds true happiness. The wedding-night revelation that her new husband, producer Paul Bern (Peter Lawford), is impotent is just another devastating blow for the poor girl. After all she goes through in the film, Harlow's premature death at age 26 is almost a relief. The only person who truly, deeply, sincerely cares about her is her lovable agent Arthur Landau (played by lovable Red Buttons) who, it will be remembered, co-authored the original Harlow book. Movie buffs will derive some perverse pleasure by the script's many distortions of the facts. Whatever its shortcomings, Harlow posted a huge profit for Joe Levine and Paramount Pictures. ~ Hal Erickson, All Movie Guide

In this drama of romantic intrigue and infidelity, Sam and Christine Bonner (Arthur Hill and Jane Fonda) are a married couple whose relationship has hit a rough spot. While Sam loves Christina very much and would do anything for her, she feels unsatisfied and suffocated by him; she wants more space for herself and would like to have a baby. Sam is more than willing to help, but matters become more complicated when he introduces Christine to Murray Logan (Peter Finch), a friend from work, and his wife Sybil (Angela Lansbury). Murray and Sybil are not at all happy together; ever since an auto wreck claimed the life of their son, Sybil has been emotionally on edge and blames her husband for the death of her child. When Murray meets Christine, he finds himself attracted to her; she is also interested in him, but neither are in a position to do anything about it. Sam arranges for the two couples to take a vacation to Greece together, hoping a change of scenery will bring a spark back into their lives. However, Sam's father Frederick (Alexander Knox) falls ill just as the couples are about to leave, and he's forced to stay behind. While in Greece, Murray and Christine finally succumb to their desires and begin an affair; an angry Sybil retaliates by both having a fling with a local man and spilling the beans to Sam about Murray and his wife. John Houseman, later to become famous as an actor, served as a producer on this film. ~ Mark Deming, All Movie Guide

This documentary video looks at the life of actress Ingrid Bergman. Clips from her movies, home life and interviews are all included. ~ All Movie Guide

This remake of the 1935 version is considered far superior to the original. It is the harrowing story of a kindly old British woman with a love of art who is tricked into allowing an artist, his wife, and another couple into staying in her house. They then begin holding her prisoner in her home while they ransack her art collection. Eventually she is able to escape and facilitate the crooks' capture. ~ Sandra Brennan, All Movie Guide

Angela Lansbury guest stars as Eleanor Duvall, the wealthy and politically powerful mother of suspected serial rapist Gabriel Duvall (Alfred Molina). The SVU team has built up a persuasive case against Gabriel, accusing him of preying upon illegal aliens who are in no position to testify against him. Using her hotshot lawyer Jason Whittaker (Bradley Cooper) as her mouthpiece, Eleanor threatens dire consequences against the detectives if they continue to "harrass" her son--and she has the clout to back up these threats. The situation becomes painfully personal when, shortly after Gabriel is released for lack of evidence, Assistant DA Novak (Diane Neal) is savagely attacked. Rita Moreno costars as a feisty immigrant-rights activist. Originally telecast May 3, 2005, "Night" is the first episode of a two-part story which concluded the same evening on the Law&Order: Special Victims Unit's "sister" series Law & Order: Trial by Jury, with that show's regulars Bebe Neuwirth, Kirk Acevedo and Fred Dalton Thompson appearing in both episodes. ~ Hal Erickson, All Movie Guide

Angela Lansbury guest stars as crime novelist and amateur sleuth Jessica Fletcher in this crossover episode with Lansbury's own series Murder, She Wrote. When one of Robin Master's guests (Dorothy Loudon) is marked for murder, Magnum finds himself working with--and against--the redoubtable Ms. Fletcher to root out the killer. A man who likes to deal in facts and logical deductions, Magnum is continually flustered by Jessica's intuitive approach to crime-solving, much to the (presumed!) delight of the viewer. Ending on a cliffhanger, this episode was originally Part One of a two-part story which concluded with the Murder She Wrote episode "Magnum on Ice"; however, a new ending which neatly wraps up the storyline was filmed for the Magnum, P.I. syndication package. (Curiously, the story remains open-ended in the DVD version of "Novel Connection".) ~ Hal Erickson, All Movie Guide

Anthony Shaw directs his mother, Angela Lansbury of Murder She Wrote, in this lighthearted made-for-television adventure. Set in the 1950's, Lansbury stars as Mrs. Harris, a common British woman so intent on owning a Dior gown, that she slaves and scrimps for years. However, upon travelling to Paris to make the purchase, Mrs. Harris encounters a series of unexpected characters and events that stand between her and the coveted gown. Originally broadcast in 1992, the film also features supporting performances by Diana Rigg, Lothaire Bluteau, and Omar Sharif. ~ Matthew Tobey, All Movie Guide