Elsa Lanchester Movies

The Arnold of Arnold, like the Harry of The Trouble With Harry, is stone cold dead from the outset of this film. That doesn't stop Arnold's mistress Stella Stevens from marrying the corpse so as to come into his millions. The trick is to hide the fact that Arnold is indeed stiff as a mackerel. To accomplish this, a series of murders is a necessity. Special guest victims include Stevens' wastrel brother Roddy McDowall, her dotty sister Elsa Lanchester, handyman Jamie Farr, as well as lawyers Farley Granger and Patric Knowles. Also on hand are such dependables as Victor Buono, Shani Wallis, John McGiver and Bernard Fox. The script is by TV-sitcom stalwarts Jameson Brewer and John Fenton Murray. As one-joke films go, Arnold is as good as any. ~ Hal Erickson, All Movie Guide

Blackbeard's Ghost was one of the first Disney productions released after Walt's death. Peter Ustinov stars as the eponymous wraith, who returns to Earth to come to aid of his descendant, elderly Elsa Lanchester. The villains want to kick Lanchester and her friends out of their group home so that they can build a crooked casino. Good guy Dean Jones evokes the spirit of Blackbeard to thwart the bad guys. The supporting cast ranges from Richard Deacon to Gil Lamb, while Peter Ellenshaw performs the visual effects with mattes, miniatures, and process screens. ~ Hal Erickson, All Movie Guide

A Christmastime TV perennial, Come to the Stable is the gentle saga of two French nuns (Celeste Holm with accent, Loretta Young without) who come to America in hopes of raising funds for a children's hospital. Travelling to a small New England town presciently named Bethlehem, the nuns befriend eccentric painter Elsa Lanchester, who allows them to use her studio (actually a stable) for their base of operations. Utterly ingenuous when it comes to American mores and customs (they tear up a parking ticket, assuming it to be an advertisement), the sisters raise money in a variety of amusing fashions. One of their "agents" is outwardly tough gambler Mike Mazurki, who gets his equally raffish pals to invest in the hospital. And towards the end, the nuns even play a little professional tennis to raise money. Careful not to overwhelm the viewer with sentiment and religiosity, Come to the Stable (based on a story by Clare Booth Luce) is ideal holiday film fare. ~ Hal Erickson, All Movie Guide

In this black comedy, a humble cab driver spends his days daydreaming of becoming a rock-star. His blissful reverie is one day interrupted when ends up inadvertently blamed for the assassination of a world-renowned nuclear scientist. Soon afterward he finds that he has a stowaway, the late scientist's chimpanzee, the only one who knows his master's secret formula, which if ever written down could cause the destruction of the world. Now the hapless taxi driver must evade both the cops and two villainous Russian Spies. ~ Sandra Brennan, All Movie Guide

Elvis Presley hits the high seas in this musical comedy. Ted Jackson (Presley) is a former Navy frogman who divides his time between twin careers as a deep sea diver and nightclub singer. Ted discovers what he believes could be a fortune in Spanish gold aboard a sunken ship and sets out to rescue it with the help of go-go dancing yoga expert Jo Symington (Dodie Marshall). However, Gil Carey (Skip Ward) is also after the treasure and uses his girlfriend Dina Bishop (Pat Priest) to foil Ted's plans. Elvis sings six tunes in this picture, including the deathless "Yoga Is as Yoga Does" and "The Love Machine." ~ Mark Deming, All Movie Guide

Though the title role of Frenchie goes to Shelley Winters, top billing in this period actioner is bestowed upon Joel McCrea as sheriff Tom Banning. Hoping to find her father's murderers, New Orleans gambling-house proprietress Frenchie Fontaine (Shelley Winters) sets up shop in the Wild West. With the help of sheriff Banning, Frenchie is able to locate one of the two killers. But after tracking down the second culprit, Banning finds himself facing a murder charge. Though it isn't readily obvious, Frenchie is actually a reworking of 1939's Destry Rides Again, with Joel McCrea and Shelley Winters playing variations of the characters originally essayed by James Stewart and Marlene Dietrich. ~ Hal Erickson, All Movie Guide

Intending to marry Cynthia (Anne Helm), Jay Menlow (Robert Morse) is stranded at the alter on the day of the blessed occasion. Left with a paid Honeymoon vacation in the Caribbean, Jay takes along best man Ross Kingsley (Robert Goulet) to the Boca Boca, a "honeymooners only" resort. Ross soon finds an attractive companion in the resort's social director, Lynn Hope (Nancy Kwan). Jay, on the other hand, shows signs of weakening to Cynthia's telephone apologies and Ross desperately attempts to prevent their reconciliation so he may continue to enjoy the arrangement. When Ross' employer Mr. Sampson (Keenan Wynn) arrives on the scene with his blank-headed mistress, Sherry (Jill St. John), things begin to get a bit crazy. Shortly thereafter, Mr. Sampson's wife (Elvia Allman) arrives looking for her philandering husband. Finally Cynthia appears on the frantic scene to ensure chaos in the proceedings. ~ Kristie Hassen, All Movie Guide

This by-the-numbers TV movie features an all-star cast in a comedy of marital mix-ups and misunderstandings. Consultants Michael Callan and Ann Prentiss arrange the marriages of several couples, only to discover that all the unions are illegal. Among those affected are a cop (Christopher Connelly) and his hippie spouse (Heather Young); A bachelor at heart (Bill Daily) who thinks he'd be happier without his wife (Elinor Donahue); and a dull missus (Ruth Buzzi) and her "swinger" hubby (Herb Edelman). Whether or not the now-unmarried couples will want to tie the knot legally forms the basis of the comedy. In Name Only has innocently caused resentment among film buffs who've tuned in expecting to see the 1939 film In Name Only, a quite different dramatic opus starring Cary Grant and Carole Lombard. ~ Hal Erickson, All Movie Guide

Female dogs tend to shed while in heat; this is why all the collies who've played doggy heroine Lassie in the movies have actually been well-disguised males. A magnificent animal named Pal was the screen's first Lassie in 1943's Lassie Come Home. Set in Yorkshire during the first World War, the film gets under way when the poverty-stricken parents (Donald Crisp, Elsa Lanchester) of young Joe Carraclough (Roddy McDowall) are forced to sell his beloved Lassie. While her new master, the duke of Rudling (Nigel Bruce), is pleasant enough, Lassie prefers the company of Joe and repeatedly escapes. Even when cared for by the duke's affectionate granddaughter, Priscilla (Elizabeth Taylor), Lassie insists upon heading back to her original home. This time, however, the trip is much longer, and Lassie must depend upon the kindness of strangers, notably farmers Dally (Dame May Whitty) and Dan'l Fadden (Ben Webster) and handyman Rowlie (Edmund Gwenn). Based on the novel by Eric Knight (originally serialized in The Saturday Evening Post), Lassie Come Home was released quite some time after Knight's death. Like all the Lassie sequels turned out by MGM between 1943 and 1951, Lassie Come Home was lensed in Technicolor. ~ Hal Erickson, All Movie Guide

Long resistant to film adaptations of her Mary Poppins books, P.L. Travers finally succumbed to the entreaties of Walt Disney, and the result is often considered the finest of Disney's personally supervised films. The Travers stories are bundled together to tell the story of the Edwardian-era British Banks family: the banker father (David Tomlinson), suffragette mother (Glynis Johns), and the two "impossible" children (Karen Dotrice and Matthew Garber). The kids get the attention of their all-business father by bedevilling every new nanny in the Banks household. Whem Mr. Banks advertises conventionally for another nanny, the kids compose their own ad, asking for someone with a little kindness and imagination. Mary Poppins (Julie Andrews in her screen debut) answers the children's ad by arriving at the Banks home from the skies, parachuting downward with her umbrella. She immediately endears herself to the children. The next day they meet Mary's old chum Bert (Dick Van Dyke), currently employed as a sidewalk artist. Mary, Bert, and the children hop into one of Bert's chalk drawings and learn the nonsense song "Supercalifragilisticexpialidocious" in a cartoon countryside. Later, they pay a visit to Bert's Uncle Albert (Ed Wynn), who laughs so hard that he floats to the ceiling. Mr. Banks is pleased that his children are behaving better, but he's not happy with their fantastic stories. To show the children what the real world is like, he takes them to his bank. A series of disasters follow which result in his being fired from his job. Mary Poppins' role in all this leads to some moments when it is possible to fear that all her good work will be undone, but like the magical being she is, all her "mistakes" lead to a happy result by the end of the film. In 2001, Mary Poppins was rereleased in a special "sing-along" edition with subtitles added to the musical numbers so audiences could join in with the onscreen vocalists. ~ Hal Erickson, All Movie Guide

As penned by Neil Simon, this satire of movie mysteries is set in motion when several prominent detectives are invited to the mansion of the reclusive Lionel Twain (Truman Capote). In Ten Little Indians fashion, the gathered sleuths are locked into the forbidding mansion, and subject to various death-dealing devices. While struggling for their lives, the vainglorious gumshoes continue to try to one-up one another. Each character is broadly based on a famous literary detective: Sidney Wang (Peter Sellers) is an aphorism-spouting Charlie Chan clone: Dick and Dora Charleston (David Niven and Maggie Smith) are patterned on the protagonists of the Thin Man flicks; Milo Perrier (James Coco), a Hercule Poirot takeoff, stalks through the proceedings declaring "I'm a Belgie, not a Frenchie!"; Sam Diamond (Peter Falk) is Raymond Chandler's Philip Marlowe and Dashiell Hammett's Sam Spade rolled in one; and Jessica Marbles (Elsa Lanchester) is a dottier variation of Agatha Christie's Miss Marple. Best bit: a "conversation" between blind butler Jamessir Bensonmum (Alec Guinness) and deaf-mute maid Yetta (Nancy Walker). The fade-out gag of Sherlock Holmes and Dr. Watson showing up late for Lionel Twain's party was edited from the theatrical version of Murder by Death, but was restored for TV. The film marked the big-screen directorial debut of Robert Moore, who'd previously directed several of Neil Simon's Broadway productions. Moore went on to direct another Simon spoof, The Cheap Detective (1978), before his untimely death. ~ Hal Erickson, All Movie Guide

Blonde good-time girl Vivian Heldon (Jan Sterling), who lives in a cheap rooming house in a working-class section of Boston, run by the inquisitive and neurotic Mrs. Smerrling (Elsa Lanchester), goes out one night after a phone conversation with her boyfriend, proclaiming that she's got big plans and might even move to a nicer place. After putting in her shift as a waitress at a cheap dive called The Grass Skirt, she latches onto Henry Shanway (Marshall Thompson), an innocently drunk patron, who's trying to wash away his sadness over his wife's stillborn child. She uses Henry's car with him in tow to drive out to Cape Cod, then strands him on foot and meets her boyfriend -- but when she arrives, he puts a bullet into her, then strips the body, throws it into the sea, and drops the clothes and the car into a lake. Six months later, an ornithologist from the cape spots the skeleton of a human foot sticking up through the sand.

Enter Lt. Peter Morales (Ricardo Montalban) of the Boston PD; he and his partner on this case, Det. Sharkey (Wally Maher), bring the bones to Dr. McAdoo (Bruce Bennett), of Harvard University's forensic medical laboratory. Over the next few days, McAdoo and his staff are able to determine the gender, age, and general appearance of the person to whom the bones belonged, and that this is a case of murder -- and that the victim was pregnant. Morales and Sharkey, combing through what they know about the victim and the missing persons records of six nearby states, eventually tie the skeleton up with Vivian Heldon, who disappeared on just about the same day the victim was killed, and also to Shanway's car, which he reported stolen that day. The poor slob, who is merely trying to cover up a drunken lapse from his wife (Sally Forrest), acts guilty enough and lies about just enough so that Morales is certain that he's the murderer. His investigation isn't helped by the interference of Mrs. Smerrling, who sold Vivian's belongings when she didn't return to her room, and now seems fixated, even obsessed with the details of the case and its connection to her rooming house. While the police tighten the screws on Shanway, she backtracks Vivian's phone calls and makes contact with the woman's boyfriend, James Joshua Harkley (Edmon Ryan), member of a wealthy Boston family, and a married man; she also manages to steal a vital piece of evidence. But instead of turning it over to the police, she uses it to blackmail Harkley.

Meanwhile, the district attorney sets an early trial date for Shanway, but with the opening arguments only a week away, Morales begins to develop doubts about Shanway's guilt, in addition to harboring his own sympathy for Grace Shanway, whose life is being gradually destroyed by the prosecution on her husband -- not that Morales thinks he's innocent, but there's enough that's not right about the case, including the missing murder weapon, that he's not 100-percent sure. And that's when Vivian's friend and neighbor, Jackie Elcott (Betsy Blair) reports how strangely Mrs. Smerrling is acting, and the fact that she's got a gun. But before they can question her, Harkley kills Mrs. Smerrling -- now it's a race between Morales and Harkley to see who can get to the murder weapon first. ~ Bruce Eder, All Movie Guide