Elsa Lanchester Movies

With George Bernard Shaw safely in his grave, RKO chief Howard Hughes had no qualms about twisting and bending Shaw's Androcles & the Lion to accommodate his own notions of entertainment. Happier, wiser heads prevailed before the Hughes-commissioned "Vestal Virgins" sequence, complete with near-naked dancing girls, was foisted on the public. Originally, Harpo Marx was to have played Androcles, the simple-hearted Christian tailor whose friendship with a lion saves himself and his friends from martyrdom in the Roman Colosseum. A few days into shooting, however, Harpo was replaced by Alan Young, who was okay but not in Marx's league. RKO habitués Jean Simmons and Victor Mature co-star as, respectively, a courageous Christian girl and the bullheaded Roman captain who falls in love with her. Every Shaw play has one character who acts as the playwright's alter ego; in Androcles, it's none other than Caesar himself, here wittily essayed by Maurice Evans. Director Chester Erskine co-adapted the play for the screen with Ken Englund; serving as producer was Gabriel Pascal. ~ Hal Erickson, All Movie Guide

Blackbeard's Ghost was one of the first Disney productions released after Walt's death. Peter Ustinov stars as the eponymous wraith, who returns to Earth to come to aid of his descendant, elderly Elsa Lanchester. The villains want to kick Lanchester and her friends out of their group home so that they can build a crooked casino. Good guy Dean Jones evokes the spirit of Blackbeard to thwart the bad guys. The supporting cast ranges from Richard Deacon to Gil Lamb, while Peter Ellenshaw performs the visual effects with mattes, miniatures, and process screens. ~ Hal Erickson, All Movie Guide

A Christmastime TV perennial, Come to the Stable is the gentle saga of two French nuns (Celeste Holm with accent, Loretta Young without) who come to America in hopes of raising funds for a children's hospital. Travelling to a small New England town presciently named Bethlehem, the nuns befriend eccentric painter Elsa Lanchester, who allows them to use her studio (actually a stable) for their base of operations. Utterly ingenuous when it comes to American mores and customs (they tear up a parking ticket, assuming it to be an advertisement), the sisters raise money in a variety of amusing fashions. One of their "agents" is outwardly tough gambler Mike Mazurki, who gets his equally raffish pals to invest in the hospital. And towards the end, the nuns even play a little professional tennis to raise money. Careful not to overwhelm the viewer with sentiment and religiosity, Come to the Stable (based on a story by Clare Booth Luce) is ideal holiday film fare. ~ Hal Erickson, All Movie Guide

The 80-star cast of Forever and a Day would certainly not have been feasible had not most of the actors and production people turned over their salaries to British war relief -- a point driven home during the lengthy opening credits by an unseen narrator. The true star of the film is a stately old manor house in London, built in 1804 by a British admiral (C. Aubrey Smith) and blitzed in 1940 by one Adolf Hitler. Through the portals of this house pass a vast array of Britons, from high-born to low. The earliest scenes involve gay blade Lt. William Trimble (Ray Milland), wronged country-girl Susan (Anna Neagle), and wicked landowner Ambrose Pomfret (Claude Rains). We move on to a comic interlude involving dotty Mr. Simpson (Reginald Owen), eternally drunken butler Bellamy (Charles Laughton), and cockney plumbers Mr. Dabb (Cedric Hardwicke) and Wilkins (Buster Keaton). Maidservant Jenny (Ida Lupino) takes over the plot during the Boer War era, while the World War I sequence finds the house converted into a way-station for soldiers (including Robert Cummings) and anxious families (including Roland Young and Gladys Cooper). Finally we arrive in 1940, with American Gates Pomfret (Kent Smith) and lady-of-the-house Lesley Trimble (Ruth Warrick) surveying the bombed-out manor, and exulting over the fact that the portrait of the home's founder, Adm. Eustace Trimble (Smith), has remained intact -- symbolic proof of England's durability in its darkest hours. The huge cast includes Dame May Whitty, Edward Everett Horton, Wendy Barrie, Merle Oberon, Nigel Bruce, Richard Haydn, Donald Crisp, and a host of others -- some appearing in sizeable roles, others (like Arthur Treacher and Patric Knowles) willingly accepting one-scene bits, simply to participate in the undertaking. Seven directors and 21 writers were also swept up in the project. Forever and a Day was supposed to have been withdrawn from circulation after the war and its prints destroyed so that no one could profit from what was supposed to have been an act of industry charity. Happily for future generations, prints have survived and are now safely preserved. ~ Hal Erickson, All Movie Guide

Hell's Half Acre was written directly for the screen by Steve Fisher, whose I Wake Up Screaming remains one of the definitive "film noirs". The scene is a rundown section of Honolulu, where there dwells a group of wannabes, hasbeens and never-weres. While trying to go straight in this environment, ex-racketeer Chet Chester (Wendell Corey) is shaken down by his former criminal cohorts. Chester's girl friend Rose (Nancy Gates) kills one of his tormentors, whereupon Chester takes the blame, assuming that he's still got enough pull to get off with a light sentence. Meanwhile, Dona Williams (Evelyn Keyes) arrives on the scene, certain that Chester is her long-lost husband. When Rose is murdered, Chester escapes from jail, intending to prove Dona's innocence--and to square accounts with the 10-year-old son he never knew he had. Elsa Lanchester provides much-needed laughs as a dotty cabdriver. Dismissed upon its first release, Hell's Half Acre is now considered one of the most durable of Republic's mid-1950s features. ~ Hal Erickson, All Movie Guide

In another "on the road" story arc, the Ricardos and the Mertzes prepare to vacation in Florida. When Lucy (Lucille Ball) loses two of the train tickets, she and Ethel (Vivian Vance) advertise for a traveling companion to help drive to Florida and pay expenses. The ad is answered by Mrs. Grundy (Elsa Lanchester), an eccentric health-food fanatic who seems to be in a terrible hurry to get to the Sunshine State. En route to their destination, Lucy and Ethel are confronted with "evidence" suggesting that Mrs. Grundy may be the notorious ax murderer Evelyn Holmby! Also appearing in this episode is a young, clean-shaven, decidedly pre-Cool Hand Luke Strother Martin. ~ Hal Erickson, All Movie Guide

In this taut, creepy melodrama, a housemaid works as the companion of an aging, retired British actress. One day the maid (Ida Lupino) is visited by her two looney half sisters. The actress finds the slightly mad sisters intolerable and demands that they leave. Unfortunately, the maid realizes that if the sisters are sent away they will end up involuntarily committed to an insane asylum and so the maid kills the actress and lets the sisters stay. Things go well until a suspicious relative shows up and starts to investigate. Nominated for Oscars for Best Interior Decoration and Best Score, Ladies in Retirement is based upon a stage play that was in turn based upon the true story from 1886. ~ Sandra Brennan, All Movie Guide

Not up to the classic 1935 presentation, this is still an excellent adaptation of Victor Hugo's epic novel. The familiar characters of Valjean and Javert and the agonies of injustice are all portrayed convincingly against a backdrop of 18th century France. ~ Tana Hobart, All Movie Guide

The first of MGM's phenomenally profitable Jeanette MacDonald-Nelson Eddy musicals, Naughty Marietta takes several beneficial liberties with the libretto of the original Victor Herbert operetta. MacDonald plays an 18th-century French princess who escapes an arranged marriage by posing as a "cake girl," a mail-order bride sent to the New World to marry a colonist. En route, MacDonald and the other brides are captured by pirates, but are rescued by mercenary Eddy and his roistering companions. To avoid marrying some lowly farmer or frontiersman, simon-pure MacDonald intimates that she is a woman with a "history," which makes her attractive to the glitterati of old New Orleans. Only Eddy sees through MacDonald's feigned "naughtiness," and in the end claims her for his own. The most memorable of the Herbert songs retained for the film version of Naughty Marietta was "Ah, Sweet Mystery of Life", which remained one of Jeanette MacDonald's signature tunes ever afterward. ~ Hal Erickson, All Movie Guide

Originally titled Passport to Destiny, RKO's Passport to Adventure manages to be both whimsical and melodramatic all at once. Elsa Lanchester stars as a Cockney charwoman who sneaks into wartime Berlin, fully intending to kill Adolf Hitler. Lanchester is convinced that a snake-eyed charm left to her by her late military-officer husband will protect her from harm-and, given the ease with which she obtains a domestic job in the Berlin chancellory by posing as a deaf-mute, who's to say that the charm doesn't work? Once the Nazis catch on to Lanchester's mission, she is rescued by German officer Gordon Oliver, who happens to be a member of the underground resistance. One of the best bits in Passport to Adventure occurs at the beginning, when Elsa Lanchester gazes reverently upon a photo of her dear departed husband-whom we immediately recognize as Lanchester's real-life hubby Charles Laughton. ~ Hal Erickson, All Movie Guide

Rascal, the Sterling North novel that has been a longtime fixture of Scholastic Magazine book clubs, was given Tiffany treatment by the Disney studios in 1969. Bill Mumy plays young Sterling North, whose Wisconsin childhood is enriched through his friendship with a stray raccoon. Though lacking the emotional depth of the novel, the film is distinguished by the lovingly detailed outdoor photography that has always been a Disney hallmark. Likewise a "regular" in the Disney canon are scenes of animals wreaking comic destruction and wild chase sequences, and Rascal does not flag when offering these. A favorite of the Saturday matinee circuit, Rascal has in recent years become a standard weekend TV offering whenever a sports event is rained out or otherwise delayed. ~ Hal Erickson, All Movie Guide

This period swashbuckler film is based on the adventure novel Benjamin Blake by Edison Marshall, who also wrote The Vikings (1958). When his brother dies, scheming Arthur Blake (George Sanders) kidnaps his own nephew, Benjamin (played as a youth by Roddy McDowall and as an adult by Tyrone Power). Arthur's purpose is to claim his brother's dukedom for himself. Put to work as a stable boy, Benjamin grows up and develops a crush on his own cousin Isabel (Frances Farmer). When Arthur discovers this, he mercilessly beats Benjamin, who runs away and sails to India on a cargo ship to make his fortune. In Polynesia, he and a friend, Caleb (John Carradine), jump ship and set up camp on a tropical island paradise. There, Benjamin and Caleb become rich mining pearls, while Benjamin falls in love with a native girl, Eve (Gene Tierney). Now that he has amassed wealth, however, Benjamin is determined to return to England and get his revenge on Uncle Arthur. ~ Karl Williams, All Movie Guide