William Katt Movies

Jan-Michael Vincent plays a self-destructive beach bum to whom surfing is a Zen experience. We first meet Vincent in the devil-may-care 1960s, in the company of his carefree buddies William Katt and Gary Busey. The boys reunite ten years later, after one has served time in Vietnam. The beach is still there, the waves still break upon the shore, and towards the end of the film, the characters become people that we truly care about. Barbara Hale, the real-life mother of costar William Katt, makes a piquant supporting appearance. Cut from 129 minutes to 104 for its pay-cable release, Big Wednesday is also known as Summer of Innocence. ~ Hal Erickson, All Movie Guide

This "prequel" to the Newman/Redford vehicle Butch Cassidy and the Sundance Kid was written by TV sitcom veteran Allan Burns and stars Tom Berenger as Butch and William Katt as Sundance. The film, per its title, traces the formative days of Butch and Sundance's careers as soft-hearted western outlaws, and their creation of the Hole-in-the-Wall Gang. There's no Etta Place this time around; the fictional heroine, named Mary, is played by Jill Eikenberry. Only Jeff Corey, as Sheriff Ray Bledsoe, repeats his role from the original film. ~ Hal Erickson, All Movie Guide

This classic horror movie based on Stephen King's first novel stars Sissy Spacek as Carrie White, a shy, diffident teenager who is the butt of practical jokes at her small-town high school. Her blind panic at her first menstruation, a result of ignorance and religious guilt drummed into her by her fanatical mother, Margaret (Piper Laurie), only causes her classmates' vicious cruelty to escalate, despite the attentions of her overly solicitous gym teacher (Betty Buckley). Finally, when the venomous Chris Hargenson (Nancy Allen) engineers a reprehensible prank at the school prom, Carrie lashes out in a horrifying display of her heretofore minor telekinetic powers. Many films had featured school bullies, but Carrie was one of the first to focus on the special brand of cruelty unique to teenage girls. Carrie's world is presented as a snake pit, where the well-to-do female students all have fangs -- even the reticent Sue Snell (Amy Irving) -- and all the males are blind pawns, sexually twisted around the fingers of Chris and her evil cronies. The talented supporting cast includes John Travolta, P.J. Soles, and William Katt. One of the genre's true classics, the film was followed by a sequel in 1999, as well as by a famously unsuccessful Broadway musical adaptation that starred Betty Buckley, the movie's gym teacher, as Margaret White. ~ Robert Firsching, All Movie Guide

The message of this direct-to-video thriller may be that it is possible for a daughter to love her father too much, especially when she will cheerfully murder anyone who threatens to come between them. ~ Sandra Brennan, All Movie Guide

In this psycho thriller, Richard Sullivan is a mild-mannered, trusting ad-man who is tickled when his long lost cousin Harry suddenly shows up at his door. Harry is accompanied by Connie, his fiancee and the innocent Richard welcomes them into his happy home. Unfortunately, whereas Richard, his wife Kate and their son Alex live an idyllic existence, Harry and Connie's relationship is stormy and unstable. Connie constantly whines about wanting the perfect home, and both of them are intensely envious of the Sullivans. Their jealousy takes a darker turn when they try to become the Sullivans. First they begin undermining Richard and Kate's authority over Alex. Then Harry and Connie begin going through the couple's personal effects and files. Eventually, the spooky duo begins impersonating the Sullivans as much as they can. When Kate begins to get suspicious,the story takes a deadly turn for neither she nor Richard realize that they are dealing with cold-blooded, murderous psychopaths. ~ Sandra Brennan, All Movie Guide

Aspiring TV journalist Sally McCormick (Suzanne Somers) can't get anyone to hire her--and the reason, she concludes, is that she is simply too chubby for the small screen. Although her boyfriend Andrew Burns (William Katt) tells her that eventually her talent will be judged separate from her weight, Sally would give anything to be thin; in fact, she would even sell her soul. Enter Seymour Kecker (Dabney Coleman), a somewhat diabolical spokesman for a popular weight-loss product. Entering into the standard Faustlike deal with Seymour, portly Sally becomes a sylphlike "Size Six" literally overnight, and before long she is anchoring the news at top-rated WPKV-TV. Of course, there's a price to be paid for this success--and the devilish Seymour intends to be paid in full! Produced for the Lifetime cable network, Devil's Food debuted September 2, 1996, originally shown in tandem with Devil's Diet, a documentary about the famous "full-figured" women of history. ~ Hal Erickson, All Movie Guide

When John (Randolph Mantooth) predicted that this Wednesday would be a "weird" one for Rampart Hospital, he wasn't kidding. The case log includes a feisty 80-year-old woman (Jeanette Nolan) who sprains her ankle while dancing at her own birthday party, a panicky hooker who hauls her cardiac-victim "John" into the hospital, a near-fatal case of hiccups, a teenager (played by a young, uncredited William Katt) who tries to put himself into a deep-freeze, and a parachutist who ends up in a high tree. And have we mentioned the snakes on the golf course? ~ Hal Erickson, All Movie Guide

It's hardly likely that anyone will confuse 1977's First Love with the 1939 Deanna Durbin musical of the same name. In the earlier film, Durbin received her first screen kiss from Robert Stack. In the 1977 film, no one stops at kissing. College boy Elgin (William Katt) falls for coed Caroline (Susan Dey, light-years removed from The Partridge Family), despite Caroline's deep involvement with an older man. 1950s leading lady Virginia Leith makes a comeback appearance in a minor role. Critics applauded the sensitive direction by Joan Darling, even while carping that the title First Love seemed to be a misnomer: neither Katt nor Dey appear to be inexperienced in sexual matters. ~ Hal Erickson, All Movie Guide

The Andromeda's latest rescue mission has the unpleasant aftereffect of bringing a dangerous maggot onto the ship. The intergallactic parasite worms its way into one of the vessel's hidden decks, chewing through the hologram of Eddie Aldrich (William Katt), a crew member who died over three centuries ago. Suddenly reactivated, the ghostly, malfunctioning Eddie doesn't understand the present situation and hijacks the ship, determined to have Dylan (Kevin Sorbo) stand trial for treason against the Old Commonwealth. ~ Hal Erickson, All Movie Guide

After two unsuccessful attempts to turn the House horror franchise into a collection of unrelated haunted-house stories (even ditching the House moniker prior to distribution of the third film, The Horror Show), the producers opted for a direct sequel (more or less) to the first film in the series. William Katt returns briefly for the role of Roger Cobb, the former beleaguered owner of a nightmarish fixer-upper filled to the brim with obnoxious demons. His part here amounts to little more than a cameo -- early in the film, Roger is killed in a nasty auto accident during a vacation with his new wife Kelly (Kerri Treas) and their 12-year-old daughter Laurel (Melissa Clayton). Kelly and Laurel -- who is now confined to a wheelchair -- try to begin their lives again at the family's summer house. Once there, Kelly is visited by visions of horrific events (including Roger's death) which become more frequent until she is forced to seek the aid of a shaman, who helps her to interpret them. The visions include a replay of the events which led to Roger's death, indicating the crash was no accident -- and revealing the identity of the party responsible. This installment marks a slightly more effective return to the comedy-horror formula that made House a surprise hit. Basically a distaff retread of that film, House IV benefits from its strong female heroine and more emotional involvement for the leads amid the barrage of slimy effects and over-the-top humor. ~ Cavett Binion, All Movie Guide