Catherine Zeta-Jones Movies

Both exotic and classic, Wales-born actress Catherine Zeta-Jones began acting as a child. By ten she was part of the Catholic congregation's performing troupe, and by 18 she was performing professionally in the West End. It was in there that she caught the eye of French director Philippe de Broca, who offered her the lead in his film Les 1001 Nuits in 1989. After traveling to France to film the movie, she returned to Britain, where she landed a starring role in the Yorkshire Television comedy drama series The Darling Buds of May, based on a series of novels by H.E. Bates. The show was a huge hit, and made Zeta-Jones one of the U.K.'s most popular TV actresses. After the series ended in 1993, she steadily found work playing lead roles in TV movies and miniseries such as Catherine the Great and The Cinder Path. She also played supporting roles small films, including Christopher Columbus: The Discovery and Splitting Heirs.

The big screen role that undoubtedly put Zeta-Jones on the map, however, came in 1998 when she was cast opposite Anthony Hopkins and Antonio Banderas in 1998's The Mask of Zorro. America was enchanted by the dark-haired actress' charisma and beauty, and she began to be offered better and better roles in American film. She starred in films like Entrapment, The Haunting, and High Fidelity, before taking the prominent role of a white-collar drug kingpin's wife in 2000, in Steven Soderbergh's treatise on the drug war, Traffic. Her performance was impressive to critics and audiences, many of whom felt that she deserved an Oscar nomination.

The actress had no time to quibble over awards, however, as she married actor Michael Douglas in November that year, and gave birth to their son Dylan Michael nine months later. Zeta-Jones' took it easy during the next year, appearing only in the romantic comedy America's Sweethearts, but her next project would be the one to cement her as Hollywood royalty: a starring role in the Broadway adaptation Chicago. Few fans were aware of the singing and dancing skills that she'd honed on the musical stage at the beginning of her career, much less that she had sometimes performed with the English National Opera. Her performance blew audiences away, and won her the 2002 Oscar for Best Actress in a Supporting Role. Zeta-Jones lightened things up in 2003, making audiences laugh alongside George Clooney in the Cohen Brothers' movie Intolerable Cruelty, then as an airport employee who falls for stranded immigrant Tom Hanks in The Terminal (2004).

The actress's screen time, however, began to diminish at about that point, given her decision to shift priorities and hone in on raising a family with Douglas; her film appearances grew decidedly less frequent, and she thus found time to give birth to a baby girl named Carys Zeta Douglas in April of 2003. On the side, however, she continued to appear in occasional commercials, and the paparazzi often published candid photos of the actress in public, baby-in-arms, which held her in the limelight. The motion pictures in which Zeta-Jones appeared during this period took fewer chances by banking off of recent successes (gone, at least temporarily, were the challenges of such films as Chicago and Traffic). Efforts during this period included the blockbuster sequel Ocean's Twelve (with Clooney, 2004), the onscreen reunion with Antonio Banderas The Legend of Zorro and even the musical concert film Tony Bennett: An American Classic, which reunited Zeta-Jones and Chicago wunderkind Rob Marshall.

Zeta-Jones then essayed a trio of roles in 2007. She first teamed with Shine director Scott Hicks for an Americanized remake of the German-language comedy Mostly Martha. Retitled No Reservations and issued in July of 2007, the picture casts Zeta-Jones as Kate Armstrong a chef suddenly appointed guardian her niece Zoe (Abigail Breslin). Kate's blossoming romance with another culinary maestro (Aaron Eckhart) puts the guardianship into much needed perspective. Zeta-Jones then starred in Australian director Gillian Armstrong's period piece Death Defying Acts - a cinematization of Harry Houdini's 1926 tour of Britain, co-starring Timothy Spall and Guy Pearce, and scripted by Brian Ward and Tony Grisoni. The Weinstein company slated that picture for release in mid-late 2007.
~ Cammila Albertson, All Movie Guide
2005  
PG  
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The legendary Mexican hero returns to the screen in this swashbuckling sequel to the 1998 box-office hit The Mask of Zorro. It's 1850, and the people of California, eager to improve their difficult lot in life, have launched a campaign to become part of the United States. Don Alejandro de la Vega (Antonio Banderas) has become aware of a plot by moneyed Europeans to block the campaign for statehood through nefarious means, and it looks as if Alejandro's heroic alter ego, Zorro, may have to return to duty. However, Alejandro's wife, Elena (Catherine Zeta-Jones), has grown weary of his secret life, and she demands that he choose between his family and his clandestine career as a champion of the people. This leads to a rift between Alejandro and Elena, and the couple separates, with Alejandro moving out while Elena continues to care for their son, Joaquin (Adrian Alonso). A few months later, Alejandro finds that Elena is already being wooed by Armand (Rufus Sewell), a suave French nobleman who wants her hand in marriage. However, Alejandro also learns that Armand is actually part of a plot to prevent California from attaining statehood by tampering with an upcoming election; meanwhile, there may be more to Elena's involvement with Armand than romantic courtship. Zorro must come to the rescue of the people of California and perhaps his beloved Elena as well before they both fall into dangerous hands. The Legend of Zorro was directed by Martin Campbell, who performed the same duties on The Mask of Zorro. ~ Mark Deming, All Movie Guide

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Starring:
Antonio BanderasCatherine Zeta-Jones, (more)
1998  
PG13  
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Director Martin Campbell, well-known to the action arena after 1995's GoldenEye, teams up with executive producer Steven Spielberg to bring the first Hollywood production of creator Johnston McCulley's Zorro in over four decades to the big screen. With scenic 18th century Mexico as a backdrop, Anthony Hopkins plays the original Zorro, a.k.a. Don Diego de la Vega, intent on revenge after rival enemy Don Raphael Montero (Stuart Wilson) murdered his wife and took his daughter, Elena. After being imprisoned for 20 years, the fabled hero removes his mask and takes on a tarnished young apprentice, Alejandro Murieta (Antonio Banderas), to infiltrate Montero's plan to take control of California from Santa Anna. A boisterous outlaw with his own desire for revenge, Murieta works with Diego to avenge his brother's death by the sword of Montero's right-hand man, Captain Harrison Love (Matt Letscher, in his big screen debut). After Diego's extensive training in swordfighting, discipline and manners, a new Zorro appears wreaking vengeance and stealing the heart of a now-grown Elena (Catherine Zeta-Jones). A sizable summer hit, the film served as Zeta-Jones' stepping stone to leading lady status as the high-spirited heroine. ~ Rachel Koetje, All Movie Guide

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Starring:
Antonio BanderasAnthony Hopkins, (more)
1996  
PG  
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The first superhero ever, created by Lee Falk in 1936, gets another shot at movie stardom 60 years after achieving fame in comics and serials. Billy Zane stars as Kit Walker, who discovers that he's the 21st in a line of purple-clad African superheroes known as "The Phantom" or, to superstitious Bengalla Island natives, "the Ghost Who Walks." When he's not fighting the evil Singh Brotherhood with his faithful wolf Devil and white horse Hero, the Phantom lives in the hidden Skull Cave. Kit discovers that Xander Drax (Treat Williams), a slimy industrialist, is plotting to take over the world by uniting the three long lost magical Skulls of Touganda. So he travels to New York, where he finds allies in crusading newspaper publisher Dave (Bill Smitrovich) and his niece, Diana (Kristy Swanson), who's also Kit's ex-girlfriend. Kit and Diana tackle Drax's forces, including the conflicted Sala (Catherine Zeta-Jones), in a quest for the Skulls that brings both sides back to Bengalla for a showdown. The Phantom's mixture of elaborate stunts with liberal doses of tongue-in-cheek humor was characteristic of screenwriter Jeffrey Boam, whose previous films included Innerspace (1987) and Indiana Jones and the Last Crusade (1989). ~ Karl Williams, All Movie Guide

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Starring:
Billy ZaneKristy Swanson, (more)
1994  
PG  
Unlike the barren and forbidding moors elsewhere in England, Return of the Native's Egdon Heath attires itself in vibrant wildflowers, mossy hillsides, winding streams, arching footbridges, and undulant meadows. An enchantress would be at home in this place, but not Eustacia Vye, portrayed by Zeta-Jones. Though coveted by every man in Egdon Heath -- and every boy old enough to stare -- the beautiful Eustacia longs for the smoking chimneys and broad stone buildings of Paris. When a native of Egdon Heath, Clym Yeobright Ray Stevenson, returns from his job in Paris as a jeweler, Vye stuns him with her beauty and marries him in hopes of persuading him to take her to Paris. But, alas, Clym is a clod at heart. He vows to remain in Egdon Heath to teach and edify. After his eyesight deteriorates, Eustacia turns her attentions to rakish Damon Wildeve Clive Owen, and the plot begins to churn and curdle. ~ Mike Cummings, All Movie Guide

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Starring:
Catherine Zeta-JonesClive Owen, (more)
2004  
PG13  
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Shot almost entirely on a two-and-a-half-story recreation of a full-size operating airport terminal, this romantic comedy from director Steven Spielberg revolves around an Eastern European man by the name of Viktor Navorski (Tom Hanks), whose plans of immigrating to New York were hastened by a violent coup in his home country. Unfortunately, Viktor finds himself on the wrong end of a nasty technicality while en route to America: His passport was issued from a country, which, during its upheaval, ceased to exist in an official capacity. Unauthorized to leave Kennedy Airport upon his arrival and unable to return home, Viktor finds himself exiled inside the terminal's international transit lounge. Though airport official Frank Dixon (Stanley Tucci) views Viktor as an annoying bureaucratic glitch, other airport employees -- including a beautiful flight attendant by the name of Amelia (Catherine Zeta-Jones) -- come to see him as a welcome, if unofficial, addition to their numbers. As the days stretch on into months, the terminal transforms from an intimidating atmosphere of forced assimilation into a country within itself, complete with culture, ambition, status, complex diversity, and the need for love. The supporting cast includes Diego Luna, Chi McBride, Kumar Pallana, Zoe Saldana, Eddie Jones, and Jude Ciccolella. ~ Tracie Cooper, All Movie Guide

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Starring:
Tom HanksCatherine Zeta-Jones, (more)
1996  
 
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In 1912, the H.M.S. Titanic was the largest ocean liner built to date, and its designers had incorporated several features they believed would make the ship virtually unsinkable. However, the Titanic never returned from its maiden voyage; after striking an iceberg, the ship slowly sank to the bottom on the ocean, with most of its passengers meeting a watery grave in the freezing ocean. The 1996 made-for-television movie Titanic tells the story of how this disaster came to befall the great ship, and what happened to the passengers on board -- both the wealthy socialites in first class and the poor immigrants in steerage. The cast includes George C. Scott as Capt. Smith, Peter Gallagher as Wynn Park, Eva Marie Saint as Hazel Foley, Tim Curry as Simon Doonan, Marilu Henner as Molly Brown, and Catherine Zeta-Jones (before she became a major star in The Mask Of Zorro and Entrapment) as Isabella Paradine. ~ Mark Deming, All Movie Guide

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2006  
 
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The concert film Tony Bennett: An American Classic serves as a video accompaniment and companion piece to the legendary crooner's 2006 album of the same title. On that LP, Bennett duets on a series of pop standards, with nineteen of the world's top rock and pop artists. In the film version - originally produced and aired on NBC - Bennett teams up with many of the same guests, including Christina Aguilera, k.d. Lang, Stevie Wonder, Chris Botti, Elton John, Juanes, John Legend, Barbra Streisand and Diana Krall, to celebrate his own 80th birthday. Rob Marshall, the helmer of Chicago, directs. Tracks include: "Smile" with Streisand, "Sing, You Sinners" with Legend, "Because of You" with Lang and Botti, "The Best is Yet to Come" with Krall, "The Shadow of Your Smile" with Juanes, "Rags to Riches with John, "Just in Time" with Michael Buble, "For Once in My Life" with Wonder and "Steppin' Out" with Aguilera. Bennett then performs his standard closer, the seminal "I Left My Heart in San Francisco," as a solo number. Throughout, Marshall and his collaborators re-create, via elaborate onstage production design, classic settings from various periods in Bennett's life and career, including the 52nd Street Swing Club, one of the earlier incarnations of Columbia's recording studio, Carnegie Hall, the stage of the 'Rat Pack,' the set of Bennett's infamous MTV Unplugged performance in the early nineties, and much, much more. As these settings magically come to life on stage, such celebrities as Catherine Zeta-Jones, Billy Crystal, Robert de Niro, John Travolta and Bruce Willis, recount the tale of Bennett's life, career and musical journey, and their narration is interwoven with the musical performances by Bennett and his fellow vocalists. ~ Nathan Southern, All Movie Guide

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Starring:
Tony Bennett
2000  
R  
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Described by director Steven Soderbergh as "Nashville meets The French Connection," this multi-character drama explores the effects of international drug trafficking on all fronts: from their source, to the U.S. border, to the federal government, to the private lives of users. Based upon a miniseries originally aired on Britain's Channel 4, Traffic divides its time among three main storylines and almost a dozen locales. The first and primary plot thread, set in Ohio and Washington, D.C., concerns freshly-appointed drug czar Robert Wakefield (Michael Douglas), whose enthusiasm for his new prestige position is quickly offset when he realizes his 16-year-old daughter Caroline (Erika Christensen) is graduating from recreational drug use to habitual abuse -- a secret that his wife, Barbara (Amy Irving), has kept from him. South of the border, Mexican cop Javier Rodriguez (Benicio Del Toro) attempts to wage his own war on drugs, heading off a cocaine shipment in the middle of the desert with his less-than-virtuous partner Manolo Sanchez (Jacob Vargas). Surrounded by corruption, Javier approaches the drug war with an attitude of patience and compromise, which opens him up to investigation from General Arturo Salazar (Tomas Milian), the country's dubious drug-enforcement liaison to the U.S. Meanwhile, San Diego drug kingpin Carlos Alaya (Steven Bauer) is caught in a sting operation spearheaded by DEA agents Montel Gordon (Don Cheadle) and Ray Castro (Luis Guzman), leaving behind his very pregnant and very oblivious wife, Helena (Catharine Zeta-Jones). At the behest of Carlos' lawyer and shady confidante, Arnie Metzger (Dennis Quaid), Helena decides to carry on the family business -- with tragic consequences. Adapted by Rules of Engagement scribe Stephen Gaghan, Traffic marked Soderbergh's second major release in 2000 after the critical and box-office success of Erin Brockovich, as well as his second feature as cinematographer (credited under the pseudonym Peter Andrews). A favorite with various guild and critics' awards, Traffic won four Academy Awards in 2001, including statues for Best Supporting Actor (Del Toro) and Best Adapted Screenplay (Gaghan), and surprise wins for Steven Mirrone's editing and Soderbergh's direction. ~ Michael Hastings, All Movie Guide

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Starring:
Michael DouglasDon Cheadle, (more)

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