Dennis Koenig Movies

April Fool's Day is practically a legal holiday at the 4077th, with the staffers falling over themselves performing all manner of practical jokes. Normally, even taciturn Col. Potter (Harry Morgan) would be joining in on the fun. This year, however, Potter wishes everyone would cease and desist: the notoriously humorless and extremely disciplinarian Col. Tucker (Pat Hingle) has arrived to conduct an inspection of the camp. This was the final episode of M*A*S*H's eighth season. ~ Hal Erickson, All Movie Guide

Gail Strickland guest stars as Helen Whitfield, one of the 4077's best nurses. What head nurse Margaret (Loretta Swit) doesn't know--but, alas, will soon find out--is that Helen is a closet drinker. As for the doctors, Hawkeye (Alan Alda) is cold-shouldered by the camp after one of his practical jokes humiliates Charles (David Ogden Stiers) in the operating room. ~ Hal Erickson, All Movie Guide

It is Charles' (David Ogden Stier turn to handle the collection charities, an assignment he devoutly wishes to dodge. As he tries to pass his responsibilities along to others, things inevitable come full-circle back to him. And on a less amusing note, a GI (Craig Wasson) resents the fact that the North Korean soldier (Dereck Wong) who wounded him has been placed in the bed next to his. A morbid twist results in an outpouring of guilt feelings from a most unlikely source. ~ Hal Erickson, All Movie Guide

Heading for a mysterious rendezvous "to take care of a sick friend" in Tokyo, Col. Potter (Harry Morgan) leaves Hawkeye (Alan Alda) in charge of the 4077th. Hawkeye's first challenge: To deal with an onslaught of refugee Korean children. His second challenge: To find out why Potter is behaving so strangely upon his return. ~ Hal Erickson, All Movie Guide

Generous Klinger (Jamie Farr) offers money to an impoverished South Korean girl. Alas, the girl's mother misunderstands, and before long Klinger is accused of despoiling the young woman. While all this is transpiring, Hawkeye (Alan Alda) is having his own problems trying to keep a promise made to a dying patient. ~ Hal Erickson, All Movie Guide

One of the most famous and successful sitcoms of all time, M*A*S*H was based on the 1970 Robert Altman theatrical film of the same name--which, in turn, was inspired by an autobiographical novel by a former Army doctor, writing pseudonymously as Richard Hooker. Although set during the Korean War of 1950-1953, the staunch antiwar trappings of M*A*S*H, coupled with its relentlessly irreverent treatment of the military "big brass", were very much in tune with the sentiments of the Vietnam War era, during which both the film and the TV series were spawned. The action took place within the 4077th Mobile Army Surgical Hospital (hence the anagrammatic title), a unit stationed behind the lines in South Korea. Most of the characters on the CBS television series had been introduced in the novel and film, but only one of the film's actors was carried over to the TV version. The main players were two surgeons, Captain Benjamin Franklin "Hawkeye" Pierce (Alan Alda) and Captain "Trapper" John McIntyre (Wayne Rogers), who though dedicated to their work were determined to has as much fun as possible during their off-hours, to break as many rules and regulations as traffic would allow, and to dally with as many pretty nurses as time permitted. The 4077th's commanding officer during the series' first three seasons was easygoing Lt. Col. Henry Blake (Maclean Stevenson, who though he regarded the operating room as his main priority, would sooner go fishing or goof off than anything else. The laid-back demeanor of Hawkeye, Trapper and Blake was not shared by uptight, arrogant, anal-retentive, xenophobic and generally inept surgeon Major Frank Burns (Larry Linville), whose strict adherence to Rules and Regulations usually ended up backfiring on him, or resulted in practical jokes at his expense. Also putting a damper on the fun-and-games was "regular Army" head nurse Major Margaret Houlihan (Loretta Swit), who would have liked nothing better than to see Hawkeye and Trapper. court-martialed. But though Margaret was more competent at her job than Frank Burns, she too became an object of ridicule, principally because she and the very married Burns were carrying on a torrid clandestine romance--which was why she was saddled with the demeaning nickname "Hot Lips." Rounding out the series' first-season regulars was the 4077th's timid, bespectacled, uncannily clairvoyant and endlessly resourceful company clerk, Cpl. Walter "Radar" O'Reilly--played by the same actor who essayed the role in the movie version of M*A*S*H, Gary Burghoff. In additon to the above-mentioned regulars, there were any number of recurring characters who wove in and out of the proceedings during season one, notably the 4077th's mild-mannered chaplain Father John Mulcahy, played in the pilot episode by George Morgan and thereafter by William Christopher); African American surgeon Spearchucker Jones (Timothy Brown); the well-named orderly Ugly John (John Orchard); sexy nurses Maggie Dish (Karen Phillip) and Leslie Scorch (Linda Meikeljohn), Ginger Ballis (Odessa Cleveland) and Maggie Cutler (Marcia Strassman); and the officer's Korean houseboy Ho-John (Patrick Adiarte). Another peripheral character, intended as one-shot "gag" appearance, was Corporal Maxwell Klinger (Jamie Farr), a doctor's aide who was so determined to get discharged from the Army on a "Section 8" that he always dressed in women's clothing. After his first fleeting appearance on M*A*S*H's seventh episode, Klinger proved so popular that he became a recurring character--and, like Father Mulcahy, ultimately a full-fledged regular. The first-season episodes of M*A*S*H are easily distinguishable from later installments in the series in several respects: there was more background music and a louder laughtrack (except during the operating-room scenes, in which canned laughter was never, ever heard); the practical jokes were crueler; the higher-ranking officers were almost invariably buffoons; and Hawkeye and Trapper were more hedonistic in their behavior towards the opposite sex. Opening to lukewarm reviews and mediocre ratings, M*A*S*H slowly but surely built up a following thanks to that old reliable known as "word of mouth". This came as something of a surprise to its parent network CBS, which had been none too enthusiastic about the project in the first place, and had accordingly scheduled the program as a "throwaway" opposite NBC's Sunday-night blockbuster The Wonderful World of Disney. But CBS eventually got the message, and moved M*A*S*H to a more desirable Saturday-night slot for its second season. ~ Hal Erickson, All Movie Guide

With an ever-increasing viewership and three Emmy awards to its credit, M*A*S*H had no trouble easing into a third successful season in the fall of 1974. Not wishing to tinker with the success, the series' producers retained all of the regular characters from previous years--Hawkeye (Alan Alda), Trapper John (Wayne Rogers), Frank Burns (Larry Linville), Margaret "Hot Lips" Houlihan (Loretta Swit), Henry Blake (Maclean Stevenson) and Radar O'Reilly (Gary Burghoff)--while steadily beefing up the roles of the series two most popular recurring characters, Father Mulcahy (William Christopher) and Cpl. Klinger (Jamie Farr). And in a piquant bit of guest-star casting, the third season opener "The General Flipped at Dawn", Harry Morgan was cast as a crackpot General named Bartford Hamilton Steele, whose adherence to regulations was matched only by the length and breadth of his certifiable insanity. Although General Steele would not be seen past this episode, Harry Morgan would of course return the following year in a radically different--and far more enduring--characterization. One person who would not be returning for a fourth season was Maclean Stevenson, who in a career move that has become legendary in its short-sightedness, opted to leave M*A*S*H to star in a new series of his own. The departure of Stevenson's character, the 4077th's beloved commanding officer Henry Blake, occurred during the third season's final episode, "Abyssinia, Henry", the conclusion of which was one of the best-kept--and most shocking--secrets in TV sitcom history. Having ended the 1973-74 season as the fourth most popular series on American television, M*A*S*H slipped ever so slightly to fifth place during 1974-75, a decline attributable to CBS' decision to move the program from its winning Saturday-night slot to a less desirable Tuesday-evening berth. Even so, M*A*S*H remained one of the jewels in CBS' crown, if for no other reason than the series copped its fourth Emmy during its fourth season: the winner was series co-creator Larry Gelbart, for his direction of the episode titled "O.R.", the first (but hardly the last) of the season's installments to completely dispense with a laugh track. ~ Hal Erickson, All Movie Guide

Although M*A*S*H entered its fifth season with the cast from season four intact--including relative newcomers Mike Farrell as B.J. Hunnicut and Harry Morgan as Col. Sherman Potter--the production roster was short one significant name. Producer and co-creator Larry Gelbart had exited the series at the end of the 1974-75, declaring that he had contributed all he could to the project and was now prepared to move on. This left the lion's share of the creative decisions in the hands of series star Alan Alda, aka Hawkeye Pierce, who had already written and/or directed a number of episodes. Another M*A*S*H stalwart was indicating that he, too, was feeling creatively confined by the series. Larry Linville, who since the beginning of the program in 1972 had functioned as the 4077th's resident nemesis in the role of xenophobic, incompetent surgeon Maj. Frank Burns, had been issuing public complaints that his character had not been allowed to grow and mature as had the other M*A*S*H regulars. Also, since the decision had been made to marry off Burns' mistress Margaret "Hot Lips" Houlihan (Loretta Swit) to dashing officer Donald Penobscott, Frank was becoming gratuitous and redundant. By the end of season five, Larry Linville followed the lead of such former regulars as Maclean Stevenson and Wayne Rogers) by leaving the series to pursue more artistically satisfying projects. Linville's discomfiture did not, however, extend to the other M*A*S*H cast members. In particular, William Christopher had every reason to welcome the beginning of the fifth season with open arms. Having long been consigned to the "featured players" roster in the closing cast of each episode, Christopher had finally graduated to series-regular status--with commensurate billing at the beginning of the program--in his role as the 4077th's mild-mannered but strong-willed chaplain, Father John Mulcahy. Having been toppled from the "Top Ten" by CBS's reckless decision to schedule the series opposite NBC's Friday-night blockbuster Chico and the Man during season five, M*A*S*H had begun regaining lost ground in December of 1975, when the network shifted the program to Tuesday evenings. It remained a solid Tuesday hit throughout the 1976-77 season, climbing back to fourth place in the ratings. The series also picked up two more Emmy Awards, for Gary Burghoff (aka Cpl. Radar O'Reilly) as best supporting player in a continuing series and for Alan Alda as best director (for the episode "Dear Sigmund"). ~ Hal Erickson, All Movie Guide

Now in its seventh season on the air, the irreverent military comedy series M*A*S*H continued to roll along like a well-oiled machine. The most significant change during season six, the introduction of the insufferable but brilliant surgeon Maj. Charles Emerson Winchester (David Ogden Stiers), had registered quite well with viewers and fellow cast members alike. Less successful had been the scripting decision of marrying off the 4077th's head nurse Margaret Houlihan (Loretta Swit) (who out of respect for changing attitudes toward gender stereotyping no longer bore the demeaning nickname "Hot Lips") to the handsome Lt. Col. Donald Penobscott, especially since viewers seldom saw Margaret's elusive husband. Thus, Penobscott was written out of the show via a quickie divorce at the end of the 1978-79 season. The season itself was distinguished by a number of memorable episodes, as well as a welcome revival of a "gimmick" that had registered well during season four: A "documentary"-style installment, filmed in black-and-white in the manner of a 1950s documentary, wherein TV correspondent Clete Roberts interviewed the men and women of the 4077th. This episode, "Our Finest Hour", was expanded to a full hour, the better to accommodate "flashback" excerpts featuring such long-departed M*A*S*H regulars as Wayne Rogers, Maclean Stevenson and Larry Linville. In another, even more ambitious "gimmick" episode, "Point of View," the action was seen entirely through the eyes of a seriously wounded GI. It was also during this season that reruns of M*A*S*H were telecast on CBS' daytime lineup. The following year, the series would enter local syndication, where it continued to run until well into the 21st century. ~ Hal Erickson, All Movie Guide

After a late start thanks to a Hollywood writer's strike, M*A*S*H launched its ninth season on November 17, 1980. With the past defections of Wayne Rogers, Maclean Stevenson, Larry Linville and Gary Burghoff, Alan Alda (as Hawkeye), Loretta Swit (as Margaret Houlihan), Jamie Farr (as Klinger) and William Christopher (as Father Mulcahy) were the sole survivors from the series' first season cast lineup--and of those four, only two (Alda and Swit) had been "regulars" from the beginning. The series' occasional digressions from its established format was represented by one memorable "gimmick" episodes during season nine. In " War for All Seasons," the men and women of the 4077th celebrated the New Year by looking back on the events of 1951. Going a step farther than the familiar "letter home" episodes of previous seasons, in which the events of a single week were highlight in flashback fashion, "A War for All Seasons" boldly telescoped an entire year into a mere 22 minutes' screen time--and succeeded brilliantly. Still dominating the ratings on CBS' Monday-evening lineup, M*A*S*H sustained its ranking from the previous season as America's fourth most-watched network program. And though no additional Emmy awards came the its way during season nine, the series garnered eight Emmy nominations. ~ Hal Erickson, All Movie Guide

As the 11th season of M*A*S*H* got under way in the fall of 1982, everyone involved with the series knew it would be their last (the program had already lasted eight years longer than the actual Korean War!) Looking back, the cast and crew could take pride in the series' many accomplishments, not least of which was its making palatable and entertaining a number of hot-button issues that had previously been verboten on American network television. The series had also come a long way from its zany, iconoclastic, hit-or-miss "anything for a laugh" origins, maturing into a thoroughly credible blend of comedy, drama and tragedy (its credibility enhanced by the decision to complete eliminate a canned laughtrack), with fully rounded, three-dimensional characterizations. The fact that the series had managed to win eleven Emmy awards further served to enhance the participants' sense of achievement. Viewers were honestly saddened that their favorite series, which had long since transcended the boundaries of standard sitcomery to become a national institution, would cease production at the end of season 11. Perhaps because the faithful fans were determined to savor every final moment of the series' existence, M*A*S*H was propelled from the ninth most popular TV program of 1981-82 to number three in 1982-83, with the now-legendary 2 1/2 hour finale, "Goodbye, Farewell, and Amen," being seen by the largest audience ever to watch a single TV episode. Although this landmark episode would bring M*A*S*H to a poignant close, it was not quite the end of the story. Debuting September 26, 1983, the CBS sitcom AfterMASH detailed the further adventure of several M*A*S*H regulars, all hired by a Missouri VA hospital upon the Korean cease-fire. Carryovers from the original M*A*S*H included Harry Morgan as Sherman Potter, Jamie Farr as Max Klinger, William Christopher as Father Mulcahy, and a character that had been introduced in the penultimate M*A*S*H episode "As Time Goes By," Klinger's Korean-born wife Soon-Lee, played by Rosalind Chao. Suffering the ignominous fate of most such spinoffs, AfterMASH failed to live up to the standards of its distinguished predecessor, and was cancelled after only a season and a half on the air. ~ Hal Erickson, All Movie Guide

Tired of having his lackluster practical jokes compared to the legendary japes concocted by his predecessor Trapper John, B.J. (Mike Farrell) announces that he will pull a series of surprise gags on everyone in camp over a 24-hour period--and if he doesn't succeed in this undertaking, he will perform a striptease in the mess tent. As the days pass, everyone falls victim to B.J.'s comic assault. Only Hawkeye (Alan Alda) has thus far been spared--but could Beej be saving the best joke till last? Don't reveal the trick ending of this one, or B.J. may be coming after you next. ~ Hal Erickson, All Movie Guide

Everyone at the 4077th is celebrating Halloween with a lavish costume party at Rosie's bar--everyone but Charles (David Ogden Stiers), who is not only still on duty, but also hates and despises the so-called holiday. Before the inevitable crisis in which the colorfully garbed staffers pack the O.R., a round-robin session of ghost stories has spines a-shivering (even Charles'); Father Mulcahy must contend with a real-life horror; and an anoxeric patient (Richard Lineback) invokes the "ghosts" which haunt his conscience. Watch for comedian Andrew Dice Clay in a small role. ~ Hal Erickson, All Movie Guide