Malcolm Jamieson Movies

Flame to the Phoenix manages to transcend its skintight budget and variable English-language dubbing. The time is the eve of WW II, and the place is Poland. When the Germans stage their invasion, most of the country is caught helpless and unawares. With no heavy artillery to speak of, the Poles must rely on their antiquated cavalry to offer resistance. Surprisingly, the cavalry proves quite efficient in warding off Hitler's panzer columns--at least for a while. Offsetting the desperate courage of the Polish military and civilians are the futile efforts by British diplomats to prevent Germany from embarking upon its hellish course. The storyline of Flame to the Phoenix tends to be disorganized, but overall the film is a worthy tribute to the valiant men and women who died fighting an apparently lost cause. ~ Hal Erickson, All Movie Guide

In the years before the Hamptons became the ultimate Long Island destination, two generations of clam diggers work the land and struggle to make sense of the changes that threaten to forever transform their simple way of life. The year is 1976, and the future Long Island vacationing hotspot is little more than a tight-knit community of hard-living folks who make their living from the sea. While the impending presidential race between Gerald Ford and Jimmy Carter has the entire country swept up in the wind of change, the local Hamptons clam diggers begin waging a losing battle against the wealthy developers who are gradually encroaching on their waters. Hunt (Paul Rudd) is a restless and imaginative digger who comes from a long line of hardworking seafarers and has a keen eye for black-and-white photography. When Hunt's father suddenly dies, Hunt and his lifelong pals Frankie (Ken Marino), Jack (Ron Eldard), and Cons (Josh Hamilton) slowly begin to take stock of their modest lives. Meanwhile, as Hunt's recently divorced older sister, Gina (Maura Tierney), struggles to get by while working as a waitress at a local diner, Hunt himself enters into a playfully flirtatious relationship with vacationing Manhattanite Zoe (Lauren Ambrose). Constantly questioning why Hunt refuses to venture out of his dead-end town in favor of pursuing his artistic talents in the big city, Zoe serves as a persistent reminder that one is not always necessarily bound by his or her roots. ~ Jason Buchanan, All Movie Guide

For those who have been there, India can be a bureaucratic nightmare, where odd and arbitrary rules are capriciously enforced by a whimsical and occasionally quite greedy series of authorities, some of them self-appointed. The situation can be considerably worsened when an honest official comes into office, a man who believes that all that country's many rules and laws should be enforced all the time. In this story, the main business of a group of former aristocrats living in central India is leading tours into a national park and re-enacting the lifestyles of colonial India. However, this has only been possible because the park's officials applied its rules with some sense of perspective. In this wry and leisurely comedy, the worst possible disaster has struck: a small-minded and very honest official has just gotten posted to the position of park director, and he is bent on following the letter of the law. ~ Clarke Fountain, All Movie Guide

A rare original dramatic offering from cable's American Movie Channel, the weekly series Mad Men was the story of a major advertising agency operating from New York's Madison Avenue in 1960. The most successful ad executive at the Sterling Cooper agency was handsome, indefatigable Don Draper (Jon Hamm), who was not only expert at "playing the game" while servicing accounts ranging from cigarette manufacturers to political candidates, but was also an accomplished ladies' man. It was crucial for Draper to always be at the top of his professional form -- there were scores of hungry young executives who were eager to topple him from his perch and become Sterling Cooper's new top dog. The series evoked the manners and mores of the early '60s with pinpoint accuracy: the advertising business, like practically every other business, was completely male-dominated, with an overabundance of WASPs, a minimum of Jews, and virtually no other minority anywhere in sight; women were second-class citizens and sex objects, expected to be both subservient and "available"; honesty and integrity were merely words in the dictionary; and everybody drank and smoked to excess (indeed, so many cigarettes were lit up in the course of each episode that a number of TV critics were turned off by the show, undoubtedly preferring that historical fact be subordinated to contemporary political correctness). Others in the cast included John Slattery as agency CEO Roger Sterling; Elisabeth Moss as wide-eyed novice secretary Peggy Olson; Christina Hendricks as wordly wise head secretary Joan Holloway; Vincent Kartheiser as Don Draper's sharkishly ambitious protégé Pete Campbell; and Maggie Siff as Rachel Menken, a source of anger and confusion to the Madison Avenue macho males not only because she was the executive in charge of a major department store (and Jewish in the bargain!), but also because she refused to let any mere adman tell her how to promote her business. Created by The Sopranos' Matthew Weiner, Mad Men was unveiled by AMC on July 19, 2007. ~ Hal Erickson, All Movie Guide

A plumber looking for love hopes to find romance by impersonating a movie director in this offbeat independent comedy. David Kulovic (Martin Donovan) is a single guy who doesn't have much luck impressing the ladies, a dilemma he attributes to the poor opinion most people have of his trade, plumbing. One day, David is mistaken for a well-known film director, and discovers people, especially women, seem a great deal more friendly toward him when they think he works in the movies. David's case of mistaken identity gives him a brainstorm, and with the help of his pal R.J. (Kevin Carroll), he decides to pass himself off as a struggling independent filmmaker, hoping to meet aspiring actresses at his bogus casting calls. Of course, a filmmaker needs a script, and David swipes one from one of his neighbors, Toni Edelman (Mary-Louise Parker, who is trying to get her own foot in the door of the film business). As it happens, Toni's screenplay happens to be quite good, and soon David's nonexistent project is developing a very real buzz in indie film circles. Seeing this as her big chance at a career in Hollywood, Toni begins coaching David in how to act like a filmmaker in the hopes they can actually get David's phantom picture off the ground. Writer and director John C. Walsh based Pipe Dream in part on his own experiences as he was making his first feature film, Ed's Next Move. ~ Mark Deming, All Movie Guide

In this action adventure, author Bernard Cornwell's fictional Major Sharpe is faced with the daunting task of teaching a ceremonial battalion to fight for real. ~ Sandra Brennan, All Movie Guide

The works of prolific British children's author Enid Blyton have been adapted to television scores of times, but seldom as vividly as in a brace of multipart Anglo-New Zealand series of the mid-'90s. The first of these began airing over Britain's Disney Channel on July 21, 1996. The Enid Blyton Adventure Series consisted of eight different serials, each comprised of three half-hour episodes. All of these serials followed the standard Blyton formula of pitting a group of intelligent rural kids against a vast array of snarling adult villains in a variety of baffling mysteries which the children invariably solved. Individual titles included "Island of Adventure," "Woods of Adventure," "Sea of Adventure," "Valley of Adventure," "Sea of Adventure," and so on and so forth. The Enid Blyton Adventure Series was followed in 1997 by another group of literary adaptations, The Enid Blyton Secret Series. ~ Hal Erickson, All Movie Guide

The war on terror has an unusual effect on one man in this independent drama. Hassan (Ayad Akhtar) was an engineering student from Pakistan who, while studying in Paris, was one of several Pakistani students arrested by intelligence officers on suspicion of participating in international terrorist activities. Hassan was innocent of any crimes, but it took him hours to convince the authorities of this. By the time Hassan was released, his attitude about the West had begun to change, and in time he began to identify with the terrorists with whom he had been unwittingly associated. Hassan then renounces his old life, joins a radical group, and illegally slips into the United States with the aim of staging a major terrorist action in New York City. Hassan comes to stay with an old friend, Sayeed (Firdous Bamji), and his family; Hassan has told Sayeed and his wife (Sarita Choudhury) that he's come to New York in search of a job, but in time Sayeed suspects his friend has a different agenda in mind. The War Within was screened as part of the 2005 Toronto Film Festival. ~ Mark Deming, All Movie Guide

On the verge of starvation in 1930s Paris, erstwhile entertainer Victoria (Julie Andrews) is rescued by gay cabaret performer Toddy (Robert Preston). What she needs to succeed, opines Toddy, is a gimmick. What if she becomes a male impersonator? Better still: what if she becomes a male impersonator, pretending to be a female impersonator? As "Victor/Victoria," s/he becomes the toast of Paree, and an object of fascination for big-time Chicago gangster King Marchan (James Garner), who can't quite understand the teasing sensations he experiences whenever watching her in action-especially since he, like everyone else, assumes that she is a he. Enjoyable though the stars of Blake Edwards' comedy may be, the film is stolen by Lesley Ann Warren, who won an Oscar nomination as King's screechy-voiced moll, and Alex Karras as King's chief henchman, who, assuming that his boss is "that way," literally comes out of the closet. Victor/Victoria was a remake of the 1931 German film Viktor und Viktoria, which had previously be reworked in 1937 as the Jessie Mathews vehicle First a Girl. In 1996, Victor/Victoria was transformed into a Broadway musical, again directed by Edwards and starring Andrews. ~ Hal Erickson, All Movie Guide