Anne Jackson Movies

The two romantic leads in this standard but well-acted political drama renew a famous pairing that began with The King and I in 1956. Deborah Kerr is Lady Diana Ashmore, caught at the wrong side of the Hungarian-Austrian border in 1956, and Yul Brynner is Major Surov, a Russian commander who works at the border crossing. With the outbreak of the 1956 rebellion, the Budapest airport is shut down and Diana, along with other international travellers, are forced to reach Vienna by bus. Along for the ride is one of the Hungarian dissenters hunted by the police, Paul (Jason Robards, Jr. in his screen debut). Diana and Paul are in love and she is determined to protect his secret. Major Surov suspects a rebel is hidden on the bus, but he does not know which passenger is the guilty one. As interaction continues at the border, Diana is attracted to the Major and his complex character, even against her will. Their developing relationship and strong personalities carry the story from start to finish. ~ Eleanor Mannikka, All Movie Guide

In this romantic comedy, a young basketball star proposes to a tall and intelligent coed while attending Custer College. She accepts, and he begins to worry about how they will get the money they need to survive. He then finds himself tempted to take a gambler's bribe and throw the game during an upcoming match with a Russian team. The weight of his decision affects his studies, causing him to fail a major test. As a result, he nearly misses the big game. Jane Fonda made her debut in this film. ~ Sandra Brennan, All Movie Guide

Expanded from a two-character play by Murray Schisgal, this comedy stars Eli Wallach as Ben Harris, a disgruntled New York City mail carrier. Harris is fed up with being cheated by his landlords, the Kellys (Roland Wood and Ruth White), so he terrorizes them and the city's housing authority until they agree to give him a new apartment. Not satisfied, Harris "goes postal" by kidnapping a bored suburban housewife, Gloria Fiske (Anne Jackson) and taking her back to his apartment. To his surprise, he finds that Gloria also hates the world, and they become fast friends. He eventually lets her go but follows her home. When he tries to climb into her window, her husband Jerry (Bob Dishe) chases him away. Harris returns to his apartment building, where the Kellys invite him in to watch TV, and somehow this soothes his wrath. Dustin Hoffman has a small role as a hippie named Hap. ~ Michael Betzold, All Movie Guide

This light romantic comedy finds Victoria (Anne Jackson) the 34-year-old wife of public-relations man Tom Layton (Patrick O'Neal). Tom's biggest client is a big movie star (Walter Matthau), and Tom drops everything to insure that, while in New York, his client is surrounded by beautiful women, even at $100 a pop. Victoria wonders if she has lost her youthful beauty, and when a delivery boy fails to notice Victoria is naked in her kitchen, she is determined to find out if men still find her appealing. She travels to the hotel of the movie star, where she is assured by the virile star that she indeed still has what it takes. ~ Dan Pavlides, All Movie Guide

Lovers and Other Strangers became a "sleeper" hit, based on a play by Renée Taylor and Joseph Bologna. The story is essentially a series of vignettes and anecdotes, unified by an impending marriage. Father of the bride Hal (Gig Young) has problems with his long-suffering mistress, Cathy (Anne Jackson), who spends much of the film sitting on the toilet, crying her eyes out; Wilma (Anne Meara), the bride's sex-starved sister, can't wrest her husband, Johnny (Harry Guardino), away from the TV; and Frank (Richard S. Castellano), as the groom's father, slips comfortably into Bartlett's Familiar Quotations with his oft-repeated query "So what's the story?" Twelfth-billed Diane Keaton makes her film debut as a garrulous wedding guest. ~ Hal Erickson, All Movie Guide

False Witness is the British title of the American thriller Zigzag, which in turn was partially inspired by the 1950 film D.O.A. George Kennedy plays an insurance investigator who learns that he is dying from a brain tumor. Hoping to provide for his family, Kennedy confesses to a murder he didn't commit, thereby collecting the reward money. During his murder trial, Kennedy collapses and is rushed to the hospital. Subjected to laser surgery, he emerges from the hospital completely cured--and now he must unravel the airtight case he's contrived against himself in court. ~ Hal Erickson, All Movie Guide

The made for TV 20 Shades of Pink stars real-life husband and wife Eli Wallach and Anne Jackson as a happily married blue collar couple. Wallach is perfectly content to work as a house painter, but Jackson, hoping to fatten the family bank account, talks her husband into opening his own business. The pressure of being one's own boss, coupled with Wallach's middle-age angst, gives Jackson good cause to regret her ambitions. The advertising copy for 20 Shades of Pink asks "How can you get mad about a dream?" We're sure that the stars will find some way. Keenan Wynn, Edward Binns, and sportscaster Jack Whitaker costar in this GE Theatre presentation, which was first telecast March 12, 1976. ~ Hal Erickson, All Movie Guide

An all-star female cast (Glenda Jackson, Melina Mecouri, Geraldine Page, Sandy Dennis, Anne Jackson, Anne Meara, and Dame Edith Evans) enliven this satirical treatment of the Nixon Watergate scandal, Nasty Habits -- based on Muriel Sparks's novella The Abbess of Crewe. When a dying abbess (Dame Edith Evans) of a Pennsylvania convent is ready to name Sister Alexandra (Glenda Jackson) as her successor, Sister Alexandra and her two flunkies (Sandy Dennis and Anne Jackson) try to get the abbess to sign a document of intent. But their plans are dashed when liberal Sister Felicity (Susan Penhaligon) arrives and wants to change the institution. Her arrival delays the signing of the document of intent, and before the abbess can sign the paper she dies.Now the job of running the convent is up for grabs, with Sister Alexandra employing Nixon-like techniques of surveillance and dirty tricks to get the goods on Sister Felicity. ~ Paul Brenner, All Movie Guide

A middle-aged husband must choose between his wife and family, and the younger woman he is having an affair with in the made-for-TV movie. ~ Sandra Brennan, All Movie Guide

"All work and no play makes Jack a dull boy" -- or, rather, a homicidal boy in Stanley Kubrick's eerie 1980 adaptation of Stephen King's horror novel. With wife Wendy (Shelley Duvall) and psychic son Danny (Danny Lloyd) in tow, frustrated writer Jack Torrance (Jack Nicholson) takes a job as the winter caretaker at the opulently ominous, mountain-locked Overlook Hotel so that he can write in peace. Before the Overlook is vacated for the Torrances, the manager (Barry Nelson) informs Jack that a previous caretaker went crazy and slaughtered his family; Jack thinks it's no problem, but Danny's "shining" hints otherwise. Settling into their routine, Danny cruises through the empty corridors on his Big Wheel and plays in the topiary maze with Wendy, while Jack sets up shop in a cavernous lounge with strict orders not to be disturbed. Danny's alter ego, "Tony," however, starts warning of "redrum" as Danny is plagued by more blood-soaked visions of the past, and a blocked Jack starts visiting the hotel bar for a few visions of his own. Frightened by her husband's behavior and Danny's visit to the forbidding Room 237, Wendy soon discovers what Jack has really been doing in his study all day, and what the hotel has done to Jack. ~ Lucia Bozzola, All Movie Guide

Real-life brother and sister Jimmy and Kristy McNichol star in this made-for-television drama about a claustrophobic cult. Jimmy McNichol stars as David, oldest son of the seemingly well-adjusted Bowers. When David disappears from his family to live with the Light of Salvation cult, sister Janet (Kristy McNichol) refuses to automatically side with her parents and dismiss the group. Young Janet tries to give her brother's judgement the benefit of the doubt, looking for her own answers, as her desperate parents consult a mind de-programming expert. Taut and edgy at times, the film shows how vulnerable young people get targeted by cults and their charismatic leaders -- only to turn into mindless drones. ~ Bernadette McCallion, All Movie Guide

This largely autobiographical story written and directed by Michael Landon stars Timothy Patrick Murphy as Gene Orowitz (Landon's real name was Eugene Orowitz), a frail teenager with a talent for throwing the javelin and a close relationship to his father Sam (Eli Wallach), the manager of a movie theater. Sam's real love in life is writing fiction, and he pounds the keys of his typewriter well into the night as he tries to finish a major opus. One day when Gene sees Samson and Delilah (1949) at the theater where his father works, he becomes certain that whatever strength he has is due to his long hair and he refuses to cut his hair, even though long hair turns the school principal apoplectic and has to be disguised when Gene is at a sports meet. Gene's life is not a bed of roses, yet when he is dumped by his girlfriend Bonnie for Robert (Alan Hayes), an arrogant football player who has bullied him whenever the chance arose, his good friend Cathy (Hallie Todd) stays by his side. Later, he has his own revenge with Robert by connecting with a right to the jaw, shocking everyone, perhaps even himself. Gene has been working out to get ready for a big school meet and is a bit stronger in his javelin-tossing arm. As the day of the big meet approaches, life changes dramatically for him -- and the movie's climax, though it appears contrived, actually happened to Landon in real life. Landon also plays a small role in the film as a movie star visiting his hometown -- and in some ways, he was "Sam's son" because he himself took to writing -- including the script for this movie, in fact. ~ Eleanor Mannikka, All Movie Guide