Michael Imperioli Movies

HBO split the sixth and final season of its serial mafia drama The Sopranos into two halves, spaced 10 months apart: the first half (episodes 1-12) aired from mid-March through early June of 2006; a hiatus followed between episodes 12 and 13, before the series picked up again for its final nine episodes on April 8, 2007, purportedly thanks to overwhelming audience demand for an extension. As the season begins, Tony Soprano (James Gandolfini) is plagued by problem after problem at home: though he has made peace with wife Carmela (Edie Falco), and daughter Meadow (Jamie-Lynn Sigler) is relatively well-adjusted and happy, attending college and living with fiancée Finn De Trolio (Will Janowitz), Tony's son, A.J. (Robert Iler) is a complete slacker and layabout who has just failed out of college and seems hesitant to accomplish anything of merit. Meanwhile, Tony finds himself saddled with a new captain, Phil Leotardo (Frank Vincent) who expresses more hesitation over "working" him than his incarcerated predecessor, Johnny Sacks (Vince Curatola). Complicating matters are two employees: Tony's soldier Eugene Pontecorvo (Robert Funaro), who attempts to buy his way out of the syndicate via an inheritance, and the homosexual captain Vito Spatafore (Joe Gannascoli) who comes out of the closet and ends up being spotted in a leather bar - then is knocked off by a member of the family, which leads to the death of a Lieutenant and sparks a tidal wave of mob violence. In another subplot, aspiring screenwriter Christopher (Michael Imperioli), Tony's cousin, devises an idea for a gangster picture which he describes as "The Godfather meets Saw," and heads off to Hollywood to pitch it to Ben Kingsley. The season cliffhanger, however, involves Uncle Junior (Dominic Chianese), an elderly man suffering from extreme senility who mistakenly draws a gun and plugs Tony in the stomach, sending him into a coma - leaving consigliere Silvio Dante (Steven Van Zandt of The E Street Band) to tend to family business. This, in turn, yields several sequences where Tony wanders around in a dream state, and contemplates his own mortality. The second half of the season has Christopher continuing his strenuous efforts to have his epic (which he entitled Cleaver) produced, the absence of Johnny Sack leaving an ongoing void of power in the syndicate, and Tony again coming to terms with aging and mortality, while he struggles (as ever) to balance personal and professional demands. Guest stars in the 2007 episodes include: Sydney Pollack, Tim Daly, Daniel Baldwin and Geraldo Rivera.

After earning rave notices for powerful supporting turns as a pimp in Street Smart (1987) and an alcohol abuse counselor in Clean and Sober (1988), actor Morgan Freeman began his ascent to stardom with this, his first lead role in a major motion picture. Freeman is real-life high school principal Joe Clark, a tough, harsh educator and administrator who in 1987 is given a nearly impossible task by his old friend, school superintendent Dr. Frank Napier (Robert Guillaume). Clark is asked to reform inner city Eastside High School in Paterson, NJ, a hotbed of delinquent kids and drug dealers. Considered the worst school in New Jersey, the state is threatening to take control of Eastside away from the local school board. If Clark can straighten out Eastside in time to get the school's basic-skills test scores up, he can have the job permanently. Although Clark's tyrannical approach and hard-line policies alienate many members of the staff and the community, his uncompromising campaign gets results and even makes him famous, much to the chagrin of his powerful enemies. ~ Karl Williams, All Movie Guide

Spike Lee defines "jungle fever" as sexual attraction between members of two races. In his film Jungle Fever, he examines the repercussions of an interracial affair upon two very distinct communities. Wesley Snipes is Flipper, a happily married and successful architect, and Annabella Sciorra is Angie, an office temp. When she starts working in Flipper's Manhattan office, one day they look at each other and are soon having sex over a blueprint-strewn desk. Their liaison causes an explosion on both homefronts. Flipper's family consists of his father Doctor Purify (Ossie Davis), a former preacher; his mother Lucinda (Ruby Dee); his violent, crackhead brother Gator (Samuel L. Jackson); and his wife Drew (Lonette McKee), whom he loves, despite his sexual attraction to Angie. Angie's family is a typical Italian-American household from Bensonhurst. She's engaged to Paulie Carbonne (John Turturro), who works in a deli owned by his father Lou (Anthony Quinn). When the two families find out about Flipper and Angie's affair, their shock leads to recriminations and racial animosity. ~ Paul Brenner, All Movie Guide

Writer-director Spike Lee's epic portrayal of the life and times of the slain civil rights leader Malcolm X begins with the cross-cut imagery of the police beating of black motorist Rodney King juxtaposed with an American flag burning into the shape of the letter X. When the film's narrative begins moments later, it jumps back to World War II-era Boston, where Malcolm Little (Denzel Washington) is making his living as a hustler. The son of a Baptist preacher who was murdered by the Ku Klux Klan, Little was raised by foster parents after his mother was deemed clinically insane; as an adult, he turned to a life of crime, which leads to his imprisonment on burglary charges. In jail, Little receives epiphany in the form of an introduction to Islam; he is especially taken with the lessons of Elijah Mohammed, who comes to him in a vision. Adopting the name 'Malcolm X' as a rejection of the 'Little' surname (given his family by white slave owners), he meets the real Elijah Mohammed (Al Freeman, Jr.) upon exiting prison, and begins work as a spokesman for the Nation of Islam. Marriage to a Muslim nurse named Betty Shabazz (Angela Bassett) follows, after which X spearheads a well-attended march on a Harlem hospital housing a Muslim recovering from an episode of police brutality. The march's success helps elevate X to the position of Islam's national spokesperson. There is dissension in the ranks, however, and soon X is targeted for assassination by other Nation leaders; even Elijah Mohammed fears Malcolm's growing influence. After getting wind of the murder plot, X leaves the Nation of Islam, embarking on a pilgrimage to Mecca that proves revelatory; renouncing his separatist beliefs, his oratories begin embracing all races and cultures. During a 1965 speech, Malcolm X is shot and killed, reportedly by Nation of Islam members. ~ Jason Ankeny, All Movie Guide

Richard Edson stars as the title character, a New York talent agent who takes little interest in the world outside of the entertainment industry. Then he falls for Cyan (Cedella Marley), a Jamaican waitress working to put herself through nursing school. ~ Jason Ankeny, All Movie Guide

Hal Hartley's fourth feature is a significant break from the quirky romantic comedy territory of his previous work -- though all of the deadpan idiosyncracies which make him such a singular filmmaker remain intact, here he tries his hand at the thriller genre, a move yielding typically unconventional and innovative results. Amateur stars Hartley mainstay Martin Donovan as Thomas, an amnesiac who, in the first scenes, wakes up in an alley, badly injured; he stumbles to a nearby coffeeshop where he meets Isabelle (Isabelle Huppert), a former nun and would-be nymphomaniac who now makes her living writing pornographic fiction. She takes him back to her apartment, where in time his past slowly begins to emerge -- a sharp contrast to the sweet, even naive soul that Huppert has befriended, it appears that the old Thomas was in fact a vicious pornographer whose attempted murder was at the hands of his wife, adult film star wife Sofia (Elina Lowensohn). Thomas is also the target of a nefarious European arms merchant whose hired guns are hot on his trail. ~ Jason Ankeny, All Movie Guide

The subject of this urban comedy could be "Two-timing men, and the women that despise them" as it presents the scathing opinions of women observing an adulterous misogynist in action. The adulterer in question is Scott who swears fealty to his beloved fiance, but then goes out and chases anything with ovaries when she is not around. He is cheered on by his equally misogynistic uncle. Scott's many sexploits are interrupted by female observers, who offer their commentary upon his actions. Their comments upon Scott can apply to adulterers everywhere. ~ Sandra Brennan, All Movie Guide

This avant garde film is based on two angry autobiographical books by David Wojnarowicz: Close to the Knives and Memories That Smell Like Gasoline. Wojnarowicz, a noted performance artist, died of AIDS . The film examines three sides of his life. The first looks at his suburban childhood and the abuse he suffered at his alcoholic father's violent hand. The second chronicles his experiences as an teen-age street hustler and criminal in New York, and the third section, which is highly abstract, follows the adult Dave as he wanders through a dangerous desert. Once these identities are established, chronology is scattered to the winds, and the three ages of David play up to and comment on each other. The work of Wojnarowicz is also represented in Knud Vesterkov's film, By The Dawn's Early Light. ~ Sandra Brennan, All Movie Guide

Former video director Michael Bay had his first big hit with this action comedy, which also returned producers Jerry Bruckheimer and Don Simpson to the big-budget, high-violence movies that they successfully churned out in the '80s. Mike Lowrey (Will Smith) and Marcus Burnett (Martin Lawrence) are two Miami cops who watch as 100 million dollars in heroin, from the biggest drug bust of their careers, is stolen out of the basement of police headquarters. This puts them hot on the trail of French drug lord Fouchet (Tchéky Karyo), who leaves a trail of bodies in his wake and only one witness, Julie Mott (Téa Leoni), who quickly teams up with our heroes. Comic hijinks ensue when plot complications force Mike to impersonate the married Marcus, to the point of moving in with his wife and children, while Marcus takes over Mike's bachelor pad and lifestyle. Car chases, snappy one-liners, and nonstop pacing fuel this umpteenth variation on the cop "buddy" formula. ~ Don Kaye, All Movie Guide

Albert Hughes and his brother Allen Hughes followed their striking debut Menace II Society with this ambitious look at the social and political lives of the African-American community in the late 1960s and early 1970s. Anthony Curtis (Larenz Tate) is a young man coming of age in the Bronx in 1968. Working two part-time jobs -- one as a milkman's helper and another for local numbers runner Kirby (Keith David) -- Anthony is torn between doing the right thing and trying to get by in a environment that offers few opportunities to young black men. After graduating from high school, Anthony decides to join the Marines, news that is not well-received by his parents, who want him to go to college, or his girlfriend Juanita (Rose Jackson), with whom Anthony recently lost his virginity. After serving a horrific tour of duty in Viet Nam with his friends Skip (Chris Tucker) and Jose (Freddy Rodriguez), Anthony finds himself back home in 1973, where Juanita has been raising the child he fathered before he shipped out, drugs and crime have crippled his community, and honest job prospects are practically nil. Eventually, Anthony falls in with Kirby, Skip, and Jose, who have teamed with Juanita's sister Delilah (N'Bushe Wright), a Black Power activist, and Cleon (Bokeem Woodbine), in a scheme to rob an armored truck taking worn greenbacks ("dead presidents") to a mint to be destroyed. Martin Sheen and Seymour Cassel appear unbilled in small roles. ~ Mark Deming, All Movie Guide

This unflinching and straightforward look at a middle-class man's descent into drug addiction was based on the diaries of an addict named Angel. Found in a Bronx apartment, the diaries were made into a film by screenwriter Lee Drysdale and director Gary Winick. Angel (Michael Imperioli) is a Wall Street functionary who lives modestly with his wife Monika (Mira Sorvino) and their young children. One day, an old friend from the Marines, Raymond (Paul Calderon), offers Angel a hit on a pipe of crack cocaine and a chance to get in on dealing drugs. Monika reluctantly agrees to the plan, and they set a limit of a couple of months in which they hope that Angel will make a quick killing and get out. The movie then flashes forward three years. Angel has become a hopeless crack addict, while Monika has become enamored of designer clothes. As Angel becomes more unreliable, Raymond kicks him out of the business. Monika achieves independence, gets a job, and finally kicks Angel out. Angel gets more desperate, even trying to sell his wife's jewelry, and finally hits bottom. ~ Michael Betzold, All Movie Guide

Very loosely based on the memoir of the same name, The Basketball Diaries transposes the late '60s adolescence of writer/artist Jim Carroll to some unspecified time period at least 15 years later, further confusing the timeframe with three decades of rock music, some by Carroll himself. Jim (Leonardo DiCaprio) and his Catholic school chums are on the hottest basketball team in New York, but their friend Bobby (Michael Imperioli) languishes in the hospital with leukemia. In-between typically boyish adventures, Jim scribbles in his notebook and experiments with sex and drugs. His group of friends begins to disintegrate after coach Swifty (Bruno Kirby) not only makes a pass at Jim, but also catches him and his pals using drugs on the court and kicks them off the team. Out of school and on the streets, Jim turns tricks, betrays friends, robs stores, and deals drugs to feed his heroin addiction. Not even the efforts of former addict Reggie (Ernie Hudson) can cure Jim. Mark Wahlberg appears as one of Jim's basketball and drug buddies, while Carroll himself makes a memorable cameo as an addict who describes the almost Catholic rituals of shooting heroin. ~ Brian J. Dillard, All Movie Guide

When one of their friends commits suicide, three young women learn to stand up for themselves and strike back against male-dominated society in this drama. Patti (Lili Taylor), Emma (Anna Grace), Angela (Bruklin Harris), and Nikki (Aunjanue Ellis) are four teenage girls who attend the same high school in inner-city New York. Patti is an unwed mother struggling to complete her education as she deals with her irresponsible boyfriend, while the other three are good students going on to college after completing their final year of high school. One day, seemingly without warning, Nikki kills herself. Struggling for clues to explain the tragedy, the other three girls discover her diary and learn that she had been raped while serving an internship at a magazine. As the girls compare notes, they realize that they've all been treated badly by men; Emma was also raped, and Patti sardonically says that if rape is having sex when you don't really want to, then she's been raped by practically every guy she's ever gone out with. Eventually, the three decide that it's time to stand up for themselves and retaliate against the men who have wronged them; they begin by vandalizing the car of Emma's attacker and then formulate a plan to punish the man who raped Nikki. Screenwriter Denise Casano and writer/director Jim McKay developed much of their screenplay through improvisations with the four leading actresses, giving the film's dialogue a natural rhythm and feel. ~ Mark Deming, All Movie Guide