Celeste Holm Movies
American actress Celeste Holm made her first stage appearance in 1936 with a Pennsylvania stock company. Sophisticated and poised beyond her years, Holm was cast shortly afterward in a touring company of the ultra-chic Clare Boothe Luce comedy The Women, then played New York in such high-profile productions as The Time of Your Life. Rodgers and Hammerstein cast her as soubrette Ado Annie in Oklahoma! in 1943; both the production itself and Annie's show-stopping song "I Cain't Say No" affirmed Holm's future stardom. Following her film debut in Three Little Girls in Blue (1946), she was cast by her studio, 20th Century-Fox, in the role of the love-starved fashion editor in the prestige feature Gentlemen's Agreement (1947), for which she won an Academy Award. The important role of Bette Davis' understanding friend in another Oscar-winner, All About Eve (1950), has immortalized Holm amongst the film cultists. Stage, nightclub and television assignments followed (she starred in the short-lived 1950s sitcom Honestly, Celeste), and from the late 1950s onward, Holm was more at home on stage than in films. Her performance in the touring company of Mame won Holm the Sara Siddons Award -- coincidentally the same award presented to the title character at the beginning of All About Eve. Always choosy about her roles, Holm remained active in the 1980s and 1990s whenever a good part struck her fancy; one of her most frequently rebroadcast assignments was as a custody court judge in an early-1980s episode of Archie Bunker's Place. When giving on-camera interviews on the occasion of the 50th anniversary of Oklahoma, Holm appeared much too youthful to have participated in the landmark musical. ~ Hal Erickson, All Movie Guide- 1956
This live, full-color musical version of Jack and the Beanstalk was one of NBC's most ambitious productions, costing $300,000 and utilizing 17 sets, all specially constructed at the network's vast Brooklyn studios. Though set in olden times, this version has a decidedly contemporary slant, with Jack depicted as a teenaged layabout who must redeem himself in the eyes of the community by doing "something big"--namely, climbing a beanstalk and conquering a giant. But from that point forward, the story doesn't quite adhere to formula: The so-called giant isn't nearly as fierce (or as big) as he's supposed to be, and there's a climactic surprise delivered by Jack's dyspeptic employer Mr. Poopledoop. Joel Grey, still ten years away from becoming an "overnight star" by virtue of the Broadway musical Cabaret, is cast as Jack, with Billy Gilbert as Poopledoop, Peggy King (then the vocalist on The George Gobel Show) as the Love Interest, Celeste Holm as a local looney, Cyril Ritchard ("Captain Hook" in the Mary Martin version of Peter Pan) as the bean peddler, and scrawny Arnold Stang as one "Mr. Fum." The lively but forgettable score by Jerry Livingston (Hello Dolly, Mame etc.) and Helen Deutsch includes"This is the One", "He Never Looks My Way", "Where Are the White Birds Flying?", "People Should Listen to Me", "Sweet World", "Twelve Feet Tall", "Looka Me", and "I'll Go Along With You". ~ Hal Erickson, All Movie Guide
- 1987
While assisting Deputy DA Carol Baldwin (Kathleen Lloyd) with her prosecution of a very wealthy and powerful man, Magnum is hired by an elderly woman (Celeste Holm) to locate the birth certificate for the child she'd given up for adoption nearly three decades earlier. What Magnum finds is evidence that Carol Baldwin herself is that child--and that there is a terrible secret regarding her birth parents. Is this devastating revelation somehow tied in with Carol's current court case. . .and what will be the ramifications? ~ Hal Erickson, All Movie Guide
- 1990
This video is a close-up of Marilyn Monroe as seen by some of those who knew her best. The award-winning program is filled with memories as told by her friends and fellow actors, including Celeste Holm, Robert Mitchum, Shelley Winters, Susan Strasberg, and Josh Logan. Clips from her best moments in movies are shown, along with seldom-seen home movies and rare footage of the famous, but lonely actress. Richard Widmark provides narration. ~ Alice Day, All Movie Guide
- 1981
Like the 1960 theatrical feature of the same name, the made-for-TV Midnight Lace was inspired by Matilda Shouted Fire, a novel by Janet Green. Mary Crosby stars as Cathy Preston, the role originally essayed by Doris Day in the 1960 film, while Gary Frank steps into the old Rex Harrison role as Cathy's husband Brian, a recording executive. Though convinced that someone is trying to murder her, Cathy is unable to persuade anyone else of the danger she is in; even her beloved Brian insists that his wife is merely hallucinating. By the time it becomes obvious that Cathy has indeed been targeted for death, it is nearly too late, thanks to the clever machinations of the heretofore well-hidden instigator of the plot. Also in the cast is Celeste Holm as Cathy's wealthy aunt Sylvia, a part played by Myrna Loy in the earlier version. The TV adaptation of Midnight Lace debuted February 9, 1981, on NBC. ~ Hal Erickson, All Movie Guide
- 1987
Robert Hays stars in Murder by the Book in the dual role of mild-mannered mystery writer D. H. Mercer and his creation, hard-boiled private eye Biff Deegan. While writing his latest book, Mercer becomes so immersed in his material that he inadvertently causes Biff to come to life. Mercer teams up with his Chandleresque doppelganger to solve a genuine mystery involving art fraud, murder, and a beautiful lady in peril (Catherine Mary Stewart). Made for television, Murder By the Book was based on a novel by Mel Arrighi, titled (what else?) Alter Ego. It was filmed late in 1985 and first telecast on March 17, 1987. ~ Hal Erickson, All Movie Guide
- 1996
Filmed for television, Once You Meet a Stranger is a remake of Alfred Hitchcock's Strangers on a Train, using the same Patricia Highsmith novel as its source but transforming the protagonists into females. A chance meeting brings together former child star Sheila Gaines (Jacqueline Bisset) and the deceptively charming social butterfly Margo Anthony (Theresa Russell). As the ladies converse, two major facts come to light: Sheila is saddled with an ex-husband who refuses to give him a divorce, while Margo despises her wealthy mother and wishes her dead. In what seems to be a playful hypothesis, Margo suggests that she and Sheila "trade murders"; she will kill Sheila's former husband, Sheila will do in Margo's mom, and the authorities won't be any the wiser. Figuring that Margo is a harmless eccentric at best and a nutcase at worse, Sheila laughs off the notion of such an "arrangement"--but she isn't laughing when her troublesome ex-hubby turns up dead! If you've seen Strangers on a Train, you know how this one turns out, so best to find another way to spend 95 minutes. Once You Meet a Stranger originally aired September 25, 1996 on CBS. ~ Hal Erickson, All Movie Guide
- 1989
There were those in 1989 who bellyached that Disney Television's Polly was a far from faithful adaptation of Eleanor Porter's classic novel Pollyanna. What they meant was that Polly did not resemble the 1960 Hayley Mills movie version of Pollyanna, which itself played fast and loose with the source material. In Polly, The Cosby Show's Keshia Knight Pulliam portrays the "Glad Girl" who brings along a satchelful of happiness and optimism when she visits her wealthy aunt one summer. Tranposing Porter's all-white story to a middle-class black community in the Alabama of the 1950s (Celeste Holm is the only white costar) isn't nearly as self-conscious or gimmicky as it seems on paper. Nor is any damage done to the original by adding musical numbers, especially when taking into consideration that the film was directed by renowned choreographer Debbie Allen (the sister of Phylicia Rashad, who plays Polly's aunt--and who in 1989 was costarring with Keshia Knight Pulliam on a weekly basis on The Cosby Show). Polly scored a boffo ratings hit, prompting Disney TV to assemble a 1990 sequel, Polly: Comin' Home! ~ Hal Erickson, All Movie Guide
Richard Widmark plays the borderline-psycho owner of a combination road house and bowling alley. Widmark's singer, Ida Lupino, begins exhibiting an interest in his manager, Cornel Wilde. To get even with Wilde, Widmark frames him on a robbery charge, then has the unlucky fellow released in his custody. The sadistic Widmark takes every opportunity to flaunt his control over Conte, but this only serves to deepen the relationship between Wilde and Lupino. ~ Hal Erickson, All Movie Guide
- Starring:
- Ida Lupino, Cornel Wilde, (more)
Presented by The Broadway Theatre Archive, The Shady Hill Kidnapping is one of a variety of plays televised between the 1960s and '80s. Written by John Cheever, this satire centers around a series of phony kidnappings and a strange penchant for kidney-shaped swimming pools. The Shady Hill Kidnapping stars George Grizzard, Polly Holliday, and Celeste Holm. ~ Tracie Cooper, All Movie Guide
- Starring:
- George Grizzard, Polly Holliday, (more)
- 1997
This romantic fantasy from writer, director, and producer James F. Robinson, stars Brendan Fraser as Fletcher McBracken, a starry-eyed San Antonio puppeteer who, like his father and grandfather before him, has a mystical vision of the woman he's fated to marry. Believing that she'll be found in "Formosa" (the one-time name of Taiwan), Fletcher books a flight. During a stopover in L.A., however, he learns of a trendy bar called Formosa and decides to check it out. Sure enough, Fletcher sees his dream girl, Rosalyn Willoughby (Joanna Going), a con artist on the lookout for a new mark, a millionaire from Texas. Assuming that Fletcher is the man she's supposed to bilk, Rosalyn accompanies him to San Antonio, where she meets his tuba-playing grandmother (Celeste Holm) and his eccentric friends, including the Tree Man (Lou Rawls). Charmed against her will by Fletcher, Rosalyn considers a real romance with the daffy artist, but each of them has some revelations to make before a real relationship can begin. ~ Karl Williams, All Movie Guide
- 1972
Delphi Bureau was the pilot film for a short-lived TV espionage series. Lawrence Luckinbill plays an operative for a secret agency that answers only to the US President. His current mission is to locate an entire fleet of obsolete Air Force planes that have vanished without a trace. Very ordinary cold-war fare, The Delphi Bureau contains one or two neat touches, notably the cryptic poems that appear on-screen just before the commercial breaks. Celeste Holm, playing the Washington social leader who acts as Luckinbill's contact, was replaced by Anne Jeffreys when this TV movie graduated to a weekly series. ~ Hal Erickson, All Movie Guide
- 1967
In the first episode of a two-part story, the FBI squares off against La Cosa Nostra (evidently J. Edgar Hoover had finally acknowledged the fact that Organized Crime really did exist!) Inspector Erskine (Efrem Zimbalist Jr.) is hoping that dissension within the ranks of the Mob will cause the hierarchy to collapse under its own weight. He may be right: A power struggle involving Mafia chieftan Ed Clementi (Telly Savalas) currently threatens to spark a full-scale turf war. Originally telecast March 12 and 19, 1967, the two parts of "The Executioners" were later combined and released theatrically overseas as Cosa Nostra, Arch Enemy of the FBI. ~ Hal Erickson, All Movie Guide
- 1967
In the conclusion of a two-part story, the FBI continues to exert pressure on La Cosa Nostra, even while a bitter turf war between two mob families threatens to destroy the organization from within. Things come to head when gangland boss Leo Roland (Walter Pidgeon) orders the murder of potential federal witness Ed Clementi (Telly Savalas)--and picks Ed's own nephew to pull the trigger. Fans of The Godfather will appreciate the presence of Robert Duvall in a supporting role. Originally telecast March 12 and 19, 1967, the two parts of "The Executioners" were later combined and released theatrically overseas as Cosa Nostra, Arch Enemy of the FBI. ~ Hal Erickson, All Movie Guide
- 1967
In Coleman, Nebraska, Steve Dexter--actually Richard Kimble (David Janssen)--is hired by construction boss Pat Patton (Jack Warden). A local pariah ever since one of his building collapsed and killed three children, Patton is determined to make up for his past misdeeds by erecting a new downtown structure free of charge. Though Patton knows who Kimble really is, he agrees not to turn the fugitive over to the police...but the conditions for his silence are both strange, and strangely motivated. ~ Hal Erickson, All Movie Guide
- 1964
Working as a fruit picker for wealthy citrus grower Leland Hagerman (Byron Morrow), Kimble (David Janssen)--alias "Jim Wallace"--promises his dying boss that he'll look after Hagerman's ne'er-do-well son Blaine (Ben Piazza). This proves difficult when, upon Blaine's return home, he turns out to be an arrogant leech who is universally despised by his late father's employees. Ultimately, Kimble sides with Blaine's stepmother Flo (Celeste Holm) to prevent the wastrel from illegally gaining full control of the family business. ~ Hal Erickson, All Movie Guide
- 1985
This documentary of Marilyn Monroe takes a novel approach in not dwelling on her love affairs and concentrating on her film career. Film clips and press conferences accompany interviews of Marilyn's friends and co-stars such as Shelly Winters, Robert Mitchum, Susan Strasberg, and Joshua Logan. Even decades after her death, all are left with a lasting impression of Monroe as an actress of considerable talent but one who struggled with demons that plagued her personal life. ~ Dan Pavlides, All Movie Guide
- Starring:
- Robert Mitchum, Shelley Winters, (more)
- 1977
This second of two pilot films for the Love Boat TV series was originally telecast on January 21, 1977. After the shakedown cruise, several of the actors playing the crew of the Pacific Princess were replaced. In Love Boat 2, Ted Lange, Bernie Kopell and Fred Grandy portray the roles they would be playing for several seasons thereafter, namely Isaac, Doc and Gopher, respectively. But instead of Gavin McLeod as the Captain and Lauren Tewes as the cruise director, Love Boat II offers us Quinn Redecker in the former part, and Diane Stilwell in the latter. {As with the first Love Boat, this second pilot fills its time with four separate sets of passengers, each in their own self-contained plotline. Hope Lange plays a wife who, fed up with philandering husband Robert Reed, takes up with tennis pro Lyle Waggoner. Divorcee Celeste Holm is reunited with old flame Craig Stevens. CPA Bert Convy (practically a "regular" of the subsequent series) pursues cruise director Diane Stillwell. And last but not least, shy psychiatrist Ken Berry falls for brash cruise entertainer Candice Azzara. The Love Boat series proper would commence in September of 1977, and sail on until late 1986. ~ Hal Erickson, All Movie Guide
- Starring:
- Quinn K. Redeker
- 1977
- PG
Larry Cohen's pseudo-biography of J. Edgar Hoover (Broderick Crawford) was virtually howled off the screens upon its release in 1977. Today, with the cross-dressing Hoover so much a matter of historical record that even Oliver Stone didn't bother to make too much of a point of it in Nixon, the Cohen film plays more like a dramatic re-enactment rather than the puerile paranoid fantasy it appeared to be at the time. Unfortunately, Cohen's method is part exploitation and part historical tableau. On the one hand, Cohen dramatizes historical moments in Hoover's momentous life story -- the shooting of John Dillinger in front of Chicago's Biograph Theater, his first arrest -- with a deadening solemnity (even abandoning the backlot facsimiles to shoot on the actual historical locations). On the other hand, Cohen relishes his scenes of Hoover's homosexuality and his propensity for sitting in the dark with a bottle of whiskey, replaying tapes of the amorous liaisons of high government officials -- the decadently homosexual Hoover built his political power base by getting all the dirt he could on the government's movers and shakers -- particularly their sexual liaisons -- and blackmailing them for their support when he could not get it in any other way. A true schizophrenic masterwork in its time, the film is now muted by a reality more incredible than Cohen ever imagined in his wildest dreams. ~ Paul Brenner, All Movie Guide
- Starring:
- Broderick Crawford, José Ferrer, (more)
"A woman loses her mind and is confined to a mental institution." That's the usual TV-listing encapsulation of The Snake Pit -- and like most such encapsulations, it only scratches the film's surface. Olivia de Havilland stars as an outwardly normal young woman, married to loyal, kindly Mark Stevens. As de Havilland's behavior becomes more and more erratic, however, Stevens comes to the sad conclusion that she needs professional help. She is sent to an overcrowded state hospital for treatment -- a curious set-up, in that, while de Havilland is treated with compassion by soft-spoken psychiatrist Leo Genn, she is sorely abused by resentful matrons and profoundly disturbed patients. Throughout the film, she is threatened with being clapped into "the snake pit" -- an open room where the most severe cases are permitted to roam about and jabber incoherently -- if she doesn't realign her thinking. In retrospect, it seems that de Havilland's biggest "crime" is that she wants to do her own thinking, and that she isn't satisfied with merely being a loving wife. While this subtext may not have been intentional, it's worth noting that de Havilland escapes permanent confinement only when she agrees to march to everyone else's beat. Amazingly, Olivia de Havilland didn't win an Academy Award for her harrowing performance in The Snake Pit (the only Oscar won by the film was for sound recording). While some of the psychological verbiage in this adaptation of Mary Jane Ward's autobiographical novel seems antiquated and overly simplistic today, The Snake Pit was rightly hosannahed as a breakthrough film in 1948. ~ Hal Erickson, All Movie Guide
- Starring:
- Olivia de Havilland, Mark Stevens, (more)
- 1974
A Bay Area college campus is besieged by a mysterious sniper, who shoots the mistress of a prominent professor before killing the professor himself. Can it be that the prof's widow Mrs. Shaninger (Celeste Holm) knows more about the supposedly random killings than she's letting on? Featured in the cast as a disabled Vietnam veteran is star-in-the-making Nick Nolte. ~ Hal Erickson, All Movie Guide
Max Shulman and Robert Paul Smith's Broadway hit The Tender Trap is transformed into a beguiling Frank Sinatra film vehicle. Sinatra plays a Manhattan showbiz agent, Charlie Y. Reader, who enjoys the attentions of several willing young ladies. At an audition, Charlie meets aspiring actress Julie Gillis (Debbie Reynolds), who is so determined to land a husband that she's already set the date. She goes out with Charlie for a short while, then announces that she won't marry him until he gives up all his other girls. Charlie, who hasn't said word one about marriage and who'd been preparing to give Julie the brush-off, is startled by her ultimatum -- so much so that he genuinely falls in love with her, which (we can safely assume) was her intention all along. A complication involving Charlie's former amour Sylvia Crewes (Celeste Holm) and his best friend Joe McCall (David Wayne) paves the way for the film's slightly offbeat denouement. In addition to scoring at the box office, The Tender Trap yielded a hit song (written by Sammy Cahn and Jimmy Van Heusen), which would remain a part of Frank Sinatra's repertoire for the rest of his life. ~ Hal Erickson, All Movie Guide
- Starring:
- Frank Sinatra, Debbie Reynolds, (more)
- 1974
The Underground Man was the pilot film for a series based on Ross MacDonald's private eye hero Lew Archer (the source of Paul Newman's film appearances as "Lew Harper"). Most of the elements of the factory-approved MacDonald formula are put into effect here: An old flame, a seemingly cut-and-dried case leading to sinister complexities, dark family secrets, ecological rape, and the inadvertent solving of previously unsolved crimes. Archer (Peter Graves) is hired to rescue the kidnapped son of his former love, and the cycle begins. This particular pilot didn't sell, but there would be a separately produced Archer series late in 1974 starring Brian Keith. ~ Hal Erickson, All Movie Guide
- 1983
In this detective drama set in Hollywood, a private investigator uses logic to solve the murder of a famous mystery writer. ~ Sandra Brennan, All Movie Guide
