Bernard Hill Movies

With William Shakespeare now a hot commodity at the box office (and his body of work conveniently out of copyright), the usual trickle of film adaptations of the Bard's work is becoming a small flood, and director Michael Hoffman has assembled a cast of leading stage and screen actors for this whimsical film version of one of Shakespeare's most popular comedies. This interpretation of A Midsummer Night's Dream moves the action to Tuscany near the turn of the 20th century, as both mortals and enchanted creatures deal with romantic problems. Among the flesh-and-blood crowd, Duke Theseus (played by David Strathairn) is preparing for his wedding to Hippolyta (Sophie Marceau), while having to counsel Egeus (Bernard Hill), who has promised the hand of his daughter Hermia (Anna Friel) to Demetrius (Christian Bale). Hermia, however, wants to elope with her true love, Lysander (Dominic West), while her best friend Helena (Calista Flockhart) is mad about Demetrius. Meanwhile, fairies living in the forest are watching these romantic misadventures. Puck (Stanley Tucci) serves up love potions that mix and match the already confused lovers, while the Queen of Fairies, Titania (Michelle Pfeiffer), and her King, Oberon (Rupert Everett), have to deal with a group of hapless actors rehearsing a play in the forest -- one of whom, Bottom (Kevin Kline), has fallen under Puck's spell and becomes Titania's new lover. Will anyone end up with the person they really love? Who will get hurt riding their bicycles in the woods? Will Helena sit down and eat a square meal? Director Hoffman, a longtime Shakespeare buff, appeared as Lysander in a production of the play while a college student, and has since spearheaded a campaign to build a new $3 million theatre for his alma mater in Boise, ID. ~ Mark Deming, All Movie Guide

In flashback, we learn how nerdish computer whiz Bernard Hill has gotten himself involved with nasty gang boss Richard Hope. When Hill's wife leaves him and his stepson, he gets drunk and loses his job; before he cleans out his desk, he sells one of his "worthless" computer tapes to Hope. The latter kidnaps Hill's son, forcing the computer geek to do a printout of the tape. The information contained therein turns out to be a map of the National General Bank security system. From this point onward, be prepared for lots of twists, double-crosses and surprises. The question posed by Bellman & Ture: will Bernard Hill, sucked into the criminal gang, retain his own honesty despite big-money temptation? ~ Hal Erickson, All Movie Guide

A vacation in Scotland turns into hard work for Michael Cooper, a former Chicago policeman, when he runs into an engaging but nervous Englishman who appears as out of place as the American in a little Scottish fishing village. After the two become friendly, the ex-policeman learns the cause of the other man's nervousness: his daughter has been kidnapped by a criminal gang which is hoping to use her abduction in order to find the old man, who has been on the run from them for some time. Before long, Michael charges in to the rescue. This fairly tame action drama offers old-time fans of comic Norman Wisdom a chance to see him in a "straight" role. ~ Clarke Fountain, All Movie Guide

A biographical drama about the life of great Russian filmmaker Sergei Eisenstein), Eisenstein stars Simon McBurney as its eponymous protagonist. Beginning in 1922, when the young Eisenstein, a former Red Army engineer, became the protégé of avant-garde theatre director Meyerhold (Jonathan Hyde), the film covers Eisenstein's life, work, and political struggles through three decades, set in such disparate locales as the Ukraine and Mexico. ~ Rebecca Flint Marx, All Movie Guide

It was Richard Attenborough's lifelong dream to bring the life story of Indian political and spiritual leader Mahatma Gandhi to the screen. When it finally reached fruition in 1982, the 188-minute, Oscar-winning Gandhi was one of the most exhaustively thorough biopics ever made. The film begins in the early part of the 20th century, when Mohandas K. Gandhi (Ben Kingsley), a British-trained lawyer, forsakes all worldly possessions to take up the cause of Indian independence. Faced with armed resistance from the British government, Gandhi adopts a policy of "passive resistance," endeavoring to win freedom for his people without resorting to bloodshed. In the horrendous "slaughter" sequence, more extras appear on screen than in any previous historical epic. The supporting cast includes Candice Bergen as photographer Margaret Bourke-White, Athol Fugard as General Smuts, John Gielgud as Lord Irwin, John Mills as the viceroy, Martin Sheen as Walker, Trevor Howard as Judge Broomfield, and, in a tiny part as a street bully, star-to-be Daniel Day-Lewis. Gandhi won eight Academy Awards, including Best Picture, Best Actor, and Best Director. ~ Hal Erickson, All Movie Guide

Charles Dickens' classic novel, which has been brought to the screen at least six times in the past (including a modernized adaptation released in 1998), is committed to film once again in this production for television by the BBC. Pip is an orphan who lives with his older sister and her husband Joe, a blacksmith. Pip is occasionally sent to visit Miss Havisham (Charlotte Rampling), an eccentric old crone who lives in a huge but filthy mansion and is always dressed in a decrepit bridal trousseau. Miss Havisham has a ward, a lovely young woman named Estella, with whom Pip is immediately smitten. However, Pip is convinced a boy of poor circumstances could never win her heart, which fills him with a desire to better himself. While economics would dictate a fate as Joe's assistant, one day Pip receives a message from a lawyer named Jaggers -- an anonymous benefactor has made it possible for Pip to leave the blacksmith's shop and pursue a gentleman's education in London. Pip (played as an adult by Ioan Gruffudd) soon moves to the city, where he hopes to gain knowledge, wealth and the affections of Estella (Justine Waddell). This version of Great Expectations made its American premier on the PBS cultural series Masterpiece Theatre, where it was shown as a three-part miniseries. ~ Mark Deming, All Movie Guide

Part of a television series entitled "The Shakespeare Plays," this is the conclusion of the Henry VI chronicles, which ends with the Duke of Gloucester's plan to murder Henry VI. ~ Tana Hobart, All Movie Guide

This British drama offers a character study of the friendship between two total opposites; one a shy homosexual, and the other a heterosexual petty thief. The story begins as Harry, the introverted gay fellow who carries a huge burgundy colored birthmark in the shape of Madagascar upon his forehead, unsuccessfully tries to find love at a local gay bar. Once home in his seedy apartment, the despondent fellow decides to get in his car and drive to wherever the road will take him. He ends up on a lonely beach where he spies an overturned bucket that is just about to be covered by the rising tide. He picks it up and discovers that it conceals the head of Flint who has been buried upright in the sand. The two end up living together, with the much older Flint being as gruff, as Harry is shy. Flint slowly helps Harry become more outgoing, who unsurprisingly, begins to develop deeper feelings and longings for Flint. He knows however, that if he lets slip his sexuality, that he will lose Flint's friendship. Harry then goes away on a trip; upon his return, the relationship between the men changes surprisingly. ~ Sandra Brennan, All Movie Guide

Former Monty Python members Terry Jones, Eric Idle, John Cleese, and Michael Palin were reunited by director Jones for this live-action adaptation of the 1908 children's fantasy classic by Kenneth Grahame (1859-1932). The actors have only slight physical changes to suggest animal characteristics, plus tails protruding from their Edwardian-style costumes. In pre-WW I England, fascist Weasels prowl the countryside, forcing modest Mole (Steve Coogan) from his underground home after the Weasels acquire the meadow from wealthy, waddling Mr. Toad (Jones). Toad's inheritance is leaking away because of his fascination with the recently invented motorcar. After Mole takes shelter with refined Rat (Idle), the two set out for Toad's cavernous mansion. Toad crashes into another vehicle, but unfortunately, his attorney (Cleese) has nothing nice to say in Toad's defense. Toad's behavior in court prompts the judge (Stephen Fry) to give him a century-long jail sentence. Rat and Mole plan to spring Toad with the help of the hibernating Badger (Nicol Williamson), but Toad simultaneously puts his own escape plan into motion. Back at Toad Hall, the Weasels construct a dog-food factory and intend to destroy the main house by blowing it up-so the threatened animals make plans to retake Toad Hall.

Crew members who worked on past Python films include James Acheson (production/costume design) and John Du Prez (original music and songs). Lawrence Van Gelder (New York Times) reviewed, "The Wind in the Willows, brimming with verbal and visual wit and imagination, driven by high adventure, reveling in English eccentricity, enlivened by bursts of song, unafraid of ideas and filled with color and splendid performances, exposes most other movies intended to attract children as out-and-out pap." This film should not be confused with the 1996 animated adaptation which also has Michael Palin in the cast. Filmed at Burnham Beeches (in Buckinghamshire, England). Other earlier versions: the second half of Disney's animated The Adventures of Ichabod and Mr. Toad (1949); live-action by the Minneapolis Children's Theatre (1983); stop-motion animation for British TV (1983); 1982 stop-motion animation by John Semper (Spider-Man); and Rankin-Bass animation for U.S. TV (1987). ~ Bhob Stewart, All Movie Guide

A moribund nightclub on the fringes of Liverpool's sprawl is the primary setting for this frenetic, dark, and confusing comedy done in a heavy regional "dialect" by director Peter Smith. Set on New Year's Eve, the film chronicles the rivalry between elderly Irish Catholic and Protestant attendees at a party held in a gritty pub in Liverpool. Mixed in with the warring oldsters are some shady types such as Billy the Beast, the killer of an Ulster terrorist. The club's new manager has a talent for dealing with mayhem and violence, but his first challenge lies in handling the punk rock band perversely scheduled to entertain the oldsters by the disgruntled former manager. After that challenge, he is faced with a magician on the verge of a nervous breakdown and other kinds of chaos that tear through the place. ~ Eleanor Mannikka, All Movie Guide

Since its London and Broadway stage debut, playwright Willy Russell's Shirley Valentine has proven an excellent showcase for any number of talented actresses (Loretta Swit won the 1989 Sarah Siddons Award for her work in the Chicago production). In the film version of Shirley Valentine, Pauline Collins re-creates the role that had previously brought her theatrical fame and a Tony Award. Spending the bulk of the film speaking directly to the audience, the titular Shirley (Collins), a middle-aged Liverpool housewife, reveals her innermost thoughts and fears in a manner that is both insouciant and poignant. Once an incorrigible anti-establishment rebel, Shirley now chafes under the plodding insensitivity of her husband Joe (Bernard Hill). Her life enters a new and exciting phase when, after her best friend Jane (Alison Steadman) wins an all-expenses-paid vacation to Greece, Shirley is given the opportunity to travel to faraway places without her husband. Shirley Valentine represents the second felicitous collaboration between playwright Willy Russell and director Lewis Gilbert; the first was Educating Rita (1983). ~ Hal Erickson, All Movie Guide

Playwright Tom Stoppard, best known for such works as Rosencrantz and Guildenstern are Dead and Arcadia, turned his attention to recent Polish history in this television film about the early 1980s formation of the Solidarity movement. Filmed just two years after the actual events, Squaring the Circle initially focuses on the inner workings of the Politburo and their reactions to the strikes led by deeply dissatisfied workers. When the strikes become more prominent and unified, with demands for independent trade unions, the film's attention shifts to the leaders of the workers, especially the charismatic Lech Walesa. For a brief period, the workers and the Politburo make a doomed attempt to come to an acceptable compromise in order to avoid internal violence and prevent the intervention of Russian troops. Stoppard addresses the complexities of dramatizing recent history by telling his tale through an unreliable narrator, who is occasionally interrupted and corrected by a native Pole regarding certain historical and political facts. Originally made for British television by director Michael Hodges, the film underwent a number of unauthorized changes in the hands of the American co-producers; the detrimental effects of these changes are detailed in Stoppard's introduction to the published script. ~ Judd Blaise, All Movie Guide