Yu Aoi Movies

Wildly popular filmmaker Shunji Iwai breaks a three-year hiatus following his less than successful April Story with this elliptical drama about teenaged alienation, violence, and celebrity. The film centers on Yuichi Hasumi (Hayato Ichihara), an eighth grader who lives in a sleepy town in rural Japan with his mother, her boyfriend, and the boyfriend's son. At school he is beaten up and harassed by his former friend Hoshino. In order to scrape up the cash to meet Hoshino's daily extortion demand, Yuichi resorts to petty theft and shoplifting. At home he finds sanctuary with his favorite singer Lily Chou-Chou, for whom he has devoted a website called "Liliphilia." One day, he encounters on the net a fellow Lily-phile who goes by the handle "blue cat." As Hoshino's power grows, he demands that Yuichi tail fellow classmate Shiori Tsuda (Yu Aoi), who he is pimping out to older men. Yuichi's suffocating situation at school leads him to consider suicide, something he confesses to "blue cat" -- his only confidant. Things come to a head tragically at a long awaited Lily Chou-Chou concert. This film was screened at the 2001 Toronto Film Festival. ~ Jonathan Crow, All Movie Guide

Yuki Urushibara's long-running manga series comes to the screen in this live-action adaptation directed by Katsuhiro Otomo, creator of the groundbreaking manga and anime classic Akira. Mushi are an unusual life form that is neither animal nor vegetable, but is possessed of the elusive essential life force of the universe, and has special talents that approach those of supernatural beings. Very few human beings are able to see the mushi, but Ginko can. Ginko makes his living as a "Mushi-shi," a master who travels from town to town, meeting people who have had troubling experiences with the mushi and helping them sort out their problems while trying to maintain a respectful relationship with the creatures. Starring Joe Odagiri, Nao Omori and Makiko Esumi, Mushi-shi received its world premiere at the 2006 Venice Film Festival. ~ Mark Deming, All Movie Guide

As the Korean War draws to a close and the pressing demand for copious amounts of coal takes a sudden plunge, the remote Japanese mining town of Joban attempts to compensate for the devastating economic blow by transforming itself into a lavish Hawaiian retreat in an affectionate comedy inspired by real events and directed by Lee Sang-il. The year s 1965 and the changes that have swept through the outside world are finally reaching Joban. As the mineworkers are laid off and the women of the town take it upon themselves to gently nudge their once-prosperous community from the brink of economic collapse, the ancient Hawaiian art of the hula dance seems to offer the ideal means of doing so. Though highly fashionable Tokyo urbanite Madoka Hirayama (Yasuko Matsuyuki) at first seems terribly out of place when she arrives in Joban to teach local ladies how to saw their hips with authentic grace, her noble efforts soon instill her students with a newfound sense of confidence in both themselves, and their struggling community. ~ Jason Buchanan, All Movie Guide

A pair of feisty young street urchins attempts to protect an unnamed metropolis from a diabolical villain whose plans to raze the urban landscape on the behalf of malevolent real-estate developers threatens to destroy the very soul of the city. Street-smart youngsters Black and White do their best to defend their territory from rival gangs as local yakuza leader Suzuki, fearing that the town has lost its zeal, plots a triumphant return to form. A lifelong criminal with a serious zodiac fixation, Suzuki (aqua The Rat) doesn't want to corrupt the city as much as he simply wants reinvigorate it with the kind of vibrancy that drew him to love it in the first place. Mr. Snake, on the other hand, wants nothing more than to profit as the buildings of the city crumble to make room for the massive amusement park planned by his wealthy clients. The only problem now is that Mr. Snake can't carry out his destructive deed while Black and White are still wandering the streets - of course that's nothing that can't be solved by a pair of sharp-shooting intergalactic assassins whose bullets always meet their mark. A metaphysical tale of survival in a city that seems to be poised on the brink of disaster, Tekkonkinkreet marks the feature directorial debut of longtime visual effects artist Michael Arias (The Abyss, Princess Mononoke). ~ Jason Buchanan, All Movie Guide

A passionate young man gets a crash course in the ways of love in this romantic comedy-drama from Japanese auteur Nami Iguchi. Mirume (Kenichi Matsuyama) is a nineteen-year-old student pursuing a degree in art at a college outside Tokyo. Mirume signs up for a printmaking class, and the handsome young artist makes a major impression on Yuri (Hiromi Nagasaku), an attractive professor in her mid-thirties who is teaching the course. Yuri seduces naïve Mirume, and before long he's convinced that she's the love of his life. When school shuts down for the summer break, Yuri heads north to her home in Kiryu City, and after uncovering her address, Mirume follows her home. Mirume arrives at Yuri's house to discover she has a husband (Morio Agata) who doesn't understand the purpose of Mirume's visit, and as the evening wears on, Mirume becomes increasingly reluctant to accept that Yuri wanted nothing more than a brief fling. Meanwhile, Mirume's infatuation with Yuri doesn't set well with En (Yu Aoi), one of his classmates who is clearly attracted to him. Hito no sekkusu o waruna (aka Don't Laugh At My Romance) was an official selection at the 2008 Hong Kong Film Festival. ~ Mark Deming, All Movie Guide

Directors Michel Gondry, Bong Joon-ho, and Leos Carax each direct a segment of this triptych feature about life in 21st century Tokyo. The saga begins with Gondry's segment, entitled "Interior Design," about a young couple who moves in with an old friend while attempting to establish themselves in Tokyo. Hiroko (Ayako Fujitani) and Akira (Ryo Kase) have just arrived in the city. They're eager to launch their careers, but first they'll have to find a place to stay. Though Hiroko's old friend Akemi (Ayumi Ito) opens her doors to the ambitious young couple, her boyfriend isn't exactly thrilled by the new living arrangement. As Akira takes his first steps toward becoming a filmmaker, the neon jungle beckons to Hiroko. Before long, Hiroko begins to experience a startling metamorphosis that instills her with a newfound sense of peace and purpose.

The second chapter, Leos Carax's "Merde," follows the debased exploits of an unsightly subterranean creature (Denis Lavant) who emerges from the Tokyo sewers to taunt and torment the unsuspecting denizens of the city. Stealing cash, pilfering cigarettes, frightening old ladies, and even going so far as to salaciously lick schoolgirls, the gibberish-spewing troublemaker dubbed Merde sparks a media frenzy that sends all of Tokyo into a panic. The situation spirals as Merde discovers an arsenal of hand grenades in his underground lair, and begins throwing them in the streets at will, creating an environment of total urban terror. Later, Merde is apprehended and pompous French magistrate Maître Voland (Jean-François Balmer) arrives to defend the deviant in a Japanese court. The only person capable of speaking his client's unintelligible language, Voland stands at the center of a media circus that soon engulfs all of Japan. When Merde is convicted by the court and sentenced to death, justice takes a turn for the surreal.

The trilogy winds to a close with Bong Joon-ho's "Shaking Tokyo," in which a reclusive pizza addict who hasn't left his apartment in over a decade falls for a pretty delivery girl at the very same moment an earthquake hits Japan. A so-called hikikomori who never dares venture outside, the lonely shut-in (Teruyuki Kagawa) subsists almost solely on pizza delivery. When a beautiful delivery girl shows up at his door and promptly faints when the ground begins to shake, it's love at first sight. Later, the agoraphobic man discovers that the object of his affections has become a hikikomori herself, and boldly ventures out of his apartment in order to declare his love. The moment he sets eyes on her, the ground starts to rumble once again. ~ Jason Buchanan, All Movie Guide