Alison Lohman Movies

This impressive work from acclaimed Japanese director Hayao Miyazaki represents a significant departure from traditional anime. Foregoing the gritty storylines, extreme violence, and adult content found throughout many anime, Miyazaki's works borrow as much from fairy tales as they do from science fiction. Nausicaa of the Valley of Wind is no exception. Centuries after war has devastated the earth, Princess Nausicaa leads the people of the Valley of the Wind. Feuding clans fight with planes and tanks as well as swords in a world that is both primitive and futuristic. In addition to her people's conflicts with other factions, Nausicaa must also contend with the insects of the jungle including the Ohmu, a race of giant, intelligent bugs that poisons the surrounding atmosphere - and is spreading rapidly. The setting of this 1984 animation owes much to the post-apocalypse genre spawned by Mad Max and other films, and the political subplot is often compared to Frank Herbert's Dune. However, the heroine here has more in common with the female protagonists of the Disney musicals such as Pocohantas and Mulan; Nausicaa is more concerned with harmony and communication than with conquest and revenge. Sympathetic to the Ohmu, she learns she must approach them with understanding to achieve peace and restore the dying world. This film is beautifully animated and written, and the moral to this ecological fable is difficult to miss. The film was dubbed into English in the mid-2000s, hence the presence of such actors as Shia LeBoeuf, who wasn't born yet when the film was originally made. ~ Jonathan E. Laxamana, All Movie Guide

A gifted teenager is thrown for a loop when her parents' marriage falls apart in this coming-of-age drama set in the early '70s. Alex Markov (Angela Gots) is a 16-year-old who dreams of a career as a professional dancer; unlike many girls with similar goals, Alex is blessed with supportive parents, Dan (Robert Hayes) and Clarice (Ellen Greene), and a dance coach, Natalie (Genevieve Bujold) who believes she has the talent to make it. But Alex's life is shaken to the foundations when Dan and Clarice announce they're getting a divorce. Alex isn't sure how she feels or who is to blame; her boyfriend Patrick (Danny Masterson) seems more interested in drinking than being supportive, and her close friends Alissa (Soleil Moon Frye), Camelia (Alison Lohman), and Jan (Lisa Brenner) are as startled and befuddled as she is. Alex in Wonder was the first feature film from writer and director Drew Ann Rosenberg. ~ Mark Deming, All Movie Guide

In this supernatural thriller, Kevin Costner plays Joe Darrow, a physician mourning the death of his wife Emily (Susannah Thompson) in a bus accident in South America, where she was providing medical outreach. Wracked by grief, Joe works extra shifts at the hospital to take his mind off the tragedy, but the intense workload triggers his short temper and some careless mistakes. His officious boss (Joe Morton) forces Joe to take time off, but Joe feels obligated to check in on his wife's pediatric patients, fulfilling a promise he made before she left. Visiting the ward, Joe starts to believe that Emily is using the near-death experiences of her terminal patients to communicate with him, through images the children report seeing in their dreams, and symbols they are inexplicably compelled to draw. While the children see Joe as a kindred spirit, the hospital staff worries about how these interactions are agitating them. At home, Joe begins finding other ethereal evidence of his wife's attempt to contact him from beyond the grave, some of it featuring the image of a dragonfly, which was the shape of the birthmark on her shoulder. His friends and a caring neighbor (Kathy Bates) worry that Joe is losing his marbles, especially as his quest becomes more frantic, putting his job in jeopardy. ~ Derek Armstrong, All Movie Guide

The Oprah Book Club best-seller by Janet Fitch makes it to the big screen in this adaptation from British director Peter Kosminsky. White Oleander recounts the traumatic adolescence of Astrid Magnusson (Alison Lohman), who finds herself an orphan after her short-fused, enigmatic artist mother Ingrid (Michelle Pfeiffer) is carted off to prison on murder charges. Astrid first finds herself in the care of Starr (Robin Wright Penn), a garish, born-again mother of two with a gruff but sensitive boyfriend (Cole Hauser). From there, she's shunted back to a state-run facility, where she tangles with other troubled teens and finds temporary solace in the arms of Paul (Patrick Fugit), a dough-faced comic book artist with dreams of moving to New York City. Astrid then lucks into a living arrangement with a successful but insecure actress (Renee Zellweger) who offers her unconditional love. But Ingrid's stifling influence continues to haunt her daughter, whether through the occasional prison visit or via manipulative letters to Astrid's caretakers. White Oleander received a Gala North American premiere at the 2002 Toronto Film Festival before reaching multiplexes later that fall. ~ Michael Hastings, All Movie Guide

Ridley Scott directs the crime comedy Matchstick Men, based on the novel of the same name by Eric Garcia. Neurotic con man Roy (Nicolas Cage) suffers from several emotional problems, including obsessive-compulsive disorder. He and his partner Frank (Sam Rockwell) swindle people out of money by posing as money collectors who promise things like tax refunds, package vacations, and other fabulous prizes (which they never get). Frank wants to pull a really big job, but Roy is too consumed with fear and panic attacks to join him. Only cigarettes and his trusty illegal prescription drugs seem to keep him going. When Roy finds himself in desperate need of more pills, he is forced to see legitimate psychotherapist Dr. Klein (Bruce Altman). Roy ends up talking about his emotional damage from a troubled marriage and divorce, which results in the discovery of a child whom he has never met. Dr. Klein suggests that he spend a weekend with the kid, so in walks teenaged Angela (played by twentysomething Alison Lohman). Reluctant to develop his role as a father, Roy also gets heavily involved in Frank's ambitious swindle. ~ Andrea LeVasseur, All Movie Guide

A reporter unexpectedly gets a personal perspective on a legendary show-business story in this adaptation of Rupert Holmes' novel, scripted and directed by noted Canadian independent filmmaker Atom Egoyan. In the mid-'50s, Lanny Morris (Kevin Bacon) and Vince Collins (Colin Firth) were a wildly popular comedy team who suddenly and unexpectedly broke up at the peak of their popularity. Fifteen years after Morris and Collins called it quits, journalist Karen O'Connor (Alison Lohman), who has earned a reputation for her celebrity exposés, wants to write about the true story of what happened with Morris and Collins -- and to her surprise, her publisher tells her Collins has agreed to co-author the book for a cool million dollars. The only catch is that Collins has to tell the full truth about a very large skeleton in the team's closet -- a beautiful naked woman was found drowned in the bathtub of Morris and Collins' hotel suite shortly before they broke up the act, and while the comics were cleared of any wrongdoing, rumors about the incident followed them for years. As O'Connor and Collins complete their book, they learn to their surprise that Morris has opted to write a book of his own about the team's career; eager to learn what Morris has to say, O'Connor meets him posing as a schoolteacher, and soon falls into an unexpected romantic relationship with him. O'Connor soon finds herself playing two sides against one another as she tried to learn the truth about two men with dark and scandalous pasts. Where the Truth Lies became the subject of unexpected controversy when the MPAA gave the film an NC-17 rating due to a brief scene involving a ménage à trois; the film earned significantly more lenient rating in other countries. ~ Mark Deming, All Movie Guide

A young woman pins her hopes and dreams on a maverick horse in this drama based on the classic novel by Mary O'Hara. Katy (Alison Lohman) is the teenage daughter of a horse rancher (Tim McGraw) who is grooming his son to take over the family business, while Katy is sent to an exclusive private school where she feels like a misfit. One day, while out riding, Katy finds a wild horse, a beautiful black mustang, and she feels an emotional connection with the animal. While her father is convinced having a mustang around his herd will be bad for both his thoroughbred ponies and the wild horse, Katy is certain she can break the strong-willed steed and make him a champion, and she even gives the horse a name -- Flicka. As Katy struggles to tame the headstrong Flicka, she also tries to prove to her father that she knows horses as well as he does, and that she's every bit as capable of running the ranch as her brother. Also starring Maria Bello and Ryan Kwantan, Flicka was previously adapted for the screen as My Friend Flicka in 1943. ~ Mark Deming, All Movie Guide

A woman who lost her husband in a random act of violence and a heroin addict who was a lifelong friend of the dearly departed discover that the beloved husband and friend's unfortunate passing is actually a blessing in disguise in Open Hearts director Susanne Bier's Dogme-style drama. When her husband (David Duchovny) was killed, Audrey Burke (Halle Berry) didn't think she would be able to summon the strength to carry on. Jerry Sunborne (Benicio Del Toro) is a heroin addict who was one of the recently deceased's oldest friends in life, but as a result of his addiction Jerry has lost everything that ever mattered to him. When Audrey discovers that Jerry is the one man who could help her move beyond the dire cycle of grieving that she has fallen into, her offer for him to move in with the family provides the addict with just the incentive he needed to finally get his life back in order. ~ Jason Buchanan, All Movie Guide

Reality and video games merge in this high-concept sci-fi action thriller from Crank creators Mark Neveldine and Brian Taylor. In the not too distant future, mind-control technology allows humans to control the actions and movements of other humans, allowing reclusive billionaire Ken Castle (Michael C. Hall) to create the ultimate video game. It's called "Slayers," and it's a mass-scale, multiplayer online first-person shooter that's as controversial as it is popular. In the world of gamers, Simon (Logan Lerman) is a rock star; miraculously managing to keep his character alive week after week, he racks up frags like Billy Mitchell jumps barrels. But unlike Mitchell's Mario, Simon's video-game avatar is a living, breathing human being named Kable (Gerard Butler). Defying the odds to keep Kable running and gunning though even the most explosive battles, Simon captures the imagination of a global audience. Torn from his family, thrown into prison, and forced to fight against his will, Kable realizes that his only hope of ever seeing his family again is to somehow escape the game, reclaim his identity, and expose Castle's dehumanizing technology on live television. ~ Jason Buchanan, All Movie Guide