Alan Hale Movies

Pat O'Brien makes the casual acquaintance of fellow American Ruth Warrick while on vacation in Mexico City. What Warrick doesn't know is that O'Brien is a treasury agent, out to get expatriate counterfeiters Alan Hale and Edgar Buchanan. What O'Brien doesn't know is that Warrick is also out to get Hale, whom she holds responsible for her father's death. After a lengthy period of cross purposes, hero and heroine team up to catch the crooks. Perilous Holiday puts Pat O'Brien through his standard paces, and provides an offbeat role for the usually aristocratic Ruth Warrick. ~ Hal Erickson, All Movie Guide

Power is a rubber-stamp adventure flick from the very prolific Paramount Pictures. William Boyd and Alan Hale star as a pair of dam workers who, despite their strong friendship, duke it out on a regular basis. But when the dam threatens to burst, the battling buddies work side by side to rescue the deluge-threatened townsfolk. The principle source of friction between Boyd and Hale are a pair of "dames," played by Carole Lombard and Joan Bennett. Both ladies are ill-served by their tiny roles at this early stage of their respective careers, though Lombard exhibits more camera know-how than Bennett. Power was scripted by future director Tay Garnett. ~ Hal Erickson, All Movie Guide

Chased by a posse to a remote cabin, Jeb (Robert Mitchum) is joined by his fearful wife Thorley (Teresa Wright), awaiting the arrival of the men tracking them, as they try to reason out what has gone wrong in their lives. Jeb can't remember anything about his early childhood except for a horrible incident in which the people around him were killed by a mysterious stranger, whose flashing spurs were all the boy saw. He was raised by Ma Callum (Judith Anderson), alongside her two children, Thorley and Adam, as one of her own. But every time Jeb seemed poised to find peace, or even simple stability in his life, lurking nearby was Grant (Dean Jagger), a one-armed stranger who seemed bent on tormenting Jeb -- Jeb doesn't know who he really is, much less who Grant is, but Grant knows enough about him and is good enough at manipulating human nature to make Jeb a target for jealousy and murder. Making Jeb's life even more complicated is the fact that he and his adopted sister Thorley fell in love with each other, while Adam (John Rodney), his adopted brother, has come to hate him. The machinations around Jeb and Thorley come home to roost in multiple shootings and murder, a deadly chase and a long-planned lynching. ~ Bruce Eder, All Movie Guide

With a screenplay by Howard Hawks and direction by Jack Conway, this Mexican border tale couldn't possibly have been anything less than a vigorously rugged production. The all-star cast, including some of the best-known villains of the day (Noah Beery and Walter Long among them), adds to the film's manly tone. Richard Dix stars as a first lieutenant working under Colonel Patterson (J. Farrell McDonald), who is on the trail of some drug smugglers on the Mexican border. Colonel Patterson has been keeping watch over a cantina, where the goings-on seem to be particularly suspicious. The first lieutenant is in love with a girl (Helene Chadwick), whose father (Hardee Kirkland) works for the U.S. government. At the cantina, the lieutenant finds himself strangely attracted to a sultry Mexican girl, but when he finds her outfit hidden away in a deserted cabin, he realizes it was the Farrell girl. His discovery leads him to believe she is part of the smuggling ring. It turns out that she was actually helping her father, but both she and the lieutenant are captured by the smugglers. The U.S. cavalry comes to the rescue in a exciting climax. ~ Janiss Garza, All Movie Guide

Originally filmed with Mary Pickford in 1917, the Kate Douglas Wiggin children's classic Rebecca of Sunnybrook Farm was remade as a talkie in 1932. Though a bit long in tooth to play the leading character, Marian Nixon (replacing a recalcitrant Janet Gaynor) makes a charming Rebecca. Placed in the custody of her wealthy, spiteful old Aunts Miranda (Louise Closser Hale) and Jane (Mae Marsh), the heroine eventually wins the two biddies over with her relentless good nature, charm and optimism. She also reforms avowed atheist Zion Simpson (Alan Hale), convincing the old reprobate to marry his common-law wife (Eula Guy). As a reward for all her good works, Rebecca wins the love of local doctor Ladd (Ralph Bellamy). An in-name-only adaptation of Rebecca of Sunnybrook Farm was filmed six years later, with Shirley Temple in the lead. ~ Hal Erickson, All Movie Guide

Anita Garvin, the willowy brunette comedienne who graced many a Laurel & Hardy comedy, once remarked with a mixture of pride and sarcasm that she'd been in "the worst film ever directed by Leo McCarey."Red Hot Rhythm isn't quite as bad as Garvin remembered, but it certainly isn't representative of McCarey at his best. Alan Hale heads the cast as a duplicitous songwriter who makes his living stealing the tunes of others and passing them off as his own. He makes the mistake of his life, however, when he double-crosses heroine Katherine Crawford. Nominal leading man Walter O'Keefe later became a popular Los Angeles radio and TV host. ~ Hal Erickson, All Movie Guide

Robin Hood, Douglas Fairbanks' biggest (though not necessarily best) production of the silent era, represents the first time that many familiar of the elements of the Robin Hood legend were presented on screen. To bring the project to full fruition, Fairbanks and his wife Mary Pickford purchased the old Jesse Hampton studio in Santa Monica, and on that site constructed a near-lifesized replica of 12th century Nottingham. The humongous castle set was so awesome that Fairbanks became worried that his own performance might be dwarfed. It wasn't: take our word for it. When first we meet Robin Hood, he is still the Earl of Huntington, preparing to joust with his bitter enemy Sir Guy of Gisbourne (Paul Dickey). Despite Sir Guy's propensity for cheating, the Earl is victorious. Shortly thereafter, Huntington rides off to the crusades with Richard the Lionhearted (Wallace Beery). Upon learning that Prince John (Sam De Grasse), goaded on by Sir Guy, has usurped his brother Richard's throne, Huntington returns to Nottingham in a new guise: dashing righter-of-wrongs Robin Hood. While robbing from the rich, giving to the poor, and bedevilling the villains, Robin romances the fetching Maid Marian (Enid Bennett). The film's singular highlight is Fairbanks' slide down a two-story tapestry, a bit of bravado accomplished by hiding a playground slide behind the huge cloth. As in all of Fairbanks' films, Charlie Stevens, a grandson of Geronimo and Doug's "mascot", appears in several minor roles. Also appearing is Alan Hale Sr. as Little John, a role he'd repeat in the 1938 Errol Flynn Robin Hood, not to mention the 1950 swashbuckler Rogues of Sherwood Forest. Long thought lost, Douglas Fairbanks in Robin Hood (as the film was so copyrighted) was rediscovered in the early 1960s. Most current prints fail to do justice to Arthur Edeson's glistening photography; also, some versions are stretch-framed to slow down the action to "normal" speed, a process that retards the marvelously fast pace instilled by star Fairbanks and director Allan Dwan. We recommend that you seek out a good-quality, tinted print of Robin Hood, processed at the slightly faster-than-life speed at which it was originally filmed. ~ Hal Erickson, All Movie Guide

This odd combination of roughneck comedy and serious domestic drama was adapted by Louise Randall Pierson from her own autobiographical novel. Rosalind Russell is cast as young Louise Randall, the headstrong daughter of a New England merchant. Inheriting her father's business, Louise intends to persevere in a "man's world," and to that ends takes business courses at Yale. Here she meets and marries banker's son Rodney Crane (Donald Woods), with whom she has four children. When wishy-washy Rodney runs off with another woman, Louise marries a second time to irresponsible but likable gambler Harold Pierson (Jack Carson) -- and gets pregnant again. Though Louise and Harold are as different as night and day, theirs is a lasting union, which remains solid despite whatever misfortunes come their way. The story ends at the outbreak of WW II, with Louise and Rodney bidding a tearful but hopeful goodbye to their three grown sons as the boys prepare to enter military service. ~ Hal Erickson, All Movie Guide

In this mysterious comedy, two free-spirited sailors and their parrot find themselves involved in a series of mishaps. The trouble begins when they begin helping a young woman find her brother. To help her, they must first dodge their cruel boatswain who is out to get them. The boys look and look, but cannot find the brother; they therefore conclude that she was lying. Then they discover that the brother has been right under their noses all along. ~ Sandra Brennan, All Movie Guide

Santa Fe Trail, Errol Flynn's third western, has precisely nothing to do with the titular trail. Instead, the film is a simplistic retelling of the John Brown legend, with Raymond Massey playing the famed abolitionist. The events leading up to the bloody confrontation between Brown and the US Army at Harper's Ferry, Virginia, are treated in a painstakingly even-handed fashion: Brown's desire to free the slaves is "right" but his methods are "wrong." Whenever the leading characters are asked about their own feelings towards slavery, the response is along the noncommittal lines of "A lot of people are asking those questions," "I don't have the answer to that," and so forth. Before we get to the meat of the story, we are treated to a great deal of byplay between West Point graduates Jeb Stuart (Flynn) and George Armstrong Custer (Ronald Reagan), who carry on a friendly rivalry over the affections of one Kit Carson Halliday (Olivia DeHavilland). Just so we know that the picture is meant to be a follow-up to Warners' Dodge City and Virginia City, Flynn is saddled with Alan Hale and "Big Boy" Williams, his comic sidekicks from those earlier films. Despite its muddled point of view, Santa Fe Trail is often breathtaking entertainment, excitingly staged by director Michael Curtiz. The film's public domain status has made Santa Fe Trail one of the most easily accessible of Errol Flynn's Warner Bros. vehicles. ~ Hal Erickson, All Movie Guide

She Got What She Wanted was director James Cruze's second "special" for Tiffany Pictures in 1930. Betty Compson, previously the female lead of Cruze's The Great Gabbo, stars as Mathyna, the foreign-born girlfriend of vaudeville hoofer Eddie (Lee Tracy). Tired of waiting for Eddie to pop the question, Mathyna marries Boris (Gaston Glass), an aspiring novelist. Soon she gets bored of her housewife status and begins spending time with boorish Dave (Alan Hale) and the ubiquitous Eddie. Leaving Boris in favor of Dave, Mathyna learns to regret her impulsiveness when her new husband gets mixed up with crooks. She ultimately returns to the faithful Boris, while Eddie philosophically soft-shoes out of her life. ~ Hal Erickson, All Movie Guide

A pre-Hopalong Cassidy William Boyd stars in the virile Cecil B. DeMille production Skyscraper. Boyd is cast as Blondy, a New York steel riveter with a fondness for girls and practical jokes, though not necessarily in that order. Blondy decides to change his carefree ways when he falls in love with chorus girl Sally (Sue Carol). But when he is seriously injured on the job, Blondy breaks off his engagement with Sally, not wanting to saddle her with a cripple husband. It is Blondy's best pal Slim (Alan Hale Sr.) who saves the day by chewing the hero out and calling him a "quitter," virtually forcing Blondy to rehabilitate himself -- both physically and mentally -- and return to Sally. The skyscraper scenes in Skyscraper were quite thrilling, filmed without benefit of back projection or doubles, but the "thrill" quotient of the film takes a back seat to the love story. ~ Hal Erickson, All Movie Guide

Produced by Milton Sperling's United States Pictures, South of St. Louis was given a widespread release by Warner Bros. The story begins in the last days of the Civil War. Chased off their property by guerillas, ranching partners Kip Davis (Joel McCrea), Charlie Burns (Zachary Scott) and Lee Prince (Douglas Kennedy) head southward to seek out a new life. Davis and Burns go into the gun-running business, while Prince joins the Confederate Army. Kip and Charlie battle over the affections of saloon gal Rouge de Lisle (Alexis Smith), a turn of events that falls into the plans of rival gunrunner Luke Cottrell (Victor Jory). The three former friends soon find themselves enemies, and thereby hangs the plotline. Curiously, Dorothy Malone, cast as the "good" heroine, seems to be more worldly and cunning than hard-boiled temptress Alexis Smith. Originally filmed in Technicolor, South of St. Louis was for many years available only in its black-and-white, TV-print form. ~ Hal Erickson, All Movie Guide