Gloria Grahame Movies

A beautiful young gold digger enters into a deadly game of deception when she marries a blind millionaire, and quickly discovers that she's not the only one after his money. As the unscrupulous new bride enters into a torrid affair with her husband's handsome valet, it's soon revealed that the household servants have their own murderous plan for striking it rich. ~ Jason Buchanan, All Movie Guide

MGM's notion of a "B" picture would be an "A" production at any other studio, and Blonde Fever is no exception. Philip Dorn heads the cast as restauranteur Peter Donay, happily married to the pleasant but plain Delilah (Mary Astor). Approaching "that certain age", Donay's head is turned by curvaceous waitress Sally Murfin (Gloria Grahame, in her first important film role). At first only mildly amused by the flirtatious Donay, Sally begins turning on the charms herself when she finds out that he's won a $40000 lottery. It takes six reels, but Donay finally realizes how much he loves and needs his faithful wife, and how little Sally truly cares about him. Blonde Fever is based on a play by Ferenc Molnar, though it must have taken a lot of cutting to cram the original into 65 minutes' running time. PS: Hume Cronyn and Jessica Tandy, personal friends of director Richard Whorf, show up in unbilled cameos. ~ Hal Erickson, All Movie Guide

In this murder mystery, a private investigator falls for the former mistress of a racketeer who is slated to be a witness for the state. He is supposed to be quietly guarding her. ~ Sandra Brennan, All Movie Guide

The first of two TV movies bearing the title Escape, this 1971 film was the pilot for a potential series. Christopher George stars as Cameron Steele, a famous escape artist who solves crimes on the side. Steele and his faithful assistant Nicholas Slye (Avery Schreiber) tackle the case of a kidnapped scientist (William Windom). The scientist's daughter (Marilyn Mason) is likewise in jeopardy, but leaves it to Steele to out-Houdini Houdini in rescuing both father and daughter from the clutches of Numero Uno villain John Vernon. Escape was originally offered as an ABC Movie of the Week on April 6, 1971. ~ Hal Erickson, All Movie Guide

Carl Buckley (Broderick Crawford) needs the intervention of his beautiful wife Vicki (Gloria Grahame) to keep his job, so Vicki meets with Carl's boss Owens (Grandon Rhodes), and Carl's job is secure. Insanely jealous, Carl finds Vicki with Owens on board a train and kills Owens. Jeff Warren (Glenn Ford), an off-duty train engineer protects Vicki and they begin an affair. Still obsessively jealous, Carl becomes an alcoholic and blackmails Vicki into staying with him. Vicki persuades Jeff to kill Carl, but at the last minute Jeff relents, taking on the letter which Carl has used to blackmail Vicki with. Vicki leaves town on the train with Carl -- all the while taunting him with her infidelity. Carl is overcome with a jealous rage that ultimately leads to tragedy. Directed by Fritz Lang), Human Desire an updated remake of Jean Renoir's adaptation of Emile Zola's novel, La Bete Humaine, is a grim sordid story in which desperate people try to relieve their desolate lives with cheap pleasures. Gloria Grahame is perversely alluring as the sexually driven Vicki and Broderick Crawford evokes some empathy as the obsessed Carl. ~ Linda Rasmussen, All Movie Guide

It Happened in Brooklyn was released at a time when the mere mention of the eponymous New York borough elicited loud laughter and extended applause. Frank Sinatra stars as ex-GI Danny Webson Miller, who makes a sentimental journey to the Brooklyn neighborhood where he grew up. Danny moves in with an old pal, high school janitor Nick Lombardi (Jimmy Durante), then inaugurates a romance with music teacher Anne Fielding. He also resolves to turn stuffy uptowner Jamie Shelgrave (Peter Lawford) into a true "son of Flatbush." The plot thickens when Jamie himself falls for Anne and when Danny tries to secure a scholarship for Anne's prize pupil, Nick's granddaughter Rae (Marcy McGuire). Since MGM was giving Peter Lawford the big build-up, it is Jamie who ultimately wins Anne's heart, but Danny finds consolation with an old "goil friend" (Gloria Grahame). Musical highlights include Frank Sinatra and Jimmy Durante's imitations of one another in "The Song's Gotta Come From the Heart" and Sinatra's rendition of the standard-to-be "Time After Time". ~ Hal Erickson, All Movie Guide

The tendency is to scoff at Macao as just another example of Josef von Sternberg's late-career exercises in exoticism; true, it has its problems, including a weak plot and a slightly hasty pace, but it is still an extraordinary film for its time and its personnel. The real sparkplug for the movie is Jane Russell as out-of-work singer Julie Benson, who inadvertently gets the plot rolling when she ends up in a cabin with a lout who won't take no for an answer. Her plight, and a flying shoe, brings in laconic, slightly mysterious traveler Nick Cochran (Robert Mitchum), who seems to have something to hide and manages to get his wallet (including passport) lifted by the opportunistic Julie. Crossing paths with them is Lawrence Trumble (William Bendix), a good-natured lunkhead salesman coming to Macao for the gambling. And gambling, among other less legal activities, is what local hood Halloran (Brad Dexter) is all about. He's just hot enough in international crime circles to attract the authorities, who can't touch him in Macao; he's already had one New York detective killed and expects another to arrive, and he's keeping an eye on any suspicious, unfamiliar Westerners arriving, which leads him to Julie, Cochran, and Trumble. Halloran has other, obvious plans for Julie, especially when obliging corrupt police chief Thomas Gomez points her to a singing job at his club, much to the distress of his one-time girlfriend (Gloria Grahame); he dismisses Trumble as a lovable clown. But Nick has cop written all over him and is hiding something. All of the pieces fit together neatly in the end, and everyone is keeping at least one secret that will surprise viewers.

What makes Macao truly special are the performances, beginning with Jane Russell, who, with the possible exception of Gentlemen Prefer Blondes, was never better. Her ample physical assets are on display as usual, but she also never gave a sharper, more naturalistic or purely sensual acting performance. Russell had clearly found her talent and her center with this film. Whether she's shooting a suspicious glance at larcenous police chief Thomas Gomez, singing a sultry torch song in a seductive white strapless outfit, or striding forward in an exquisite dolly-out shot, she commands every scene in which she appears. And it's not just her imposing physique that does it, but a boldness of nuance; Russell had learned a lot since The Outlaw. Brad Dexter, the odd man out in The Magnificent Seven, makes an excellent villain, like a more pathological version of Steve Cochran. Meanwhile, Robert Mitchum, in his portrayal of a neurotic, perhaps shell-shocked veteran, shows a vulnerable side that seldom came out so convincingly or touchingly in his RKO movies; and even William Bendix found a new wrinkle to his screen persona as the seemingly larcenous commercial traveler. The audience will be beguiled and surprised throughout this movie -- an underrated noir classic -- and not just by the stories that unravel. The last line and wrap shot create an amazingly lusty, censor-challenging denouement for an early '50s film. ~ Bruce Eder, All Movie Guide

Elia Kazan directed this drama inspired by a true story. Karel Cernik (Fredric March) is the leader of a troupe of Czechoslovakian circus performers who have been plying their trade in Eastern Europe for years. When Czechoslovakia falls under Communist rule, the proud and independent Cernik finds that he is no longer free to operate his circus as he sees fit. Many of his performers are conscripted into military service, and his equipment and possessions are declared government property, though the state fails to maintain it properly, or even to give him access to the material to fix it himself. Finally, when Cernik's remaining performers are ordered to insert pro-Communist messages into their acts, he decides that he can take no more and begins making plans to escape to Bavaria during an upcoming tour. Cernik's plans hit a snag, however, when he learns that one of his performers is a spy for the Czech communists, working in collusion with government factotum Fesker (Adolphe Menjou). While politics are making a mess of his professional life, his daughter Tereza (Terry Moore) is complicating matters at home because of her romance with the handsome but unreliable lion tamer Joe Vosdek (Cameron Mitchell), much to the chagrin of both Karel and his wife Zama (Gloria Grahame). The Birnbach Circus troupe, along with a variety of other European carnival performers, appear as themselves in this film, lending the performances a keen authenticity. ~ Mark Deming, All Movie Guide

Jonathan Demme's breakthrough movie featured the shaggy energy and affection for marginal American eccentrics that marked his earlier Citizens Band (1977) and such later films as Something Wild (1986) and Married to the Mob (1988). Melvin Dummar (Paul LeMat) is a barely-getting-by Nevada milkman. One day in the early 1970s, while driving down a lonely highway, Melvin picks up a shaggy, bearded bum (Jason Robards Jr.) and offers him a ride into town. Melvin gives the bum a quarter at the end of the ride, and that, so far as Melvin is concerned, is that. The story goes off on a new tangent, involving the on-and-off marriage between Dummar and his contest-happy wife Lynda (Mary Steenburgen). During one of the multitude of financial crises endured by the Dummars, Melvin discovers that the tramp he picked up was none other than billionaire Howard Hughes -- and when Hughes dies, Melvin inherits $150 million. The movie's wide acclaim included Oscars for Steenburgen and Goldman's script and New York Film Critics Awards in almost all major categories, including Best Picture and awards for Demme, Goldman, Steenburgen, and Robards. Demme would gain even greater attention in the 1990s as the director of The Silence of the Lambs (1991) and Philadelphia (1993). ~ Hal Erickson, All Movie Guide

Ross Hunter hadn't yet completely graduated to glossy, star-studded soap operas when he produced the taut crime meller Naked Alibi. Chief of detectives Joseph E. Conroy (Sterling Hayden) is busted after failing to prove that "solid citizen" Al Willis (Gene Barry) is a maniacal cop-killer. Despite his lack of authority, Conroy puts so much heat on Willis that the latter skips town with his floozy lady friend Marianna (Gloria Grahame). Conroy follows the two fugitives to a wide-open border town, then slowly and methodically maps out the villain's doom. Essentially a cat-and-mouse game for most of its running time, Naked Alibi slowly but surely builds up to a nailbiting rooftop-chase climax. ~ Hal Erickson, All Movie Guide

Harry Belafonte was both producer and star of this hard-edged film noir crime drama. Dave Burke (Ed Begley, Sr.) is an ex-cop who has been kicked off the force for refusing to inform on his colleagues to the State Crime Committee. Short on money, the former policeman jumps to the other side of the law and plans to knock over a bank in upstate New York. He'll need help, so Burke brings in two other men to assist him -- Johnny Ingram (Belafonte), a jazz musician with an addiction to gambling that's put him deep in debt to gangster Bacco (Will Kuluva), and Earl Slater (Robert Ryan), a disturbed war veteran who hasn't been able to find work after serving time for manslaughter. While their common greed and desperation has brought these men together, their differences threaten to tear them apart, especially when Slater's fear and hatred of black men rises to the surface. Blacklisted screenwriter Abraham Polonsky co-wrote the screenplay for Odds Against Tomorrow, using his friend John O. Killens as a "front." John Lewis of the Modern Jazz Quartet contributed a memorable musical score. ~ Mark Deming, All Movie Guide

When Gloria Grahame signed her contract at Columbia Pictures, she had no idea the studio would require her to appear in anything available. Rather than go on suspension, she consented to star in the "Arabian nights" fiasco Prisoners of the Casbah, but her discomfort with the assignment is obvious in every scene. Grahame plays a Moroccan Princess, while Turhan Bey is the lowborn thief who loves her. The plot decrees that Grahame must marry Turhan to escape death at the hands of her enemies, and the script has a lot of fun with the custom of a groom being able to wed or cast away his bride simply by saying "I Marry You" or "I Divorce You" three times. Cesar Romero, playing the villain, is the only actor who looks like he's enjoying himself. Prisoners of the Casbah was another tarnished gem from anything-for-a-buck producer Sam Katzman. ~ Hal Erickson, All Movie Guide