Gloria Grahame Movies

Black Noon is a witchcraft-on-the-prairie endeavor starring Roy Thinnes as a minister and Lyn Loring (Mrs. Roy Thinnes) as his wife. Newly arrived in a small western town, Thinnes finds his spirtual leadership challenged by a mysterious force that is causing misfortune to befall the settlers. Once he gets past the closed-mouthed residents, Thinnes learns that the town's controlling force is a cult of devil worshippers who practice voodoo. The allegorical elements of Black Noon are on the spell-it-out level of those religious pamphlets one frequently finds stuffed under one's windshield wiper. The film was shot in the desert regions just north of Los Angeles. ~ Hal Erickson, All Movie Guide

Gloria Grahame joined the list of aging Hollywood stars who bloodied their hands in the wake of Whatever Happened to Baby Jane? with this sick, effective horror film about nasty doings at a private orphanage. Grahame gives a wonderfully grotesque performance as Mrs. Dorothy Deere, a crazy widow who bilks the county out of money by running a home for wayward youths. If any of her tenants happens to run away, the wino handyman Tom kills them with a meat-cleaver and throws them into a deep-freeze in the cellar. Into this unsavory situation comes young Ellie Masters (Melody Patterson of TV's F-Troop), whose prostitute mother was viciously murdered with a claw-hammer while in bed with a john. Ellie witnessed the killer leaving the burning bedroom, and is warned by helpful cop Carruthers (Vic Tayback) that he could still be around. This film looks absolutely horrible considering the names involved, with an air of cheapness pervading even the most minor elements of the production. Nevertheless, it works because of the performances. Grahame brings a deadpan madness to her character that is a welcome and chilling change from the fright-wigged harridans of similar films, and Len Lesser exudes considerable menace as the murderous Tom. It might also amuse some to see a young Dennis Christopher as the nerdy Pete. The "shock" ending is pretty silly, but director Philip Gilbert manages to maintain a fairly skillful tone of depravity and madness until that point, making this an atmospheric (if ratty) treat. ~ Robert Firsching, All Movie Guide

Carl Buckley (Broderick Crawford) needs the intervention of his beautiful wife Vicki (Gloria Grahame) to keep his job, so Vicki meets with Carl's boss Owens (Grandon Rhodes), and Carl's job is secure. Insanely jealous, Carl finds Vicki with Owens on board a train and kills Owens. Jeff Warren (Glenn Ford), an off-duty train engineer protects Vicki and they begin an affair. Still obsessively jealous, Carl becomes an alcoholic and blackmails Vicki into staying with him. Vicki persuades Jeff to kill Carl, but at the last minute Jeff relents, taking on the letter which Carl has used to blackmail Vicki with. Vicki leaves town on the train with Carl -- all the while taunting him with her infidelity. Carl is overcome with a jealous rage that ultimately leads to tragedy. Directed by Fritz Lang), Human Desire an updated remake of Jean Renoir's adaptation of Emile Zola's novel, La Bete Humaine, is a grim sordid story in which desperate people try to relieve their desolate lives with cheap pleasures. Gloria Grahame is perversely alluring as the sexually driven Vicki and Broderick Crawford evokes some empathy as the obsessed Carl. ~ Linda Rasmussen, All Movie Guide

Elia Kazan directed this drama inspired by a true story. Karel Cernik (Fredric March) is the leader of a troupe of Czechoslovakian circus performers who have been plying their trade in Eastern Europe for years. When Czechoslovakia falls under Communist rule, the proud and independent Cernik finds that he is no longer free to operate his circus as he sees fit. Many of his performers are conscripted into military service, and his equipment and possessions are declared government property, though the state fails to maintain it properly, or even to give him access to the material to fix it himself. Finally, when Cernik's remaining performers are ordered to insert pro-Communist messages into their acts, he decides that he can take no more and begins making plans to escape to Bavaria during an upcoming tour. Cernik's plans hit a snag, however, when he learns that one of his performers is a spy for the Czech communists, working in collusion with government factotum Fesker (Adolphe Menjou). While politics are making a mess of his professional life, his daughter Tereza (Terry Moore) is complicating matters at home because of her romance with the handsome but unreliable lion tamer Joe Vosdek (Cameron Mitchell), much to the chagrin of both Karel and his wife Zama (Gloria Grahame). The Birnbach Circus troupe, along with a variety of other European carnival performers, appear as themselves in this film, lending the performances a keen authenticity. ~ Mark Deming, All Movie Guide

Ross Hunter hadn't yet completely graduated to glossy, star-studded soap operas when he produced the taut crime meller Naked Alibi. Chief of detectives Joseph E. Conroy (Sterling Hayden) is busted after failing to prove that "solid citizen" Al Willis (Gene Barry) is a maniacal cop-killer. Despite his lack of authority, Conroy puts so much heat on Willis that the latter skips town with his floozy lady friend Marianna (Gloria Grahame). Conroy follows the two fugitives to a wide-open border town, then slowly and methodically maps out the villain's doom. Essentially a cat-and-mouse game for most of its running time, Naked Alibi slowly but surely builds up to a nailbiting rooftop-chase climax. ~ Hal Erickson, All Movie Guide

Harry Belafonte was both producer and star of this hard-edged film noir crime drama. Dave Burke (Ed Begley, Sr.) is an ex-cop who has been kicked off the force for refusing to inform on his colleagues to the State Crime Committee. Short on money, the former policeman jumps to the other side of the law and plans to knock over a bank in upstate New York. He'll need help, so Burke brings in two other men to assist him -- Johnny Ingram (Belafonte), a jazz musician with an addiction to gambling that's put him deep in debt to gangster Bacco (Will Kuluva), and Earl Slater (Robert Ryan), a disturbed war veteran who hasn't been able to find work after serving time for manslaughter. While their common greed and desperation has brought these men together, their differences threaten to tear them apart, especially when Slater's fear and hatred of black men rises to the surface. Blacklisted screenwriter Abraham Polonsky co-wrote the screenplay for Odds Against Tomorrow, using his friend John O. Killens as a "front." John Lewis of the Modern Jazz Quartet contributed a memorable musical score. ~ Mark Deming, All Movie Guide

More ambitious and expensive than ABC's first "novel for television" miniseries QB VII, the eight-episode, 12-hour Rich Man, Poor Man was the one that truly put the genre on the map, its phenomenal success in the ratings making possible the even more spectacular Roots. Adapted from the mammoth novel by Irwin Shaw, the miniseries covers the years from WWII to the 1960s, detailing the vacillating fortunes of the immigrant Jordache brothers. "Rich Man" Rudy Jordache (Peter Strauss) is determined to use his hard-earned education -- and his inherent ruthlessness -- to carve out a business and political empire not unlike that enjoyed by Joseph P. Kennedy and his progeny. "Poor Man" Tom Jordache (Nick Nolte), a quick-fisted hothead, goes an entirely different route, first as a professional boxer, then as a functionary of the evil gangster chieftain Falconetti (William Smith). Naturally, both brothers become entangled in romance along the way, with Julie Prescott (Susan Blakely) ending up as Rudy's benighted spouse. Originally telecast on February 1, 2, 9, 16, 23, and March 1, 8, and 15 in 1976, Rich Man, Poor Man earned 20 Emmy nominations and led to a weekly sequel, Rich Man, Poor Man -- Book 2, in the fall of 1976 (this version necessitated a title change for the original, which was rebroadcast as Rich Man, Poor Man -- Book 1 in the spring of 1977). ~ Hal Erickson, All Movie Guide

In this revisionist western, Captain George (Lloyd Bridges) is a cavalry officer of dubious principles who is given the assignment of escorting a tribe of Cheyenne Indians from the land of their birth to a government reservation. However, as the Cheyenne are en route to their new home, gold is discovered on the land, and suddenly a call goes up to relocate the Indians somewhere else. Tate (Rory Calhoun) is a cavalry scout with a conscience who is determined to see that the Cheyenne are treated fairly, protected from ruthless prospectors as well as hateful lawmen. Gloria Grahame and Vince Edwards highlight the supporting cast. ~ Mark Deming, All Movie Guide

Joan Crawford stars as wealthy San Francisco heiress Myra Hudson, a successful playwright who meets Lester Blaine (Jack Palance) while casting her new play in New York. They meet again on the train ride back, fall in love and marry. Unknown to Myra, Lester is seeing mistress Irene Neves (Gloria Grahame), whom he still loves and has married only for her money. While looking through her study, Irene and Lester learn that Myra has made a will leaving only $10,000 a year to Lester (though if he remarries following her death he receives nothing). Seeing that the will has not yet taken effect, they plot to kill Myra without noticing that Myra's dictating machine is on and recording their conversation. After listening to the conversation and spending a sleepless night, Myra goes to Irene's apartment and steals a gun. Irene then lures Lester to the apartment, intending to kill him. Losing her nerve, she flees the apartment with Lester chasing her. The film has an exciting and surprising climax as all meet unexpectedly during the chase. Joan Crawford gives a fine, if melodramatic performance, and Jack Palance is amazingly effective playing against type as a leading man. Despite a slow start, this is a fine suspense thriller that earned Oscar nominations for Joan Crawford and Jack Palance and a nomination for Charles B. Lang Jr. for his striking black and white photography. ~ Linda Rasmussen, All Movie Guide

William Gibson's novel The Cobweb was brought to the screen by MGM with an impressive, hand-picked cast. Richard Widmark plays the head of a posh psychiatric clinic. Widmark's wife Gloria Grahame jockeys for the honor of selecting new drapes for the hospital's library. One wouldn't think that such a trivial decision would spark so much melodrama; but thanks to those drapes, we are allowed to probe the disturbed psyches of martinet business affairs director Lillian Gish, philandering doctor Charles Boyer, lonely activities director Lauren Bacall, and suicidal patient John Kerr. Oscar Levant, who spent most of his life in and out of "little white rooms", is ideally cast as a neurotic musician, while Fay Wray has a superb cameo as Boyer's long-suffering wife. Cobweb served as the screen debuts for both John Kerr and Susan Strasberg. ~ Hal Erickson, All Movie Guide

Don Murray stars as slick network news producer William Martin in The Girl on the Late, Late Show. In addition to his administrative duties, Martin is a news reporter, and it is in this capacity that he investigates a series of Hollywood murders. The unifying link between the killings would seem to be faded movie queen Carolyn Parker (Gloria Grahame). Several Tinseltown veterans show up in key roles in this made-for-TV mystery, including Van Johnson, Cameron Mitchell, John Ireland, Walter Pidgeon and Frankie Darro. First telecast April 1, 1974, Girl on the Late, Late Show was designed as the pilot for a weekly Don Murray TV series. ~ Hal Erickson, All Movie Guide

The Good Die Young is a psychological crime yarn, exploring the motivations of four participants in an armed robbery. American ex-GI Joe (Richard Basehart) hopes to use his share of the haul to bring his British wife to the US. Professional boxer Mike (Stanley Baker) finds himself unable to work in his chosen profession when his hand is broken, while his life savings are stolen by his disreputable brother-in-law. American airman Eddie (John Ireland) has deserted upon discovering that his wife (Gloria Grahame) is unfaithful. And shabby aristocrat Rave (Laurence Harvey) needs to pay off his wife's gambling debts. In other words, all four amateur criminals would have been better off staying single, which may or may not be the subliminal message of The Good Die Young. ~ Hal Erickson, All Movie Guide