Walter Gotell Movies

Samuel Bronston produced this extravagant blockbuster, shot in Super Technirama 70. Nominally directed by Nicholas Ray (who makes a brief appearance as the U.S. ambassador), Ray was taken off the film and replaced by the more pliable directorial touches of Andrew Marton. Charlton Heston stars as Maj. Matt Lewis, the leader of an army of multinational soldiers who head to Peking during the infamous Boxer Rebellion of 1900. As the film unfolds, the foreign embassies in Peking are being held in a grip of terror as the Boxers set about massacring Christians in an anti-Christian nationalistic fever. Inside the besieged compound, the finicky British ambassador (David Niven) gathers the beleaguered ambassadors into a defensive formation. Included in the group of high-level dignitaries is a sultry Russian Baroness (Ava Gardner) who takes a shine to Lewis upon his arrival at the embassy compound with his group of soldiers. As Lewis and the group conserve food and water and try to save some hungry children, they await the arrival of expected reinforcements, but the tricky Chinese Empress Tzu Hsi (Flora Robson) is, in the meantime, plotting with the Boxers to break the siege at the compound with the aid of Chinese recruits. ~ Paul Brenner, All Movie Guide

Secret Agent 007 must stop a megalomaniacal technology mogul from destroying Silicon Valley in this unexceptional entry in the James Bond series. Computer baron Max Zorin (Christopher Walken) is planning to trigger a major California earthquake in order to wipe out his competitors. Bond is assigned to stop him, but first he must do battle with Zorin's statuesque partner in crime, May Day (Grace Jones). The expected high-wire confrontations ensue, as Bond battles the villains at international landmarks like the Eiffel Tower and takes the occasional break to romance an attractive geologist. Unfortunately, nothing fresh is brought to the familiar formula, and even the well-staged action sequences prove less than exciting. Indeed, this otherwise by-the-numbers production is most notable for the fact that it marked the final appearance of Roger Moore as the dashing Bond. ~ Judd Blaise, All Movie Guide

Tomorrow we Live is the more upbeat American title of the British war drama At Dawn we Die. When his village is overtaken by Nazis, Frenchman Jean Baptiste (John Clements) tries to go to England. Armed with secret information about a German submarine base, Jean hopes to avenge his countrymen. Unfortunately, thanks to inquisitive soldiers and fifth columnists, Jean may never make it to the White Cliffs of Dover. On the plus side, however, Jean's fellow patriots do their best to sabotage the enemy until the (hopefully) inevitable day of Liberation. The strangest aspect of Tomorrow we Live is that all the Frenchmen are played by popular British actors, despite the influx of French expatriates in the United Kingdom. ~ Hal Erickson, All Movie Guide

First shot as "Up the Pentagon," this comedy is about a sexy worker who shuns the quick-handed advances of her Pentagon boss and gets fired. To pay him back for her unjust dismissal, she and two other gals manipulate their way back into Pentagon jobs and go about setting up a bunch of top-level male lechers for early unscheduled retirements. This is a lady-payback type film with plenty of dirty talk, but not much else. ~ All Movie Guide

One of a small cluster of creepy films to come from England's Amalgamated Studios in the late '60s, this lesser entry details the twisted practices of a deranged German plastic surgeon (Anton Diffring) who hides out in France after mutilating a patient and begins his work anew under an assumed name. Staying mobile by traveling with a circus troupe, Diffring offers his services to disfigured female criminals, who pay him for his services by joining the circus as performers -- and by catering to his perverse whims. Naturally, it's not long before the ladies' gratitude begins to wear thin, and they begin to plan their escape... only to meet horrible ends in carefully-orchestrated catastrophes while performing. Viewers may find themselves haunted by Gary Mills's "Look for a Star" several days afterward like a cloying advertising jingle; the performance of a rug-topped Donald Pleasence (as the show's former owner, who meets with a sticky end) is a nice touch. ~ Cavett Binion, All Movie Guide

In director Richard Lester's Cuba, Sean Connery plays British soldier-of-fortune Robert Dapes, sent to Havana during the last days of the Batista regime. He is supposed to train Batista's soldiers for their upcoming confrontations with Castro's followers. As Dapes becomes increasingly sympathetic towards the rebel cause, he takes a few precious moments to renew his romance with Alexandra Pulido (Brooke Adams), who is now married to Juan Pulido (Chris Sarandon). The basic thrust of the film is that unchecked capitalism is perfectly capable of collapsing under its own weight -- and that lofty idealism can be easily forgotten once absolute power is within one's grasp. ~ Hal Erickson, All Movie Guide

Based on a novel by Martin Albrand, Desperate Moment is set in postwar Germany. Simon van Halder (Dirk Bogarde) serving a life term for murder, escapes to prove innocence. After linking up with his girlfriend Anna de Burgh (Mai Zetterling), Simon relates, in flashback, the events leading up to his current dilemma. He also explains why he initially confessed to the crime. To tell more would be to tell all. It's rather enjoyable to watch the hero and heroine outwitting both British and German authorities, who aren't depicted as stupid, simply not equipped for so resourceful a fugitive. Billed at the bottom of the cast list, Theodore Bikel has a pivotal role. ~ Hal Erickson, All Movie Guide

This mystery, adapted from an Agatha Christie story, tells the tale of an ambitious British chauffeur who marries his American employer, one of the richest women in the US and persuades her to buy a palatial country estate. She literally loves it to death and that is where all the real trouble begins. ~ Sandra Brennan, All Movie Guide

From Russia With Love, the second in the series of James Bond films, is the film that solidifies all the Bond film elements into a formula -- the action sequences are intensified and lend greater tension to the proceedings; John Barry's inimitable score makes its first appearance; Q is seen for the first time; and Sean Connery as Bond has nailed down his role as 007 -- accentuating Bond's stylishness and sophistication, while toning down his cold-bloodedness. In From Russia With Love, the bad guys don't want to take over the world. They want something more mundane -- a Russian decoding device. Assigned to the mission of stealing the decoding device are No. 3, former KGB agent Rosa Klebb (Lotte Lenya), and No. 5, Kronsteen (Vladek Sheybal), an expert chess player who has plotted every move of the mission. Kronsteen's plan requires using Bond's weakness for women as an element in acquiring the decoding device. Once Bond obtains the decoding device from Russian cipher clerk Tatiana Romanova (Daniela Bianchi), SPECTRE muscleman Red Grant (Robert Shaw) is to forcibly take it from Bond and kill him. But Bond suspects a trap. Being Bond, however, he can't resist the lure of a beautiful woman. So, flaunting danger, Bond travels to Istanbul to meet Tatiana. The centerpiece of this 007 feature is the thrilling fight to the death between Bond and enemy agent Red Grant aboard the Orient Express. ~ Paul Brenner, All Movie Guide

If official documentation didn't exist, we'd never believe a fantastic yarn like I Was Monty's Double. Actor M.E. Clifton James plays himself, a British stock-company actor who becomes an unsung hero during World War II. It seems that James, serving his country as a junior officer, is the exact double of General Montgomery. Major John Mills trains James to impersonate Montgomery to the last detail, then sends the actor on a tour of North Africa, the better to divert the German's attentions away from the real "Monty." Based on James' own written reminiscences, I Was Monty's Double was released in the U.S. under the baffling title Hell, Heaven or Hoboken! ~ Hal Erickson, All Movie Guide

In this spy caper, KGB agent Peter Hubbard (Michael Billington) has stolen some classified information on the U.S. government's aerospace program and is ready to pass the material on to the KGB. The trouble is that the KGB suddenly try to kill him before he can deliver. The U.S. then comes after him for the names of his contacts, and Hubbard finds himself in jeopardy on all sides. Hide-and-seek games follow, with the usual chases and action scenes. ~ Eleanor Mannikka, All Movie Guide

This is a visually opulent story -- geared to a young adult level -- of King Charles the XII of Sweden and how he once tried for five years (1709-1714) to convince the Turks to help him conquer Czar Peter the Great of Russia -- and failed. According to this filmed version of history, seen through the eyes of a Swedish lieutenant, the Turks were equally willing to join with the Russians, or just send Charles back to Sweden. The line between tragedy and farce blurs as the king and his lieutenant try to find a way out of their predicament. ~ Eleanor Mannikka, All Movie Guide