Mary Gordon Movies

This comedy is set in New York and centers upon a singing Irish cop who causes quite a sensation among two producers when he sings at the annual Policeman's Ball. For a long time, they have been looking for a voice for their new cartoon feature, "Paddy the Pig," and the cop is just perfect. The policeman is tickled pink at the prospect of being a star and begins telling all his friends about his good fortune (he has no idea what they plan to do with his voice). Eventually he ends up marrying one of the producers, who still hasn't told him the truth. Suddenly the night of the big premiere finally arrives and all of the policeman's old friends and colleagues are there. As it begins, the policeman is appalled and humiliated to see that he has been mocked and has become a laughing stock. He immediately spurns his new wife and goes back to the police force. Time passes, and fortunately, the two reunite and settle their differences. ~ Sandra Brennan, All Movie Guide

The second of Universal's "modernized" Sherlock Holmes films pits the Great Detective (Basil Rathbone, of course) against that "Napoleon of Crime," Professor Moriarty (Lionel Atwill). Surpassing his previous skullduggery, Moriarty has now aligned himself with the Nazis and has dedicated himself to stealing a top-secret bomb sight developed by expatriate European scientist Dr. Franz Tobel (William Post Jr.). Before being kidnapped by Moriarty's minions, Tobel was enterprising enough to disassemble his invention and distribute its components among several other patriotic scientists. Racing against the clock, Holmes and Dr. Watson (Nigel Bruce) try to stem the murders of Tobel's colleagues and prevent Moriarty from getting his mitts on the precious secret weapon. The now-famous climax finds Holmes playing for time by allowing Moriarty to drain all the blood from his body, drop by drop ("The needle to the last, eh Holmes?" gloats the villain). Dennis Hoey makes his first appearance as the dull-witted, conclusion-jumping Inspector Lestrade. Constructed more like a serial than a feature film, Sherlock Holmes and the Secret Weapon (based loosely on Conan Doyle's The Dancing Men) is one of the fastest-moving entries in the series; it is also one of the most readily accessible, having lapsed into public domain in 1969. ~ Hal Erickson, All Movie Guide

From the first frame of its opening credits, Sherlock Holmes and the Voice of Terror promises (and subsequently delivers) mystery and thrills several layers deep -- following a short prologue intended to introduce Holmes to contemporary England (circa 1942), there is a series of terror broadcasts from Germany, announcing destruction throughout the British isles, and a montage of explosions and other disasters causing havoc. Sherlock Holmes (Basil Rathbone) and Dr. Watson (Nigel Bruce) are called in by Sir Evan Barham (Reginald Denny) of British intelligence's Inner Council to investigate the Voice of Terror and the accompanying sabotage. The other members of the council are disdainful of Holmes' presence, and express heightening doubts as his investigation seems to take him up several blind alleys. The case starts to break when a dying informant gives Holmes a tip that takes him and Watson to London's seedy Limehouse district, where they get a hostile reception until Kitty (Evelyn Ankers), the widow of the murdered informant, makes a patriotic speech reminding her friends that regardless of their class or their feelings about British society, this is a war for the survival of England. With Kitty leading them, the men and women of Limehouse form an invisible army and go out in search of the saboteurs. Holmes determines that the Voice of Terror is recorded on phonograph records in England and flown to Germany for broadcast; with Kitty's help, he traces the saboteurs to a deserted dockside location where he and Watson, along with intelligence chief Mr. Lloyd (Henry Daniell), are nearly killed by Meade (Thomas Gomez), the leader of the saboteurs. Holmes and company are rescued at the last moment by Kitty's army, but Meade escapes. He crosses paths with Kitty, who pretends to be a thief on the run and joins him. Working her way into his trust, she finds evidence that Meade plans to kill Sir Evan Barham; Holmes arrives just minutes behind Meade and heads off an attempt by a German plane to land on Barham's remote estate. All of these incidents of sabotage and attempted assassination are serious enough, but Holmes suspects they're part of a larger, more sinister plot that could lead to the destruction of England. The film ends with a chase to the South Coast and a bombed-out church, where Meade and his men are preparing to take over the country. Holmes captures Meade and unmasks the man behind him, and reveals just how far ahead of the Germans he has been, turning their certain victory into defeat, but he loses a good friend and ally in the process. ~ Bruce Eder, All Movie Guide

In this musical, a struggling songwriter endeavors to make it big in Tin Pan Alley. She is befriended by the widow of a famous composer. The budding lyricist manages to convince the widow to allow her to make some small changes in her husband's music. She does, and it becomes a tremendous success. Songs include "Oh What a Lovely Dream" (Milton Drake, Ben Oakland), "It's a Blue World" (Bob Wright, Chet Forrest), and "I Don't Know How You Did It" (Doris Fisher, Allan Roberts). ~ Sandra Brennan, All Movie Guide

An amoral gambler tries to beat a murder rap by adopting an orphaned newsboy in this drama. He takes in the lad to show the court that he is really a "sweetheart" and would never think of killing someone. Unfortunately, it looks as if the ruse will fail and so he takes the boy and leaves town. He is far out in the country and there meets a highly-principled young woman who helps him think about people other than himself. ~ Sandra Brennan, All Movie Guide

Veterinarian Ronald Reagan contracts anthrax from treating diseased cows in this horsey melodrama from Warner Bros. In fact, Reagan's dutiful Dr. Larry Hanrahan is so busy with the cows that he completely ignores a summons from lady horse breeder Rory Teller (Alexis Smith) to treat her prize-winning stallion. Rory is pretty peeved over what she perceives as a slight and briefly, ever so briefly, contemplates accepting a proposal of marriage from smooth-talking author Stephen Purcell (Zachary Scott). Until, that is, the seriousness of Larry's condition finally forces her to take a drastic measure: to treat the dying vet with the same serum he had used on the cattle. According to some reports, Humphrey Bogart and Lauren Bacall were scheduled to star in Stallion Road as a follow-up to the hugely successful The Big Sleep (1946). Rather than appear in what they rightfully considered a Grade-B production, they chose to go on suspension. ~ Hans J. Wollstein, All Movie Guide

Adapted from a play by Eva Kay Flint and Martha Madison, Subway Express takes place entirely on a single subway car. When a murder is committed, the passengers are ordered to stay put while police inspector Killian (Jack Holt) investigates. From all appearances, it would seem that the victim was shot, but the coroner declares that the wound was administered after the man was dead. Piecing the clues together, Killian concludes that the killer used an electrical shock to dispatch the victim -- and after administering a psychological third degree, he extracts a confession from the guilty party. The supporting cast is comprised of the usual stereotypes, including the inevitable dumb flatfoot played by the inevitable Fred Kelsey. ~ Hal Erickson, All Movie Guide

Lionel Barrymore plays a Marshall Field-like Chicago businessman who emerges from the wreckage of the 1871 fire to build a department-store empire. Barrymore is aided by his Jewish manager Gregory Ratoff, who despite his business acumen is never made a full partner. The store magnate's four children grow up to be disappointments, preferring to squander dad's money and refusing to enter his business. Manager Ratoff realizes that Barrymore's offspring are worthless, and quietly buys up their shares of the store in order to save the business from ruin, emerging with full charge of Barrymore's empire. Only when Barrymore is on the verge of death do his children rally around him and promise to make something of themselves. A well-made 20th century equivalent to King Lear, Sweepings was remade less effectively as Three Sons in 1939. ~ Hal Erickson, All Movie Guide

The exploits of female pilots are followed in this high-flying drama. These women are extremely competitive and will stop at nothing to win their cross-country races. The story centers on one such determined pilot who is forced to leave the race circuit after her plane crashes. To become re-airborne she convinces several people to sponsor her. One wealthy socialite refuses because she is a pilot too. The two women end up competing in the air and on the ground for the love of the same fellow. Because the heroine is so well liked by the other racers, they help her win. ~ Sandra Brennan, All Movie Guide

A model of precision and economy, the MGM "B" thriller Tell No Tales represented the feature-film directorial debut of former actor Leslie Fenton. Reportedly an expansion of a "Crime Does Not Pay" 2-reeler, the story follows editor Michael Cassidy (Melvyn Douglas) as he tries to save his newspaper from being shut down by corporate fat-cat Matt Cooper (Douglass Dumbrille). Hoping to track down the perpetrators of a recent kidnapping (and thereby obtaining an "exclusive"), Cassidy illegally gets hold of one of the bills used for the ransom, tracing the bill to all its previous owners. In the course of his odyssey, Cassidy stumbles into a wake for a murdered black boxer, a haunting sequence dominated by the powerhouse performance of Theresa Harris. He also learns that the much-hated Cooper was tenously connected to the ransom bill, though the identity of the actual miscreants aren't revealed until the last two reels. Louise Platt costars as Ellen Frazier, a harried witness to the kidnapping who winds up being taken "for a ride" along with the unconscious Cassidy. Also figuring prominently in the action is gambling boss Arno (Gene Lockhart) and his weakling brother Phil (Tom Collins), not to mention musical-comedy star Lorna Travers (Florence George), the main attraction at a Policeman's benefit show (another highlight). Showing up unbilled is one Jack Carlton, later known as Clayton Moore. Tell No Tales definitely deserves to be better known. ~ Hal Erickson, All Movie Guide

In this his first Western of 1932, Tim McCoy is supported by a young John Wayne. Learning that he is a dead ringer for rancher Jim Rawlins, drifter Texas Grant (McCoy) agrees to keep up the charade in order to scare off a gang of rustlers that has been terrorizing the area. The missing man's wife, Helena (Shirley Grey in the second of four appearances opposite McCoy), at first believes Texas to be her husband but when learning otherwise agrees to keep his real identity hidden. Helena has been having trouble with Utah Becker (Wheeler Oakman), the owner of the Red Dog Saloon, who is secretly employing a majority of the Rawlins' cow hands. Texas, as Jim Rawlins, has the crooks thrown off the property, keeping only Steve, who has remained loyal to Helena throughout. When Becker learns of the newcomer's real identity, he accuses the cowboy of taking advantage of Helena and challenges him to a gunfight at dawn. The saloon owner hedges his bets, however, by having Nick hide in ambush, but both men are killed and Texas wounded. Nursed back to health by Helena, Texas reveals that he is indeed Jim Rawlins, a victim of amnesia caused by an earlier scuffle with Becker. Rotund Vernon Dent, later a popular villain in Three Stooges two-reelers, appeared in this film as Hefty, the bartender, a role he would re-create in future McCoy Westerns. Young John Wayne would also reappear in a future McCoy Western, Two Fisted Law (1932), in both instances playing characters sympathetic to Tim. Offscreen, Wayne and McCoy were less friendly, the former finding the latter morose and distant. ~ Hans J. Wollstein, All Movie Guide

Actress Shelah Fane (Dorothy Revier) is in Honolulu to shoot a movie, but her chaotic personal life is keeping her from concentrating on work. She's supposed to marry millionaire playboy Alan Jaynes (William Post Jr.), but she's also got an ex lurking around and a possible skeleton in her closet in the form of her one-time lover, actor Danny Mayo, who was murdered in Hollywood three years earlier in a case that's still officially unsolved. Fane seems to have resolved some of her problems and is prepared to move forward with her life -- with help from phony mystic Tarnevarro (Bela Lugosi) -- when she turns up murdered. Inspector Chan (Warner Oland) is up to his neck in possible suspects, including Tarnevarro, who was getting inside information on Fane and working some kind of scam; Fane's assistant, Julie O'Neil (Sally Eilers), who felt compelled to tamper with evidence; her would-be fiance, Jimmy Bradshaw (Robert Young), who tried to keep Julie from finding the body; Fane's oily ex (Victor Varconi); Smith (Murray Kinnell), a painter and beachcomber who was lurking around the murder scene; and two servants, Jessup (Dwight Frye) and Anna (Violet Dunn), one of whom seems very nervous. Several of these people had motive and opportunity, and the plot thickens considerably when some seemingly innocuous witnesses admit to hiding evidence, others start turning up dead, and yet others seem to be destroying evidence. Chan, juggling this list of suspects (and the thinly veiled racism of some of them) and the presence of his well-meaning but inept assistant Kashimo (Otto Yamaoka), as well as his family life, maintains his cool, cerebral demeanor throughout, despite attempts on his own life and the slang-laden yammering of his children, which the detective scarcely understands. ~ Bruce Eder, All Movie Guide