Tom Gilroy Movies

An extended short from painter-turned-filmmaker Robert Longo, who would later helm Johnny Mnemonic, Arena Brains consists of a series of interlocking vignettes set in New York City in the late 1980s. The stories -- created by five different screenwriters, including Eric Bogosian, Richard Price, and Longo himself -- are mostly loosely structured attempts at satirizing the neuroses and eccentricities of members of Lower Manhattan's art community. This superficial, affluent subculture is presented in contrast with the reality of life on the New York City streets, as the film moves from galleries to alleyways and back again. Actors like Sean Young and Ray Liotta play small roles, while appearances by Bogosian, Ron Vawter, and other Manhattan theater and performance-art figures reinforce the film's hip, insider feel. (R.E.M. lead singer Michael Stipe even makes an appearance, as a mostly silent, nameless character who wanders through the various segments, observing the film's action). The result is a rather dated, uneven film that is best viewed now as a prime example of the indulgent artistic culture it intended to satirize. The marketing of the video release misleadingly emphasizes a not-so-prominent soundtrack, featuring songs by Husker Du, The Cure, P.I.L., and others. ~ Judd Blaise, All Movie Guide

This avant garde film is based on two angry autobiographical books by David Wojnarowicz: Close to the Knives and Memories That Smell Like Gasoline. Wojnarowicz, a noted performance artist, died of AIDS . The film examines three sides of his life. The first looks at his suburban childhood and the abuse he suffered at his alcoholic father's violent hand. The second chronicles his experiences as an teen-age street hustler and criminal in New York, and the third section, which is highly abstract, follows the adult Dave as he wanders through a dangerous desert. Once these identities are established, chronology is scattered to the winds, and the three ages of David play up to and comment on each other. The work of Wojnarowicz is also represented in Knud Vesterkov's film, By The Dawn's Early Light. ~ Sandra Brennan, All Movie Guide

When one of their friends commits suicide, three young women learn to stand up for themselves and strike back against male-dominated society in this drama. Patti (Lili Taylor), Emma (Anna Grace), Angela (Bruklin Harris), and Nikki (Aunjanue Ellis) are four teenage girls who attend the same high school in inner-city New York. Patti is an unwed mother struggling to complete her education as she deals with her irresponsible boyfriend, while the other three are good students going on to college after completing their final year of high school. One day, seemingly without warning, Nikki kills herself. Struggling for clues to explain the tragedy, the other three girls discover her diary and learn that she had been raped while serving an internship at a magazine. As the girls compare notes, they realize that they've all been treated badly by men; Emma was also raped, and Patti sardonically says that if rape is having sex when you don't really want to, then she's been raped by practically every guy she's ever gone out with. Eventually, the three decide that it's time to stand up for themselves and retaliate against the men who have wronged them; they begin by vandalizing the car of Emma's attacker and then formulate a plan to punish the man who raped Nikki. Screenwriter Denise Casano and writer/director Jim McKay developed much of their screenplay through improvisations with the four leading actresses, giving the film's dialogue a natural rhythm and feel. ~ Mark Deming, All Movie Guide

American independent filmmaker Rob Tregenza, who includes Jean-Luc Godard among his admirers, directed this deliberately paced, minimalist drama about Jean Hammett (Frederic Pierrot), a French artist who has been committed to a mental institution in the United States. One of the female inmates becomes infatuated with him as the patients react with the nuns who run the hospital and attempt to interact despite the emotional distance between them. Tregenza, who also wrote, produced, and photographed Inside/Out, shot the film in the widescreen CinemaScope format to better visually illustrate the separation of the characters. ~ Mark Deming, All Movie Guide

Julie A. Lynch made her directorial debut with this low-budget indie, an AIDS drama set in 1992 NYC, where three women -- promiscuous artist Josie Ray (Christine Harnos), stand-up comic Jennifer Sharp (Brooke Smith), and MBA student Elaine Devlin (Amy Ryan) -- learn their old college chum Chris Goodman (Garret Dillahunt) is hospitalized with complications from HIV. Awaiting word, they drink, talk, and compare past sexual histories. As sexual secrets surface, Josie attempts to get together with her ex, Matt Devlin (Bill Sage), Elaine's brother. Shown at the 1998 Toronto Film Festival. ~ Bhob Stewart, All Movie Guide

An ordinary guy with a crooked friend discovers no good deed goes unpunished in the comedy On The Run. Albert (Michael Imperioli) is having a quiet evening at home when he gets a call from his old pal Louie (John Ventimigila), whom he hasn't heard from in years. There's a good reason for this -- Louie's been in prison. Ever since childhood, Louie has never been able to stay out of trouble, though whenever they're together, the blame for Louie's indiscretions always seems to fall on Albert's shoulders. Louie calls Albert to tell him he's just broken out of jail and would like Albert to meet him at the bus station. Albert calls the police to tell them a fugitive is due on the next bus, but he soon thinks better of it and makes a dash to the depot, hoping to warn Louie in time. Louie manages to evade the cops, but Albert soon finds himself stuck with Louie for the evening, as he's dragged along for a progressively more dangerous series of misadventures where he's always left holding the bag. Though directed by a Portuguese filmmaker and financed by French and Portuguese production companies, On the Run was filmed on location in New York City, with English dialogue and a primarily American cast. ~ Mark Deming, All Movie Guide

Following up his critically acclaimed third film, 2001's The Sleepy Time Gal, filmmaker Christopher Munch helmed this dramedy about a pair of brothers who embark on a camping trip together. Harry (Bryce Johnson) is the eldest of the two, a 23-year-old former teen idol who has stopped off for the long-promised expedition while en route to a gig in Japan. Max (Cole Williams) is Harry's 16-year-old younger brother, a burgeoning pop star himself. As the siblings begin spending time together in seclusion, their cordialness erodes and strong feelings begin to come out, exposing old emotions that were never dealt with. Also featuring performances by Michelle Phillips and Rain Phoenix, Harry and Max premiered at the 2004 Sundance Film Festival. ~ Matthew Tobey, All Movie Guide

A soft-spoken, thirteen-year old dreamer enters into a tentative friendship with a decidedly older and more popular boy in director Cam Archer's compassionate coming of age drama. Logan is an adolescent boy who just doesn't seem to fit in. Though the majority of the kids in his school view Logan as an outcast, cool older kid Rodeo Walker is one of the few students in the school who don't seem to go out of their way to make Logan's life miserable. As Logan begins to get in touch with his sexuality and a strange bond forms between he and Rodeo, the newly empowered Logan soon begins to take on the persona of Leah, an assured and seductive girl who seems to possess the self-confidence that has long been bullied out of her male alter ego. ~ Jason Buchanan, All Movie Guide