Steven Geray Movies

This anthology film tells three stories of love involving the passengers of an ocean liner at sea. In the first, "The Jealous Lover," James Mason plays Charles Coudray, a well-known ballet director. When someone asks Coudray why he staged his masterpiece, "Astarte," only once, he tells the story of Paula Woodward (Moira Shearer), a superb dancer he found practicing in his theater. He was awestruck by her technique and her beauty, but he discovered that she had a secret -- due to a cardiac condition, she has been forbidden to dance too strenuously, as it could tax her heart and eventually kill her. Charles urges Paula to perform for him, so he may use her movements to choreograph his next great work; she agrees, but the exertion proves too much for her and she dies. He arranges for the work she inspired to be performed only once, in hopes that she will somehow see it from on high. In the second segment, "Mademoiselle," Tommy (Ricky Nelson) is a 12-year-old boy travelling with his French governess and tutor (Leslie Caron); she's tired of spending her days watching over a child, and he'd like to get away from Teacher for a while. Mrs. Pennicott (Ethel Barrymore), a older woman who happens to be a witch, hears Tommy wishing he could be a grown-up, and she grants his request: suddenly Tommy is a grown man (played by Farley Granger), but only for the next four hours. The Governess meets the mysterious stranger Tommy has become, and soon they fall in love. In the final segment, "Equilibrium," Kirk Douglas plays Pierre Narval, a high-wire artist who retired from performing after his partner died while performing a trapeze act, an accident Pierre blames on himself. He begins to reconsider his decision when he saves the life of Nina (Pier Angeli), a woman who attempted to drown herself; her husband died in a Nazi concentration camp during World War II, and she feels she is to blame for his death. Their shared fatalism equals fearlessness in Pierre's eyes, and he teaches Nina the art of the trapeze; however, when he begins to fall in love with her, he's no longer so certain that he wants her to risk her life. "The Jealous Lover" and "Equilibrium" were directed by Gottfried Reinhardt, while "Mademoiselle" was directed by Vincente Minnelli. ~ Mark Deming, All Movie Guide

The most interesting aspect of The Swinger is the name of the character played by Ann-Margret: the former Ann Margaret Olsson essays the role of Kelly Olsson. A naive small-town girl, Kelly aspires to become a writer in the Big City. When her stories are rejected because they aren't exciting and provocative enough, she decides to do some hands-on research by posing as the titular "swinger." She is so successful at this subterfuge that Hefner-like publisher Anthony Franciosa makes it his mission in life to reform the "fallen" Kelly. Didn't they do this one in the 1930s as Theodora Goes Wild, with Irene Dunne and Melvyn Douglas? ~ Hal Erickson, All Movie Guide

Mob boss Nate Kestor (Steve Cochran) adds to the profits accrued by his popular burlesque house with sales of "imported" French brandy--which he manufactures himself in Chicago. Nate pulls off this deception with the help of the Marquise De Bouverais (Joanna Barnes), the wife of a famous and highly respected French cognac manufacturer (Steven Geray). If the Marquise refuses to play along, Nate will reveal to the world that she is really a former hootchy-kootchy dancer named Marcie McKuen--and if that isn't persuasive enough, Nate promises to kill both Marcie and De Bouverais if they try to escape his clutches. How will Elliot Ness (Robert Stack) manage to topple Kestor without putting Marcie's life in danger? This is the final episode of The Untouchables' second season. ~ Hal Erickson, All Movie Guide

Even their fellow hoodlums are in mortal terror of the Purple Gang, a Detroit-based operation led by Eddie Fletcher (Steve Cochran). Now the Gang has come up with racket that surpasses all their previous achievements: namely, kidnapping other mobsters and holding them for ransom, knowing full well that their victims can't go to the police. But Fletcher sets the stage for his own inevitable downfall when his boys snatch Jan Tornek (played by a pre-Hogan's Heroes) Werner Klemperer), a minor functionary of the Capone gang who is presently under surveillance by Elliot Ness (Robert Stack) and the Untouchables. ~ Hal Erickson, All Movie Guide

A jewel thief is at large on the Riviera, and all evidence points to retired cat burglar Cary Grant. Escaping the law, Grant heads to the Cote D'Azur, where he is greeted with hostility by his old partners in crime. All of them had been pardoned due to their courageous activities in the wartime Resistance, and all are in danger of arrest thanks to this new crime wave. But Grant pleads innocence, and vows to find out who's been copying his distinctive style. With the reluctant aid of detective John Williams, Grant launches his investigation by keeping tabs on the wealthiest vacationers on the Riviera. One such person is heavily bejeweled Jessie Royce Landis, who is as brash and outspoken as her daughter Grace Kelly is quiet and demure. But "still waters run deep," as they say, and soon Kelly is amorously pursuing the far-from-resistant Grant. Part of Kelly's attraction to Grant is the possibility that he is the thief; the prospect of danger really turns this gal on. Being Cary Grant, of course, he can't possibly be guilty, which is proven in due time. But by film's end, it's obvious that Kelly has fallen hard for Grant, crook or no crook. Occasionally written off as a lesser Alfred Hitchcock film (did we really need that third-act fashion show?), To Catch a Thief is actually as enjoyable and engaging now as it was 40 years ago. Though the Riviera location photography is pleasing, our favorite scene takes place in a Paramount Studios mockup of a luxury hotel suite, where Grant and Kelly make love while a fireworks display orgasmically erupts outside their window. And who could forget the scene where Jessie Royce Landis disdainfully stubs out a cigarette in an expensive plate of eggs? Adapted by frequent Hitchcock collaborator John Michael Hayes from a novel by David Dodge To Catch a Thief won an Academy Award for cinematographer Robert Burks. ~ Hal Erickson, All Movie Guide

Tonight we Sing is the life story of legendary impresario Sol Hurok, impersonated herein by David Wayne. A lover of the arts, young immigrant Hurok despairs when he realizes he has no musical or artistic talents. Thus it is that, despite great personal and financial sacrifice, Hurok devotes his life to discovering and nurturing other performers and bringing them to Broadway. Among his more celebrated protégés are Russian opera-singer Feodor Chaliapin (Ezio Pinza) and violinist Eugene Ysaye (Isaac Stern). Other notables making guest appearances are singer Jan Peerce and Roberta Peters and ballerina Tamara Toumanova. Anne Bancroft co-stars as Hurok's gentle, patient wife Emma. Based on the autobiography by Sol Horuk (co-written with Ruth Goode), Tonight We Sing was produced for 20th Century-Fox by George Jessel. ~ Hal Erickson, All Movie Guide

Director Samuel Fuller skillfully intercuts footage of the German death camps with scenes from this thought-provoking drama about a forbidden, post-war love affair. David (James Best) is a G.I. stationed in Germany with the American Military Government. He falls in love with Helga (Susan Cummings), a young German woman, and she reciprocates his feelings. But their romance is not condoned by either culture and made all the more difficult because a troublesome gang of neo-Nazis is on the rampage, killing, stealing, and helping war criminals evade capture. Helga's younger brother is a member of the gang who suddenly breaks down when he attends the Nuremburg trials and sees footage on the death camps. That changes his mind and he is ready to help the American military, and maybe the relationship between his sister and David as well. ~ Eleanor Mannikka, All Movie Guide

In this romantic musical, a clever young adman decides to create the perfect woman as none of his models quite measure up. To do so, he uses the best parts of several different women's photographs and deftly blends them together. Liking what he sees, he decides he must continue his search in hopes of finding the real McCoy. ~ Sandra Brennan, All Movie Guide

In this comedy, a Yankee musician is working in Paris when he encounters a movie star chasing after her naughty French poodle Monsieur Cognac. The name is most apropos for the little doggy is quite the lush when it comes to booze. This suits the hard-drinking musician just fine and the two go out on a bender. Later the star and her father find the toasted twosome. The star begins falling in love with the musician. Despite her father's objections, the two get married. Unfortunately, Mr. Cognac accompanies them on the honeymoon. He becomes quite jealous of the woman's new husband and ruins their wedding night. Because she refuses to relinquish the dog, their new marriage is nearly destroyed. They separate until the husband manages to bring home Pink Poupee, a charming female poodle. Suddenly Mr. C forgets all about his jealousy. ~ Sandra Brennan, All Movie Guide