Steven Geray Movies

Dime with a Halo was designed in part as a showcase for MGM's new child actor Manuel Padilla, who was featured shortly afterward in the studio's The Young and the Brave (63) and as a regular on the Tarzan TV series. Director Boris Sagal transcends the cold-cash motives of Dime by fashioning a touching Mexican-based comedy centering around five street urchins. The oldest (Roger Mobley) leads the kids in stealing a dime from a church collection box; they bet this "windfall" on a horse race, using the winnings to jointly purchase a sweepstakes ticket. All their dreams of sudden luxury are dashed when they find they're too young to cash the ticket when it hits the jackpot. Manuel Padilla manages to steal focus from his formidable kiddie opposition, but Dime with a Halo didn't quite establish Padilla as the Mickey Rooney of the 1960s. ~ Hal Erickson, All Movie Guide

Produced in garish Cinecolor, this aspiring "A" Western features John Payne as Clay Fletcher, an Eastern lawyer assigned to track down a judge whose signature is needed for some estate papers. Clay traces the judge, Henry Jeffers (Henry Hull), to El Paso, a lawless town ruthlessly run by saloon owner Bert Donner (Sterling Hayden) and a corrupt sheriff, La Farge (Dick Foran). The judge has become a hopeless drunk and is used as a pawn by Donner, who terrorizes the local farmers off their land. When one settler, John Elkins (Arthur Space), shoots and kills a deputy in self-defense, Clay is at first inclined to trust that justice will prevail and arranges for traveling salesman "Pesky" (George "Gabby" Hayes) to keep Judge Jeffers sober long enough to render a just verdict. But a threatened Donner has both Jeffers and Elkins brutally killed and against the wishes of the judge's daughter Susan (Gail Russell), Clay takes matters into his won hands by organizing a vigilante group. Grandfather Fletcher (H.B. Warner) arrives to remind Clay of his judicial pledges but he, too, is killed by the increasingly insane La Farge. In the end, only the prospect of a mass lynching brings Clay around and the guilty all face a jury of their peers. ~ Hans J. Wollstein, All Movie Guide

Second-billed Marilyn Monroe is the blonde in question in this second film version of Gentlemen Prefer Blondes: Miss Lorelei Lee, whose philosophy is "diamonds are a girl's best friend." Together with her best human friend Dorothy (top-billed Jane Russell), showgirl Lorelei embarks upon a boat trip to Paris, where she intends to marry millionaire Gus Esmond (Tommy Noonan). En route, the girls are bedeviled by private detective Malone (Elliot Reid), hired by Esmond's father (Taylor Holmes) to make certain that Lorelei isn't just another gold-digger. When Dorothy falls in love with the poverty-stricken Malone, Lorelei decides to find her pal a wealthier potential husband, and that's how she gets mixed up with flirtatious diamond merchant Sir Francis Beekman (Charles Coburn) and precocious youngster Henry Spofford III (George "Foghorn" Winslow). Most of the Leo Robin-Jule Styne songs from the Broadway show remain intact, including Marilyn Monroe's rendition of "Diamonds are a Girl's Best Friend," a production number later imitated by pop icon Madonna. ~ Hal Erickson, All Movie Guide

Zane Grey, that bottomless bounty of inspiration for Hollywood westerns, wrote the novel upon which Gunfighters was based. Randolph Scott stars as a gunslinger who's vowed to kill no more. He goes to work for a land baron (Griff Barnett) who's been driving out neighboring ranchers by fair means and foul. The baron's nice daughter (Dorothy Hart) falls for Scott, while the girl's nastier sister (Barbara Britton) is obsessed by her father's vicious henchman Bruce Cabot. Scott eventually chooses the right side in the ranch war, leading to a showdown with Cabot--and the breaking of his vow to never again fire a gun. Gunfighters was photographed in Cinecolor, a process that produced pleasing reds and blues but ignored yellows and greens. ~ Hal Erickson, All Movie Guide

Desi Arnaz's bandleader career was in decline when he starred in Columbia's Holiday in Havana. Arnaz essays the difficult role of a Cuban bandleader, named not Ricky Ricardo but Carlos Estrada. His romantic vis-a-vis isn't Lucille McGillicudy but a peppery dancer named Lolita Valdez (Mary Hatcher). Just before the lovers participate in a gala Havana festival, Carlos has a lot of explaining to do when Lolita catches him in the arms of another. Song highlights include "The Arnaz Jam" and the title number, both written by Desi. Though it did OK at the box office, Holiday in Havana is indication enough that Desi Arnaz was very wise to latch onto the fledgling TV industry. ~ Hal Erickson, All Movie Guide

Money, romance, betrayal, double-dealing -- who knew making dresses could be so interesting? Harriet Boyd (Susan Hayward) is a fashion model who has landed plenty of work with a Seventh Avenue dress-making concern. However, Harriet knows that she can't be a model forever, so she is trying to turn her dreams of being a dress designer into reality. She knows that you have to be tough to succeed in the garment industry, but "tough" is practically Harriet's middle name; the ruthless would-be garment mogul lures salesman Teddy Sherman (Dan Dailey) and production whiz Mr. Cooper (Sam Jaffe) from the company and starts her own shop. Harriet has a genuine talent for designing dresses that look good on ordinary women, and the firm soon develops a solid customer base, but the more luxurious and lucrative department stores are looking for something more upscale. J.F. Noble (George Sanders), who runs one such chain, tells Harriet he'd be interested in carrying her merchandice if she was willing to create a line of designer-style gowns. Teddy is against the idea, feeling it doesn't play on their strengths and would be bad for the company in the long run. Harriet, however, is determined to make a name for herself, and when Teddy and Cooper won't allow her out of their deal, she begins making gowns for Noble on the sly. Once the deal with Noble is sealed, Harriet informs Teddy and Cooper that they have no choice but to go along with her; this does not sit well with either of them, especially Teddy, who has become romantically involved with Harriet, though she toys with Noble out of self-interest. I Can Get It for You Wholesale (also released as Only the Best) was based on a novel by Jerome Weidman; the book was later adapted into a Broadway musical, which is best remembered today for providing Barbra Streisand with her first big break in show biz. ~ Mark Deming, All Movie Guide

Private detective Franchot Tone is hired by a prominent politician (Tom Powers) to run a background check on the politician's wife (Lynn Merrick). Meanwhile, another client (Janet Blair) engages Tone to locate her missing sister-in-law. The two assignments merge into one before long, and Tone is up to his ears in the trouble he claims to love in the film's title. Like most movie private eyes, Tone attracts women like a magnet: In addition to the aforementioned Lynn Merrick and Janet Blair, the cast includes Glenda Farrell (as the p.i.'s faithful secretary), Janis Carter and Adele Jergens. I Love Trouble was based on The Double Take, a novel by Roy Higgins. ~ Hal Erickson, All Movie Guide

A haunting work of stark confessionalism disguised as a taut noir thriller, In a Lonely Place -- Nicholas Ray's bleak, desperate tale of fear and self-loathing in Hollywood -- remains one of the filmmaker's greatest and most deeply resonant features. It stars Humphrey Bogart as Dixon Steele, a fading screenwriter suffering from creative burnout; hired to adapt a best-selling novel, instead of reading the book itself he asks the hat-check girl (Martha Stewart) at his favorite nightclub to simply tell him the plot. The morning after, the girl is found brutally murdered, and Steele is the police's prime suspect; however, the would-be starlet across the way, Laurel Gray (Gloria Grahame), provides him with a solid alibi, and they soon begin a romance in spite of Gray's lingering concerns that the troubled, violent Steele might just be a killer after all. During production, Ray's real-life marriage to co-star Grahame began to crumble, and his own vulnerability and disillusionment clearly inform the picture; the brooding, bitter Steele -- a role ideally suited to Bogart's wounded romanticism -- is plainly a doppelganger for Ray himself (the site of his first Hollywood apartment is even employed as the set for Steele's home), and the film's unflinching examination of the character's disintegration makes for uniquely compelling viewing. ~ Jason Ankeny, All Movie Guide

William "One Shot" Beaudine's companion piece to the equally nonsensical Billy the Kid vs. Dracula represents a memorable closing to the eccentric "Z"-movie auteur's amusing body of work. The hare-brained concept finds the legendary outlaw Jesse James (John Lupton) stumbling into the decrepit lair of Maria Frankenstein (Narda Onyx) -- not the daughter but the granddaughter of the infamous monster-making Baron. Maria is, of course, following in Grandpa's footsteps by creating a creature of her own, transplanting the dormant but still-intact brain of Frankenstein's original monster into the body of one of James' cohorts. The lumbering, homicidal monster -- imaginatively dubbed "Igor" -- begins terrorizing townsfolk until the inevitable showdown between living and undead gunslingers. Though not as flamboyantly awful as its predecessor (mainly due to the absence of John Carradine), this is still worth a look for trash-movie completists. ~ Cavett Binion, All Movie Guide

With the exception of the brilliant The Court Jester, Knock on Wood must rank as the best of Danny Kaye's movie vehicles. Capitalizing on the star's recent successful engagement in London, the film casts Kaye as a neurotic American ventriloquist performing in England and Europe. In a parody of the 1946 thriller Dead of Night, Kaye is unable to control the words coming out of his dummy, resulting in a near-nervous breakdown. On the advice of his manager (David Burns), Kaye seeks out the help of a psychiatrist, who turns out to be beautiful Mai Zetterling. But first, he heads to a local repair shop to pick up one of his dummies. What Kaye doesn't know is that a set of stolen blueprints for a top-secret weapon have been secreted into his dummy's head. Before he knows what's happening, our hero is up to his ears in spies, counterspies, and corpses. Falsely accused of murder, Kaye spends the rest of the film adopting one disguise after another to elude both the authorities and the various enemy agents roaming about. Filled to overflowing with musical and comedy highlights, Knock on Wood includes the famous "under the table" bit wherein Kaye finds himself literally between two warring spy factions, and a climactic ballet sequence reminiscent of (and superior to) the comic-opera finale of Kaye's Wonder Man (1945). And of course, the audience is treated to the tongue-twisting patter songs written for Kaye by his wife Sylvia Fine. ~ Hal Erickson, All Movie Guide

In this off-beat, tuneful psychological thriller, an ailing pregnant woman is in the hospital when she inadvertently eavesdrops on a conversation between a pianist and his wife. Later, after losing her baby, the woman's husband convinces her to convalesce in a nice country house he has rented. Later she learns that the house is owned by the pianist whose wife died. The poor confused girl then begins believing that she has been possessed by the spirit of the musician's late wife. ~ Sandra Brennan, All Movie Guide

This breezy British action comedy stars Gordon Harker as Albert Rughouse, cockney conductor of a passenger bus running the Victoria Station-Epping Forest route. In his spare time, Albert indulges in magic tricks, become rather proficient at sleight-of-hand. This talent serves him well when his bus is commandeerd by foreign spies bent on stealing valuable government aviation plans. Proving that the hand is quicker than the eye, Albert flummoxes the villains and makes the world safe for Democracy once more. No mere programmer, The Lightning Conductor is exceptionally well cast, with such reliables as John Lodge, Sally Gray, Ernst Thesiger and Steven Geray going through their usual expert paces. ~ Hal Erickson, All Movie Guide