Jane Fonda Movies
Hollywood legend has it that Bette Davis was forced to talk to a blank wall rather than her co-star Henry Fonda during filming of her close-ups in Jezebel; the reason was that he had repaired to New York to attend the birth of his daughter Jane.A child of privilege, the young Jane Fonda exhibited the imperious, headstrong attitude and ruthlessness that would distinguish both her film work and her private life. The teenage Fonda wasn't keen on acting until she worked with her father in a 1954 Omaha Community Theatre production of The Country Girl. Slightly interested in pursuing a stage career at that point, Fonda nonetheless studied art both at Vassar and in Europe, returning to the States to work as a fashion model. Studying acting in earnest at Lee Strasberg's Actors' Studio, Fonda ultimately starred on Broadway in Tall Story, then made her film debut by re-creating this stage appearance in 1960.
A talented but not really distinctive player at that time, Fonda astonished everyone (none as much as her father) by becoming one of the first major American actresses to appear nude in a foreign film. This was La Ronde (1964), directed by her lover (and later her first husband) Roger Vadim. The event was heralded by a giant promotional poster in New York's theater district, with Fonda's naked backside in full view for all of Manhattan to see. Vadim decided to mold Fonda into a "sex goddess" in a series of lush but forgettable films; the best Fonda/Vadim collaboration was Barbarella (1968), which scored as much on the actress' sharp comic timing (already evidenced in such American pictures as Cat Ballou [1968]) as it did on her kinky costuming. In the late '60s, Fonda underwent another career metamorphosis when she became involved in the anti-Vietnam War movement. Her notorious visit to North Vietnam at the height of the conflict earned her the sobriquet "Hanoi Jane," as well as the enmity of virtually every ex-GI who fought in Southeast Asia.
Even so, Fonda's film stardom ascended in the early '70s; in 1971, she won the first of two Oscars for her portrayal of a high-priced prostitute in Klute (her other was for Coming Home [1978]), and Fonda's career flourished despite a sub-rosa Hollywood campaign to discredit the actress and spread idiotic rumors about her subversive behavior (one widely circulated fabrication had Fonda destroying the only existing negative of Stagecoach because she despised John Wayne).
In the 1980s, the actress realized several personal and career milestones: she worked with her father on film for the only time in On Golden Pond (1981); she assisted former peace activist Tom Hayden, whom she had married in the early '70s, in his successful bid for the California State Assembly; and she launched the first of several best-selling exercise videos. She also won an Emmy for her performance in the TV movie The Dollmaker (1984). After her marriage to Hayden ended in the early '80s, Fonda married media mogul Ted Turner in 1991 (the couple would divorce in 2000), and began curtailing her film appearances, all but retiring from the screen after her lead role opposite Robert De Niro in 1990s Stanley & Iris. Fonda was no less the social activist in the 1990s than she was two decades earlier; among her projects was the production of several "revisionist" dramatic specials and documentaries about the history of Native Americans, duly telecast on Turner's various worldwide cable services.
Just when it seemed audiences might have seen the last of Fonda on the big screen, she returned in 2005 with the romantic comedy Monster-in-Law. Starring Fonda as a meddling mother bent on disrupting the planned nuptials of her son (Michael Vartan) and his fiance (Jennifer Lopez), the film went on to be a modest box-office success despite mixed reviews from critics. 2005 also saw the release of Fonda's best-selling autobiography My Life So Far, after which she took some time off. She got back in the saddle a few years later with 2007's Georgia Rule, playing the hard-driving grandmother of a rebellious teenager played by Lindsay Lohan. ~ Hal Erickson, All Movie Guide
- 1973
- G
This Joseph Losey-directed 1973 version of Henrik Ibsen's A Doll's House marks one of two cinematizations of the story released during the same year. Here, Jane Fonda plays Nora Helmer, the mousy Norwegian wife who eventually turns on her insensitive husband Torvald (David Warner). At the time of its release, A Doll's House was castigated for allowing Ms. Fonda to espouse her "feminist dogma" in the role. In truth, what Losey and Fonda give us is not the traditional mindless "hothouse rose" who finally comes to her senses in Act Three, but instead a woman who knows she is trapped in a stereotype, but is willing to play along as long as her husband loves and trusts her. Only when Torvald proves to be a thick-headed jerk by condescendingly forgiving his wife for entering into a potentially scandalous but household-saving financial arrangement, does Nora reject his values and slam the door on him. Trevor Howard plays the slimy Dr. Rank, who assumes that his monetary hold over Nora grants him certain intimate privileges. A Doll's House was exquisitely photographed on location in Norway by Gerry Fisher. ~ Hal Erickson, All Movie Guide
- Starring:
- Jane Fonda, David Warner, (more)
- 1981
Although the Actors Studio and Lee Strasberg have been famous for many decades in the U.S., this documentary is the first film to go into the studio and record sessions with actors, showing Strasberg in action. Aside from interviews with Strasberg, he is also seen responding to filmed performances of Eleonora Duse and other Hollywood giants of times gone by, and interacting with others as a mentor and friend. Even Strasberg's inspiration, Konstantin Stanislavsky himself, is shown talking about acting with two students toward the end of his life. Jane Fonda explains how she benefitted by Strasberg's instruction, and the results of his efforts are shown in clips of James Dean and Marlon Brando, two of his more famous students. By the time the final segment of the documentary has closed, viewers have a much better idea of why Lee Strasberg was so successful with hundreds of actors over the long span of his professional life. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Lee Strasberg, Ellen Burstyn, (more)
Agnes of God is an "opened up" adaptation of the minimalist stage play by John Pielmeier. Meg Tilly plays a young nun who secretly gives birth to a baby; the child's body is later found strangled to death. Court-appointed psychiatrist Jane Fonda is sent to the convent to investigate, a task made difficult by the weathervane behavior of mother superior Anne Bancroft. To draw out Tilly, who remembers nothing of the birth, Fonda suggests that hypnosis is called for. Playwright Pielmeier poses many questions--is Tilly a pure-and-simple murderess, or was there something "divine" in her act?--but offers frustratingly few answers. The evocative photography is by longtime Ingmar Bergman associate Sven Nykvist. ~ Hal Erickson, All Movie Guide
- Starring:
- Jane Fonda, Anne Bancroft, (more)
- 1966
The star of the Broadway version of Any Wednesday was Sandy Dennis. Headlining the 1966 film version is Jane Fonda, who imbues her character with enough quirkiness to satisfy both herself and the endearingly mannered Ms. Dennis. Fonda plays the dippy mistress of philanderer Jason Robards, who visits his paramour only on Wednesdays (hence the title). Dean Jones costars as the erstwhile swain who messes up Robards' routine by falling in love with Fonda. Screenwriter Julius J. Epstein does a expert job at expanding Muriel Resnick's play for the screen without robbing it of its inherent charm. ~ Hal Erickson, All Movie Guide
- Starring:
- Jane Fonda, Jason Robards, Jr., (more)
A voluptuous outer space agent travels to another galaxy in search of a missing inventor in this science fiction send-up. Barbarella (Jane Fonda), an interstellar representative of the united Earth government in the 41st century, is dispatched to locate scientist Durand Durand, whose positronic ray, if not recovered, could signal the end of humanity. Outfitted in an array of stunning Star Trek/Bond girl outfits and cruising around in a plush, psychedelic spaceship, Barbarella travels to the Tau Seti system and promptly crash-lands. She then spends the rest of the film discovering the joys of interstellar sex with a keeper of feral children (Ugo Tognazzi), a blind, beatific angel (John Phillip Law), and an inept revolutionary named Dildano (David Hemmings). Slowly but surely, she also finds her way to Durand Durand by moving from one exotic, Wizard of Oz-style locale to another. Along the way, she meets the kindly Professor Ping (a surprisingly verbal Marcel Marceau), a Eurotrash dominatrix named the Great Tyrant (Rolling Stones gal pal Anita Pallenberg), and the Concierge (Milo O'Shea), a strangely familiar lackey of the Great Tyrant who tries to destroy Barbarella with his great big organ of love. Jean-Claude Forest, who created the character Barbarella in 1962 for V-Magazine, served as visual advisor on the adaptation. The film's missing scientist character famously inspired the band name of '80s pop stars Duran Duran (who altered the spelling slightly). Almost two decades later, the film also inspired electronic act Matmos, which was named after the aqueous personification of evil unleashed by the Concierge at the movie's climax. ~ Brian J. Dillard, All Movie Guide
- Starring:
- Jane Fonda, John Phillip Law, (more)
Based on the hit Broadway play by Neil Simon, who made his screenwriting debut with this adaptation, Barefoot In The Park follows the lives of newlyweds Paul (Robert Redford) and Corie Bratter (Jane Fonda) as they adjust to married life in a tiny Greenwich Village apartment. Paul is a buttoned-down, straight-arrow lawyer who's wound a little too tight, while Corie is an effervescent free spirit who won't let anything disturb her romantic bliss. Aside from the five-flight climb and the hole in their skylight, the Bratters must also contend with eccentric upstairs neighbor Victor Velasco (Charles Boyer), who must go through their apartment to get to his. Corie hatches a plot to get her mother (Mildred Natwick) together with Mr. Velasco, but the entire evening goes awry and even casts doubt on the viability of the Bratters' new marriage, as Corie tries unsuccessfully to loosen Paul up. All ends well, however, and Fonda and Redford are full of youthful appeal in this light domestic comedy. ~ Don Kaye, All Movie Guide
- Starring:
- Robert Redford, Jane Fonda, (more)
As originally screened at the Tribeca Film Festival, at the Cannes Film Festival, and on Turner Classic Movies, the mammoth, epic-length documentary Brando chronicles in encyclopedic detail (and with a consistently reverent overtone) the life and career of the man widely regarded as the most formidable American actor of the 20th century - famous for not only reshaping, but reinventing the craft of film acting and teaching audiences how to view a motion picture performance. Divided into chronological, thematically-unified segments, the film first treats Marlon Brando's dysfunctional upbringing - his alcoholic mother, his abusive father, his stint at a military academy - before charting his acting tutelage at the behest of Stella Adler and his early cinematic and theatrical roles, including work for Elia Kazan, who famously made many aggressive (and unsuccessful) attempts to discipline the headstrong actor onscreen. Throughout this segment, many Hollywood A-list actors appear - among them, Al Pacino, Johnny Depp and Robert Duvall - expostulating at length on Brando's influence over their approaches to performance, and attempting with great effort to define the elusive style known as "method acting" that Brando helped to create. The second half of the documentary moves into Brando's career during the '70s, '80s and '90s, covering the production of The Godfather, the actor's noteworthy political activism, and his tumultuous personal life. Francis Ford Coppola, who of course teamed with Brando for the first Godfather installment and for Apocalypse Now, is noticeably absent from the proceedings. ~ Nathan Southern, All Movie Guide
- Starring:
- Al Pacino, Johnny Depp, (more)
Playwright Neil Simon turned to the hotel setting he used so successfully in his stage-play (later a movie) Plaza Suite to explore four more human dramas in his play California Suite, which was adapted into this quite successful movie. In the first episode, the divorced couple of Bill and Hannah Warren (Alan Alda and Jane Fonda) have rented a suite in a posh Beverly Hills hotel in order to have a discussion about who will get the custody of their child. In the next episode, Sidney Cochran and Diana Barrie (Michael Caine and Maggie Smith) are a hilarious pair of Hollywood stars who have rented the suite to await their appearance at the Academy Awards: it is a "date of convenience" which enables the sexually adventurous duo to conduct their other, more unconventional alliances out of the public eye. Drs. Willis Panama and Chauncy Gump (Bill Cosby and Richard Pryor) have brought their families to Beverly Hills for a vacation which takes on nightmarish tone. Finally, Marvin Michaels (Walter Matthau) tries frantically and unsuccessfully to explain the situation to his wife (Elaine May) when she catches him in flagrante delicto with a hooker. Actress Maggie Smith won an Academy Award as "Best Supporting Actress" for her role in this film, in which she plays the actress waiting to win . . . an Academy Award. ~ Clarke Fountain, All Movie Guide
- Starring:
- Alan Alda, Michael Caine, (more)
This musical spoof of Westerns featured Lee Marvin in dual roles that won him a Best Actor Oscar. Jane Fonda stars as the title character, a prim schoolmarm returning to her hometown of Wolf City, Wyoming, after receiving an Eastern education. On the train ride, Cat meets up with a pair of friendly, charming crooks, Clay Boone (Michael Callan) and his uncle, Jed (Dwayne Hickman), the former becoming hopelessly smitten with the naive but tough Cat. Upon arriving home, Cat discovers that her eccentric father, Frankie (John Marley), is being threatened with bodily harm by a development company that desperately wants his land. When Frankie is murdered by ruthless, noseless killer Tim Strawn (Marvin), Cat straps on a pair of six-shooters and persuades Clay, Jed, and her father's loyal Native American hand Jackson Two-Bears (Tom Nardini) to sign on as her posse. In her quest for revenge, Cat also recruits Kid Shelleen (also played by Marvin), a one-time fearsome gunslinger who's now a hopeless alcoholic. Cat Ballou (1965) is interspersed throughout the narrative with appearances by Stubby Kaye and Nat King Cole as a pair of balladeers who comment on the action musically in Greek chorus style. ~ Karl Williams, All Movie Guide
- Starring:
- Jane Fonda, Lee Marvin, (more)
- 1994
This video seeks to help viewers understand how our culture has evolved to a point where dress sizes and fashion tend to ignore the realities of the way most women are built. What is "ideal beauty" and why does our culture place so much value on being thin? Both women and men might find it interesting to learn how American women really view themselves. How do women hold on to some semblance of self-esteem when living in a culture that seems to tell them that they have little value if they are overweight? Examine why there's a double standard that allows so many men to almost completely ignore their weight and ability to dress fashionably. ~ Elizabeth Smith, All Movie Guide
- 1994
This documentary takes a look at the continuing work of feminists to establish reproductive rights for women. The issue of the right to control one's own body is presented as one that is crucial to the welfare of women. The fight for birth control began in America at the time of the great wave of immigration during the Industrial Revolution. Women and men were working in dangerous and substandard conditions to raise their children. Many wanted fewer, not more, children. Deaths of mothers during childbirth and infant mortality were shockingly high. The battle for women and children's health continues to the present. The film looks at the decision of Roe vs. Wade and the efforts to overturn it. ~ Rose of Sharon Winter, All Movie Guide
- 1994
Throughout the 20th century, women have met the challenges and struggles of balancing work and family. Narrated by Jane Fonda, A Century of Women: Work & Family weaves fictional and factual stories to illustrate the history of women in the workforce, as well as their roles as wives and mothers. Performances and testimonies from a stellar group of women including Meryl Streep, Gloria Steinem, Twyla Tharp, and Maya Angelou facilitate the film's innovative method of storytelling. Archival film, photographs, and interviews retrace historical events -- from the founding of the PTA to early unions -- that changed our social landscape. Diaries, letters, and personal memories honor women of the past and make it clear that the balancing of labor and family was a matter of life and death. ~ Brooke Hodess, All Movie Guide
Old man Ewing (Jason Robards) owns a ranch right next to the ranch of Ella (Jane Fonda). This is a source of two problems: Ewing wants to gobble up most of the land around the two ranches and also wants Ella's ranch; secondly, when Ella was too young to know better, she went to bed with the man, which, many years later, she considers to have been a grievous error on her part. A third problem arises when oil companies begin pressuring both of them to allow drilling on their land, and Ewing won't allow it -- on his or anyone else's land. Before long, war-veteran Frank (James Caan) enters Ella's life and helps her fight to save her land and her sanity, with added assistance from Dodger (Richard Farnsworth), an old local who knows the score. ~ Clarke Fountain, All Movie Guide
- Starring:
- James Caan, Jane Fonda, (more)
Hal Ashby's 1978 melodrama examines the impact of the Vietnam War on the "war at home" among the men who fought it and the women in their lives. Left alone in Los Angeles when her gung-ho Marine husband Bob (Bruce Dern) heads to Vietnam in 1968, proper wife Sally Hyde (Jane Fonda) decides to volunteer at the V.A. hospital where her new friend Vi (Penelope Milford) works. There she meets Luke Martin (Jon Voight), a former high-school classmate and Marine who has returned from 'Nam a bitter paraplegic. As their relationship grows, Sally sees the effect of the war on the soldiers after they come back, inspiring her to rethink her priorities; Luke's spirits begin to lift, and a hospital tragedy helps focus his anger toward meaningful protest. After a Hong Kong visit with her increasingly withdrawn husband, Sally finds a love and companionship with Luke that she had never known with her husband. Once Bob comes home with his own injury, however, the three must find a way to deal with a changing world and with a system that betrayed the men fighting for it. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Jane Fonda, Jon Voight, (more)
- 2003
Before the Motion Picture Production Code transformed virtually all movie heroines into unworldly virgins in the year 1934, actresses were able to get their teeth into meaty roles which allowed them the full gamut of emotions, a vast array of sexual experiences, and, most importantly, an innate wisdom beyond their years. Based on the book by Mick LaSalle, the 60-minute cable documentary Complicated Women provides modern viewers with fascinating glimpses of celebrated Hollywood actresses during the pre-code years (1929-1933). Highlights include Norma Shearer's advocacy of an open marriage in 1930's The Divorcée (a role which earned her an Oscar); Jean Harlow's casual carnal hijinks with Clark Gable in 1932's Red Dust; Barbara Stanwyck sleeping her way to the top of the business world in Baby Face (1933); Greta Garbo's knowing portrayal of the bisexual Queen Christina in the 1933 film of the same name; and, of course, the censor-baiting innuendoes of Mae West. The premise of Complicated Women can be summed up thus: they weren't all "good girls" in those pre-code years, but they were certainly far more interesting and multilayered than the corsetted iron butterflies of the post-code era. In addition to vintage film clips, the documentary features interviews with a handful of survivors from Depression-era Hollywood, among them actress Frances Dee, whose portrayal of a masochistic thrill-seeker in 1933's Blood Money still packed a wallop seven decades later. Narrated by Jane Fonda, Complicated Women kicked off a month-long festival of pre-code films on the Turner Classic Movies cable channel. ~ Hal Erickson, All Movie Guide
- Starring:
- Jane Fonda
In 1971, Jane Fonda and a group of fellow activist performers and musicians (including actor Donald Sutherland, musician Holly Near, and writer and comedian Paul Mooney) put together a satirical revue to perform at coffeehouses and parks near U.S. Army bases for the entertainment of G.I.'s who had come to oppose the war in Vietnam. Calling the show F.T.A. (meaning either "Free The Army" or "F-ck The Army" depending on what part of the show one witnessed), the show included protest songs, anti-war humor, appearances by G.I.'s and veterans who spoke out the war, and agit-prop theater designed to increase awareness and spread resistance against the military escalation in Vietnam. After a tour of the United States, the troupe headed to the Pacific, where they performed in Hawaii, Japan, the Philippines, and Okinawa. F.T.A. is a documentary of the troupe's Pacific Tour, including highlights from the show, appearances by local performers, behind the scenes footage of the logistical and political problems of keeping the show on the road, and conversations with soldiers as they discuss what they saw in battle, their anger with the military bureaucracy, and their opposition to America's presence in Indochina. American-International Pictures released F.T.A. in the United States in 1972, but it appeared in theaters the same week that Jane Fonda made her infamous trip to Hanoi; AIP soon pulled it from circulation and it has been seen very rarely since. ~ Mark Deming, All Movie Guide
Dick Harper (George Segal) and his wife Jane (Jane Fonda) have always lived way beyond their means. Just because Dick has just lost his high-paying job is no reason for Jane to stop spending like there's no tomorrow. To make ends meet, Jane takes up a new career: armed robbery. ~ Hal Erickson, All Movie Guide
- Starring:
- George Segal, Jane Fonda, (more)
Jane Fonda, Felicity Huffman, and Lindsay Lohan star in director Garry Marshall's tale of a rebellious young woman who is sent to spend the summer with her grandmother when her frustrated mother fails to find a means of curbing her unruly behavior. Rachel (Lohan) is an out-of-control teen whose reckless drinking, foul mouth, and hysterical fits have become a constant source of embarrassment for her long-suffering mother, Lily (Huffman). When Rachel crashes her car, Lily determines that the only way to tame her savage daughter is to take her as far away from San Francisco as possible. Though Lily had once sworn never to return to the Idaho farm presided over by her demanding mother, Georgia (Jane Fonda), desperation has a funny way of dulling the pains of the past, and it's not long before Lily is packing Rachel in the car and setting out for potato country. Contrary to the common image of the sweet and doting grandmother, Georgia is a stern matriarch whose beliefs in the power of God and a hard day's work stand in stark contrast to the carefree lifestyle of the tempestuous Rachel. An interesting thing happens as the summer wears on, though; despite her initial efforts to disrupt the quiet Mormon community, Rachel's rage is gradually tempered as she learns the value of structure and responsibility. Later, as Rachel's protective walls begin to crumble and she begins to embrace compassion and kindness, the doors are opened for three generations of family to confront the long-buried secrets of their past and finally move forward in the healing process. ~ Jason Buchanan, All Movie Guide
- Starring:
- Jane Fonda, Lindsay Lohan, (more)
- 1992
Fonda on Fonda offers an intimate look at one of America's most highly regarded megastars, the Academy and Tony award-winning film and stage actor, Henry Fonda. Daughter Jane Fonda hosts this account of the elder Fonda's life and career. Fonda's work spanned the golden years of Hollywood in which he appeared in 90 films. Fonda on Fonda traces the actor's stellar career using interviews and clips from his best-known films, including The Grapes of Wrath, Young Mr. Lincoln, Mister Roberts, and On Golden Pond, in which he shared the screen with Jane. The video offers rare insight into the world of one of Hollywood's most important performing families.
~ Sally Barber, All Movie Guide
~ Sally Barber, All Movie Guide
- Starring:
- Jane Fonda
- 1967
Otto Preminger directed this star-studded adaptation of K.B. Gliden's novel about racial prejudice and emotional unrest in the Deep South. Henry Warren (Michael Caine) is a land owner obsessed with buying up all available land in a Georgia farming town. However, two parcels of land have escaped his reach, and he's determined to get them. The Scotts, an African-American family, own one of the lots that Henry is after; the matriarch of the family, Rose (Beah Richards), used to work as a servant for the family of Henry's wife, Julie Ann (Jane Fonda), so Henry sends Julie Ann to talk with her. However, not only doesn't Rose agree to sell, she gets so upset that she dies of a heart attack, and soon her headstrong son Reeve (Robert Hooks) is the owner of the land. Reeve refuses all of Henry's offers to sell out, and he even stands up to a racist lynch mob that tries to ransack his farm; when Henry attempts to prove that Reeve holds no legal deed to the property, Vivian Thurlow (Diahann Carroll), the town's black schoolmarm, is able to provide the documentation that the Scotts do indeed own their land. Meanwhile, Henry is also trying to buy some property farmed by Rod McDowell (John Phillip Law) and his wife Lou (Faye Dunnaway), a poor white couple who are Henry's cousins. The McDowell farm adjoins that owned by the Scotts, so Reeve and Rod agree to join forces against Henry, which leads to violent reprisals against them. While set in Georgia, Hurry Sundown was actually shot on location in Louisiana; it was the first film shot in the South with an integrated cast and crew, leading the producers to demand protection from State Troopers after members of the company received death threats. ~ Mark Deming, All Movie Guide
- Starring:
- Michael Caine, Jane Fonda, (more)
- 1963
In this drama of romantic intrigue and infidelity, Sam and Christine Bonner (Arthur Hill and Jane Fonda) are a married couple whose relationship has hit a rough spot. While Sam loves Christina very much and would do anything for her, she feels unsatisfied and suffocated by him; she wants more space for herself and would like to have a baby. Sam is more than willing to help, but matters become more complicated when he introduces Christine to Murray Logan (Peter Finch), a friend from work, and his wife Sybil (Angela Lansbury). Murray and Sybil are not at all happy together; ever since an auto wreck claimed the life of their son, Sybil has been emotionally on edge and blames her husband for the death of her child. When Murray meets Christine, he finds himself attracted to her; she is also interested in him, but neither are in a position to do anything about it. Sam arranges for the two couples to take a vacation to Greece together, hoping a change of scenery will bring a spark back into their lives. However, Sam's father Frederick (Alexander Knox) falls ill just as the couples are about to leave, and he's forced to stay behind. While in Greece, Murray and Christine finally succumb to their desires and begin an affair; an angry Sybil retaliates by both having a fling with a local man and spilling the beans to Sam about Murray and his wife. John Houseman, later to become famous as an actor, served as a producer on this film. ~ Mark Deming, All Movie Guide
- Starring:
- Peter Finch, Jane Fonda, (more)
- 1974
This documentary was made during the most intense period of fighting in the Vietnam War. U.S. participation in that conflict lasted from 1956 (approximately) until 1975. Here Jane Fonda and Tom Hayden travel to North Vietnam in order to show the North Vietnamese as actual human beings with legitimate needs and concerns. Their suffering from American and allied bombing attacks is clearly shown, along with interviews with Le Duc Tho (a Viet Cong peace negotiator) and others. Fonda was extremely active in the antiwar movement, and organized concerts and films supporting antiwar activities; this documentary was only a small part of her efforts in that period. This film, and the trip which made it possible, earned her the derisive epithet "Hanoi Jane." ~ Clarke Fountain, All Movie Guide
- Starring:
- Tom Hayden
- 1962
This entertaining video features Jane Fonda as she opens in her first role on Broadway. ~ All Movie Guide
- 1995
In this video, Jane Fonda shows everyone how to target and trim down their flabby abdominal muscles, buns, and thighs. Two 25-minute workouts are presented. Low-impact exercise fans will enjoy all of the routines demonstrated by Jane and two other instructors. Beginners will also feel right at ease. Be ready to do some standing leg lifts, squats, and simple aerobic dance moves. At the end of the exercises, viewers are shown stretching moves to help them feel both relaxed and invigorated. After using this tape regularly for several weeks, viewers should start noticing that their lower body muscles are more toned.
~ Elizabeth Smith, All Movie Guide
~ Elizabeth Smith, All Movie Guide
