Anita Ekberg Movies
Junoesque Swedish leading lady Anita Ekberg got her start in the U.S., where she was elected "Miss Sweden" in the Miss Universe pageant. Along with other Miss Universe contestants, Ekberg played an Amazonian extraterrestrial in 1953's Abbott and Costello Go to Mars. She also displayed her obvious attributes in such Technicolor shows as Artists and Models (1956) and Hollywood or Bust (1957), and proved an apt foil for the leering one-liners of Bob "Cherchez la Femme" Hope in Paris Holiday (1957) and Call Me Bwana (1963). Though never taken completely seriously as an actress, Ekberg was given better opportunities to emote in the Italian films of Federico Fellini, notably as the principal "wish dream" in La Dolce Vita (1961). Anita Ekberg would repeat her La Dolce Vita role in Fellini's 1986 filmic autobiography Intervista. ~ Hal Erickson, All Movie Guide
In 4 for Texas, Frank Sinatra and Dean Martin star as Zack Thomas and Joe Jarrett, a pair of rival mountebanks who spend most of the film battling over who will control the gambling and wenching in 1870 Galveston. Though they'd as soon cut each other's throats than cooperate, Zack and Joe are forced to unite against a pair of common enemies: crooked banker Harvey Burden (played by Victor Buono, a favorite of director Robert Aldrich) and cold-blooded outlaw/hired-gun Matson (Charles Bronson, virtually the only person in the film who takes his role seriously). The heroes also battle over the affections of well-endowed heroines Elya Carlson (Anita Ekberg) and Maxine Richter (Ursula Andress), both of whom are sharp-witted businesswomen who match Zack and Joe scam for scam. The Three Stooges show up for a moment, in which they repeat their "point to the right" and "State of Texas" routines, and get into a fracas with feisty little old lady Jesslyn Fax. Also making guest appearances are Arthur Godfrey and Teddy Buckner and His All Stars. ~ Hal Erickson, All Movie Guide
- Starring:
- Frank Sinatra, Dean Martin, (more)
- 1953
They don't really go to Mars, they go to Venus, but first they go to New Orleans. While working at a missile base, Bud Abbott and Lou Costello inadvertently launch a rocket ship with themselves aboard. After a wild ride around New York City (the Statue of Liberty ducks when the rocket heads her way), Bud and Lou land in the outskirts of New Orleans. The boys are convinced that they've reached Mars, and their faith in this supposition is affirmed when they come across several strangely costumed "creatures" (actually revellers at the Mardi Gras). Meanwhile, bank robbers Jack Kruschen and Horace McMahon stow away on A&C's rocketship. When Bud and Lou return, the crooks force them to make a quick getaway into outer space. After several days of weightlessness, the four space travellers land on Venus, a planet populated by the gorgeous winners of the Miss Universe contest (including Anita Ekberg). Venusian queen Mari Blanchard falls in love with Costello, only to order him and his companions to return to earth when Lou proves to be unfaithful. Reportedly, this bizarre melange of sci-fi and slapstick was based on a story by Charles Beaumont, who received no screen credit (it's worth noting that Beaumont's later Queen of Outer Space boasts a remarkably similar plotline). Long considered the team's worst film, Abbott and Costello Go to Mars ("and about time!" quipped the New York Times' TV-movie reviewer) is rather likeable in its own incoherent way. ~ Hal Erickson, All Movie Guide
- Starring:
- Bud Abbott, Lou Costello, (more)
- 1992
Anna-Ambrogio grew up loving the sea and sailing, and nothing would please her more than being able to become a merchant seaman. However, it is the early 1960s, and women are not welcome either at sea or at the various marine academies that train youngsters for oceangoing careers. She has one supporter in her quest, a broad-minded and well-experienced sailor named Leo. With his encouragement, she batters down the men-only barriers at the merchant-marine academy, and through the force of her determination and persistence she manages to overcome the ingrained prejudices of her instructors and classmates to graduate. Afterwards, in Lisbon, she finds that even with her new credentials, overcoming the prejudices of potential employers is not simply a matter of determination and persistence, but then her old mentor comes to her assistance here, as well. ~ Clarke Fountain, All Movie Guide
- Starring:
- Roberto Citran
- 1955
Bearing very little relation to the 1937 Paramount musical of the same name, Artists and Models is a lavish, girl-filled vehicle for the popular team of Dean Martin and Jerry Lewis. Martin plays Rick Todd, a comic-book artist who is under fire from his publisher (Eddie Mayehoff), who complains that Rick's work isn't gory enough. Lewis plays Eugene Fullstack, Rick's roommate, who while asleep dreams up elaborate comic-book plots and garishly costumed superheroes. Eugene's nightmares help Rick become a success; meanwhile, our two heroes romance their luscious neighbors, artist Dorothy Malone and rambunctious model Shirley MacLaine (who during one song wrestles Eugene to the floor and sits on his chest!) Eugene's overworked imagination somehow attracts the attention of a group of Russian spies, who attempt to abduct Eugene during the annual Artists and Models Ball. Director Frank Tashlin uses Artists and Models as an excuse for some of the wildest sight-gags seen in a mid-1950s film. At one point, the director contrives to stuff a gag in Shirley MacLaine's mouth. Tashlin also exhibits his ongoing fascination with female breasts and legs by giving ample screen time to the natural attributes of co-stars Anita Ekberg and Eva Gabor. One of the best of the Martin/Lewis efforts, Artists and Models suffers only from being about 20 minutes too long. ~ Hal Erickson, All Movie Guide
- Starring:
- Dean Martin, Jerry Lewis, (more)
- 1956
Director John Farrow's Back From Eternity is a virtual scene-for-scene remake of Farrow's 1939 film Five Came Back. The earlier film is the better of the two, if only because it is 22 minutes shorter. The plot concerns a small passenger plane that crashlands in South America, square in the heart of headhunter country. Pilot Robert Ryan is able to get the plane back into flying condition; unfortunately he discovers that the plane will only be able to carry five of its eleven passengers to safety. Who will have to be left behind: condemned murderer Rod Steiger, socialite Phyllis Kirk, her weak-willed fiance Gene Barry, copilot Keith Andes, elderly married couple Beulah Bondi and Cameron Prud'homme, songstress Anita Ekberg, foul-tempered cop Fred Clark, soft-hearted crook Jesse White, or tousle-haired kid Jon Provost? Rod Steiger is just fine in the role orginally played by Joseph Calleia, but Ekberg is no match for the original's Lucille Ball. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Ryan, Anita Ekberg, (more)
- 1996
Fast-paced, funny and bursting with erotic joie-de-vivre, this outing from the always irreverent Catalan filmmaker Bigas Luna follows the lusty adventures of the bouncy Bambola and her peroxide-blond, gay brother Flavio. Their fun begins shortly after the death of their Mamma Greta, the owner of a ramshackle trattoria located beside the Po River on Italy's northern plains. Following the funeral, the two siblings decide to fix up the cafe, but first they need money. Their quest leads them to fatso financier Ugo. Barely able to control his lust for the buxom Bambola, he helps them, but when she starts batting eyes at the handsome swimmer Setimio (whom Flavio also desires), a tragedy ensues that results in Ugo's death and Setimio's incarceration. Brother and sister visit him in prison and one day, she attracts the attention of the beastly inmate Furio. Jealous of her relationship with Setimio, Furio orders him gang raped. The event is life changing for Setimio who suddenly looks at Flavio with new, wanting eyes. At the same time, Bambola goes to Furio's cell to engage in a fast, furious coupling that leaves her crazy for more. Upon his release, Furio heads for the trattoria to continue the affair. But trouble comes when Furio refuses to move the relationship beyond their beastly wrangling. He goes too far one night when he comes to bed with a live eel for Bambola to play with. ~ Sandra Brennan, All Movie Guide
John Wayne teaches those dirty Commies yet another lesson in Blood Alley. Wayne plays a veteran seaman who comes to the aid of Lauren Bacall, the daughter of a missionary doctor killed by the Red Chinese. It takes no little persuasion, but Bacall finally convinces Wayne to smuggle a group of villagers past the Communist forces and into the safe harbor of Hong Kong. Though there are many close calls, Wayne proves to be a shade smarter and more resourceful than the minions of Mao. Lauren Bacall plays her stock character with cool professionalism, though this sort of fare isn't really her cup of tea. Far better within the framework of the film are Paul Fix, Berry Kroeger, and Anita Ekberg, who aren't the most convincing "Chinese" in the world but who seem to fit right in with the blood-and-thunder proceedings. A. S. Fleischman adapted the screenplay of Blood Alley from his own novel. ~ Hal Erickson, All Movie Guide
- Starring:
- John Wayne, Lauren Bacall, (more)
Released in the US by 20th Century-Fox, Boccaccio '70 is a compendium of short subjects directed by three of Italy's top filmmakers. Each story is written in the style of the famed Italian essayist Boccaccio, albeit told in contemporary terms. First up is "The Raffle", written by Cesare Zavattini and directed by Vittorio De Sica: Sophia Loren (wife of Boccaccio '70 producer Carlo Ponti) plays the sexy operator of a shooting gallery, who offers herself as first prize to the best shot. In "The Job", written by Suso Cecchi D'Amico and directed by Luchino Visconti, Romy Schneider carries a torch for her philandering boss Tomas Milian. The final segment is "The Temptation of Dr. Antonio", directed by Federico Fellini and scripted by Fellini, Ennio Flaiano and Tullio Pinelli; in this one, Anita Ekberg is an image on a poster who comes to life for the benefit of a drooling middle-aged professor (Peppino De Filippo). A fourth episode, "Renzo and Luciana", directed by Mario Monicelli, was cut from U.S. release. ~ Hal Erickson, All Movie Guide
- Starring:
- Sophia Loren, Luigi Giuliani, (more)
- 1963
It's Bob Hope as phony explorer Matt Merriwether, who promotes himself as an expert on the dark continent, basing his exploration of the African subcontinent on old diaries of his uncle. When an American space capsule crashes in an uncharted region of Africa, Merriwether, based on his alleged expert knowledge of the region, is selected to recover the capsule. Joining Merriwether and his pre-Kervorkian suicide kit, is security agent Frederica Larsen (Edie Adams). Hot on their heels are Russian agents Luba (Anita Ekberg) and Dr. Ezra Mungo (Lionel Jeffries), who want to get to the space capsule first. ~ Paul Brenner, All Movie Guide
- Starring:
- Bob Hope, Anita Ekberg, (more)
A lesser-known but memorably bizarre giallo thriller from Italian filmmaker Ferdinando Merighi, directing here under the pseudonym of "Fred Lyon Morris," this unusual shocker has a petty thief named Antoine falsely sentenced to death for the murder of a high-class prostitute (Barbara Bouchet) at a brothel run by Madame Colette (Anita Ekberg). The first of the film's risible plot machinations has the wrongfully condemned Antoine putting a curse on his accusers, escaping as he is about to be guillotined, and then being decapitated anyway after leading authorities on a motorcycle chase. One of the judge's friends is a doctor named Waldemar (Howard Vernon) who does experiments on the deceased non-killer's eyeballs; when the judge is murdered, everyone is sure that Antoine is getting revenge from beyond the grave. It certainly seems coincidental that everyone who is being murdered was at Madame Colette's brothel on the night Antoine was arrested, but the real killer was there too, and gorily claims several more victims before being chased up the Eiffel Tower in the film's mind-boggling conclusion. ~ Robert Firsching, All Movie Guide
- 1974
The continuous power struggle between racketeers and police detectives for the urban area is featured in this film. ~ All Movie Guide
- 1968
Right-wing U.S. Treasury Department agents try to stop the delivery of opium from China in this uneven, implausible story. Agent Kelly (Dana Andrews) declares that all opium plants are grown in China and that this drug supply is "a time bomb from Peking to destroy the moral fiber of our nation." Mike Rand (Peter Martell) is a young gun in the department who gleefully declares himself "judge, jury and executioner" as he pumps a round of bullets into the heart of an unarmed man. The agents trail the drug smugglers from Beirut to Istanbul and back. ~ Dan Pavlides, All Movie Guide
- Starring:
- Dana Andrews, Peter Martell, (more)
This low-budget Spanish-Italian co-production was the handiwork of cult filmmaker Amando De Ossorio, best known for his series of Knights Templar zombie films which began with La Noche del Terror Ciego (1971). Faded '50s bombshell Anita Ekberg stars as Silvia, a young woman who travels to the family castle which she will soon inherit. When she arrives, she meets her uncle (Julian Ugarte), who gives her some rather disheartening news. Many years before, a nun named Malenka was burned as a witch in the town square and swore to return for revenge. Silvia looks just like Malenka, and the villagers are terrified that the witch's spirit has been reincarnated in her. Soon, villagers start dying, and Silvia is so sure that she is possessed that she breaks off her engagement, convinced that she is destined to kill her beloved (Gianni Medici). Naturally, as the title already gives away, the blood-drinking attacks are part of a plot by Ugarte to drive Silvia mad and steal her inheritance. ~ Robert Firsching, All Movie Guide
- Starring:
- Anita Ekberg, Julian Ugarte, (more)
- 2003
German filmmaker Eckhart Schmidt tracks down many high-profile Italian movie folks for the documentary portrait Federico Fellini: Through the Eyes of Others. Actresses Anita Ekberg, Anouk Aimée, and Sandra Milo provide commentary about the director's behavior on and off the set. Other interview subjects include screenwriter Tullio Pinelli, producer Dino de Laurentiis, cinematographer Giuseppe Rotunno, biographer Tullio Kezich, and novelist Gore Vidal. The film also employs archive footage and film clips. ~ Andrea LeVasseur, All Movie Guide
- Starring:
- Anouk Aimée, Dino de Laurentiis, (more)
Released to video under the title Amazon Women, this made-for-TV movie follows two explorers as they discover a forgotten tribe of wildly attractive Amazons in the jungles of South America. Things really start to heat up when the women follow the men back to Manhattan. ~ Iotis Erlewine, All Movie Guide
- 1956
Dean Martin and Jerry Lewis made their last joint film appearance in the girl-filled musical Hollywood or Bust. The thinnish plot finds inveterate film fan Jerry making a cross-country journey to Tinseltown for the purpose of meeting his favorite screen star, the buxom Anita Ekberg (the film's title, need it be added, has a double meaning). Dean goes along for the ride, hoping to expand his bankroll during a Las Vegas stopover. The boys are joined by a third traveller, an enormous Great Dane named Mr. Bascomb; along the way, the trio becomes a quartet when pretty Pat Crowley hitches a ride. The finale takes place in Hollywood, naturally, as Jerry wreaks havoc at a film studio which looks suspiciously like Paramount. All reports indicate that Hollywood and Bust was an unhappy shoot, with Jerry Lewis behaving so obstreperously that director Frank Tashlin ordered him off the set and told him to go home until he learned to behave himself; to this day, Lewis cannot bring himself to watch the film. Happily, the animosity between the two stars never comes across on screen, and as a result Hollywood or Bust is a most enjoyable diversion. ~ Hal Erickson, All Movie Guide
- Starring:
- Dean Martin, Jerry Lewis, (more)
- 1961
Cast in the epic tragedy mold, this is the story of a thirteenth century romance. Jack Palance is the son of Genghis Khan and Anita Ekberg is his mistress. Battle between Khan's forces and those of the rebels rages around them but, when peace is finally achieved, Ekberg kills Khan so that her lover, his son, can become the new ruler. He must then lead the Mongol forces into battle himself. A classic case of a romance begetting a murder with greed, tragedy and war all thrown in to make this minor historical adventure. ~ Tana Hobart, All Movie Guide
Susan Hayward pulls out all the stops, and then some, in this cinemadaptation of singer Lillian Roth's autobiography I'll Cry Tomorrow. In as harshly realistic a manner as possible in the still censor-dominated Hollywood of 1955, the film recounts Roth's rise to fame, her precipitous fall and her tearful comeback. The fact that Roth loves not wisely but too well is only part of the problem (only two of her eight husbands are portrayed in the film); contributing factors to her self-destruction also included her witchlike "stage mother" (Jo Van Fleet) and the pressures of fame and fortune. The principal reason for Roth's fall from the height of fame to the depths of squalor and despair is booze -- at least until she begins to pull herself together with the help of Alcoholics-Anonymous representative Burt McGuire (Eddie Albert). The story concludes with a testimonial staged in Roth's honor on the TV series This is Your Life (the original of which still exists in kinescope form). Having been personally coached by the real Lillian Roth, Susan Hayward does an excellent job of copying the singer's unique style. Though Hayward did not win an Oscar for her performance, she did cop the "Best Actress" prize at the Cannes Film Festival. ~ Hal Erickson, All Movie Guide
- Starring:
- Susan Hayward, Richard Conte, (more)
- 1969
- G
- Add If It's Tuesday, This Must Be Belgium to QueueAdd If It's Tuesday, This Must Be Belgium to top of Queue
A mid-1960s TV documentary special (and a New Yorker cartoon before that) was the inspiration for If It's Tuesday, This Must Be Belgium. The film is a likeable satire of "packaged" European tours, where the nonplused tourists are expected to rush from one landmark to another in a breathless 18 days. Ian McShane stars as the amorous tour guide, with Suzanne Pleshette as the American department store buyer he falls for; their romance ends when Pleshette decides that the supposedly worldly McShane is too immature for her. An all-star cast, including Murray Hamilton, Peggy Cass, Pamela Britton, Marty Ingels, John Cassavetes and Vittorio De Sica, pops up in comic cameo roles. Our favorite bit: an American and German tourist, simultaneously regaling their respective wives with wildly divergent accounts of the same wartime confrontation. If It's Tuesday, This Must Be Belgium was reworked in 1987 as a made-for-TV movie, cleverly title If It's Tuesday, It Still Must be Belgium. ~ Hal Erickson, All Movie Guide
- Starring:
- Suzanne Pleshette, Ian McShane, (more)
- 1991
Years before, the millionaire Pierre (Alain Flick) destroyed the wealthy nobleman Count Max's fortune. In the present, Alfredo (Christian De Sica), a restless young mechanic who resembles the count, has fallen in love with a model (Ornella Muti) and wants some new adventure in his life. In return for his agreement to get revenge on the Count's old foe, he gets lessons in how to behave like the count himself. He tracks down the model, woos her successfully, and persuades her to join forces with him to go to Morocco and confront the nefarious millionaire. Once there, they lose all their resources. Oddly enough, the so-called villain of the story has fallen in love with Alfredo, and the mechanic allows himself to be joined in matrimony to the other man in an unusual Arab ceremony. This is a remake of a film made popular twice before by Christian De Sica's father, famed actor/director Vittorio De Sica. ~ Clarke Fountain, All Movie Guide
- Starring:
- Christian de Sica, Ornella Muti, (more)
Intervista has been termed a semi-documentary: This is in fact the filmed autobiography of Italian director Federico Fellini, framed in the form of an interview conducted by a Japanese film crew. As the interview progresses Fellini's mind wanders to his earliest days (the reenacted events conflict with several of the "official" stories of his life). His fascination with filmmaking is manifested in the "wonderland" atmosphere of the old Cinecitta studios. With the cooperation of Fellini's loyal co-workers, we are permitted to see tantalizingly brief excerpts (some self-mocking) of Fellini's modus operandi. A visit by Fellini and guest-star Marcello Mastroianni to Anita Ekberg's home leads to a lavish (and poignant) "reliving" of the 1961 Fellini/Mastroianni/Ekberg effort La Dolce Vita. The climax of Intervista scene invokes Fellini's previous inward-looking classic 8 1/2, with a novel twist calculated to send the director's disciples home with a knowing smile. ~ Hal Erickson, All Movie Guide
- Starring:
- Federico Fellini, Marcello Mastroianni, (more)
Giulio Berruti's unusual cult horror film casts former sex symbol Anita Ekberg as Sister Gertrude, a nun working in a mental institution. Gertrude is clearly insane, and takes a great deal of morphine for her self-diagnosed cancer. She goes to town and picks up men, seduces a younger nun (Paola Morra) who was abused by her grandfather, and supposedly murders patients until the Mother Superior (Alida Valli) has her poisoned. Luigi Casellato appears as a crippled painter who gets kicked to death, and genre favorite Joe Dallesandro leads the supporting cast as a handsome doctor. Antonio Maccoppi's skillful cinematography gives the film a harsh, intimidating look and Ekberg creates a sympathetic character, although certain scenes -- such as her stepping on a patient's dentures -- cross the line into unintentional humor. ~ Robert Firsching, All Movie Guide
- Starring:
- Anita Ekberg, Paola Morra, (more)
