Olympia Dukakis Movies
Olympia Dukakis is one of those character actresses who infallibly lends a touch of class to whatever picture she's in. Despite her extraordinary dignity and class, she is able to make even the most outrageous character believable. Though she is well regarded in film, Dukakis has spent the bulk of her distinguished career on-stage as an actress and a director. She is also a highly respected drama teacher.The daughter of Greek immigrants, Dukakis once worked as a physical therapist. Her interest in acting came after appearing in summer stock and then taking adult-ed classes in drama at Boston University, where she graduated with a master's in Fine Arts. After graduation, she began her theatrical career and then co-founded Boston's renowned Charles Playhouse. Dukakis made her film debut in director Robert Rossen's last film Lillith (1964). She continued to make sporadic and undistinguished appearances in movies though much of the '80s, but did not gain notice until 1987 when she won an Academy Award for playing Cher's Italian mother in Moonstruck. Since then, Dukakis has specialized in playing older women from different ethnic backgrounds or mothers. Subsequent film appearances include Steel Magnolias (1989), where she played the elegant widow Clairee Belcher, Mighty Aphrodite (1995), and Picture Perfect (1997).
In addition to her film and stage work -- she has appeared in over 100 plays -- Dukakis has also occasionally appeared on television in movies and mini-series. One of her most famous roles was that of the mysterious and kooky Annie Madrigal in the PBS adaptation of Armistad Maupin's Tales of the City (1993). Though the miniseries' gay themes led to considerable controversy, a sequel starring Dukakis was released in 1998. In addition to her Oscar win, she has earned Obie Awards, a New York and Los Angeles Critics Award, and a Golden Globe. As a drama teacher, Dukakis has worked at New York University and Yale. Her cousin, Michael Dukakis, was a presidential candidate for the Democratic party in 1988. ~ Sandra Brennan, All Movie Guide
Vincent Bruce (Warren Beatty) is a Korean War veteran who becomes an occupational therapist in a private mental hospital that cares for wealthy, schizophrenic clientele. He slowly begins to fall for Lilith Arthur (Jean Seberg), a patient who is mentally locked in her own little world. Vincent eventually begins his own psychological disintegration over his feelings for the woman and asks for help. Watch for early career performances from Olympia Dukakis and Gene Hackman in this depressing psychodrama. This was the final film from the gifted director Robert Rossen, who died in 1966. ~ Dan Pavlides, All Movie Guide
- Starring:
- Warren Beatty, Jean Seberg, (more)
- 1964
Paul Klib stars in this experimental film in which he is loved by his stepmother as well as another man (Albert Torgessen). He sees his stepmother as both a young woman (Olympia Dukakis) and an older one (Violet Roditi). Shot in 16mm and blown up to 35mm, the feature took the top prize at the 1964 Belgian Experimental Film Festival. ~ Dan Pavlides, All Movie Guide
- Starring:
- Olympia Dukakis
John and Mary attracted a great deal of press coverage in 1969 for being the one of the first American films in which the male and female leads (Dustin Hoffman and Mia Farrow) start out the film by spending the night together, rather than holding off until the end. The morning after, the boy and girl wander about New York, wondering if they'll truly commit themselves to one another. Both characters are haunted by unsuccessful earlier affairs, and both have enough hang-ups to fill volumes of psychological textbooks. Come nightfall, John and Mary end up back in bed...and learn each other's names for the first time. John and Mary was considered "beautiful," "progressive" and "significant" in the permissive 1960s; nowadays it's about as controversial as The CBS Morning News. ~ Hal Erickson, All Movie Guide
- Starring:
- Dustin Hoffman, Mia Farrow, (more)
- 1971
- PG13
In this semi-autobiographical romantic comedy starring Joseph Bologna and Renee Taylor (who also wrote the script together) two lonely hearts find each other in group therapy. ~ Sandra Brennan, All Movie Guide
This drama about a man who takes the law into his own hands was wildly controversial upon first release, sparking much debate about the perceived pro-vigilante stance of the story, and established Charles Bronson as a major box office draw in the United States. Paul Kersey (Charles Bronson) is a liberal architect living in New York City. One day, a group of drug-crazed thugs break into his apartment while he's gone, killing his wife Joanna (Hope Lange) and brutally raping his married daughter, leaving her comatose. When the police are unable to find the culprits, Kersey arms himself and begins patrolling the streets, killing muggers and thieves as he encounters them. While his obsessive search for street justice sickens him at first, in time Kersey begins to enjoy it and becomes a hunted man himself, as Police Detective Frank Ochoa (Vincent Gardenia) tries to find the man who is doing the police's job for them, and a bit too well. Jeff Goldblum made his screen debut as one of the lunatics who attacks Joanna. ~ Mark Deming, All Movie Guide
- Starring:
- Charles Bronson, Hope Lange, (more)
- 1974
In this drama a family of Greek immigrants must deal with the aftermath of an arsonist's destruction of their bakery. ~ Sandra Brennan, All Movie Guide
- 1979
- PG
The rich kids of the title are 12-year-old Trini Alvarado and her intellectual pal Jeremy Levy. Alvarado is down in the dumps because her parents are going through a divorce. She finds a kindred spirit in Levy, whose folks split up long ago. He points out the advantages and privileges of being a child of divorce-and is so persuasive that he almost convinces himself as well as Alvarado. An early project of director Robert M. Young, Rich Kids was produced through the auspices of Robert Altman. ~ Hal Erickson, All Movie Guide
- Starring:
- Trini Alvarado, Jeremy Levy, (more)
The year 1979 saw an epidemic of American street-gang films, including Phil Kaufman's hit period drama The Wanderers. Set in the Bronx in 1963, the film concerns the titular gang of Italian-American teens and their ongoing power struggle with the rival "Fordham Baldies." Richard Price, upon whose novel this film was based, drew from his own experiences to weave his tale. Essentially a series of anecdotes-some tension-filled, some amusing -- The Wanderers climaxes on the occasion of the J.F.K. assassination, which for Price and hundreds and thousands of his aimless contemporaries served as a wake-up call. Viewed from the vantage point of the 1990s, one would wish that the current street gangs be shocked into adulthood with such suddenness (though not through the same tragic means). Ken Wahl, Karen Allen, and Linda Manz are among the standout performers in this richly detailed period piece. ~ Hal Erickson, All Movie Guide
- Starring:
- Ken Wahl, John Friedrich, (more)
- 1980
In this PBS American Playhouse presentation, a Greek immigrant (Michael Welden) battles a notorious labor leader for his honor and freedom. ~ Jason Ankeny, All Movie Guide
The story of Philadelphia-based rock 'n' roll starmaker Bob Marcucci is given a pointed a clef treatment in The Idolmaker. Ray Sharkey plays Vincent Vacarri, who takes a couple of raw young kids (Peter Gallagher and Paul Land) and molds them into teen idols. If Gallagher and Land seem at times to be clones of Fabian and Frankie Avalon, then you've gotten the point. As played by Sharkey, Vacarri comes off as both maven and monster: he gives his boys everything they need professionally and everything they want personally, but it's subliminally clear that his interest is purely mercenary (incredibly, Bob Marcucci is the film's technical advisor). An excellent, clear-eyed view of show biz mechanics, The Idolmaker falters only in its anachronisms, notably the style of music performed by Vacarri's proteges. ~ Hal Erickson, All Movie Guide
- Starring:
- Ray Sharkey, Paul Land, (more)
- 1981
- R
- Add National Lampoon's Movie Madness to QueueAdd National Lampoon's Movie Madness to top of Queue
Originally divided into four segments and now cut to three, National Lampoon Goes to the Movies is a story about a man who is determined to get in touch with himself and sends his wife away so she can do the same thing. The next tale features a female business magnate who wreaks appropriate revenge on her arrogant male colleagues, and the last vignette has a virtuously pure policeman (Robby Benson) becoming as cynical as his partner (Richard Widmark). Each skit makes internal references to other movies, movie directors, or classic movie characters, which may enhance the viewing for movie buffs but does not change the generally dull and unfunny material. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Peter Riegert, Diane Lane, (more)
- 1982
Based on a story by Jimmy Breslin, The Neighborhood takes place in an all-white, blue collar neighborhood in an unspecified big city. A "blockbuster" real estate agent begins selling houses to black families (among the new neighbors is recent Oscar nominee Howard Rollins Jr.), resulting in mixed emotions (most of them leaning towards hostility) from the white residents. There are isolated incidents of terrorism, including a burning cross, before wiser heads prevail and the neighbors learn to live together in harmony. The nicer white residents include Christine Belford and Ron Masak, playing the sort of altruistic types that seem to exist exclusively in TV movies. The contrived upbeat ending of The Neighborhood is a sure giveaway that the film was intended as the pilot for a weekly series. ~ Hal Erickson, All Movie Guide
- Starring:
- Ron Masak, Christine Belford, (more)
- 1985
- R
The never-say-die attitude of James Flanagan (Philip Bosco) a graying New York taxi driver whose real vocation is playing Shakespeare, underscores the spirit that runs through his life and this standard drama. First infected with the Bard's magic by his father, dead these many years, Flanagan recalls his idyllic visions as a youth. Now he is "trapped" in his taxi, suffers through a broken marriage, has two teenage sons of his own, and not much luck at auditions. Things that go wrong seem to come in clusters, and it is at one such downturn that Flanagan is almost ready to give up. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Philip Bosco, Geraldine Page, (more)
When there's a full moon over Brooklyn, anything can happen, and everything happens in the neighborhood where widowed bookkeeper Loretta Castorini (Cher) lives. First, Loretta agrees to marry a man she does not love, Johnny Cammareri (Danny Aiello), simply because he knows how to propose properly. Before the wedding can take place, Cammareri must visit his dying mother in Sicily. In his absence, Loretta is supposed to try to patch up the differences between Johnny and his brother, bakery operator Ronny Cammareri (Nicolas Cage). Having never forgiven Johnny for indirectly causing the accident that crippled him, Ronny flies into a rage whenever his brother's name is mentioned. He does, however, fall for Loretta like a ton of bricks. After a torrid affair, Loretta tries to avoid Ronny out of respect to Johnny, but he's just too fascinating to resist. Meanwhile, Loretta's father (Vincent Gardenia) is fooling around with his mistress Mona (Anita Gillette), while Loretta's mother (Olympia Dukakis) is wooed by a college professor (John Mahoney). These brief flings are forgiven and forgotten, but there's still the delicate situation of Loretta being in love with her future brother-in-law. A now-classic romantic comedy, Moonstruck won Oscars for Cher, Olympia Dukakis, and screenwriter John Patrick Shanley. ~ Hal Erickson, All Movie Guide
- Starring:
- Cher, Nicolas Cage, (more)
Unhappy with her job and her loser boyfriend, Melanie Griffith takes a secretarial post at a major Wall Street firm. Her boss is Sigourney Weaver, an outwardly affable yuppie whose grinning visage hides a wicked and larcenous propensity for exploiting the ideas of her employees. While Weaver is incapacitated, Griffith is compelled by circumstances to pose as her boss. Her inborn business acumen and common sense enable Griffith to rise to the top of New York's financial circles, and along the way she wins the love of executive (Harrison Ford). Things threaten to take a sorry turn when Weaver returns, but it is she who suffers from the consequences of her own past duplicity. Working Girl was Melanie Griffith's breakthrough film, proving than she was more than just the off-and-on "significant other" of Don Johnson. The film was later adapted into a brief TV series, starring a pre-Speed Sandra Bullock. ~ Hal Erickson, All Movie Guide
- Starring:
- Melanie Griffith, Harrison Ford, (more)
Looking like death warmed over, Jack Lemmon plays the aging father of Ted Danson. Always proud of being able to fend for himself, Lemmon despises being reliant upon others, but his enfeebled state does not allow him his old independence. For his part, Danson resents having to care for his dad as he would for an infant. Things take an upward turn when a "Doctor Feelgood" (Zakes Mokae) enters the scene, pumping Lemmon full of self-confidence. But then Lemmon is stricken with cancer, an affliction that he can't jolly himself out of. As the reality of his imminent death strikes everyone around him, Lemmon retreats into fantasy, recalling the past happy events of his life as though they're happening here and now. The rest of the family humors their dying dad, and in so doing draws closer together than they've been in years. TV sitcom maestro Gary David Goldberg co-produced and directed Dad, and also adapted the screenplay from the novel by William Wharton. ~ Hal Erickson, All Movie Guide
- Starring:
- Jack Lemmon, Ted Danson, (more)
Though its PG-13 rating is well earned, Look Who's Talking has some elements that might appeal to a family audience. Chief among them, of course, is the "talking baby" protagonist. The product of an extramarital affair, infant Mikey (played by several different babies, and given voice by Bruce Willis) is a cynical, sarcastic observer of his new world. Mikey's mother, Kirstie Alley, having been dumped by her married lover George Segal, searches high and low for a new father for her baby. Of course, the perfect daddy is right under her nose all the time: cab driver John Travolta, who was on the scene when she went into labor on the sidewalk. The best moments in Look Who's Talking include Ms. Alley's imaginary flights of fancy, and the misadventures of Mikey as he progresses from sperm to reluctant newborn (his violent vocal protests against being yanked from the womb are worth the admission price in themselves). Look Who's Talking has spawned two sequels, neither of which are as charming or disarming as the original. ~ Hal Erickson, All Movie Guide
- Starring:
- John Travolta, Kirstie Alley, (more)
The title refers to those seemingly frail Southern belles who survive any and all deprivations through whims of iron. Robert Harling's original stage play was set exclusively in a Louisiana beauty parlor where an all-female cast of characters laughed, cried and compared menfolk. The film expands the playing field by including scenes at picnics, hospitals and the like, and by visually depicting the males who never appeared in the stage version. Dolly Parton plays the goodnatured beauty-shop owner, while Shirley MacLaine is the cantankerous town eccentric, decked out in grungy overalls and speaking fluent Trash. Well-to-do Sally Field bravely endures several assaults to her sensibilities, not the least of which is the illness (and subsequent death) of daughter Julia Roberts. The performances are first-rate, with the possible exception of Daryl Hannah's overemphatic portrayal of a gawky hairdresser. The film stumbles a bit in its depiction of the male characters as fools and deadheads, and in the final overlong hospital scenes involving the comatose Roberts, which play like a road company version of Terms of Endearment. Otherwise, Steel Magnolias is a prime example of ensemble filmmaking, lovingly coordinated by director Herbert Ross. (Sidebar: Herbert Ross was reportedly rather rough on Julia Roberts, deriding her lack of experience. The rest of the female cast rallied around Roberts and told the director to lay off or pay the price). ~ Hal Erickson, All Movie Guide
- Starring:
- Sally Field, Dolly Parton, (more)
- 1990
- R
Elaine May and Marlo Thomas star in this black comedy taking place in the black comedy capital of the world -- New York City. Elaine May plays Marianne Flan, who moves back to a nightmare New York City from Beverly Hills after her husband, Roger (Peter Falk), has been fired from his job. She hires ditzy psychic Reva Prosky (Marlo Thomas) to redecorate her apartment, and they end up being pursued by a crazed killer. They flee the city and end up at a new-age retreat in upstate New York. Jeannie Berlin, Elaine May's daughter, co-wrote the script with Laurie Jones and appears briefly as the Flan's strumpet neighbor. ~ Paul Brenner, All Movie Guide
- Starring:
- Elaine May, Marlo Thomas, (more)
Amy Heckerling repeats the successful formula of Look Who's Talking in this sequel, with the addition of John Travolta singing "All Shook Up" to a group of nursery schoolers and Mel Brooks cast as the voice of a toilet. The film begins with James struggling to support his family. He stills wants to become an airline pilot, but in the meantime is driving a cab. His wife Molly (Kirstie Alley) is struggling too, as a busy accountant. The strain is showing on their marriage, but then Molly becomes pregnant again, giving birth to a daughter named Julie (voice of Roseanne Barr). When the new baby arrives back home, their son Mikey (voice of Bruce Willis) has to contend not only with the new intrusion but also with Mr. Potty (voice of Mel Brooks). ~ Paul Brenner, All Movie Guide
- Starring:
- John Travolta, Kirstie Alley, (more)
When her Mother breaks her hip and needs full-time care, a married woman is forced to a new understanding of the process of aging and the human spirit. Her Mother becomes resentful and fearful in this powerful affirmation of the dignity of the elderly and the power of a family. ~ Tana Hobart, All Movie Guide
- 1991
A made for TV movie, on the surface it is the story of a young, slightly retarded girl who has been cared for by her sister. When the girl wins the lottery, her recovering alcoholic Mother is suddenly on the scene again. Amy Madigan's portrayal of the over-protective sister of the lucky winner is an interesting psychological study. ~ Tana Hobart, All Movie Guide
- Starring:
- Amy Madigan, Chloe Webb, (more)
- 1992
This oddly unsettling PG-rated film stars Adam Hand-Byrd as Digger, a 12-year-old whose parents are going through serious domestic problems. To keep him out of the line of fire, Digger is sent to live with his crusty grandmother Olympia Dukakis in the Pacific Northwest. He has a great deal of difficulty adjusting to his new environment, but soon he and the locals are the best of friends. A subplot concerns grandma Dukakis' rollicking romance with suave Leslie Nielsen. Rodney Gibbons' script takes some curious side trips into the Morbid, with Digger making the acquaintance of some very tragic characters. Digger was completed in 1992, copyrighted in 1993, and finally given limited release in 1994. ~ Hal Erickson, All Movie Guide
- Starring:
- Adam Hann-Byrd, Joshua Jackson, (more)
- 1992
- PG
Somewhere in the Northeastern U.S., Alma (Olympia Dukakis) is a 60-year-old recent widow who has never been on her own since her early marriage to a domineering husband. Her son tries to immure her in a dowdy apartment in the basement of his house and showers her with perfunctory and thoughtless shows of public affection while preventing her from having any sort of life of her own. Her other child is a socially ambitious woman married to an ambitious Australian politician. Offended by the patronizing and heavy-handed attentions of her son, Alma flies off to see her daughter in Australia but swiftly discovers that she is not wanted there. In fact, she overhears her daughter and son-in-law talking about how to get her to leave. Rather than stay where she is unwelcome, she buys a vintage-model Chevy and charges off into the countryside, contemplating suicide -- or at the very least, kicking over the traces. She runs into Dutch (Derek Fowlds), a cantankerous but generous man about the same age as she is, and the two of them begin an impromptu tour of the glories of Australia. For the first time in her life, she has a romance between equals, and it takes her some time to adjust to it. While her daughter is worried that her neglect of her mother will reflect badly on her in public life and is anxious to track her down, Alma is having the time of her life and is discovering that she's a pretty spunky, capable woman in the bargain. This quiet little gem of a movie sparked little interest at the box-office but has done well in televised showings, and is available on tape. ~ Clarke Fountain, All Movie Guide
- Starring:
- Olympia Dukakis, Sigrid Thornton, (more)
