Jean-Claude Dreyfus Movies

Abandoned by the world and left to fend for himself as the Nazis continue their march across Europe, one-time bohemian turned Catholic convert Max Jacob finds help coming from the most unlikely of places as he awaits the train that will take him to a Concentration camp. The year is 1944, and as the Gestapo storm the abbey of Saint-Benoit-sur-Loire to arrest the Max Jacob (Jean-Claude Brialy), it appears as if the homosexual Jew who had previously rubbed elbows with Pablo Picasso and Jean Cocteau during the Bateau-Lavoir years will now become just another victim of Hitler's murderous regime. Later, as Jacob sits in Drancy awaiting deportation, a young orphan whom he had once saved from the streets sets out to return the favor by any means necessary. ~ Jason Buchanan, All Movie Guide

Unlike the more familiar animated Pinocchio by Disney, there are no song interludes here, and characters added to the story by Disney (such as Jiminy Cricket) are not included. Producer Francis Ford Coppola and director Steve Barron, (known for the first Teenage Mutant Ninja Turtles film) closely adhere to Carlo Collodi's 1883 novel and use the visually timeless setting of a Czechoslovakian village. Jim Henson's puppet studio skillfully brings this Pinocchio to life. Long ago, in his youth, Gepetto (Martin Landau) loved but did not court Leona (Genvieve Bujold), who married Gepetto's brother instead. In that earlier time, he carved her initials with his onto a tree. Now his brother is dead, and though he still feels for Leona, he is still too shy to woo her. Instead, the old puppet-maker goes into the forest and cuts down a tree in order to make a puppet just for himself. The tree is the same one he carved his initials into when he was younger, and it has the magic of his love in it. Soon after the puppet Pinocchio is made, he comes to life. Aside from being made of wood, he begins to live the life of a perfectly normal little boy. He even goes to school. Lorenzini, an evil magician who runs a children's puppet show, hears of Pinocchio and wants to use him in his show. Lorenzini lures children to his show, only to later turn them into donkeys. Donkeys are useful creatures, and Lorenzini makes a lot of money selling them. Through many trials and tribulations, the puppet-boy earns the right to become the human boy Pinocchio (Jonathan Taylor Thomas). ~ Clarke Fountain, All Movie Guide

Having finished his acclaimed cinematic quartet "Contes des quatre saisons," legendary filmmaker Eric Rohmer takes DV camera in hand to recreate this idiosyncratic period piece adapted from the Grace Elliot memoirs. Concerned with faithfully evoking 18th century France, Rohmer uses two strategies -- using only eyewitness accounts of the times and avoiding all external settings, arguing that Paris now is a completely different city than it was during revolutionary times. The story revolves around Grace Elliot (Lucy Russell), a Scottish aristocrat stranded in Paris during the French Revolution. She is once again thrown together with Philippe Egalite, the cousin to the king, the Duke of Orleans, and Grace's former lover. Their friendship remains complicated and uncertain, and is made all the more complex by the rush of events around them. This film was screened at the 2001 Toronto Film Festival. ~ Jonathan Crow, All Movie Guide

A young French sailor falls in love with a Russian tourist during a passion-filled three-day furlough, but is whisked away for a months worth of submarine duty before he can learn her last name and Moscow address. When he is finally freed again, he embarks upon a search for his lost love. Unfortunately, while his aim is true, his timing is off. His first stop is the broadcast headquarters of a major television network. He arrives shortly before the place blasted apart by a bomb. Later, he goes to the apartment of a noted talk-show host in hopes of receiving air-time during which he will plead for information concerning his lost love. But things don't come out as planned for somehow, the sailor ends up considered the prime suspect in the bombing while the real-life terrorist and his cohort, who happen to be in the same apartment building in hopes of knocking off a crooked judge. A hostage situation quickly develops in which the sailor and the talk-show host are trapped in the apartment with a daffy lady neighbor and her child. Meanwhile the leader of a SWAT team tries to concentrate on his work and ignore the increasing pressure placed upon him by his mistress to leave his wife. Up until the story's bloody finale, the film contains plenty of humor mixed with the action. ~ Sandra Brennan, All Movie Guide

Like The Bear, director Jean-Jacques Annaud's acclaimed animal picture released 15 years prior, Two Brothers offers a family-friendly epic as told through the eyes of its four-legged protagonists, who, in this case, are sibling tiger cubs Koumal and Sangha. Though a life in the jungles of French colonial Indochina circa the 1920s seemed certain, the cubs are separated shortly after their birth when the notorious hunter Aidan McRory (Guy Pearce) kills their father. Koumal is whisked away to a circus, where he is cruelly beaten into submission and forced to perform tricks to earn his keep. Sangha fares better at first -- he lands in the posh estate of a French government official who wants the big cat to serve as a companion for his lonely son, though a series of unforeseen circumstances ultimately finds Sangha in the hands of a man determined to turn him into an aggressive prizefighter. Understandably, neither tiger is happy with his arrangements, and both escape captivity in hopes of returning to the jungle. Unfortunately for them, the prospect of two loose tigers is hardly comforting for the locals, who quickly demand that McRory kill the cubs before they threaten the safety of the village. Once McRory finds the tigers in their natural habitat, however, he faces a crisis of conscience he hadn't thought possible. Two Brothers also features Jean-Claude Dreyfus and Freddie Highmore. ~ Tracie Cooper, All Movie Guide