Brian Donlevy Movies
The son of an Irish whiskey distiller, Brian Donlevy was 10 months old when his family moved to Wisconsin. At 15, Donlevy ran away from home, hoping to join General Pershing's purge against Mexico's Pancho Villa. His tenure below the border was brief, and within a few months he was enrolled in military school. While training to be a pilot at the U.S. Naval Academy, Donlevy developed an interest in amateur theatricals. He spent much of the early 1920s living by his wits in New York, scouting about for acting jobs and attempting to sell his poetry and other writings. He posed for at least one Arrow Collar ad and did bit and extra work in several New York-based films, then received his first break with a good supporting role in the 1924 Broadway hit What Price Glory?. Several more Broadway plays followed, then in 1935 Donlevy decided to try his luck in Hollywood. A frustrated Donlevy was prepared to head back to Manhattan when, at the last minute, he was cast as a villain in Sam Goldwyn's Barbary Coast. In 1936 he was signed to a 20th Century-Fox contract, alternating between "B"-picture heroes and "A"-picture heavies for the next few years. The most notable of his bad-guy roles from this period was the cruel but courageous Sgt. Markoff in Beau Geste (1939); reportedly, Donlevy deliberately behaved atrociously off-camera as well as on, so that his co-workers would come to genuinely despise his character. From 1940 through 1946, Donlevy was most closely associated with Paramount Pictures, delivering first-rate performances in such films as The Great McGinty (1940), Wake Island (1942), The Glass Key (1942) and The Virginian (1946). His own favorite role was that of the good-hearted, raffish con-artist in Universal's Nightmare (1942). In 1950, Donlevy took time off from films to star and co-produce the syndicated radio (and later TV) series Dangerous Assignment. He went on to introduce the character of Dr. Quatermass in two well-received British science fiction films, The Creeping Unknown (1955) and Enemy From Space (1957). Brian Donlevy left behind an impressive enough filmic legacy to put the lie to his own assessment of his talents: "I think I stink." ~ Hal Erickson, All Movie Guide- 1952
The Kefauver Committee's ongoing investigation of organized crime spawned several "Torn from Today's Headlines!" films in the early 1950s. Republic's Hoodlum Empire concerns the efforts by gangster Joe Gray (John Russell) to get out of the rackets after WW II. Part of Gray's "reclamation" is to testify at a public hearing, prompting a series of flashbacks. Part of the fun is to guess who all the "fictional" criminals are really supposed to be: Luther Adler's character may be called "Nicky Mancini," for example, but for all intents and purposes Adler is playing Frank "Fifth Amendment" Costello. Other famous underworld personages are impersonated by Claire Trevor, Forrest Tucker and Roy Barcroft, while the steadfast Estes Kefauver counterpart is portrayed by Brian Donlevy. ~ Hal Erickson, All Movie Guide
- Starring:
- Brian Donlevy, Claire Trevor, (more)
- 1967
U.S. Marshal Gid McCool (George Montgomery) leads a wagon train of convicted felons to Huntsville prison in this routine western. The only female among the crooks is the dancehall girl Laura Mannon (Yvonne De Carlo), McCool's former flame. When McCool cannot be swayed from completing his lawful duty, Laura tries to endear herself to shotgun rider Mike Reno (Tab Hunter) in hopes he will set her free. The party is shadowed by some outlaws led by Aaron (John Russell), the brother of one of the condemned murderers, in hopes he can free his doomed sibling. Mike's efforts land him in chains, but McCool releases him to fight when the outlaws attack. The hero McCool comes through with only a slight scratch while his adversaries are all beaten to a bloody pulp. Silent movie star Francis X. Bushman was to have appeared in this film, but died in August 1966. His part was taken over by Donald "Red" Barry. ~ Dan Pavlides, All Movie Guide
- Starring:
- George Montgomery, Yvonne De Carlo, (more)
- 1965
How to Stuff a Wild Bikini is considered to be the strangest of the "Beach Party" movies. Frankie (Frankie Avalon) is off in the navy, serving in the South Pacific, and nervous about all of the guys that will be hitting on Dee Dee (Annette Funicello) back at the beach. He makes a deal with an eccentric white witch doctor (Buster Keaton), who conjures up a woman named Cassandra (Beverly Adam) who is irresistible to all men, and she attracts all of the guys on the beach. But complications ensue when lunatic advertising man Mickey Rooney decides to try and make Cassandra a new national sex symbol, and she gets noticed by nutsy bike gang leader Erik Von Zipper (Harvey Lembeck), who vows to have her. With enough plot complications to rival A Midsummer Night's Dream, Wild Bikini is laced with satire and some surprisingly good music. ~ Bruce Eder, All Movie Guide
- Starring:
- Annette Funicello, Dwayne Hickman, (more)
- 1936
Based on a novel by Kathleen Shepard, Human Cargo is a lively, tongue-in-cheek melodrama purporting to expose the alien smuggling racket. Claire Trevor and Brian Donlevy star respectively as dizzy society reporter Bonnie Brewster and dedicated crime journalist Packy Campbell, who join forces long enough foil the villains. Their efforts take them from Los Angeles to Vancouver to L.A. again, with a few thrill-packed stopovers along the way and a particularly exciting climax on board the criminal mastermind's yacht. Highlights include Bonnie's efforts to pass herself off as a Frenchwoman (she manages to convince the bad guys, if not the audience) and some startlingly frank dialogue regarding drug addiction. Rita Cansino, still not yet billed as Rita Hayworth, is quite alluring as a Latina dancer who is killed off early in the proceedings by triggerman Tony Sculla (Ralf Harolde). ~ Hal Erickson, All Movie Guide
- Starring:
- Claire Trevor, Brian Donlevy, (more)
- 1941
Three disparate young men struggle to become Army Air Corps pilots in this rousing drama that earned an Oscar for its excellent aerial special effects. The film is also noted for making Veronica Lake, who previously appeared in films under the name Constance Keane, a star. For added realism, the three male leads, William Holden, Ray Milland and Wayne Morris were placed into the same training program at Randolph Field, Texas (and also Kelly Field, Texas) as real recruits. Lake plays a seductress who pursues Holden while Constance Moore plays a female photographer who comes to shoot a story and ends up falling for Milland. By the time the pilots' rigorous training has finished only one will have proved himself fit to fly. ~ Sandra Brennan, All Movie Guide
- Starring:
- Ray Milland, William Holden, (more)
Though he doesn't know it at first, industrialist Walter Williams (Brian Donlevy) shouldn't trust his wife Irene (Helen Walker) any farther than he can throw her. Irene schemes with her lover Jim Torrance (Tony Barrett) to kill Walter in an "accidental" car crash. The plan fails, and it is Jim who is killed. When it develops that he is assumed to have also died in the accident, Walter changes his name and heads to a small town where no one knows him. Here he starts life all over again as a humble garage mechanic, falling in love with his boss Marsha Peters (Ella Raines) in the process. Disaster looms when detective Quincy (Charles Coburn) comes sniffing around; it seems that Lt. Quincy suspects the incognito Williams of murdering Torrance. To reveal any more would be giving the game away. Impact co-stars longtime favorite Anna May Wong, making her first screen appearance since 1942. ~ Hal Erickson, All Movie Guide
- Starring:
- Brian Donlevy, Ella Raines, (more)
In Old Chicago was 20th Century-Fox's spin on MGM's San Francisco--a personal saga played out against the backdrop of a famous 19th Century disaster. Alice Brady plays Mrs. O'Leary, a widow who brings her two young boys to the sleepy village of Chicago. As the city grows in prominence and prestige, so do the boys: One son (Tyrone Power) becomes a rascal who dreams of creating his own entertainment empire, while the other son (Don Ameche) matures into an honest, straight-laced lawyer. Both boys woo a beautiful singer (Alice Faye), who favors the more reckless of the two. As the headstrong son gains control of the more disreputable forms of Chicago entertainment, the serious son becomes the city's Mayor. The requisite rivalry between the two reaches a fever pitch just before their mother's cow knocks over a lantern and sets off the Great Chicago Fire of 1871. The O'Leary boys unite in trying to fight the conflagration and rescue the populace; the mayor dies, and the wastrel son vows to mend his ways and help build a "new" Chicago. In Old Chicago is climaxed spectacularly by the famous fire, a masterwork of special effects courtesy of 20th Century-Fox's Fred Sersen. The film, which originally ran 115 minutes, is currently available only in its shorter (and better paced) reissue version. ~ Hal Erickson, All Movie Guide
- Starring:
- Tyrone Power, Alice Faye, (more)
The real Frank and Jesse James were murderous thugs, light years away from the Robin Hood image imposed on them by revisionist dime novelists. But in 1939, 20th Century-Fox wasn't about to build an expensive Technicolor feature around the exploits of a couple of low-lives, thus Jesse James upholds the mythos, offering us the standard whitewashed version of the James boys. According to Nunally Johnson's irresistibly entertaining screenplay, Jesse (Tyrone Power) and Frank (Henry Fonda) become train and bank robbers to avenge the death of their mother (Jane Darwell), killed at the behest of greedy railroad interests. Once he feels his work is done, Jesse settles down to a life of marital domesticity--only to be shot in the back by cowardly Bob Ford (John Carradine). Frank James is left alive at film's end, paving the way for the 1941 sequel The Return of Frank James. Director Henry King stages the action sequences in glorious outsized fashion, notably the famous bank-robbery scene in which Jesse rides his horse through a plate glass window. The scenes involving both James brothers are stolen hands-down by Henry Fonda, not so much because he was a better actor than Tyrone Power but because his character had all the best lines. Jesse James was filmed largely on location in Missouri, resulting in crowd-control nightmares for the picture's beleaguered assistant directors. ~ Hal Erickson, All Movie Guide
- Starring:
- Tyrone Power, Henry Fonda, (more)
- 1959
A European princess and her aunt come to New York to buy clothes for the royal coronation, Riff Manson (Jack Jones) is employed by unknown clothier and former junkman Brodine (Hans Conried) to sway the royals to purchase his designs. Broadway revue rehearsals and parties provide the backdrop for the musical selection. George Jessel plays himself and sings "Spring Is The Time For Remembering". The princess (Jo Morrow) sings "Let's Fall In Love". Jones sings the title tune. Other songs are performed by the Earl Grant Trio, The Treniers and The Nitwits, while Johnny Otis renders the classic rock & roll anthem "Willie And The Hand Jive". ~ Dan Pavlides, All Movie Guide
- Starring:
- Jo Morrow, Jack Jones, (more)
- 1950
Having previously played Billy the Kid, Audie Murphy assumes the role of Jesse James in Kansas Raiders. The plot finds Jesse and his brother Frank (Richard Long), together with the Younger Brothers (James Best, John Kellogg and Tony Curtis -- yes, Tony Curtis) joining Quantrill's Raiders. Idolizing Quantrill (Brian Donlevy), Jesse believes that his hero's mission -- to save the Confederacy by sacking Kansas -- is just. Only when it is too late does Jesse discover that Quantrell is little more than a bloodthirsty mercenary. The James and Younger Brothers are depicted as innocent dupes of a madman, which isn't surprising considering how often Hollywood has whitewashed Jesse and Frank in other films. ~ Hal Erickson, All Movie Guide
- Starring:
- Audie Murphy, Brian Donlevy, (more)
- 1947
In one of his first "adult" roles (he made his last Andy Hardy vehicle only a year earlier), Mickey Rooney plays Tommy McCoy, a dancer who performs in a going-nowhere nightclub act with his alcoholic father, Brian (James Dunn). Johnny Martin (Mickey Knox), a lightweight boxing champ who is headlining the show that Tommy and his Dad are currently working, admires Tommy's footwork and tells him that he might have a future in the ring. Tommy gives the fight game a try, and he soon proves he's got the goods as a slugger. Before long, Tommy is fighting Johnny for the lightweight title, and after a hard-fought match, Tommy wins -- and Johnny dies. Now dubbed "Killer" McCoy by the press and boxing fans, a distraught Tommy allows his career to be taken over by Jim Caighn (Brian Donlevy), an unscrupulous manager with a gambling problem. Jim drags Tommy through the dirtiest and most dishonest levels of the fight game, but Jim's daughter Sheila (Ann Blyth) sees Tommy's decent side and tries to rescue him. Killer McCoy was a remake of the 1938 Robert Taylor vehicle The Crowd Roars. ~ Mark Deming, All Movie Guide
- Starring:
- Mickey Rooney, Brian Donlevy, (more)
Based in part on a true story, Kiss of Death is given a veneer of reality by being filmed on location in New York, with a bare minimum of studio work. In one of his best performances, Victor Mature plays a cheap crook who is sent up the river for 20 years for robbery. District attorney Brian Donlevy, out of sympathy for Mature's two young daughters, gives him a chance to go free--if Mature will blow the whistle on his accomplices. Stubbornly adhering to the "code" of thieves, Mature refuses to do so, until his wife kills herself and his kids are placed in an orphanage. Once paroled, Mature is prevailed upon to extract additional information from sadistic mob torpedo Richard Widmark (in his chilling screen debut). Living with his children under an assumed name, Mature gradually divests himself of all criminal tendencies, and falls in love with sympathetic Coleen Gray. But Mature feels that it's only a matter of time before Widmark will come gunning for him, so he goes back to Donlevy, offering to turn over evidence that will send Widmark up for life. Thanks to a clever mob attorney, Widmark beats the rap, and Mature knows he is doomed. On his own, he schemes to arrange his impending demise so that the cops will have an air-tight case against Widmark. The last five minutes--one of the most tense 300 seconds on film--is devoted to the cat-and-mouse showdown and ultimate shootout between Mature and Widmark. Though much of Kiss of Death is a "conformist gangster film" (to quote critic Andrew Sarris), the presence of Richard Widmark makes up for any of the script's banalities. This is the film in which Widmark gigglingly pushes a wheelchair-bound old lady down a flight of stairs. Reviewer James Agee said it best: "You feel that murder is the kindest thing he is capable of". The film made Widmark a star--and also convinced him to start lobbying immediately for good-guy roles so that he wouldn't be typecast as maniacal killers for life. Kiss of Death was remade as the 1958 western The Fiend Who Walked the West, then re-remade under its original title in 1994, with David Caruso in the Mature role and Nicolas Cage in the Widmark part. ~ Hal Erickson, All Movie Guide
- Starring:
- Victor Mature, Brian Donlevy, (more)
- 1926
The brother of director Raoul Walsh, George Walsh starred in this low-budget gangster melodrama directed by Wesley Ruggles. Walsh plays Jack Banning, a motorcycle cop by day and undercover agent by night. Disguising himself as "Strongarm Samson," Banning infiltrates a gang of smugglers headed by Richard Courtney (a very young Brian Donlevy). Unfortunately, Marion Marcy (Ruth Dwyer) recognizes him and spills the beans to Courtney. The villain orders his henchman, Spanish Joe (Lucien Prival), to take the undercover cop "for a ride," but Banning escapes with the help of female undercover agent Dorina (Laura De Cardi). Marion, who has come to love the heroic policeman, is kidnapped by Courtney, but Banning manages to rescue her in the nick of time. With the gang behind bars, Banning and Marion can finally plan a future together. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- George Walsh, Ruth Dwyer, (more)
- 1935
An innocent but admittedly none-too-bright victim of circumstance, Mary Burns (played by perennial movie victim Sylvia Sidney) is inexorably sucked into the vortex of organized crime. She tries to escape her murderer husband Babe Wilson (Alan Baxter), but it's a losing proposition, especially since the newspapers have already branded her a gun moll. Making matters worse, she is thrown into prison for crimes committed by her husband (understandably, since her behavior at her trial was self-defeating to say the least). Though believing her guilty, detective Harper (Wallace Ford) allows Mary to escape from jail, hoping in this way to track down Wilson. Nominal hero Alec MacDonald (Melvyn Douglas) isn't much help; not introduced until the film's halfway point, he spends most of his time in a hospital bed, recuperating from an injury. In fact, the story is wrapped up only after MacDonald is rescued by the heroine! ~ Hal Erickson, All Movie Guide
- Starring:
- Sylvia Sidney, Melvyn Douglas, (more)
- 1937
Sometimes it seemed as if Brian Donlevy played nothing but G-men during his years at 20th Century-Fox. In Midnight Taxi, Donlevy is cast as Chick Gardner, a federal agent who poses as a New York cab driver. His plan is to use his cover to expose a gang of counterfeiters, who've been using taxis as their means of distribution. Befriending a cabbie who's in the employ of the crooks, our hero is able to join the gang, though a few of the bad guys remain suspicious of his motives. Before Gardner is able to break the back of the operation, he is forced to extricate his sweetheart Gilda Lee (Frances Drake) from a very perilous predicament. For reasons best known to local television programmers, Midnight Taxi was seen over and over again during the 1950s and 1960s heyday of TV's "Late Late Shows." ~ Hal Erickson, All Movie Guide
- Starring:
- Brian Donlevy, Frances Drake, (more)
- 1929
Popular radio crooner Morton Downey (yes, the father of talk-show host Morton Downey Jr.) stars in this sentimental Jazz Singer wannabe. On the eve of his Broadway debut, singer Tommy O'Day (Downey) learns that his care-worn, self-sacrificing old mother (Beryl Mercer) is gravely ill. Without giving a thought as to his professional future, Tommy walks out on his show, rushes to his Ma's bedside, and sings her back to health. Our hero's career is saved when the newspapers find out about his noble, selfless act. Although Helen Chandler (of Dracula fame) plays Tommy's sweetheart in Mother's Boy, his real-life spouse at the time was Barbara Bennett, the sister of actress Constance and Joan Bennett, who appears in the much smaller role of debutante Beatrix Townleigh. Brian Donlevy makes his talkie debut as Tommy's older brother Harry in this New York-filmed musical. ~ Hal Erickson, All Movie Guide
- Starring:
- John T. Doyle, Beryl Mercer, (more)
Action director John Sturges had a few good films behind him (Bad Day at Black Rock, Gunfight at the O.K. Corral) and a few more to come (The Great Escape, The Magnificent Seven) when he put together this colorful story of wartime romance. In addition to his talents as a director, this saga of an American Captain stationed with his Allied command in Burma during World War II is helped by a stellar cast. Frank Sinatra is Captain Tom Reynolds who is supposed to be battling the Japanese in Burma but gets side-tracked when his unit and his Kachin allies are attacked by Chiang Kai-shek's forces. In supporting roles are Charles Bronson, Steve McQueen (about to make his mark on the big screen), Gina Lollobrigida, Peter Lawford, Brian Donlevy, and several others. After General Chiang's attack, Captain Reynolds leads the remainder of his men into Nationalist Chinese territory for a fast retaliation -- basically a wholesale slaughter. He is called on the carpet for this action later, and his would-be love, Carla Vesari (Lollobrigida) is suddenly faced with a decision to stay with her current man (Paul Heinreid) or take off for the unknown USA with the American Captain. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Frank Sinatra, Gina Lollobrigida, (more)
- 1942
Slick gambler/burglar Brian Donlevy breaks into the house of Henry Daniell and his wife Diana Barrymore. Daniell is promptly murdered, and both the intruder and the wife fall under suspicion. Donlevy and Barrymore go on the lam, pursued by the cops--and by the Nazi spies who committed the murder. Nightmare was Brian Donlevy's favorite film, and the character of dishonest-but-decent gambler Daniel Shayne was Donlevy's favorite role; he later utilized the same characterization (under a different name) on the radio and TV series Dangerous Assignment. Nightmare also represented the best screen showing for the benighted Diana Barrymore, though unlike Donlevy she didn't think much of the assignment. ~ Hal Erickson, All Movie Guide
- Starring:
- Diana Barrymore, Brian Donlevy, (more)
- 1946
Our Hearts Were Growing Up is the sequel to Paramount's surprise 1944 hit Our Hearts Were Young and Gay. The first film was based on the memoirs of actress Cornelia Otis Skinner; the sequel was inspired by the fevered imaginations of the screenwriters. Gail Russell plays Ms. Skinner, while Diana Lynn costars as Cornelia's best friend Emily Kimbrough. This time the girls visit the college boyfriends, only to become involve with a pair of benign bootleggers, portrayed by Brian Donlevy and William Demarest. Their misguided association with the criminal results in consternation for Cornelia's father, the eminent stage actor Otis Skinner (Charlie Ruggles). Ironically, Gail Russell, who played Cornelia Otis Skinner in both of the Our Hearts films, was cast opposite the real Ms. Skinner in the 1943 ghost chiller The Uninvited--and was nearly murdered by the older actress in the course of the plotline! ~ Hal Erickson, All Movie Guide
- Starring:
- Gail Russell, Diana Lynn, (more)
- 1966
Sleazy George Emory (Ted DeCorsia) presents retired general Roger Brandon with an offer he may not be able to refuse: Unless Brandon steps down as head of an anti-crime commission, Emory will make public several compromising photographs of Brandon's wife Laura (Bettye Ackerman). Much to Emory's surprise, Brandon calls his bluff--only to be rewarded for his courageous stand when he is framed for Emory's murder. Perry Mason (Raymond Burr) must save Brandon from execution without exposing Mrs. Brandon to public humiliation...a tricky proposition indeed. ~ Hal Erickson, All Movie Guide
This routine stockcar racing feature finds Grant Willard (Brian Donlevy) as the head of a racing team who desires to be first at any cost. He helps rookie driver Rick Bowman (Dick Davalos) break into the racing circuit. Their efforts are impeded by the villainous driver Hawk Sidney (Sid Haig), who battles the team at every turn on and off the track. Distaff interest is provided by Beverly Washburn and Ellen McRae, with professional driver George Washburn on hand to give the picture an authentic angle. ~ Dan Pavlides, All Movie Guide
- Starring:
- Brian Donlevy, Dick Davalos, (more)
- 1957
Originally titled Quatermass II, Enemy from Space was the sequel to The Quatermass Xperiment (US title: The Creeping Unknown). Based on the British TV serial by Nigel Kneale (who reportedly disliked the finished product), the film stars Brian Donlevy, repeating the role of Professor Quatermass. This time, the good professor must contend with a "meteor shower" which turns out to be a secret alien invasion. The extraterrestrials arrive on earth in rocklike vehicles, then take over the minds and nervous systems of earthlings, the better to go about their business undetected. Subliminally a cruel satire of British bureaucracy and obfuscation, Enemy from Space also works on a pure-horror level, building slowly and methodically to a powerhouse finale. For many years a "lost" film due to legal tangles, Enemy from Space has recently become available again on video and cable TV. ~ Hal Erickson, All Movie Guide
- Starring:
- Brian Donlevy, John Longden, (more)
- 1953
Will Ballard (Rod Cameron) is the longtime foreman of the Hatcher ranch, a spread renowned for its size and the wealth it contains. When owner Phil Evarts dies suddenly, the speculation in the territory is that Hatcher will be broken up, especially since it was Evarts' determination coupled with Ballard's skills as a foreman and gunman that held it together -- but Ballard decides that the ranch is worth saving, even though the only help he really has is one top hand (Chill Wills, in a beautifully restrained performance) and a couple of young brothers (Al Caudebec, Roydon Clark) picked up on the trail. He figures it's worth saving for what it is, and also for Evarts' daughter, Celia (Ella Raines), who is engaged to marry neighboring rancher Sam Danfelser (Forrest Tucker). Ballard and Sam were once friends, but as the foreman discovers, there's been bad blood brewing on the other side of the friendship for a long time, mostly out of Sam's jealousy -- not only is Ballard a better rider and a better gun, but he's a better man than he is, and he can't abide the fact that Celia knows this deep in her heart, even though she and Sam are engaged. Then there's Bide Marriner (Brian Donlevy), a local "operator" who'd love to get a range war started and grab up some land and cattle, and immediately uses friends and intermediaries, plus a few hired guns, to start spreading the word, convincing the neighboring ranchers that Hatcher land is free and open. And then there's Lottie Priest, whom Ballard figured to marry soon -- is she more interested in what her greedy father can make from the breakup of Hatcher? Caught in the middle of it all is the county sheriff, Joe Kneen (J. Carrol Naish), who'd like to stay civil with all of those involved but soon finds out that he's going to have to choose sides, and that he's too good a man for that to be the "easy" choice. There's a lot of back-shooting in Ride the Man Down, as well as some brilliantly and cleverly designed action sequences, and a level of duplicity in the characters that makes this picture play at time almost more like a film noir of the period. ~ Bruce Eder, All Movie Guide
- Starring:
- Brian Donlevy, Rod Cameron, (more)
- 1968
Roger Smith plays private eye Richard Rogue in this cinematic revival of the old radio series. Rogue gallantly tries to help would-be suicide Greta Baldwyn. This selfless act enmeshes him in a murder scheme, with himself as the fall guy. The film's chief value is its veteran supporting cast, including Dennis Morgan, Farley Granger, Edgar Bergen, Mala Powers and Brian Donlevy. Never given a theatrical release, Rogue's Gallery premiered as an NBC network movie presentation in 1972. ~ Hal Erickson, All Movie Guide
- 1950
Two-bit photographer Howard Duff wins a big newspaper assignment by romancing his lady boss (Peggy Dow). Duff is sent to take a picture of criminal Brian Donlevy, who doesn't like to be captured on celluloid. Donlevy takes a liking to Duff and asks him to frame one of the crook's less cooperative henchmen (Lawrence Tierney). Duff plays both sides of the fence, informing the henchman that his boss had planned to frame him. Shortly afterward, Donlevy is killed by a car bomb, and Duff becomes famous taking a picture of the event. Eventually Duff pulls one double-cross too many and is himself killed by the surly henchman--but not before taking a snapshot of his murderer in the act. Hard to believe, but Howard Duff makes his character in Shakedown somewhat likable, so that the audience is eager to see what sort of scam he'll pull next. ~ Hal Erickson, All Movie Guide
- Starring:
- Howard Duff, Brian Donlevy, (more)
