Brian Donlevy Movies

In this dark drama, based on a play by Ward Morehouse, the life of a tough newspaperman is chronicled. The man is a work-a-holic, and the demands of his job cause him to miss all the pleasures of his life. Because he is working on a story, he misses the birth of his daughter. He is not there for her wedding, and when she dies in labor--he is not there. Later the reporter begins reflecting upon all he missed out on. When he is interviewed by a Yale graduate about his career, the newspaperman strongly advises the young student to get out of it, because it is a poisonous business. ~ Sandra Brennan, All Movie Guide

Charming but ruthless fugitive gangster Dutra (Brian Donlevy) demands that a doctor (Oscar Apfel) perform plastic surgery upon him. Emerging from the bandages with a new face, Dutra murders the doctor, changes his name to Dawson, and heads to California, secure in the belief that no one who can identify him is still living. Unfortunately for him, the sole link to Dawson's past, nurse Molly Lamont, is now working in Hollywood -- where Dawson is enjoying a whole new career as a movie star! Things move along comically until Dawson tips his hand by taking his leading lady Sheila (Phyllis Brooks) hostage. Salvation comes in the unlikely form of obnoxious studio-press-agent Joe Haynes (Wallace Ford). Also released as It Happened in Hollywood, Another Face is a very uneven blend of comedy and melodrama, making up in energy what it lacks in coherence. ~ Hal Erickson, All Movie Guide

It's the wild and woolly waterfront world of San Francisco in the late 1800s in this rambling tale of an outrageous nightclub owner (Edward G. Robinson) and his efforts at wooing lovely Mary Rutledge (Miriam Hopkins), a lovely Eastern lass left to her own devices in the rowdy port city. The innocent babe loses that innocence when she becomes a kept lady, running the roulette wheel in Robinson's nightclub. The plot matures when Mary falls in love with an honest and upright gold miner. When the lovers are discovered during a fateful tryst, they flee the evil Robinson, hoping to escape as stowaways aboard a departing ship. Robinson is magnificent in this ruffian role. This action-filled adventure is suitable for the whole family. ~ All Movie Guide

Blending equal amounts of comedy, romance and thrills, High Tension is a near-perfect 20th Century-Fox "B" effort. Brian Donlevy and Glenda Farrell co-stars as rough-and-ready Steve Reardon and equally feisty Edith McNeal. He's a deep-sea engineer for a telephone cable company; she's a magazine writer specializing in adventure stories. Though Steve is in love with Edith, he balks at the notion of marriage. But after rescuing his best pal Eddie (Norman Foster) during a particularly dangerous job in Hawaii, Steve realizes he needs some stability in his life, and finally pops the question to Edith. Allan Dwan directs this slam-bang actioner with his usual effortless expertise. ~ Hal Erickson, All Movie Guide

Musical comedy star Eddie Cantor stars in this story, well suited to his talents, as Eddie Pink, a meek gentleman who works as a tailor and has a terrible crush on Joyce (Ethel Merman), a nightclub singer. Eddie buys a book (through the mail, of course) called Man or Mouse: What Are You?. Taking its advice, he tries to become more confident and assertive, and his new, outgoing personality helps him get a job running an amusement park called Dreamland. But when racketeers move in for a piece of the action on the park's slot machines, he wonders if he's gotten himself in deeper waters than he can safely navigate. Cantor sings four songs in Strike Me Pink, three of them with co-star Merman. ~ Mark Deming, All Movie Guide

A winning sweepstakes ticket is the catalyst in 36 Hours to Kill. The lucky recipient is gangster Duke Benson (Douglas Fowley), who happens to be a fugitive from justice. Duke hops a train to collect his prize money, keeping a low profile lest he be discovered. Also on board are G-man Frank Evers (Brian Donlevy) and newspaper sob-sister Anne Marvis (Gloria Stuart). Yes, they catch the villain, but before that they stop squabbling long enough to fall in love. The basic premise in 36 Hours to Kill was later reshaped by scenarist Lou Breslow for his 1942 Laurel and Hardy comedy A-Haunting We Will Go. ~ Hal Erickson, All Movie Guide

Sometimes it seemed as if Brian Donlevy played nothing but G-men during his years at 20th Century-Fox. In Midnight Taxi, Donlevy is cast as Chick Gardner, a federal agent who poses as a New York cab driver. His plan is to use his cover to expose a gang of counterfeiters, who've been using taxis as their means of distribution. Befriending a cabbie who's in the employ of the crooks, our hero is able to join the gang, though a few of the bad guys remain suspicious of his motives. Before Gardner is able to break the back of the operation, he is forced to extricate his sweetheart Gilda Lee (Frances Drake) from a very perilous predicament. For reasons best known to local television programmers, Midnight Taxi was seen over and over again during the 1950s and 1960s heyday of TV's "Late Late Shows." ~ Hal Erickson, All Movie Guide

Based on fact, this turn-of-the-century crime drama stars Robert Taylor and Barbara Stanwyck (husband and wife at the time). Taylor plays a seemingly disreputable young man who joins a gang of murderous bank robbers, headed by Victor McLaglen. Stanwyck is a beer-hall entertainer, who disapproves of Taylor's activities and tries to reform him. She needn't bother: Taylor is in reality an undercover detective, on a top secret mission for President William McKinley. So anxious is Taylor to bring McLaglen to justice that he allows himself to be convicted of murder. The agent is confident that the president will keep him from hanging--but McKinley is assassinated before he can intervene. Stanwyck rescues Taylor by pleading his case with McKinley's successor, Teddy Roosevelt (Sidney Blackmer). The plot of This is My Affair was impressive enough to inspire at least one imitation: Night Riders, a 1939 Republic western wherein the martyred president who shares the hero's secret is James A. Garfield. ~ Hal Erickson, All Movie Guide

In Old Chicago was 20th Century-Fox's spin on MGM's San Francisco--a personal saga played out against the backdrop of a famous 19th Century disaster. Alice Brady plays Mrs. O'Leary, a widow who brings her two young boys to the sleepy village of Chicago. As the city grows in prominence and prestige, so do the boys: One son (Tyrone Power) becomes a rascal who dreams of creating his own entertainment empire, while the other son (Don Ameche) matures into an honest, straight-laced lawyer. Both boys woo a beautiful singer (Alice Faye), who favors the more reckless of the two. As the headstrong son gains control of the more disreputable forms of Chicago entertainment, the serious son becomes the city's Mayor. The requisite rivalry between the two reaches a fever pitch just before their mother's cow knocks over a lantern and sets off the Great Chicago Fire of 1871. The O'Leary boys unite in trying to fight the conflagration and rescue the populace; the mayor dies, and the wastrel son vows to mend his ways and help build a "new" Chicago. In Old Chicago is climaxed spectacularly by the famous fire, a masterwork of special effects courtesy of 20th Century-Fox's Fred Sersen. The film, which originally ran 115 minutes, is currently available only in its shorter (and better paced) reissue version. ~ Hal Erickson, All Movie Guide

This musical features many popular ballads from the 1880s as it tells the tale of a cabaret singer and her boozy husband who travel to the South African gold fields to seek their fortune. They choose an empty mine, and while her husband hopefully works in the mine, the woman gets a singing job in a local saloon. Time passes, and eventually she and the handsome proprietor begin falling in love. By the story's end though, the woman returns to her neer-do-well but sweet husband. Together they begin looking for the elusive mother lode. ~ Sandra Brennan, All Movie Guide

This second of three movie versions of P.C. Wren's adventure novel Beau Geste is a virtual scene-for-scene remake of the 1927 silent version. We open on the now-famous scenes of a remote, burning desert fort, manned by the dead Foreign Legionnaires, then flash back to the early lives of the Geste brothers. As children, the Gestes swear eternal loyalty to one another and to their family. One of the boys, young Beau (played as a youth by Donald O'Connor), witnesses his beloved aunt (Heather Thatcher) apparently stealing a valuable family jewel in order to finance the Geste home; Beau chooses to remain silent rather than disgrace his aunt. Years later, the grown Beau (Gary Cooper) again protects his aunt by confessing to the theft and running off to join the Foreign Legion. He is joined in uniform by faithful brothers John (Ray Milland) and Digby (Robert Preston), who in turn are pursued by a slimy thief (J. Carroll Naish). The crook is in cahoots with sadistic Legion Sgt. Markov (Brian Donlevy, in one of the most hateful portrayals ever captured on celluloid), who is later put in charge of Fort Zinderneuf, where Beau and John are stationed. When the Arabs attack, Markov proves himself a valiant soldier; it is he who hits upon the idea of convincing the Arabs that the fort is still fully manned by propping up the corpses of the casualties at the guard posts. Beau is seriously wounded, and while the greedy Markov searches for the jewel supposedly hidden on Beau's person, he is held at bay by loyal John. The suddenly enervated Beau kills Markov, then dies himself--but not before entrusting two notes to John, one of which requests that John give Beau the "Viking funeral" he'd always wanted (this is why the fort is in flames at the beginning of the film). After the battle, Digby Geste, a bugler with the relief troops, comes upon Beau's dead body, and appropriates the notes. As it turns out, John Geste is the only one who survives to return to England. He gives his aunt Beau's letter, which explains why Beau had confessed and run off--"a 'beau geste', indeed" comments his tearful aunt. No one missed nominal leading lady Susan Hayward in this essentially all-male entertainment. For years available only in muddily processed or truncated versions, Beau Geste was restored to its pristine glory by the American Film Institute in the late 1980s. ~ Hal Erickson, All Movie Guide

Tom Destry (James Stewart), son of a legendary frontier peacekeeper, doesn't believe in gunplay. Thus he becomes the object of widespread ridicule when he rides into the wide-open town of Bottleneck, the personal fiefdom of the crooked Kent (Brian Donlevy). His detractors laugh even louder when Destry signs on as deputy to drunken sheriff Wash Dimsdale (Charles Winninger). But the laughter subsides when Destry casually proves himself a crack shot, despite his abhorrence of firearms. Later, when saloon chanteuse Frenchy (Marlene Dietrich), Kent's gal, takes umbrage at Destry's indifferent reaction to her charms, she vows to make a fool of the new deputy. A huge moneymaker, Destry Rides Again served as a spectacular comeback for Marlene Dietrich, who two years earlier had been written off as "box office poison." ~ Hal Erickson, All Movie Guide