Frankie Darro Movies

Jean Harlow offers her final screen performance in this witty and -- in retrospect -- quite moving racetrack comedy-drama co-starring Clark Gable and Walter Pidgeon. When her father dies shortly after losing his horse farm to Duke Bradley (Gable), Carol Clayton (Harlow) refuses the handsome bookmaker's offer to forget the debt and instead vows to pay him back in full. She even forbids her stockbroker fiancé, Harley Madison (Pidgeon), to make wagers that may benefit Duke, but promises to marry him once her champion horse wins at Saratoga. But against all the odds, Carol falls in love with Duke and when he appears in danger of ruination, she finds herself rooting for the competitor to win the all-important race. Saratoga, which was finished using both onscreen and voice doubles for Jean Harlow, was partially filmed on-location at Lexington and Louisville, KY, and in Saratoga Springs, NY. ~ Hans J. Wollstein, All Movie Guide

In this musical comedy, a group of clean-cut teens desire to turn an abandoned warehouse into a youth center. Unfortunately they and their two leaders are opposed by the mayor who wants to use the building for his own gain. The kids then put on a show and soon the mayor is convinced to give them the building. Musical numbers include: "Young Man with a Beat" (performed by the Gene Krupa Orchestra), "Sincerely Yours" (sung by Stewart), "Isn't This a Night for Love?" (sung by Stewart), "Household Blues" (sung by Davis), and "Young Man" (sung by Davis, Stewart). ~ Sandra Brennan, All Movie Guide

Not quite as memorable as his previous Riders in the Sky, Gene Autry's Sons of New Mexico is still well up to the star's standard. This time, Gene tries to reform Randy Pryor, a would-be juvenile delinquent, played by Autry-protégé Dick Jones (who later starred in the Autry-produced TV series Range Rider and Buffalo Bill Jr). To this end, Pryor is enrolled at the New Mexico Military Institute, where much of this film was lensed. The kid chafes at the school's regimen and escapes, heading back to his criminal mentor Pat Feeney (Robert Armstrong). Eventually, however, Pryor sees the light, and helps Autry bring Feeney to justice. Featured in the cast is another Gene Autry contractee, Gail Davis, who went on to star as TV's Annie Oakley. ~ Hal Erickson, All Movie Guide

For some reason, this potentially very interesting silent Western from FBO remains the most obscure of the poverty row studios' Tom Tyler series. Living alone on their mountain, Lucille (Jane Reid) and her kid brother Buddy (Frankie Darro) suddenly receive threatening letters and are even visited by a ghostly apparition or two. With no one to turn to, little Buddy writes his favorite cowboy star, Tom Tyler, who immediately leaves the safe confines of FBO to come and investigate. Once on the mountain, Tom quickly discovers that a gang of thieves are attempting to drive Lucille and Buddy off their property in order to get their grubby hands on a hidden treasure. Tom heroically catches the outlaws and promises to bring the two kids with him to Hollywood. Also released as Terror, this Tyler Western should not be confused with the Warner Bros mystery melodrama The Terror, released that same year. ~ Hans J. Wollstein, All Movie Guide

This fast-paced, low-budget Western was typical of cowboy star Tom Tyler's output. As usual, little Frankie Darro plays his young pal. Tyler is Dandy Darrell, who sits down to a card game with Rufus Castleman. Darrell wins the Bar C ranch from the older man, who subsequently dies. When he takes charge of the ranch, he is compelled to give alcoholic foreman Black Duff a good whipping. Castleman's daughter, Ruth (Ada Mae Vaughn), returns to the ranch and Darrell, who is immediately smitten with her, cannot bring himself to tell her that the ranch now belongs to him. Ruth believes that he's only working there, and Duff convinces her that Darrell caused her father's death. She fires Darrell but he sticks around to foil Duff's cattle rustling plans. He also saves her from Duff's attempts to woo her. Darrell's heroic acts finally win Ruth over. ~ Janiss Garza, All Movie Guide

Showmen's Productions, a miniscule poverty-row firm, issued its one-and-only release The Big Race in 1934. Heading the cast is Boots Mallory, a lively blonde starlet who later retired to marry James Cagney's producer brother William Cagney. Most of the heavy dramatics are carried not by Mallory but by John Darrow and Phillips Smalley, father-and-son horse trainers who have a serious falling-out just before the big handicap race. Darrow and Smalley are reconciled when both discover that they've been betrayed by a third party. The Big Race really takes off in the action sequences, courtesy of onetime Harold Lloyd director Fred Newmeyer. ~ Hal Erickson, All Movie Guide

Edward Dmytryk brings Harold Robbins' trashy, dirt-dishing Hollywood best-seller to the screen with George Peppard starring as Jonas Cord, a rancidly-sketched portrait of Howard Hughes. In 1925, when his father dies of a stroke, Jonas inherits the Cord Chemical factory, a manufacturer of dynamite and other explosives. Jonas proceeds with several cut-throat transactions, making a settlement with his sexy stepmother Rina (Carroll Baker) and liquidating the stock owned by cowhand Nevada Smith (Alan Ladd, in his final American film role). With the help of Mac McAllister (Lew Ayres), his father's attorney, Jonas builds his father's company into a multi-million dollar business, expanding into plastics and aeronautics. Meanwhile, Rina has become a top fashion model and movie star and Nevada Smith has parlayed his laconic demeanor into a career as a popular silent film cowboy idol. Jonas then marries, then ignores, the well-meaning Monica Winthrop (Elizabeth Ashley), and ruins her father's company in the process. Then, with the advent of sound films, Jonas helps Nevada Smith through the sound film crisis by offering financial backing for a film to star both Nevada and his ex-mother-in-law Rina. Jonas decides to direct the film himself, hoping to seduce Rina. But Jonas's insensitive and egomaniacal behavior causes Monica to leave him. Jonas invests all his time in film production but the alcoholic Rina dies in a car accident. The owners of the film studio -- Bernard B. Norman (Martin Balsam) and Dan Pierce (Robert Cummings) -- want to sell the studio to Jonas but hide the fact that Rina, the studio's biggest star, has died. Jonas buys the studio and when he finds his biggest asset is gone, he goes on a drunken binge. But Jonas quickly meets call girl Jennie Denton (Martha Hyer), who he decides to turn into a superstar modeled upon Rina. Despite having made her a star, Jonas's vile treatment of Jennie repulses both her and his old friend Nevada Smith, and Smith decides it's time to beat some sense into Jonas's head. ~ Paul Brenner, All Movie Guide

Though conceived and executed as a silent film, The Circus Kid was outfitted with a sound prolog and music and sound-effects track so it could pass muster as a talkie. Pint-sized Frankie Darro, no mean acrobat in real life, stars as a preteen circus performer. Darro becomes an unwilling sidelines observer of a romantic triangle involving equestrienne Helene Costello, lion-tamer Joe E. Brown (in a rare dramatic performance) and circus newcomer Sam Nelson. The climax finds Brown being mauled to death by his own lions (a sequence that sparked Brown's first real-life heart attack-though not because of the lions, who were relatively benign). One critic summed up The Circus Kid with a terse "You can sleep through it." ~ Hal Erickson, All Movie Guide

FBO's handsome New York-born cowboy Tom Tyler plays a pacifist lawman who only uses his fists and a dangerous-looking whip to battle the bad guys in this pleasant western. Along the way, Tyler's sheriff goes undercover as a bandit to infiltrate the gang that framed pretty heroine Duane Thompson's father Tom Lingham in a murder. As always, the forbidding Tyler is helped immeasurably by the presence of boy actor Frankie Darro and a clever pooch, Beans. Playing Darro's dying father is one Vester Pegg, a veteran supporting player who had been the second actor to portray that endurable sagebrush hero, the Cisco Kid. The vehicle was Border Terror (1919). ~ Hans J. Wollstein, All Movie Guide

The "ex" of the title is daffy mystery-writer Jean Arthur, former wife of urbane doctor William Powell. When Powell becomes the prime suspect in a murder case, Arthur endeavors to solve the case herself -- and to reclaim her ex-hubby in the process. After a well-directed semiclimax at a race track, the killer is revealed during one of those expository scenes in which all the suspects are gathered together in one room. The murderer attempts to escape, and Powell is knocked cold in the process. When he awakens, he discovers that Arthur has set up some projection equipment, and is running a film of a minister reciting the wedding vows. Curses! Trapped again! Like William Powell's previous RKO effort Star of Midnight, The Ex-Mrs. Bradford was an attempt to cash in on the popularity of Powell's Thin Man films. ~ Hal Erickson, All Movie Guide

The Monogram publicity machine advertised Gang's All Here as a story of "Young Americans Fighting for Their Rights." Young driver Frankie (Frankie Darro) decides to take on a gang of truck hijackers single-handed, running into opposition from the crooked district manager behind the crime spree. Frankie is aided and abetted by undercover insurance investigator George (Keye Luke), boss' daughter Patsy (Marcia Mae Jones) and longtime pal Jefferson (Mantan Moreland). ~ Hal Erickson, All Movie Guide

More of a follow-up than a sequel to 1931's popular Svengali, this drama centers on the attempts of a club-footed and insanely bitter dance instructor to cling to his protege. ~ Sandra Brennan, All Movie Guide