Frankie Darro Movies

Pint-sized juvenile actor Frankie Darro essays the title role in FBO's Little Mickey Grogan. Though officially the leading character, Mickey Grogan is essentially a sidelines performer, showing up from time to time to help the "adult" hero and heroine. The main plot concerns an architect who, when he begins losing his eyesight, worries that he is on the verge of losing his girl as well. The fact that the heroine is spending time with a burly prizefighter would seem to confirm this. But Little Mickey Grogan saves the day with a little pluck and luck and a lot of input from the screenwriters. ~ Hal Erickson, All Movie Guide

Few comedies of the 1920s were as bizarre and surreal as Harry Langdon's Long Pants. Having recently come of age, small-town-boy Langdon aspires to become a great lover, drawing inspiration from the romantic novels he's been reading since childhood. Falling hard for a "vamp" (Alma Bennett), Harry vows to rid himself of his childhood sweetheart (Gladys Brockwell) in the traditional literary manner by taking her into the woods and shooting her! Of course, he fails in this effort and flops even worse with the Vamp, who turns out to be a gangster's moll. After a bloody gangland shootout in which the Vamp is killed, a sadder-but-wiser Harry returns to the arms of his hometown girl, who has never quite figured out that she'd previously been a candidate for extermination. Written by future director Arthur Ripley, Long Pants is as kinky as any of Ripley's film noirs of the 1940s. Long Pants represents the second and final collaboration between star Harry Langdon and director Frank Capra, who was fired when Langdon wrong-headedly decided to become his own director, resulting in a series of career-destroying flops. ~ Hal Erickson, All Movie Guide

Sally O'Neil is "Mike," the hoydenish daughter of railroad-construction foreman Charles Murray. Our heroine tries to help out Harlan (William Haines), who's been having trouble finding work since serving a prison term for a crime he didn't commit. She arranges for Harlan to get a job on her dad's construction crew, and in this capacity he rescues the girl from train robbers. The climax is handled in a farcical manner, with "Mike"'s father and his "friendly enemy" Tad (Ford Sterling) arranging for a fleet of WWI planes to strafe the villains with bombs! Director Marshall Neilan also wrote the original story, so he had only himself to blame for the sillier plot developments. ~ Hal Erickson, All Movie Guide

A tough youth gang leader learns the true meaning of courage in this moving and thoughtful drama. He is the leader of a troop of boys involved in an elaborate game of "capture the flag." He is idolized by a sickly boy on the block who begs to be allowed to join the leader's group. Eventually the older boy gives in and "enlists" the weakling as a private. Though he treats the young lad with contempt, the boy is so enamored of his hero that he doesn't notice. Eventually the gang's rivals, the "Red Shirts" steal their flag. To prove himself, the sickly boy risks his life and frail health. The allegorical, anti-war story is based on Hungarian playwright Molnar's autobiographical novel. ~ Sandra Brennan, All Movie Guide

Rear Admiral Matt Sherman (Cary Grant) visits the submarine Sea Tiger on the morning of its decommissioning and reminisces about his time as the first commander of the boat, in 1941. Three days after Pearl Harbor, the sub is damaged during an enemy air raid in the Philippines; rather than abandoning her, Sherman and his chiefs refloat the boat. He's forced to accept the services of Lt. (jg) Nick Holden (Tony Curtis), who has no sea experience. Sherman appoints Holden -- a born conniver, deal-maker, and scrounger (his motto: "In confusion, there is profit") -- as supply officer, and through a series of burglaries and petty thefts he gets the Sea Tiger seaworthy again. Up to this point, the movie is an increasingly amusing service comedy, akin to the lighter moments of Mr. Roberts, running on Grant's wry exasperation and Curtis's cool arrogance, coupled with Arthur O'Connell's periodic sardonic yet optimistic jabs at their situation and Gavin MacLeod's fidgety nervousness. The Sea Tiger puts to sea ahead of the Japanese with a quintet of stranded army nurses aboard. The film shifts to a new level of humor as the officers and crew try to cope with living in close quarters with five attractive women in their midst. Grant gives a very witty performance as a man who is both exasperated by the situation he is in, having to adjust his masculinity to keep it from clashing with the feminine sensibilities of his guests, and also trying to control the mating urges of his men, starting with Holden, who can't stay away from Lt. Duran (Dina Merrill). Complicating matters more is Grant's awareness that the Sea Tiger is a "virgin" -- she has never engaged the enemy, but when they finally do, the accident-prone Lt. Crandall (Joan O'Brien) causes their torpedo to miss a tanker and sink a truck (probably the funniest sight gag in the movie). The boat also gets an accidental coat of pink paint when their supply of red and white runs low, and ends up carrying several Filipino families -- including two pregnant women. Since neither the Japanese nor the Americans officially has a pink submarine, the Sea Tiger ends uphunted by both sides and come under attack by an American destroyer. That's where the women's presence becomes a godsend. The movie ends 18 years later, with Holden a serious career navy man and responsible father, married to Duran, and Grant married to Crandall, who is as accident prone as ever. ~ Bruce Eder, All Movie Guide

The Pierce Construction Company has gone wildly over budget on a questionable land-development project, and head man Joe Marshall (Bert Freed) wants to know why. Before long, Marshall has been murdered, and Perry Mason (Raymond Burr) is hired to defend the chief suspect, engineer Adam Conrad (Allen Case). The key to the mystery is a sinister secret buried deep within the crumbling old house that stands in the way of the project. ~ Hal Erickson, All Movie Guide

The Phantom Express is the sole asset of a small railway company. Its chief engineer is old John Lane (William Rooker), the father of Norah (Ethel Shannon), sweetheart of handsome Jack Warner (David Butler). Angered that Norah has thrown him over in favor of Jack, railroad towerman Hardy (George Siegmann) plots to get even with her by flicking the wrong switch and wrecking the express, at great loss of life and property. Hardy gets his comeuppance at the hands of Warner, and old John Lane -- who'd been held responsible for the tragedy -- is exonerated. Leading man David Butler later became a top director at 20th Century-Fox and Warner Bros. ~ Hal Erickson, All Movie Guide

When the gentle woodcarver Geppetto (Christian Rub) builds a marionette to be his substitute son, a benevolent fairy brings the toy to life. The puppet, named Pinocchio (Dick Jones), is not yet a human boy. He must earn the right to be real by proving that he is brave, truthful, and unselfish. But, even with the help of Jiminy (Cliff Edwards), a cricket who the fairy assigns to be Pinocchio's conscience, the marionette goes astray. He joins a puppet show instead of going to school, he lies instead of telling the truth, and he travels to Pleasure Island instead of going straight home. Yet, when Pinocchio discovers that a whale has swallowed Geppetto, the puppet single-mindedly journeys into the ocean and selflessly risks his life to save his father, thereby displaying that he deserves to be a real boy. Based on a series of stories by 19th century Italian author Carlo Collodi, Pinocchio came under fire for being a sugarcoated version of its original tale, but the film's moral did have a strong educational effect on children. Soon enough, a 16 mm excerpt from the picture, titled "Pinocchio: A Lesson in Honesty," was released for teachers to use in schools. ~ Aubry Anne D'Arminio, All Movie Guide

Produced, directed and cowritten by former child star Wesley Barry, Racing Blood was distributed in the US by 20th Century-Fox. Jimmy Boyd, a juvenile singer who'd risen to fame with the hit single "I Saw Mommy Kissing Santa Claus", stars as a sensitive stable boy. When a colt is born with a split hoof, its owner decides to destroy it. The animal is rescued by young Boyd, who nurses the colt to health and trains the animal as a racer. Inevitably, the horse is entered in a crucial competition--opposite its own brother, a proven champion. Bill Williams, George Cleveland, Jean Porter and John Eldredge costar in this amiable equestrian yarn. ~ Hal Erickson, All Movie Guide

This routine auto adventure finds Jack Grant (William Fairbanks) agreeing to drive in the big race in order to save his brother Carl (Philo McCullough) from being charged with embezzlement. He wins the race and the heart of the auto-builder's daughter Grace Danton (Eva Novak). Stock footage of an actual car race is effectively inserted, with famous racing driver Ralph De Palma making a cameo appearance as the champion. Edwin Booth Tilton, Frankie Darro, Wilfred Lucas, and Lydia Knott co-star in this film reminiscent of some of the racing pictures of Wallace Reid. ~ Dan Pavlides, All Movie Guide

In this action film, Wallace Storm, ace race car driver, gets into real trouble when he is accused of killing his partner over the love of a pretty girl. In court he is found guilty of tampering with his partner's car, causing it to crash during a race, and is sent to prison. While there, his good buddy Johnny works to prove him innocent. Unable to wait, Wallace escapes from jail and heads for South America, assumes an alias, and goes on to become a championship driver. He eventually returns to the States when his girl's father needs a driver for his new car. During the big race, the judge who convicted him, is so impressed by Storm's heroism, that all is forgiven and he is freed. ~ Sandra Brennan, All Movie Guide

Anxious to remain active in the 1950s, director Frank Capra wanted to prove to Paramount Pictures that he could deliver an "A" picture on a modest budget. To that end, Capra bought the rights of his 1934 film Broadway Bill from Columbia, and remade it under the title Riding High. He then hired many of the supporting actors who'd appeared in Broadway Bill -- including Clarence Muse, Douglass Dumbrille, Ward Bond, Charles Lane and Frankie Darro -- so he could match up his newly shot scenes with stock footage from the earlier film. Capra even kept the musical costs down by having star Bing Crosby sing such public-domain favorites as "Camptown Races" (though there is one delightful original song, "We Ought to Bake a Sunshine Camera" performed without dubbing by Crosby, Muse, and leading-lady Colleen Gray). Crosby steps into the old Warner Baxter role as Dan Brooks, scion of a wealthy family who prefers hanging around racetracks to the responsibilities of his family business. Scheduled for a "proper" marriage to Margaret Higgins (Frances Gifford), the snooty daughter of millionaire J. L. Higgins (Charles Bickford), Dan infinitely prefers the company of Margaret's younger sister Alice (Coleen Gray), who loves horses as much as he. Hoping to declare his financial independence, he pins his future on a racehorse named Broadway Bill. Though not in the same league as Capra's earlier classics, Riding High is lots of fun. It is especially enjoyable for film buffs, thanks to Capra's decision to fill the picture with uncredited celebrity cameo appearances -- including Oliver Hardy, minus Stan Laurel, as an apoplectic horse player. ~ Hal Erickson, All Movie Guide