Mike Post Movies

Law & Order launched its sixth season with the addition of yet another new character, Detective Rey Curtis, played by Benjamin Bratt. As the replacement for Mike Logan (Chris Noth), previous partner of Detective Lennie Briscoe (Jerry Orbach), Curtis exuded enough youthful idealism and self-consciousness to counterbalance Briscoe's hard-boiled, world-weary persona. Ever so carefully, and without disturbing the plot-driven ambience of the series, the producers continued to provide quickie glimpses of the private lives of the six principal characters. The various casual affairs indulged in by Executive Assistant DA Jack McCoy (Sam Waterston) in the years before his association with DA Adam Schiff (Steven Hill) occasionally come back to haunt him, and never so dramatically as in the episode "Trophy," in which he is forced to prosecute a former lover whose false testimony in an earlier case had enabled him to advance professionally. Another episode, "Charm City," represents the first of three Law & Order crossovers with another NBC crime series, the Baltimore-based Homicide: Life in the Street. This required several Law & Order regulars to make guest appearances on Homicide, and vice versa, thereby opening old wounds between New Yorker Lennie Briscoe and his Baltimore counterpart, John Munsch (Richard Belzer). Inevitably, the 1995-1996 season of Law & Order ended with the departure of one of the regulars, in this instance Jill Hennessy as Assistant DA Claire Kincaid. Onscreen, Kincaid was seriously injured in an auto accident; in truth, Hennessy chose not to renew her contract with the series, leaving her free to pursue other roles. The question of whether Kincaid survived the accident would not be fully answered until well into season seven. ~ Hal Erickson, All Movie Guide

Fans of Law & Order -- and there were many, many more than there had been in previous years -- were somewhat surprised that the series entered its eighth season with no changes in the regular cast. detectives Briscoe (Jerry Orbach) and Curtis (Benjamin Bratt) were still upholding the "Law" at the behest of their NYPD boss Lt. Van Buren (S. Epatha Merkerson), while ADAs McCoy (Sam Waterston) and Ross (Carey Lowell) continued to maintain "Order" on behalf of their superior, DA Adam Schiff (Steven Hill). In other carryovers from past seasons, the series staged its second crossover with the NBC crime drama Homicide: Life on the Street with the episode "Baby, It's You;" as before, selected Homicide cast members appeared on Law & Order, and vice versa. Also keeping in the tradition of its past, the series took home its third Emmy award for Outstanding Cinematography. In addition, the series continued tackling issues that were very much in the news. For example, the episode "Castoff" addressed the culpability of TV violence in fomenting real-life violence. Much more so than in previous seasons, the series boasted a number of narrative throughlines that enhanced its sense of reality and continuity. McCoy's questionable tactics in prosecuting a drunk driver in "Under the Influence" came back to haunt him in the season finale. Likewise, in that same episode, Cliff Gorman was introduced as a politically ambitious judge named Gary Feldman, who hoped to win the DA's office from Schiff in the upcoming election. Feldman received unexpected support in the form of powerful (and paranoiac) millionaire Carl Anderton (Robert Vaughn), who would not forget being "betrayed" by Schiff in the episode "Burned." Both Feldman and Anderton would converge upon the DA in the aforementioned series finale, which also boasted a subplot involving ADA Jamie Ross. To accommodate the fact that actress Carey Lowell planned to leave the series, Ross decided to retire to private practice so that she could devote her spare time to her second husband -- and to an ongoing child-custody battle with husband number one. And in more glimpses of the characters' private lives, Jennifer Bill appeared in a brace of episodes as Cathy Briscoe, the troubled, estranged daughter of detective Lennie Briscoe. The brevity of Bill's contribution to Law & Order was due to a devastating plot twist which threatened to push Briscoe over the edge and back into the bottle he'd successfully abandoned years earlier. ~ Hal Erickson, All Movie Guide

Season ten of Law & Order had ended on a cliffhanger of sorts, with an international trial involving the son of a prominent diplomat casting serious doubt upon the reelection of DA Adam Schiff (Steven Hill). In the first episode of the series' 11th season, it was learned that Schiff had, indeed, left office -- not due to a lack of voter turnout, but because he had been appointed by the U.S. government to supervise an upcoming Holocaust memorial in Holland. Until Schiff's replacement could be elected, it was necessary to appoint an interim DA, former law school ethics professor Nora Lewin -- played by Oscar-winning actress Dianne Wiest, whose character's predetermined "temporary" status reflected Wiest's reluctance to tie herself down to a long-running weekly series. Seemingly softer and less curmudgeonly than Schiff, Lewin nonetheless possessed what Executive Producer Dick Wolf described as a "steely reserve," which surfaced whenever it was necessary to the story. Otherwise, the cast members from season ten were carried over into season 11, though it was fairly common knowledge that actress Angie Harmon, cast as ADA Abbie Carmichael, would be departing the series to seek out different projects once her contract was up. Harmon's predecessor, Carey Lowell, made another return appearance as former ADA Jamie Ross, again acting as a defense attorney in opposition to her former colleagues. In addition, acerbic writer Fran Lebowitz made the first of several cameo appearances as Arraignment Judge Goldberg. Among the hot-button issues touched upon during the series' 11th season were the potential dangers of prison budget cutbacks, TV "reality" shows, the loopholes inherent in Israel's "Law of Return" for Jewish citizens, the gay adoption controversy, and, perhaps inevitably, the hotly contested 2000 presidential election. One episode, "Sunday in the Park With Jorge," was attacked by a number of ethnic special-interest groups because it depicted a Central Park "wilding" incident during an Hispanic Pride Festival. Although producer Wolf would not categorically apologize for the story's content, citing the real-life incident on which it was based, he agreed to remove the offending episode from Law & Order's syndicated rerun package. ~ Hal Erickson, All Movie Guide

As it entered its 13th season on the air, Law & Order also entered the history books as the longest-running TV program of its genre. This, however, did not satisfy series producer Dick Wolf, who had every intention of keeping the series in production for at least another eight years, long enough to smash Gunsmoke's status as the longest-running dramatic series of all time. Wolf also refused to rest on his laurels by concentrating on his "baby" alone: In addition to the original Law & Order, he was also churning out spin-offs Law & Order: Criminal Intent and Law & Order: Special Victims Unit, as well as the documentary/reality series Crime & Punishment, with an updated revival of the classic Dragnet still in the wings. The basic Law & Order cast from season 12 was still in place, with one very significant change. After two years of service, interim District Attorney Nora Lewin (Dianne Weist), who'd replaced the venerable Adam Schiff (Steven Hill) in 2000, was herself replaced by DA Arthur Branch, played by Fred Dalton Thompson, an erstwhile actor better known to the public as a former Republican senator from Tennessee. The avuncular, home-fried conservatism of Branch -- who, unlike his strictly-business predecessors, was inclined toward long-winded anecdotes and rustic homilies whenever making an important point of law -- was frequently at odds with the intense liberalism of ADA Jack McCoy (Sam Waterston) and the studied seriousness of McCoy's assistant Serena Southerlyn. So much for the "Order" portion of the program. Back on the "Law" end of the spectrum, producer Wolf had promised viewers that there would be more friction between detectives Lennie Briscoe (Jerry Orbach) and Eddie Green (Jesse L. Martin); as it turned out, however, Briscoe and Green developed into something of a comedy team, with Green playing off of the witty comments and abysmal puns invariably dropped by Briscoe at each murder scene. Similarly, the detectives' sober-sided superior, Anita Van Buren (S. Epatha Merkerson), became a bit more wry and light-hearted than she'd been in previous seasons. As always, Law & Order kept abreast of the times with stories based on actual events and persons. The aftermath of 9/11, the saga of "American Jihad" John Walker Lindh, the shoplifting trial of actress Winona Ryder, the Lacy Peterson murder case, the Martha Stewart inside-trading imbroglio, pop star Michael Jackson's display of parental recklessness from a balcony, the criminal charges against the NBA's Jayson Williams, and the "D.C. Snipers" case were all grist for the writers' mill. The 13th-season finale of Law & Order was lavishly publicized as the series' 300th episode. Technically, however, it was the 301st, but NBC seldom acknowledged the series' pilot episode because it had been financed by CBS. Ironically, that selfsame pilot show was rebroadcast by NBC May 21, 2003, the same night as the "300th" installment. ~ Hal Erickson, All Movie Guide

The first season of the popular Law & Order spin-off Law & Order: Special Victims Unit begins with the episode "Payback," with the SVU investigating the murder and sexual mutilation of a former Serbian soldier -- who also happened to be a rapist. Quickly establishing their characters, Det. Elliot Stabler (Christopher Meloni) conducts the investigation in a cool, detached manner, while Det. Olivia Benson (Mariska Hargitay), a child of rape, cannot help but sympathize with the murderer rather than the victim. Later episodes introduce new characters or further develop the personalities of the familiar regulars. In "Closure," Benson and first-year Detective Brian Cassidy (Dean Winters) spend the night together; in "Limitations," Michelle Hurd joins the cast as streetwise Detective Monique Jeffries; and in the season finale, circumstances dictate that a forensic psychologist recommends that Stabler, outwardly the most "normal" member of the team, be removed from the SVU for emotional instability. The season's most intriguing episode is the aforementioned "Closure," a two-part story which would not be resolved until season two. And finally, "Entitled" finds Law & Order: Special Victims Unit involved in a crossover plot with its parent series, Law & Order, allowing the casts of both series to work in concert. ~ Hal Erickson, All Movie Guide

The so-called "repressed memory syndrome" figures heavily into "Repression," the opening episode of Law & Order: Special Victims Unit's third season. Subsequent episodes worth noting include "Wrath," in which Detective Benson's (Mariska Hargitay) relentless pursuit of rapists (motivated, in part, by the fact that she herself was conceived in rape) may bring about her death at the hands of one whom she'd sent to prison. Similarly character-driven are such episodes as "Stolen," in which Captain Cragen (Dann Florek), skipper of the SVU unit, takes it upon himself to reopen a illegal-adoption case he'd worked on a dozen years earlier; "Redemption," wherein Det. Elliot Stabler (Christopher Meloni) is partnered with a detective whose professional zeal sends him spiralling into depression and public humiliation; "Execution," a story built around the recurring character of forensic psychiatrist Dr. George Huang (B.D. Wong), who races against the clock to determine if a condemned murderer is responsible for an unsolved crime; "Guilt," wherein Assistant DA Alex Cabot (Stephanie March) puts her career on the line by covertly enlisting the aid of the SVU team to trap a child molester; and "Denial," in which Det. Fin Tutuola takes a special interest in a heroin addicted rape victim. The season concludes with "Silence," a timely story about a pedophilic priest. Having ended its second season as the 25th highest-rated network program in the U.S., Law & Order: Special Victims Unit enjoyed a healthy influx of new viewers during season three, skyrocketing to 12th place in the ratings. ~ Hal Erickson, All Movie Guide

The jury is in! From creator Dick Wolf comes the most innovative Law & Order series yet: Law & Order: Trial by Jury - The Complete Series. Partner up with Jerry Orbach, Fred Dalton Thompson and Bebe Neuwirth to explore the judicial system like never before: not only from the point of view of police and prosecutors, but also the defense team, judges, jurors and the defendants themselves. This highly collectible three-disc DVD set contains all 13 original episodes of the entire series, including one never broadcast on network TV! Plus witness exciting deleted scenes, a landmark Law & Order: SVU cross-over episode starring Chris Meloni and Emmy winner Mariska Hargitay, the philosophy behind this unique show presented by the cast members, and powerful guest-star performances from Lorraine Bracco, Peter Coyote and Candice Bergen. You have the right to Law & Order: Trial by Jury!

Hong Kong action-movie superstar Sammo Hung keeps the kicks flying in this TV action farce about a Chinese lawman (Hung) brought to Los Angeles to join forces with detective Louis McGray (Louis Mandylor) and detective Dana Doyle (Tammy Lauren). It's not long before this trio has the bad guys on the run. Filmed in Van Nuys, this series premiered September 16, 1998 on CBS. ~ Bhob Stewart, All Movie Guide

Having all but defined the "police precinct" TV-series genre of the 1980s with his Hill Street Blues, Steven Bochco did the same for the 1990s with NYPD Blue, which joined the ABC Tuesday-night lineup on September 21, 1993. The setting was New York's fictional 15th Precinct, originally presided over by Lieutenant (and later Captain) Arthur Fancy (James McDaniel). Most of the stories revolved around the cases handled by a team of veteran cops, with one-half of that team represented by the thuggish, moody, emotionally unstable, but occasionally sensitive and sentimental Detective Andy Sipowicz (Dennis Franz). Andy's first partner was Det. John Kelly (David Caruso), who was just as tough as Andy but more compassionate. After all but ruining his career by trying to cover up a murder committed by his lover, mob-connected uniformed officer Janice Licalsi (Amy Brenneman), Kelly retired from the force. Also exiting the 15th around that same time was Kelly's ex-wife, attorney Laura Michaels (Sherry Stringfield), who'd been an eyewitness to the murder of the mob boss who nearly bumped off Sipowicz in the very first episode. Kelly's replacement was Detective Bobby Simone (Jimmy Smits), who devoted himself to his work to overcome the recent death of his wife. Like his predecessor, Bobby was the polar opposite of his partner Sipowicz, but the two managed to become friends. Eventually, Bobby would marry again, taking co-worker Det. Diane Russell (Kim Delaney) as his bride, but their happiness was tragically brief; by the end of NYPD Blue's 1997-1998 season, Bobby Simone was dead of heart failure. The grieving Diane found brief consolation in the arms of Simone's replacement, Det. Danny Sorenson (Rick Schroder), but eventually transferred out of the 15th. The demise of Bobby was also a crushing blow to Sipowicz, who had already lost his 18-year-old son, Andy Jr. (Michael DeLuise) in a shoot-out. Within the next few years, Andy would endure the death of his erstwhile sweetheart, Assistant DA Sylvia Costas (Sharon Lawrence), and also the passing of Bobby's replacement, Dan Sorenson, who was killed in a botched undercover operation. On a more upbeat note, Andy doted on Theo (Austin Majors), his son by Sylvia Costas; he enjoyed a December-May romance with Det. Connie McDowell (Charlotte Ross); and, surprisingly, in light of Andy's homophobia, he developed a close friendship with openly gay administrative aide John Irvin (Bill Brochtrup). Sipowicz also managed to get along with his new partner John Clark Jr. (Mark-Paul Gosselaar), even though Andy and John Clark Sr. despised each other.
Among the other prominent NYPD Blue characters over the years were Barrio-born Det. James Martinez (Nicholas Turturro), who had a short but torrid affair with Det. Adriene Lesniak (Justine Miceli) before being promoted to sergeant and transferred to another precinct; Martinez's replacement, Det. Baldwin Jones (Henry Simmons), who was romantically involved with new Assistant DA Valerie Heywood (Garcelle Beauvais-Nilon); unhappily married Det. James Medavoy (Gordon Clapp), whose main squeeze was voluptuous administrative assistant Donna Abandando (Gail O'Grady) -- at least until Donna quit police work to sign on with a major computer firm; Lt. Tony Rodriguez (Esai Morales), who replaced Lt. Fancy as "skipper" of the 15th precinct; and Det. Rita Ortiz (Jacqueline Obradors), who transferred to the 15th because her husband wanted to get her out of the vice squad. Beyond the above-catalogued intramural relationships and requisite excessive violence, NYPD Blue is best known for breaking down such network-TV taboos as profanity and nudity, though what seemed to be scandalous when the series originally signed on was virtually kid stuff in the early years of the 21st century. Consummately produced, directed, written, and acted, the series had not only ridden high in the ratings ever since its inception, but as of 2003, the program had garnered 15 Emmy awards. ~ Hal Erickson, All Movie Guide

The second season of NYPD Blue was transitional in every sense of the word, with a number of major cast changes and the deepening of characterizations within the people who remained. The big news during the 1994-1995 season was the defection of David Caruso as Detective John Kelly, the sensitive younger partner of the irascible Det. Andy Sipowicz (Dennis Franz). It was no secret that Caruso wanted more screen time and a lot more money to continue with the series, and when producer Steven Bochco said no, the actor departed -- four episodes into season two. His replacement proved to be just as popular with viewers as Caruso, if not more so: Jimmy Smits as the recently widowed, pigeon-fancying Detective Bobby Simone, whose single status not only opened the door for a whole new slew of romantic complications with various female cast members, but also set hearts aflutter amongst audience members. Also leaving the series after the first two second-season episodes was Amy Brenneman as Off. Janice Licalsi, who had been found guilty of the murder of mob functionary Angelo Marino -- an act that also precipitated the departure of John Kelly, who, for trying to suppress evidence on Janice's behalf, was given the choice of being demoted or leaving the 15th Precinct altogether (of course, he chose the latter).
Also added to the cast was Kim Delaney as Det. Diane Russell, who like most the series' characters arrived at the 15th carrying a lot of emotional baggage, in her case an extremely abusive husband and, like Andy Sipowicz, a drinking problem. Andy was, in fact, the first to glom onto Diane's closet boozing, and it was he who offered to become her Alcoholics Anonymous sponsor -- though it would be the younger and svelter Bobby Simone who would win Russell's heart. During her freshman year on NYPD Blue, Diane Russell appeared only on a recurring basis, as did two other new characters: the precinct's temporary administrative assistant, John Irvin (Bill Brochtrup), the series' first (but hardly the last) openly gay character; and Det. Adrianne Lesniak (Justine Miceli), who'd transferred to the 15th to escape a disastrous inter-departmental romance -- only to find herself the object of the affections of Precinct stalwart James Martinez (Nicholas Turturro). But while neither Delaney, Brochtrup, nor Miceli were as yet listed among the "stars" of the series, two recurring characters from season one, Gordon Clapp as Detective Greg Medavoy and Gail O'Grady as administrative assistant Donna Abandando, were bumped up to full "regular" status. Greg and Donna's very, very close friendship became very, very much closer as the year progressed, despite Medavoy's periodic returns to his estranged wife. This was the year in which the misogynistic Andy Sipowicz finally humanized to the point of proposing marriage to Assistant DA Sylvia Costas (Sharon Lawrence), despite having characterized her as a "prissy bitch" during the previous season. This was also the year in which series regular Dennis Franz entered "pop culture Valhalla" by flashing his naked backside to the camera. And this was the year in which NYPD Blue added two more Emmys to its collection, for Outstanding Drama Series and Outstanding Guest Actress in a Drama Series (Shirley Knight in the episode "Large Mouth Bass"). ~ Hal Erickson, All Movie Guide

The fourth season of NYPD Blue saw the introduction of two important new cast members: Andrea Thompson as Detective Jill Kirkendall, fearless crime-fighter, single mother, and potential threat to the burgeoning romance between Det. Bobby Simone (Jimmy Smits) and Det. Diane Russell (Kim Delaney); and Lourdes Benedicto as Gina Colon, one of several novice 15th precinct administrative assistants, and the new love interest for Det. James Martinez (Nicholas Turturro). While Andrea Thompson would ultimately be promoted to series regular, Lourdes Benedicto remained among the recurring-character ranks, albeit a prominent one. In other developments, Det. Greg Medavoy (Gordon Clapp) went on a crash diet and somewhat reluctantly volunteered to be the father of gay cop Abby Sullivan's (Paige Turco) baby; Bobby Simone inherited a shabby Brooklyn apartment building, involving him in a whole new crop of oddball characters, chief among them surly building super Henry Coffield (Willie Garson); combustible Det. Andy Sipowicz (Dennis Franz) continued to behave in an unpredictable fashion from one day to the next, though he was considerably humanized by his newborn son Theo (the mother, of course, was Assistant DA Sylvia Costas [Sharon Lawrence]); and recovering alcoholic Diane Russell, beset by professional and personal woes, suffered a nervous breakdown.

Of the major story arcs, two involved delicate and potentially deadly undercover operations. Diane Russell was assigned to get "close" to handsome, hair-triggered mob functionary Jimmy Liery (Christopher Meloni); it was the grim outcome of this case that nearly pushed Diane over the edge and back into a bottle. And, prodded by the Feds, who were anxious to build a case against hoodlum Joey Salvo (Peter Onorati), Bobby Simone infiltrated Salvo's circle of friends and performed a few conspicuous "favors" for Joey. The fact that Bobby's covert activities aroused the suspicions of Internal Affairs very nearly lost Simone his badge -- and also set the stage for season four's cliffhanger finale. As was the case in the three previous years, NYPD Blue collected quite a few statuettes at the annual Emmy awards presentation. Dennis Franz copped his third Emmy as Outstanding Lead Actor; Kim Delaney was honored as Outstanding Supporting Actress; and David Milch, Stephen Gaghan, and Michael R. Perry shared an award for their scripting of the episode "Where's 'Swaldo?" ~ Hal Erickson, All Movie Guide

The big news attending NYPD Blue's sixth season was the imminent departure of series star Jimmy Smits, who played Det. Bobby Simone, the new husband of Det. Diane Russell (Kim Delaney). While the particulars of Simone's exit were kept secret from the public, it became obvious from the season opener onward that Bobby was not long for this world; having developed a serious illness, he needed an immediate heart transplant, and even then the doctors could guarantee nothing. It was in the season's fifth episode, "Hearts and Souls," that the saga of Bobby Simone was terminated fatally, much to the shock and dismay of millions of the series' fans. Bobby's replacement was Det. Danny Sorenson, played by former child star Rick Schroder. Although both the grieving Diane and Bobby's irascible partner, Det. Andy Sipowicz (Dennis Franz), initially resented Sorenson's presence, Danny quickly proved his mettle both on and off the job. But in time-honored NYPD Blue tradition, young Mr. Sorenson brought with him some heavy emotional baggage, which would be revealed bag by bag over the next three seasons, culminating in yet another "shocker" of a climactic episode. Elsewhere, the 15th precinct's gay Anti-Crime Unit assistant John Irvin (Bill Brochtrup, who was moved up from recurring-character to regular) developed a close friendship with the squad's new PAA, Dolores Mayo (Lola Glaudini), a troubled young woman who ultimately quit her job and turned to prostitution. It was Dolores' death during a weekend trip to Atlantic City with wealthy drug dealer Malcolm Cullinan (Todd Waring), coupled with the murder of Sipowicz' old nemesis, shady private eye Mike Roberts (Michael Harney), that led to the series' violent sixth-season finale, a courtroom shoot-out which claimed the life of Andy Sipowicz' wife, ADA Sylvia Costas (Sharon Lawrence). Once again, NYPD Blue copped a handful of Emmy awards. This years' recipients included series star Dennis Franz, recurring guest actress Debra Monk (as Sipowicz' ex-wife, Katie), and director Paris Barclay, the latter two earning their statuettes for their work in the pivotal episode "Hearts and Souls." ~ Hal Erickson, All Movie Guide