Daphne Anderson Movies

Teeny-tiny Hammer pictures built its reputation on second-feature melodramas before graduating to gore-encrusted horror epics. Cloudburst is a low-key thriller starring American actor Robert Preston, whose casting assured a certain degree of business in the States. Preston plays a code expert, resettled in England after the war and working at the British Foreign Office. One morning, Preston's wife is struck down and killed by a car driven by escaping criminals. Preston bypasses the efforts of Scotland Yard and pursues the criminals himself, using his codebreaking skills to track down the "big boys" in charge. ~ Hal Erickson, All Movie Guide

A "Hobson's Choice," as any slang expert will tell you, is no choice at all. In this 1953 filmization of Harold Brighouse's 1915 play Hobson's Choice, hero John Mills finds after several reels of evidence to the contrary that he does have a choice over how he'll conduct his life after all. Mills is the assistant to domineering boot-shop owner Charles Laughton, who lords it over his employees and three daughters by day, then tumbles through the streets on many a drunken evening. Laughton's "old-maid" daughter Brenda DeBanzie breaks free of her father's tyranny, marries Mills, and together with her new husband sets up a rival boot shop when Laughton refuses her a dowry. Father rants and raves, but finally agrees to a merger with his daughter that will assure Mills a large measure of freedom over managing things. The winner of the British Film Institute "Best Film" award of 1954, Hobson's Choice chalked up another international success for director David Lean. ~ Hal Erickson, All Movie Guide

In this sentimental comedy, Carol Reed tries for a bit of neo-realist whimsy that takes place in the London slums of Petticoat Lane. The film centers upon Joe (Jonathan Ashmore), a six-year-old London East-ender who believes strongly in the magical power of unicorns. Joe and his lonely mother Joanna (Celia Johnson) live with wily, philosophical tailor Kandinsky (David Kossoff), who convinces Joe that if he could only come upon the legendary unicorn, he could grant all the wishes of his poor neighbors. Taking Kandinsky at his word, Joe searches the slums for a unicorn. Then one morning, he finds one. Only thing is, it is not a unicorn but a baby goat with a growth sticking out of his forehead. Nevertheless, Joe is convinced that the goat is a unicorn. He gives an elderly homeless man all of his savings for the kid and triumphantly takes it home. Hoping to use the kid to grant all his friends' wishes, he hopes to grant the wishes of Kandinsky, who wants a steam-pressing table, and Sonia (Diana Dors), an attractive blonde who wants to marry Sam (Joe Robinson), a handsome wrestler. And finally, he wishes for his father to return home to his lonely mother. ~ Paul Brenner, All Movie Guide

The title of the Anglo-American The Prince and the Showgirl could well have alluded to the genuine stations in life of stars Sir Laurence Olivier and Marilyn Monroe. Based on the Terence Rattigan play The Sleeping Prince, the film casts Olivier as Charles, prince regent of Carpathia, who is in London to attend the 1911 coronation of King George V. Monroe is deceptively dizzy American chorus girl Elsie Marina, who while performing in a West End revue catches Charles' eye. The prince arranges for Elsie to attend an "intimate supper" at his hotel suite. Though Elsie successfully wards off Charles' advances, she drinks too much bubbly and ends up falling asleep. Comes the dawn, and Prince Charles is anxious to show the awkward Elsie the door. She, however, has fallen in love with the prince, and sticks around long enough to upset a plan to overthrow the Carpathian throne, and to patch up a feud between Charles and his son Nicholas (Jeremy Spencer). Olivier directed as well as starred in The Prince and the Showgirl; he knew he had his work cut out for him in dealing with the mercurial Marilyn Monroe, but he managed to hold his temper and to extract a delightful comic performance from the actress. Alas, the film was a box-office disappointment, leading many Hollywood insiders to moan and wail that Monroe was "washed up" in films -- at least until her spectacular comeback in Billy Wilder's Some Like It Hot (1959). ~ Hal Erickson, All Movie Guide

While snapping photographs at an amusement park, Steed's erstwhile associate Venus Smith (Julie Stevens) photographs a British cypher expert. Unfortunately, the man is a traitor, and with the help of his wife, he has previously faked his own suicide. In order to cover his tracks, the traitor must murder Venus -- but not if Steed has anything to say about it. Written by Geoffrey Orme, "Man in the Mirror" debuted on British TV on February 23, 1963; it was first seen in America on February 26, 1991. ~ Hal Erickson, All Movie Guide

Dr. Paul Vernon (Tony Britton) is a gynecologist who is estranged from his wife in this situation comedy of errors. He gets drunk at a party, picks up a pretty French girl and takes her home for a night of pleasure. The perplexed physician wakes up to find the French femme has spent the night in the other room. He then decides to offer her a job as his housekeeper. Things go smoothly until wife Lisa (Anne Heywood) shows up and announces she is pregnant. To complicate matters, the French maid is also with child. The noble doctor devises a plan to have his wife claim both children, keeping the single maid from shame. Lisa agrees to pretend she will give birth to twins. The plan goes haywire when the doctor discovers both women are pregnant with twins. ~ Dan Pavlides, All Movie Guide

The Flood was designed for British Saturday afternoon kiddie matinees, though it packs enough entertainment values to keep adults happy as well. Six farm children are perilously isolated when a flood hits their community. The kids brave the onrushing waters until the effort becomes too much to bear. At the last moment, a rescue team is dispatched to save the resourceful sextet. At 58 minutes, The Flood is just long enough to sustain interest with younger viewers, but not so long as to induce restlessness or boredom. ~ Hal Erickson, All Movie Guide

Val Guest, veteran director of many interesting British films covering a multitude of subjects, joined the nudie-cutie bandwagon of the 1970s with The Au Pair Girls. Anyone who's taken first-year French will probably know that the title refers to young foreign girls living in England who perform domestic chores in exchange for room and board and the opportunity to learn the English language. In this film, the girls' "services" range far beyond mere light dusting. It's the 1972 equivalent to those old stag reels of the 1950s with titles like Lucky Pierre Goes Fishing. Among the au pair girls in this R-rated effort are Gabrielle Drake, Astrid Frank, and Me Me Lai. ~ Hal Erickson, All Movie Guide

In this British romance, a lively London lad decides to create a little excitement by dreaming up a convincing story involving the theft of a Rembrandt; he then tells the story to a local newspaper. According to the imaginative imp, the painting was stolen by a motely gang who worked for a powerful South African guerilla leader. Unfortunately for the boy, there is a real Rembrandt thief about, and he is out to get the boy before his lies end up getting the crook captured. Meanwhile, the boy is in love with a pretty girl, about whom he frequently fantasizes. He does get together with the girl for a while, but the she jilts him. Fortunately, by the story's end, the crook is captured, she returns, and happiness ensues. ~ Sandra Brennan, All Movie Guide