Jackie Coogan Movies

Appropriately enough, the 271st and final episode of Perry Mason concerns a murder which takes place during the filming of a TV show. No sooner has Perry (Raymond Burr) been able to establish the innocence of chief suspect Jackson Sidemark (Denver Pyle) than Sidemark himself is knocked off by the real killer (and wait until you see who THAT is!) Several members of the Perry Mason production staff, including executive producer Gail Patrick Jackson, appear in cameo roles, while series creator Erle Stanley Gardner shows up unbilled as a judge. Longtime fans of the series will enjoy the multitude of "inside" jokes in the script (including a barbed reference to the show's NBC competition Bonanza), but the best is reserved for last when Perry and his longtime courtroom adversary Hamilton Burger (William Talman) exchange words for the final time. ~ Hal Erickson, All Movie Guide

In this volume of episodes from the stylish and exciting television detective series from the late '50s, the suave and sexy detective Gunn solves two puzzling cases: "The Torch" and "Keep Smiling." ~ Sandra Brennan, All Movie Guide

Curvaceous Mamie Van Doren plays a super-genius who finds herself in charge of a college science department. Mamie would like to be appreciated for her intellect alone, but her male students (and most of the faculty) are preoccupied by her monumental breasts. The science department is virtually controlled by a huge robot called Thinko, which plays bets on horses. Gangsters Mickey Shaughnessy and Allan Drake try to neutralize Thinko, who's been right once too often. Strongarming their way on campus, the two crooks recognize Mamie as a former striptease artist. Forced to resign, she marries professor Martin Milner, who has loved her pure and chaste from afar. One expects to see such people as Jackie Coogan, John Carradine and Louis Nye in garbage like this-but how did Tuesday Weld get talked into participating? And wait till you see that nightclub number performed by Conway Twitty. Beauty and the Robot played in many markets under the step-right-up-folks title Sex Kittens Go to College. ~ Hal Erickson, All Movie Guide

Originally slated for release by Eagle Lion, Skipalong Rosenbloom purchased by United Artists -- who gave it a cursory theatrical release before selling the film to television. As it turned out, TV was the appropriate medium for this heavy-handed satire of video westerns. Former boxing champ Maxie Rosenbloom plays a lampooned variation of Hopalong Cassidy, with all the standard western cliches in evidence. "Skipalong" Rosenbloom is depicted as the star of a heavily commercialized TV kiddie show, presided over by a smarmy announcer. The plot proper finds "Skipalong" at odds with western bad guy Butcher Baer, played by Rosenbloom's onetime ring opponent Max Baer. Others in the cast are Jackie Coogan, Fuzzy Knight and Hillary Brooke, who seem to be having fun with the dreadful material foisted upon them. ~ Hal Erickson, All Movie Guide

Sooky was the sequel to Paramount's smash-hit sentimental comedy Skippy; both films were based on characters created by comic strip artist Percy Crosby. Jackie Cooper is back as Skippy, with Robert Coogan (younger brother of Jackie Coogan) in the title role. Once again, Skippy is the mischievous kid from a comfortable family environment, while Sooky is the soot-faced urchin from the wrong side of the tracks. Sooky deftly blends comedy and tragedy, ranging from the comic complications ensuing when Skippy tries to help his city-employee father win an election (Willard Robertson), to the heartrending scenes involving the death of Sooky's mother (Helen Jerome Eddy). There is a reasonably happy ending, wherein Sooky is adopted by Skippy's dad. After Sooky, Jackie Cooper moved from Paramount to MGM, where he remained until he grew too old to be cute. ~ Hal Erickson, All Movie Guide

In these zany cartoon creations of the Addams bunch, we find the family traveling coast-to-coast in a retrofitted castle-camper. Who says these guy have to stay home? These animated episodes, titled "Ghost Town," "Addams Go West," "Follow that Loaf of Bread," and "The Fastest Creepy Camper in the West," feature some original cast-member voices (Ted Cassidy and Jackie Coogan) as well as a famous visitor's voice, Ms. Jodie Foster! ~ All Movie Guide

Part of the prolific cartoon version of the Addams Family series, this episode finds Gomez taking on the New York Police Department when he decides he's the true heir to a little patch of New York City ground -- none other than Central Park. ~ All Movie Guide

Barney is lured away from Thelma Lou by honey-and-molasses Southern belle Melissa Stevens (Beverly Tyler). Little does Barney suspect that Melissa is a con artist, who specializes in tricking gullible bachelors into hefty breach-of-promise suits. Andy's suspicions are aroused by the comparative youthfulness of Melissa's outraged "father" George (Jackie Coogan), and he concocts a scheme to hoist the hucksters on their own petard. Written by Jack Elinson and Charles Stewart, "Barney On the Rebound" was originally broadcast on October 30, 1961. ~ Hal Erickson, All Movie Guide

Mickey Rooney plays labor racketeer Little Joe Braun in this fast-paced and surprisingly violent drama about one man's determination to clean up his union. Bill Gibson (Steve Cochran) is Little Joe's nemesis and is one of the men who can testify that he saw the labor boss in an incriminating conversation with a known criminal -- something that Little Joe denied under oath. Knowing that Cochran and one other witness can bring him down, the crooked labor boss starts on a campaign of terror. One of Bill's friends is set on fire, someone else is thrown into a cement mixer (in the opening scenes), and finally, Little Joe kidnaps Bill's son Timmy (Jay North). The odds at this point, seem very much in the labor boss' favor. ~ Eleanor Mannikka, All Movie Guide

The Escape Artist represents the laudable directorial debut of cinematographer Caleb Deschanel. Griffin O'Neal, the real-life son of Ryan O'Neal, plays Danny Masters, the offspring of a famed magician. Determined to match his dad's accomplishment, Danny runs into nothing but trouble. His biggest mistake is picking the pocket of the son of a corrupt town mayor. When not running from adults, the boy is being exploited by them. A critic's favorite, Escape Artist has slowly built up a cult following over the years, thanks largely to its eclectic supporting cast, including Raul Julia, Desi Arnaz Jr., Joan Hackett, Teri Garr, Jackie Coogan, Huntz Hall and M. Emmet Walsh. ~ Hal Erickson, All Movie Guide

The Kid was Charles Chaplin's first self-produced and directed feature film; 1914's 6-reel Tillie's Punctured Romance was a Mack Sennett production in which Chaplin merely co-starred.

The story "with a smile and perhaps a tear," begins with unwed mother Edna Purviance leaving the Charity Hospital, babe in arms. Her burden is illustrated with a title card showing Christ bearing the cross. The father of the child is a poor artist who cares little for of his former lover, carelessly knocking her photo into his garret fireplace and cooly returning it there when he sees it is too badly damaged to keep. The mother sorrowfully leaves her baby in the back seat of a millionaire's limousine, with a note imploring whoever finds it to care for and love the child. But thieves steal the limo, and, upon discovering the baby, ditch the tot in an alleyway trash can. Enter Chaplin, out for his morning stroll, carefully selecting a choice cigarette butt from his well used tin. He stumbles upon the squalling infant and, after trying to palm it off on a lady with another baby in a carriage, decides to adopt the kid himself. Meanwhile Purviance has relented, but when she returns to the mansion and is told that the car has been stolen, she collapses in despair. Chaplin outfits his flat for the baby as best he can, using an old coffee pot with a nipple on the spout as a baby bottle and a cane chair with the seat cut out as a potty seat. Chaplin's attic apartment is a representation of the garret he had shared with his mother and brother in London, just as the slum neighborhood is a recreation of the ones he knew as a boy.

Five years later, Chaplin has become a glazier, while his adopted son (the remarkable Jackie Coogan) drums up business for his old man by cheerfully breaking windows in the neighborhood. Purviance meanwhile has become a world famous opera singer, still haunted by the memory of her child, who does charity work in the very slums in which he now lives. Ironically, she gives a toy dog to little Coogan. Chaplin and Coogan's close calls with the law and fights with street toughs are easily overcome, but when Coogan falls ill, the attending doctor learns of the illegal adoption and summons the Orphan Asylum social workers who try to separate Chaplin from his foster son. In one of the most moving scenes in all of Chaplin's films, Chaplin and Coogan try to fight the officials, but Chaplin is subdued by the cop they have summoned. Coogan is roughly thrown into the back of the Asylum van, pleading to the welfare official and to God not to be separated from his father. Chaplin, freeing himself from the cop, pursues the orphanage van over the rooftops and, descending into the back of the truck, dispatches the official and tearfully reunites with his "son". Returning to check on the sick boy, Purviance encounters the doctor and is shown the note which she had attached to her baby five years earlier. Chaplin and Coogan, not daring to return home, settle in a flophouse for the night. The proprietor sees a newspaper ad offering a reward for Coogan's return and kidnaps the sleeping boy. After hunting fruitlessly, a grieving Chaplin falls asleep on his tenement doorstep and dreams that he has been reunited with the boy in Heaven (that "flirtatious angel" is Lita Grey, later Chaplin's second wife). Woken from his dream by the cop, he is taken via limousine to Purviance's mansion where he is welcomed by Coogan and Purviance, presumably to stay.

Chaplin had difficulties getting The Kid produced. His inspiration, it is suggested was the death of his own first son, Norman Spencer Chaplin a few days after birth in 1919. His determination to make a serio-comic feature was challenged by First National who preferred two reel films, which were more quickly produced and released. Chaplin wisely gained his distributors' approval by inviting them to the studio, where he trotted out the delightful Coogan to entertain them. Chaplin's divorce case from his first wife Mildred Harris also played a part; fearing seizure of the negatives Chaplin and crew escaped to Salt Lake City and later to New York to complete the editing of the film. Chaplin's excellent and moving score for The Kid was composed in 1971 for a theatrical re-release, but used themes that Chaplin had composed in 1921. Chaplin re-edited the film somewhat for the re-release, cutting scenes that he felt were overly sentimental, such as Purviance's observing of a May-December wedding and her portrayal as a saint, outlined by a church's stained glass window. ~ Phil Posner, All Movie Guide