Claudette Colbert Movies
Paris-born actress Claudette Colbert was brought to New York at the age of seven by her banker father. She planned an art career after high school graduation, studying at the Art Student's League. Attending a party with actress Anne Morrison, the 18-year-old was offered a three-line bit in Morrison's new play The Wild Westcotts. That ended her art aspirations, and Colbert embarked on a stage career in 1925, scoring her first big critical success in the 1926 Broadway production of The Barker, in which she played a duplicitous snake charmer. One year later, the actress made her first film at Long Island's Astoria studio, For the Love of Mike (1927), but the film was unsuccessful and she enjoyed neither the experience nor her young director, Frank Capra. So back she went to Broadway, returning to films during the talkie revolution in The Hole in the Wall (1929), which was also the movie-speaking debut of Edward G. Robinson. Once again, Colbert disliked film acting; but audiences responded to her beauty and cultured voice, so she forsook the stage for Hollywood.Colbert's popularity (and salary) skyrocketed after she was cast as "the wickedest woman in history," Nero's unscrupulous wife Poppaea, in the Biblical epic The Sign of the Cross (1932). Colbert expanded her range as a street-smart smuggler's daughter in I Cover the Waterfront and in the pioneering screwball comedy Three-Cornered Moon (both 1933), but it was for a role she nearly refused that the actress secured her box-office stature. Virtually every other actress in Hollywood had turned down the role of spoiled heiress Ellie Andrews in Columbia's It Happened One Night (1934), and when director Frank Capra approached an unenthusiastic Colbert, she wearily agreed to appear in the film on the conditions that she be paid twice her normal salary and that the film be completed before she was scheduled to go on vacation in four weeks. Colbert considered the experience one of the worst in her life -- until the 1935 Academy Awards ceremony, in which It Happened One Night won in virtually all major categories, including a Best Actress Oscar for her.
Colbert spent the next decade alternating between comedy and drama, frequently in the company of her most popular co-star, Fred MacMurray. She gained a reputation of giving 110 percent of her energies while acting, which compensated for her occasional imperviousness and her insistence that only one side of her face be photographed (which frequently necessitated redesigning movie sets just to accommodate her phobia about her "bad side"). Colbert remained a top money-making star until her last big hit, The Egg and I (1947), after which she lost some footing, partly because of producers' unwillingness to meet her demands that (under doctor's orders) she could only film a short time each day (her doctor was her husband). She hoped to jump-start her career in the role of Margo Channing in All About Eve, but those plans were squelched when she injured her back and had to relinquish the character to Bette Davis. Traveling the usual "fading star" route, Colbert made films in Europe and a budget Western in the U.S. before returning triumphantly to Broadway, first in 1956's Janus, then in the long-running 1958 comedy Marriage Go Round. The actress also appeared on television, although reportedly had trouble adjusting to live productions. In 1961, she returned to Hollywood as Troy Donahue's mother in Parrish. It would be her last film appearance until the 1987 TV movie, The Two Mrs. Grenvilles -- in which she far outclassed her material. Still a prominent figure in the Hollywood hierarchy, Colbert retired to her lavish home in California, where she frequently entertained her old friends Ronald and Nancy Reagan. Claudette Colbert died in 1996 in Bridgetown, Barbados, at the age of 92. ~ Hal Erickson, All Movie Guide
As for the opening reels, the principal motivating factor is money. After a deliberately confusing pre-credit sequence (not explained until the film's punch line), Tom Jeffers (Joel McCrea) and Gerry Jeffers (Claudette Colbert) are married. "And so they lived happily ever after," exults a title card, "...or did they?" Well, they didn't. After five years of marriage, Tom hasn't raised a dime with his pie-in-the-sky inventions. Using the sort of logic common to Sturges heroines, Gerry decides that the only way to help her husband is to divorce him, marry a wealthy man, and use the second husband's money to finance Tom's schemes. Borrowing money from a generous self-made business mogul known only as the Wienie King (Robert Dudley), Gerry boards a train to Palm Beach, FL, where all the rich folk go. En route, she is "adopted" by the Ale & Quail Club, a group of perpetually drunken millionaires whose idea of a good time is to shoot their rifles at everything that moves (among the club members are such Sturges regulars as William Demarest, Robert Warwick, Jimmy Conlin, Robert Greig, Jack Norton, and Dewey Robinson). Taking refuge from this rowdy crew, Gerry makes the acquaintance of likeable stuffed shirt John D. Hackensacker III (Rudy Vallee), who happens to be one of the wealthiest men in the Western Hemisphere. While Gerry spoons with Hackensacker in Palm Beach, the confused Tom (remember him?) dallies with Hackensacker's man-crazy sister, Princess Centimillia (Mary Astor). How all this straightens itself out is better seen than described, which is pretty much the case whenever one discusses Sturges' singular work, and The Palm Beach Story is vintage Sturges with one side-splitting sequence after another. ~ Hal Erickson, All Movie Guide
- Starring:
- Claudette Colbert, Joel McCrea, (more)
- 1932
Legendary songwriter and vaudevillian George M. Cohan made his first appearance in a sound film with this satiric musical comedy. Theodore Blair (Cohan) is a politician running for president; while he has talent and intelligence, he's unfortunately as exciting as warm milk, and he is not doing well on the campaign trail. Blair's staff discovers Doc Peter Varney (also played by Cohan), a ball-of-fire carnival pitchman who looks and sounds exactly like the candidate. Varney is hired to stump for Blair in his place; the prospective voters are fooled, as is Felicia Hammond (Claudette Colbert), Blair's girlfriend who is pleasantly surprised to see that her man has suddenly developed a personality. Blair's minders soon think that Varney has grown too big for his britches, and they want him out of the way before election day, but it's Blair rather than Varney who ends up getting shanghaied. Jimmy Durante appears as Varney's sidekick Curly. Cohan clashed with producers and studio heads during the production of The Phantom President, and it proved out to be his next-to-last screen appearance. ~ Mark Deming, All Movie Guide
- Starring:
- George M. Cohan, Claudette Colbert, (more)
- 1950
The Secret Fury works best if one is willing to suspend one's disbelief from the outset. Claudette Colbert stars as Ellen, a famed concert pianist who, on the day of her wedding, is accosted by a stranger who insists that she's already married to someone else. Ellen is willing to laugh this off, until the stranger produces witnesses, records and the justice of the piece. Has Ellen lost her mind, or is she merely the victim of an elaborate scam. With the help of fiancé David (Robert Ryan), Our Heroine begins her own investigation -- and ends up accused of murder and shunted off to a mental institution. And the story isn't over yet! Featured in a pivotal role is future I Love Lucy co-star Vivian Vance, who'd previously worked in an L.A. theatre company with Secret Fury-director Mel Ferrer. For reasons best known to himself, Willard Parker, a fairly well-known film actor in 1950, appears unbilled. ~ Hal Erickson, All Movie Guide
- Starring:
- Claudette Colbert, Robert Ryan, (more)
- 1946
The Secret Heart is a psychological drama starring June Allyson as a disturbed teenager obsessed with the memory of her dead father and unable to embrace her stepmother. Following the suicide of her father, Penny Addams (Allyson) begins to behave strangely, even locking herself in her room and playing the piano in his memory. Greatly worried, Penny's brother, Chase (Robert Sterling), and stepmother, Lee (Claudette Colbert), consult a psychiatrist, Dr. Rossiger (Lionel Barrymore), who suggests that Penny be returned to the family's country home. Since the site is where the suicide took place, Rossiger believes that confronting the scene will force the young woman to mentally face the reality of her father's death. Once there, however, Penny becomes disenchanted with her father's memory -- which causes her to become even more despondent than ever. Eventually, Penny tries to kill herself in the same manner of her father, but she fails, and the healing process proceeds for all concerned. This dark tale, offbeat for its time, was narrated by Hume Cronyn. ~ Karl Williams, All Movie Guide
- Starring:
- Claudette Colbert, June Allyson, (more)
- 1932
Director Cecil B. DeMille returned to Paramount Pictures for this typically epic production, which became his first box office hit after the close of the silent era. Fredric March stars as Roman Prefect Marcus Superbus, a noble military leader of the year 64 A.D. Emperor Nero (Charles Laughton) has just burned down the city and blamed the conflagration on Christians, which has exacerbated anti-Christian sentiment. Marcus encounters a beautiful young Christian woman, Mercia (Elissa Landi), pleading with soldiers over the arrest of her beloved stepfather Titus (Arthur Hohl). The Prefect intervenes on her behalf, hoping for romance. Mercia rebuffs him, however, so Marcus attempts to humiliate her by sentencing her to live with a lesbian (Joyzelle Joiner), who has even less luck seducing the chaste Mercia. The Empress Poppaea (Claudette Colbert) desires Marcus for her own bed and becomes jealous of Mercia. When Nero orders that Christians are to be fed to the lions in the arena, Poppaea seizes the opportunity to get rid of her romantic rival, though Marcus pleads in vain with Nero to spare her life. ~ Karl Williams, All Movie Guide
- Starring:
- Fredric March, Claudette Colbert, (more)
- 1931
Maurice Chevalier plays a 19th century Viennese lieutenant, conducting an affair with sexy violinist Claudette Colbert. While publicly flirting with Colbert, Chevalier is spotted by a dowdy princess (Miriam Hopkins), who thinks that the lieutenant's wink was meant for her. Forced to marry the Princess, Chevalier despairs at her lack of charm. But good-hearted Colbert takes the princess aside, dolls her up, and instructs her how to bewitch--and keep--her man. Chevalier is enchanted by the "new" princess, while Colbert, who will have no trouble finding someone else to keep her warm and comfortable, cheerfully sashays out of his life. Long thought lost, The Smiling Lieutenant was rediscovered in an East European vault in the 1970s. ~ Hal Erickson, All Movie Guide
- Starring:
- Maurice Chevalier, Claudette Colbert, (more)
- 1987
Claudette Colbert made her first screen appearance in 25 years in the 2-part TV movie The Two Mrs. Grenvilles. The story involves social-climbing actress (read: "chorus girl") Ann-Margret, who marries American-aristocrat naval ensign Stephen Collins, the son of Ms. Colbert (the two female stars, you see, are the "two Mrs. Grenvilles"). Try as she might, Ann-Margret can neither assimilate herself to her husband's lifestyle, nor overcome the animosity of her mother-in-law. Collins starts cheating on his new wife....and before long, Ann-Margret is standing trial for the fatal shooting of her husband. Marvin Hamlisch wrote the music for the sumptuously stylish The Two Mrs. Grenvilles, which was based on novelist Dominick Dunne's a clef rehashing of the 1955 murder of Long Island millionaire William Woodward Jr. ~ Hal Erickson, All Movie Guide
- 1932
Margaret Hughes (Claudette Colbert) returns from a trip abroad to discover that her sweetheart, crusading attorney David Rolfe (Melvyn Douglas), has been framed for murder. To save Rolfe from the chair, Margaret poses as a trollop and insinuates herself into the confidence of the criminal underworld. Her efforts to get her hands on the evidence that will free Rolfe are stymied by gang boss Harry Evans (William "Stage" Boyd), but Evans is himself destroyed by his castoff mistress Claire Foster (Lilyan Tashman). The Wiser Sex was inspired by the recent crime-busting activities of New York's Seabury committee, though one assumes that the real-life participants were not as glamorous as Colbert and Douglas. Featured in the cast is a talented young actor named Ross Alexander, who would go on to a tragically brief starring career at Warner Bros. ~ Hal Erickson, All Movie Guide
- Starring:
- Claudette Colbert, Melvyn Douglas, (more)
Based on the autobiographical book by Agnes Newton Keith, Three Came Home stars Claudette Colbert as Mrs. Keith. Trapped in Borneo during the Japanese invasion, Mrs. Keith and her British husband (Patric Knowles) are penned up in a prison camp along with several other subjects. Despite the humanitarian views of camp commander Col. Suga (Sessue Hayakawa), Mrs. Keith is subject to torture, starvation, and humiliation at the hands of the guards, with Suga helpless to intervene lest he incur the wrath of his own superiors. Three Came Home contains several unforgettable moments, including a comic interlude between the male and female prisoners that ends abruptly with a barrage of Japanese bullets, and the heartwrenching scene wherein Suga learns that his family has been killed in a bombing raid. Since lapsing into the public domain in 1977, Three Came Home has popped up innumerable times on cable television. ~ Hal Erickson, All Movie Guide
- Starring:
- Claudette Colbert, Patric Knowles, (more)
- 1933
Three-Cornered Moon is regarded by many film buffs as the first of the genuine "screwball comedies." Claudette Colbert stars as the only level-headed member of a wacky Brooklyn family. Her mother (Mary Boland) loses the family fortune in the stock market, forcing Colbert's knuckleheaded brothers to look for work. Unfortunately the boys seem interested only in jobs for which they're uniquely unsuited. Even Colbert has her weak moments, especially when she falls for a callow writer (Hardie Albright), but she eventually finds happiness with sensible doctor Richard Arlen. Three-Cornered Moon was written by the gloriously named Gertrude Tonkonogy. ~ Hal Erickson, All Movie Guide
- Starring:
- Claudette Colbert, Richard Arlen, (more)
- 1951
Charlotte Hastings' West End stage hit Bonaventure was adroitly translated to the American screen as Thunder on the Hill. The bulk of the action takes place at convent, presided over by Sister Mary (Claudette Colbert). Circumstances -- namely, a dangerous rainstorm and raging flood -- dictate that the convent become a stopover for Valerie Carns (Ann Blyth), a convicted murderess who is being escorted to Death Row by a brace of guards. Slowly becoming convinced that Valerie is innocent, Sister Mary sets about to clear the girl and bring the genuine killer to justice. It goes without saying that said killer is also a reluctant guest of the convent. A superb shadow-laden climax in the convent's belltower caps this heart-pounding mystery meller. ~ Hal Erickson, All Movie Guide
- Starring:
- Claudette Colbert, Ann Blyth, (more)
- 1946
Elizabeth MacDonald (Claudette Colbert) is a newly married corporate librarian in 1918 Baltimore working for a chemical company owned by the Hamilton family and managed by Larry Hamilton (George Brent). Just as she is celebrating the armistice and anticipating the return of her husband John (Orson Welles), she learns he was killed in action, just days before the cease fire. Pregnant with their child and alone in the world, she is taken in by Larry Hamilton, who has loved her from afar and is driven by sympathy for her plight. She has her baby, a boy named Drew, and she and Larry marry, raising the child as his own and never telling the boy of his real father. Meanwhile, in an Austrian hospital, a horribly wounded and disfigured American officer (Welles) without any identification insists to the doctor treating him (John Wengraf) that he be allowed to die. The doctor saves his life, but the shock of his injuries and the strain of his recovery causes him to lose his memory, and he ends up adopting a new identity. Cut to 1939, and the outbreak of the Second World War in Europe. Drew (Richard Long) is about to graduate from college and wants to join his fraternity brothers, who are planning on going to Canada, signing up with the Royal Canadian Air Force, and heading to England to fly against the Germans. Drew is not yet 21, however, and needs the permission of his parents, but Elizabeth is appalled by the notion of losing Drew to war the same way that she lost John.
Into their family comes a visitor, Erich Kessler (Welles), a crippled, ailing Austrian refugee and chemical expert hired by Hamilton's company, who arrives in Baltimore with his young daughter Margaret (Natalie Wood). Kessler starts to recognize places in the city, including the home where Elizabeth lived, and when they meet, despite her discomfort at having an Austrian army veteran in the house, she does her best to welcome him. Elizabeth also starts to notice little aspects of Kessler that remind her vaguely of John. But much as she is haunted by these strange similarities, she is appalled when Kessler seems to encourage Drew to pursue his goal of fighting the Nazis. Even Kessler's presence in their home, despite his genial and deferential manner, is a vexation to Elizabeth, bringing the horror of the war and what the Nazis represent into their midst and making Drew even more fervent in his desire to join up and fight. When Margaret displays terrible fears and nightmares, it comes out that she isn't really Kessler's child at all, but the daughter of the doctor who saved his life (he and his wife had been executed by the Nazis).
Larry, meanwhile, must watch from the sidelines, not aware of Kessler's real identity and unable to resolve the conflict between his admiration for Drew's intentions and his love for his wife. When Drew decides to ignore his parents' wishes and go to Canada and enlist without their permission, Kessler follows and stops him (despite his own weakened condition), and brings the young man home. A confrontation ensues upon their return, and Kessler explains to her that, whomever she thinks he might have been, the past has passed. Elizabeth finds the strength and courage to face the future, and the coming of the new war and what it may bring. ~ Bruce Eder, All Movie Guide
Into their family comes a visitor, Erich Kessler (Welles), a crippled, ailing Austrian refugee and chemical expert hired by Hamilton's company, who arrives in Baltimore with his young daughter Margaret (Natalie Wood). Kessler starts to recognize places in the city, including the home where Elizabeth lived, and when they meet, despite her discomfort at having an Austrian army veteran in the house, she does her best to welcome him. Elizabeth also starts to notice little aspects of Kessler that remind her vaguely of John. But much as she is haunted by these strange similarities, she is appalled when Kessler seems to encourage Drew to pursue his goal of fighting the Nazis. Even Kessler's presence in their home, despite his genial and deferential manner, is a vexation to Elizabeth, bringing the horror of the war and what the Nazis represent into their midst and making Drew even more fervent in his desire to join up and fight. When Margaret displays terrible fears and nightmares, it comes out that she isn't really Kessler's child at all, but the daughter of the doctor who saved his life (he and his wife had been executed by the Nazis).
Larry, meanwhile, must watch from the sidelines, not aware of Kessler's real identity and unable to resolve the conflict between his admiration for Drew's intentions and his love for his wife. When Drew decides to ignore his parents' wishes and go to Canada and enlist without their permission, Kessler follows and stops him (despite his own weakened condition), and brings the young man home. A confrontation ensues upon their return, and Kessler explains to her that, whomever she thinks he might have been, the past has passed. Elizabeth finds the strength and courage to face the future, and the coming of the new war and what it may bring. ~ Bruce Eder, All Movie Guide
- Starring:
- Claudette Colbert, Orson Welles, (more)
- 1933
In this musical drama from directors Alexander Hall and George Somnes, Claudette Colbert stars as Sally Trent, a children's radio show host by day and a nightclub singer by night. After giving her only child (a daughter) up for adoption amid hard times, Sally uses the listeners of her show as surrogate children while she searches for the girl in hopes of being reunited. Unfortunately, the girl's father also has plans of tracking him down. Penned by songwriters Ralph Rainger and Leo Robin, some of the songs in the film include "Don't Be a Cry Baby," "Give Me Liberty or Give Me Love," "It's a Long Dark Night," "The Torch Singer". ~ Matthew Tobey, All Movie Guide
- Starring:
- Claudette Colbert, Ricardo Cortez, (more)
- 1937
Two members of the Russian monarchy pose as French servants while hiding the Czar's fortune. This unlikely plot is at the core of this successful 1937 Hollywood comedy-drama starring the French-born Charles Boyer as Prince Mikail Alexandrovitch Ouratieff. The prince and his wife, Grand Duchess Tatiana Petrovna (Claudette Colbert), are entrusted with a huge fortune by the Czar, which they take with them while fleeing the Bolshevik Revolution. They arrive in Paris and put all the money in a bank, not wanting to take any for themselves. To fend off poverty, they take a job as servants in the home of wealthy businessman Charles Dupont (Melville Cooper) and his wife Fernande (Isabel Jeans). At a dinner party, their secret is exposed by one of the invited guests, a top Soviet official named Gorotchenko (Basil Rathbone), who had tortured and interrogated Ouratieff before the prince left Russia. Gorotchenko now asks for the fortune to help Russia, which is in economic trouble. ~ Michael Betzold, All Movie Guide
- Starring:
- Claudette Colbert, Charles Boyer, (more)
- 1936
Two silent film versions preceded this 1936 Hollywood adaptation of the 19th century novel by the writer Ouida Bergere. It is set in Saharan Africa but was filmed in the Arizona desert. Ronald Colman is Corporal Victor, a man who has taken the rap for a crime committed by his younger brother. Victor has joined the French Foreign Legion to escape his past, taking with him his valet Rake (Herbert Mundin). His commander is the ruthless Major Doyle (Victor McLaglen), who becomes jealous when Cigarette (Claudette Colbert), a nightclub singer with a yen for men in uniforms, sets her sights on Victor. Victor, however, lusts after a more refined Englishwoman named Lady Venetia (Rosalind Russell), and he eventually dumps Cigarette for Venetia. McLaglen sends Victor off on a difficult mission from which he hopes that he won't return. ~ Michael Betzold, All Movie Guide
- Starring:
- Ronald Colman, Claudette Colbert, (more)
Without Reservations has to be the least typical John Wayne picture of the postwar era. Top billing is bestowed upon Claudette Colbert as Kit, a best-selling novelist heading westward to oversee the film version of her latest novel. Taking it upon herself to select the man who should portray the hero of her novel, Kit chooses war hero Rusty (John Wayne), whom she meets during her train trip to Hollywood. Unaware of Kit's true identity, Rusty and his pal Dink (Don DeFore) rail against the factual errors in her book. One thing leads to another, and before long Kit, Rusty and Dink have all been thrown off the train for annoying the other passengers. After a hectic stopover at a New Mexico farm, Kit reveals who she really is to Rusty and Dink, who are understandably put out. All is forgiven in the end, of course, with Kit and Rusty altar-bound at fadeout time. The Hollywood scenes feature such guest celebrities as Cary Grant, Louella Parsons and Jack Benny; and yes, that is an unbilled Raymond Burr as Claudette Colbert's dancing partner. Without Reservations was based on Jane Allen and May Livingston's novel Thanks, God, I'll Take it From Here (too bad they couldn't use that title!) ~ Hal Erickson, All Movie Guide
- Starring:
- Claudette Colbert, John Wayne, (more)
- 1930
In this sports drama, Toby McLean, a sportswriter encounters another journalist, Ann Vaughn at the Tunney-Jack Dempsey fight. They end up married and living in a tiny New York apartment. One day he travels to St. Louis to cover the World Series and meets a socialite named Puff. Though she uses her feminine wiles, he ignores her and stays true to his wife until she becomes a famous magazine writer and he gets jealous of her success. To get even, he begins an affair with Puff. Meanwhile, his distraught wife begins drinking bootleg whiskey and goes temporarily blind. Her husband is horrified and leaves poor Puff. He then throws himself into his work so he can prove his desire to reconcile with Ann. The film is the feature film debut of Ginger Rogers (she played Puff). ~ Sandra Brennan, All Movie Guide
- Starring:
- Claudette Colbert, Norman Foster, (more)
- 1939
The old David Belasco theatrical warhorse Zaza, which starred Mrs. Leslie Carter way back in 1899, had already been filmed by Pauline Frederick in 1915 and by Gloria Swanson in 1923 when this Claudette Colbert version hit the screens in early 1939. Doing her own singing and dancing, Colbert plays the title character, a saucy fin de siecle Parisian cabaret performer who falls in love with wealthy rogue Dufresne (Herbert Marshall). Quitting show biz to be with Dufresne for all time, Zaza is taken aback to discover that he's already married. Sorrowfully she returns to the stage, singing a farewell to Dufresne before an audience that seems to include everyone in Paris. Bert Lahr steals the show as Zaza's zany but golden-hearted music-hall partner; in fact he's a lot livelier than the near-comatose Herbert Marshall, who seems preoccupied with more important matters throughout the film. Screenwriter Zoe Akins did her best to make the "naughty" Belasco original conform to the stringent censorship standards of 1939. Still, the Hays Office found plenty with which to nitpick: Commenting on Zaza's angry exclamation "Pig! Pig! Pig! Pig! Pig!", the Hays folks demanded "Delete two 'Pigs'." ~ Hal Erickson, All Movie Guide
- Starring:
- Claudette Colbert, Herbert Marshall, (more)
