Colin Clive Movies
Leading man Colin Clive was born in France to a British colonel and his wife. Clive's own military career was cut short by a knee injury, which fortunately did not prevent him from becoming an actor. Clive was brought to Hollywood on the strength of his stage performance in Journey's End, duly committed to film in 1930. He spent the rest of his movie career hopscotching between England and America, his most significant work emanating from Hollywood. Clive has earned a niche in cinematic valhalla for his feverish, driven performance as Dr. Frankenstein in Frankenstein (1931) and Bride of Frankenstein (1935), both directed by his Journey's End mentor James Whale. He was also seen as Rochester in the first talkie version of Jane Eyre (1934). Never a well man, Colin Clive died of tuberculosis at the age of 39. ~ Hal Erickson, All Movie Guide- 1933
A prize-winning aviator (Katharine Hepburn) falls for the title character (Colin Clive), a British politician who is happily married. Both fall into a tempestuous affair, but are able to resist their urges. ~ John Bush, All Movie Guide
- Starring:
- Katharine Hepburn, Colin Clive, (more)
- 1935
Ronald Colman plays Robert Clive, a true-life 18th century Britisher who works up the ranks to become leader of Britain's military forces in India. Though produced on a superficially lavish scale, the film inexpensively sidesteps several of Clive's more famous battles with Indian insurrectionists, relegating them to offscreen events described by subtitles. The notorious Sepoy Mutiny "Black Hole of Calcutta" incident, hardly a costly event to recreate, is faithfully presented. In real life, Clive was ruined by a trial in the House of Commons, after which he suffered a nervous breakdown and committed suicide. The film tactfully closes on the trial and Clive's reunion with his faithful wife (Loretta Young). Typically jingoistic in its "White Man's Burden" approach to East Indian affairs, Clive of India is best viewed in context of the time it was filmed (1935), when the sun still hadn't set on the British Empire. ~ Hal Erickson, All Movie Guide
- Starring:
- Ronald Colman, Loretta Young, (more)
- 1931
Still regarded as the definitive film version of Mary Shelley's classic tale of tragedy and horror, Frankenstein made unknown character actor Boris Karloff a star and created a new icon of terror. Along with the highly successful Dracula, released earlier the same year, it launched Universal Studio's golden age of 1930s horror movies. The film's greatness stems less from its script than from the stark but moody atmosphere created by director James Whale; Herman Rosse's memorable set designs, particularly the fantastic watchtower laboratory, featuring electrical equipment designed by Kenneth Strickfaden; the creature's trademark look from makeup artist Jack Pierce, who required Karloff to don pounds of makeup and heavy asphalt shoes to create the monster's unique lurching gait; and Karloff's nuanced performance as the tormented and bewildered creature. Frankenstein was greeted with screams, moans, and fainting spells upon its initial release, obliging Universal to add a disclaimer in which Edward Van Sloan advises the faint of heart to leave the theater immediately. If they don't: "Well...we've warned you." Director James Whale was memorably embodied by Ian McKellen in the Oscar-winning 1998 biopic Gods and Monsters. ~ Hal Erickson, All Movie Guide
- Starring:
- Colin Clive, Boris Karloff, (more)
- 1937
History is Made at Night has been described as a romantic tragedy, which it indeed is, up to a point. The film begins deceptively in screwball-comedy fashion with socialite Jean Arthur and handsome head waiter Charles Boyer "meeting cute." But there's nothing cute about Arthur's estranged husband, shipbuilder Colin Clive. Insanely jealous, Clive arranges for the ship on which his wife and her lover are travelling to hit an iceberg--then, aghast at what he has done, Clive commits suicide. As the ship lists dangerously close to sinking beneath the waves, the terrified passengers--Boyer and Arthur included--huddle on the deck. The fog-enshrouded scene in which Charles and Jean affirm their love in the face of death is among the most heartrending sequences ever filmed (the director was Frank Borzage, a past master at transforming potential maudlin material into high-gloss art). Even the happy ending of History is Made at Night does not diminish the power and poignancy of that shipboard scene. ~ Hal Erickson, All Movie Guide
- Starring:
- Charles Boyer, Jean Arthur, (more)
This version of the Charlotte Bronte classic is the first to use sound. The story closely follows the book as it chronicles the romantic travails of a troubled orphan girl who grows up to be a governess in love with her employer who returns her affections. She has finally found happiness. Alas, her happiness is short-lived as she learns that her love has locked his crazy wife in a remote wing of the house. The distraught governess flees and gets engaged to a new man. Just before they marry, she learns that her true love's house has burned down, immolating his wife and leaving him nearly blind. Without hesitation she returns to him and romantic bliss ensues. ~ Sandra Brennan, All Movie Guide
- Starring:
- Virginia Bruce, Colin Clive, (more)
- 1930
R.C. Sherriff's forceful drama about men at war, a long running hit in London as well as New York, is brought to the screen in this film adaptation. Capt. Denis Stanhope (Colin Clive) is the commander of a military unit during World War I; constantly bombarded by enemy fire and hemmed in by his superiors, Stanhope no longer believes in the cause for which he fights, and is despondent over the thought he is sending young men to a pointless death. Depressed, Stanhope has turned to drink, and often squabbles with Lt. Osborne (Ian MacLaren), his second-in-command, as well as berating nd Lt. Raleigh (David Manners), whose sister is Stanhope's beloved. As his confidence begins to collapse, Stanhope believes he has lost the respect of his men, until he secretly obtains a letter Raleigh is writing to his sister. Journey's End was the first major success for director James Whale; he soon signed a deal to work in the United States, and he cast his Journey's End leading man, Colin Clive, in one of his first American projects, Frankenstein. ~ Mark Deming, All Movie Guide
- Starring:
- Colin Clive, David Manners, (more)
- 1932
Corinne Griffith, the stunningly attractive "orchid lady" of the silent screen, originally intended to retire when talkies came in. The wisdom of this decision was demonstrated in her handful of sound-picture appearances, of which Lily Christine is among the least memorable. While driving along in her touring car, Lily Christine (Griffith) breaks her glasses. Since her travelling companion Rupert Harvey (Colin Clive) can't drive at all, he and Lily are forced to spend the evening at Harvey's home. It's all quite innocent, but Harvey's wife Muriel (Anne Grey) suspects that her husband and Lily have been canoodling around, an opinion also held by Lily's own husband Ivor (Jack Trevor), an inveterate philanderer who has been looking for an excuse to divorce his wife. Disgraced in the eyes of the world, Lily attempts to kill herself, but there's a happy ending in the offing for herself and Harvey -- who, as it turns out, has loved her all along. Lily Christine was based on a considerably racier novel by Michael Arlen. ~ Hal Erickson, All Movie Guide
- Starring:
- Corinne Griffith, Colin Clive, (more)
- 1933
A shopkeeper suffers after he is laid off during the Depression in this drama adapted from the English play Service. He had worked at that shop for over 40 years. It was a family tradition to work at that shop. But now, his boss is selling the shop to a lower-priced rival, and the poor man and his family are left to cope with the devastating loss. ~ Sandra Brennan, All Movie Guide
- Starring:
- Lionel Barrymore, Benita Hume, (more)
- 1935
In his first American film, Peter Lorre portrays egg-bald Dr. Gogol. A brilliant and highly respected surgeon, Gogol would give up everything he has in life for the love of Yvonne Orlac (Frances Drake), star of the Parisian Horror Theatre. But Yvonne is deeply in love with her husband, concert pianist Stephen Orlac (Colin Clive). When Orlac loses his hands in a train accident, Yvonne pleads with Gogol to save her husband. Perversely, he does so by grafting the hands of a recently executed murderer onto Orlac. Not only is Orlac unable to resume his musical career, but he has suddenly developed a peculiar talent for throwing knives; he also has a bad habit of attempting to win arguments by throttling his opponents. Gleefully exploiting his patient's torment, Gogol disguises himself as the executed killer and tries to convince Orlac that he, Orlac, was responsible for a recent murder. In a effort to prove her husband's innocence, Yvonne goes to Gogol's home and switches places with a lifesize replica of herself that the obsessive Gogol keeps in his living room. Only the last-minute intervention of Orlac saves Yvonne from being strangled by the crazed Gogol. The first of several film versions of Maurice Renard's The Hands of Orlac, Mad Love was directed by cinematographer Karl Freund. Its deployment of certain visual elements that would later (consciously or otherwise) be adopted by Orson Welles in Citizen Kane brought Mad Love a surfeit of latter-day attention when Pauline Kael annotated the resemblances in her 1971 New Yorker article on Kane (Ms. Kael's assessment of Mad Love as a "dismal, static horror film" is both unfair and untrue). ~ Hal Erickson, All Movie Guide
- Starring:
- Peter Lorre, Frances Drake, (more)
- 1934
A woman may be forced back into a dangerous relationship in order to save her good name in this drama from director James Whale. Lady Clare Corven (Diana Wynyard) is the wife of Sir Gerald Corven (Colin Clive), and by all appearances they're a happy upper-class British couple. But Lady Clare is anything but happy; Sir Gerald is physically and emotionally abusive toward her, and one day she decides she can take no more and leaves him behind. Lady Clare books passage on a ship, where she is befriended by a kind and handsome young man named Tony Croom (Frank Lawton). Though their relationship remains strictly platonic, Tony obviously has strong feelings for Lady Clare, which does not go unnoticed by the private detective hired by Sir Gerald to keep tabs on his wife. Sir Gerald threatens to paint Lady Clare's relationship with Tony in an unflattering light in court, this at a time when divorce was still considered a scandalous act, especially among England's "privileged" classes. One More River also includes several members of James Whale's stock company, including Lionel Atwill, E.E. Clive, and C. Aubrey Smith.
~ Mark Deming, All Movie Guide
- Starring:
- Diana Wynyard, Frank Lawton, (more)
This greatest of all Frankenstein movies begins during a raging thunderstorm. Warm and cozy inside their palatial villa, Lord Byron (Gavin Gordon), Percy Shelley (Douglas Walton), and Shelley's wife Mary (Elsa Lanchester) engage in morbidly sparkling conversation. The wicked Byron mockingly chastises Mary for frightening the literary world with her recent novel Frankenstein, but Mary insists that her horror tale preached a valuable moral, that man was not meant to dabble in the works of God. Moreover, Mary adds that her story did not end with the death of Frankenstein's monster, whereupon she tells the enthralled Byron and Shelley what happened next. Surviving the windmill fire that brought the original 1931 Frankenstein to a close, the Monster (Boris Karloff) quickly revives and goes on another rampage of death and destruction. Meanwhile, his ailing creator Henry Frankenstein (Colin Clive) discovers that his former mentor, the demented Doctor Praetorius (Ernst Thesiger), plans to create another life-sized monster -- this time a woman! After a wild and wooly "creation" sequence, the bandages are unwrapped, and the Bride of the Monster (Elsa Lanchester again) emerges. Alas, the Monster's tender efforts to connect with his new Mate are rewarded only by her revulsion and hoarse screams. "She hate me," he growls, "Just like others!" Wonderfully acted and directed, The Bride of Frankenstein is further enhanced by the vivid Franz Waxman musical score; even the film's occasional lapses in logic and continuity (it was trimmed from 90 to 75 minutes after the first preview) are oddly endearing. Director James Whale was memorably embodied by Ian McKellen in the Oscar-winning 1998 biopic Gods and Monsters. ~ Hal Erickson, All Movie Guide
- Starring:
- Boris Karloff, Colin Clive, (more)
- 1935
The fourth screen version of Hubert Henry Davies' 1914 play Outcast, this comedy-drama stars Bette Davis as Miriam Brady, a shop girl offered 100 dollars to keep drunken socialite Geoffrey Sherwood (Ian Hunter) out of trouble. The next morning, alas, Miriam discovers that she has become Mrs. Sherwood while under the influence. The couple move to an unfashionable neighborhood where Geoffrey starts his own business, but domestic bliss is soon rudely interrupted by Valentine French (Katherine Alexander), Geoffrey's former fiancée, who wants him back. According to some reports, Genevieve Tobin, originally cast as Valentine, left The Girl From Tenth Avenue in the last minute prior to production arguing that she was unsuited for the role. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Bette Davis, Ian Hunter, (more)
- 1934
The Key is a story of the Irish "troubles" which avoids taking sides, but spends most of its screen time with the British occupation troops. William Powell stars as a soldier for hire who works on behalf of the British in the Dublin of the early 1920s. Powell is as celebrated for his boudoir antics as his bravery, so it's no surprise that he soon takes up with the wife (Edna Best) of his best friend, British intelligence officer Colin Clive. The plot thickens when Clive is captured by the Irish freedom fighters, to be released only on condition that Irish patriot Donald Crisp is not hanged. Powell makes up for his past indiscretions by rescuing Clive from his captors. ~ Hal Erickson, All Movie Guide
- Starring:
- William Powell, Edna Best, (more)
- 1935
The old British musical-hall ditty "The Man Who Broke the Bank at Monte Carlo" provides the title for this lightweight Ronald Colman vehicle. Colman, playing a refugee Russian prince, is the "man" in question, and the owners of the "broken bank"--that is, the proprietors of the Monte Carlo casino where Colman scored the big win--are anxious to get their money back. They dispatch the beautiful Joan Bennett to lure Colman back into the casino. He falls for her and loses his winnings in the process, but she has pangs of remorse when she learns that Colman had been gambling on behalf of his impoverished countrymen. Bennett joins Colman as he merrily heads off to chase another rainbow. ~ Hal Erickson, All Movie Guide
- Starring:
- Ronald Colman, Joan Bennett, (more)
- 1935
The Right to Live was the second film version of Somerset Maugham's The Sacred Flame (the first, produced in 1929, starred Conrad Nagel), which in its original form posed the question "Can there truly be such a thing as a mercy killing?" Put simply, it is the tragic tale of two brothers: Colin Trent (George Brent), strong and virile, and Maurice Trent (Colin Clive), crippled and bedridden. Though there's no hope for Maurice's recovery, his wife Stella (Josephine Hutchinson) has vowed -- publicly at least -- to remain faithfully by his side until the bitter end. When that end finally comes, the family doctor declares that Maurice has died a natural death. But Nurse Weyland (Peggy Wood), who has long suspected that something has been going on between Stella and her healthy brother-in-law Colin, believes that Maurice was murdered. Her insistence upon an autopsy is as much a product of her dedication to duty as to her own silent yearning for Colin. Thanks to the newly-strengthened Production Code, Maugham's powerful ending could not be used, thereby watering down what might have been a truly compelling and controversial film. ~ Hal Erickson, All Movie Guide
- Starring:
- Josephine Hutchinson, George Brent, (more)
- 1931
In this drama, a man gives up his own life to keep his philandering wife's lover from being killed in a mining accident. ~ Sandra Brennan, All Movie Guide
- 1936
In this romantic comedy, an aspiring socialite heads for a vacation in Monte Carlo where she befriends a wealthy widowed duchess and then begins blackmailing her after she steals a scandalous letter. This letter could destroy her upcoming nuptials to a stuffy Englishman. The duchess enlists the aide of an American thief to get the damning letter back. Meanwhile, her English lover continues to ardently pursue her; he is blissfully unaware that something is amiss. ~ Sandra Brennan, All Movie Guide
- Starring:
- Warren William, Dolores Del Rio, (more)
- 1937
Director Anatole Litvak's first Hollywood film was a remake of his French success L'Equipage, itself based on a novel by Joseph Kessel. Paul Muni stars as Maury, an unorthodox, abrasive WWI fighter-pilot whose skill in the air is compromised by his inability to get along with his colleagues and subordinates. His wife Denise (Miriam Hopkins) loves Maury in her fashion but cheats on him in favor of younger, handsomer flyboy Jean (Louis Hayward). This romantic triangle is settled not in the boudoir but in the air, during a particularly tense "dogfight." Though The Woman I Love often copies L'Equipage scene for scene (even retaining the original musical score by Arthur Honegger and Maurice Thiriet), the ending of the remake is markedly different from that of the original, obviously to appease the more stringent Hollywood censors. The film's title was obviously chosen to cash in on a similar sentiment expressed by Britain's King Edward VII when he abdicated from his throne for the sake of his American wife; perhaps this was why The Woman I Love was retitled The Woman Between in Great Britain. ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Muni, Miriam Hopkins, (more)
