William Christopher Movies

Things look bleak for the Evans household when both James (John Amos) and J.J. (Jimmie Walker) lose their jobs. Determined to provide for his loved ones, J.J. prepares to "be all that he can be" by joining the army. William Christopher, who was appearing semi-regularly as Father Mulcahy on M*A*S*H when this episode was filmed, guest stars as the army doctor; on the other hand, series regular Esther Rolle (Florida) isn't in this episode at all. ~ Hal Erickson, All Movie Guide

Receiving a "Dear John" letter from his hometown girlfriend Mary Jane, Sgt. Carter asks Col. Hogan's permission to escape from Stalag 17. Hogan allows him to do so -- on the proviso that Carter help out on one final sabotage mission. As it turns out, however, Carter is happier as a POW than as a scorned sweetheart. Written by Laurence Marks, "Request Permission to Escape" originally aired on April 29, 1966, as the final episode of Hogan's Heroes' first season. ~ Hal Erickson, All Movie Guide

The men of Stalag 13 have long been amused by Sgt. Carter's dead-on impersonation of Adolf Hitler. But it is hardly a laughing matter when Carter is ordered to pose as Der Fuhrer for real, as part of a scheme to smuggle photos of secret German fortifications to the Allies. Future MASH costar William Christopher appears as Major Krantz. Written by Laurence Marks, "Will the Real Adolf Please Stand Up" originally aired on December 2, 1966. ~ Hal Erickson, All Movie Guide

Everybody knew that Maclean Stevenson would not return to M*A*S*H when the series inaugurated its fourth season in the fall of 1975; after all, Stevenson's character, Col. Henry Blake, had been abruptly killed off at the end of season three, so any sort of return was out of the question. It did, however, come as something of a surprise to the series' loyal viewers that another of the leading characters, irreverent surgeon Trapper John, was also missing from the fourth season roster. The reason? Actor Wayne Rogers, who'd played Trapper since the series' debut in 1972, had ankled the project in the middle of a contract dispute; he was tired of playing second fiddle to costar Alan Alda (aka Hawkeye Pierce), and wanted to spread his wings with a series of his own. Thus, season four opened with the first of M*A*S*H's one-hour "special" episodes, the better to establish the character of Trapper John's assistant, Capt. B.J. Hunnicut (Mike Farrell. More clean-cut and level-headed that the Rabelaisian Trapper, B.J. nonetheless proved to be every bit as capricious and irreverent as his predecessor, especially when cooking up schemes to embarrass the gimlet-eyed, humorless Frank Burns (Larry Linville and the chronically thin-skinned Margaret "Hot Lips" Houlihan (Loretta Swit) As for Col. Blake's replacement, the series' producers decided not to emulate the youngish, laid-back Maclean Stevenson, and instead went with an older, more "Regular Army" character. Harry Morgan, who'd appeared as a guest star during M*A*S*H's third season, was added to the cast as crusty but lovable Colonel Henry Potter, an old Cavalry man who managed to maintain the dignity of the Service and the decorum of the O.R. without ever sacrificing his humanity or sense of humor. Potter also proved to be a "good fit" insofar as company clerk Radar O'Reilly was concerned. Without ever consciously or blatantly doing so, Potter and Radar fell into a warm father-son relationship, which would make Radar's inevitable exit from the series five seasons later all the more poignant. Another development within the M*A*S*H family was the ascention of actor Jamie Farr to full "series regular" status. Introduced as an intended one-shot during season one, Farr's character, cross-dressing Corporal Max Klinger (who of course donned women's clothing in hopes of being discharged from the Army on a Section 8) proved popular enough to warrant additional "guest" appearances, and by the time the 1974-75 season had rolled around, Farr was being billed at the beginning of each episode, rather than merely among the "featured" cast in the closing credits. The "look" of M*A*S*H continued to deepen and mellow during season four, with the "zany" and "serious" aspects achieving a more even balance, thereby lessening the need for that intrusive recorded laughtrack that CBS insisted upon (though the track would not disappear altogether for several seasons to come). This was also the year that the series briefly digressed from its standard format to offer a half-hour "documentary" episode, in which the staff of the 4077th were interviewed by a TV war correspondent (Clete Roberts). Shot in black-and-white, this episode closed out the series' fourth season in the spring of 1976. By that time, M*A*S*H had won the fifth of its Emmy awards, the prize going to Stanford Tischler and Fred W. Berger, who had written the 60-minute opener "Welcome to Korea". Unfortunately, though the series was still popular, it has slipped from fifth to 14th place in the overall ratings, thanks to CBS' misguided decision to move the series from Tuesday to Friday evenings opposite the NBC ratings-grabber Chico and the Man. At least CBS acknowledged its error early on; in December of 1975, M*A*S*H was shifted back to Tuesdays, where it would remain a fixture for the next two years. ~ Hal Erickson, All Movie Guide

Season six of M*A*S*H was noteworthy for yet another defection from its regular-cast ranks. Long dissatisfied with the artistic limitations of the role of obnoxious Major Frank Burns, actor Larry Linville followed the lead of his former M*A*S*H colleagues Wayne Rogers and Maclean Stevenson by leaving the series to pursue new projects. It was explained in the sixth season opener that Frank Burns had gone AWOL in reaction to marriage of his longtime paramour Margaret "Hot Lips" Houlihan (Loretta Swit) to the dashing (but seldom-seen) Lt. Col. Donald Penobscott, and had been transferred to a stateside hospital. The series' producers were anxious to replace Frank Burns with a character who would remain an antagonist to the nominal "heroes," irreverent Army surgeons Hawkeye (Alan Alda) and B.J. (Mike Farrell). At the same time, it was acknowledged that the series' writers had painted themselves into a creative corner by depicting Burns as stupid and incompetent. His replacement would have to be an eminently qualified and undeniably brilliant surgeon, while at the same time boasting a prickly personality that would drive Hawk and BJ up a wall--and vice versa. Thus was born the character of Major Charles Emerson Winchester II (played by David Ogden Stiers), an aristocratic Boston Brahmin of vast knowledge and expertise, whose surgical skill approached genius, and whose arrogance and disdain for his colleagues would provide an amusing contrast to the casual, carefree slovenliness of the 4077th. Also avoiding the series' previous scripting boondoggle of making Frank Burns thoroughly unlovable, it was established early on that Charles Winchester had his compassionate, humane and even warm moments, despite his haughty, overbearing demeanor. Still in its winning Tuesday-night timeslot, M*A*S*H continued to rank highly in the ratings, though it would slip from fourth to eighth place during its sixth season. Also, this would be the first year since 1973 that M*A*S*H would not win at least one Emmy award, though it was honored with eight nominations. ~ Hal Erickson, All Movie Guide

Season eight of M*A*S*H was marked by the last of the series' major regular-cast defections. As the quietly resourceful and eerily clairvoyant company clerk, Cpl. Walter "Radar" O'Reilly, Gary Burghoff had been the only actor from the 1970 movie version of M*A*S*H* to carry over his role into the TV-series version in 1972. Now a full-fledged star with an Emmy award under his belt, Burghoff felt the time had come to move on. Radar O'Reilly made a ceremonious and emotionally charged exit from the series in the two-part episode "Good-Bye Radar." Breaking from the tradition established by such previous series defectees as Wayne Rogers, Maclean Stevenson and Larry Linville, Radar said his goodbyes only four weeks into the 1978-79 season, rather than waiting until the final episode of season eight. It was decided not to bring in a new actor to replace Radar. Instead, Cpl. Max Klinger (Jamie Farr), who previously spent the bulk of his time dressed in women's clothing in hopes of getting out of the Army on a Section 8, was promoted to company clerk. After a nervous "shakedown" period, Klinger adapted quite well to his new responsibilities, so much so that he cut back on his efforts to escape military service--and, simultaneously, was seen more often in the "proper" male garb. Having previously digressed from its established format, M*A*S*H expanded its efforts at experimentation during season eight with a brace of "gimmick" episodes. In "Life Time," the surgeons raced against the clock to save the life of a seriously wounded GI--and, to heighten the tension, that selfsame clock was seen ticking away throughout the episode, superimposed at the lower corner of the TV screen. And in "Dreams," the men and women of the 4077th were plagued by bizarre, surrealist nightmares reminiscent of the cinematic delusions of Ingmar Bergman and Luis Bunuel. The series' previous season move from a Tuesday-night timeslot to a Monday-evening berth had had a most salutary effect on M*A*S*H's ratings. Ranked as the seventh most popular series during its seventh season, the program climbed to fourth place for season eight. Additionally, M*A*S*H earned its eighth and ninth Emmy awards during this season, with the gold statuettes going to series regulars Harry Morgan and Loretta Swit. ~ Hal Erickson, All Movie Guide

Its ninth season shortened to a mere 20 episodes thanks to a Hollywood writers' strike, M*A*S*H returned to a full 24-episode manifest for its tenth season, which began in October of 1981. With the defection of series regular Gary Burghoff two seasons earlier, the starring-cast lineup was now firmly "set" at seven actors--Alan Alda, Mike Farrell, Harry Morgan, Loretta Swit, David Ogden Stiers, Jamie Farr and William Christopher--and would remain so until its 11th and final season one year later. Although there were signs of fatigue and repetition during season 10, for the most part M*A*S*H managed to remain fresh and surprising with the occasional "gimmick" episode. The most noteworthy of these was the program's only foray into the paranormal, "ollies of the Living--Concerns of the Dead", in which the ghost of a dead GI looked on as the surgeons of the 4077th saved the life of his wounded buddy--and also occasionally carried on other-worldy conversations with a feverish Cpl. Klinger (Jamie Farr). M*A*S*H's ratings continued to be impressive during the 1981-82 season, though its drop from fourth to ninth place indicated that viewers might have been taking the decade-old series for granted. The same could not be said of the people responsible for the Emmy awards, who bestowed upon M*A*S*H its tenth and eleventh Emmys, with costars Alan Alda and Loretta Swit as the lucky recipients. ~ Hal Erickson, All Movie Guide

Paul and Jamie Buchman (Paul Reiser, Helen Hunt) will renew their wedding vows before the episode is over, but first Paul must be rushed to the hospital for an emergency tonsillectomy. Jean Louisa Kelly makes her first series appearance as Diane, an attractive nurse whose tender ministrations to Paul arouse Jamie's jealous ire. And by the way, baby Mabel utters her first word. ~ All Movie Guide

Several years before gaining fame as Father Mulcahy on MASH, William Christopher essayed the title role in the Andy Griffith Show episode "A New Doctor in Town." The folks of Mayberry are wary of the town's new doctor Thomas Peterson, who seems too young and casual for his job. Andy chastizes his friends for not giving Dr. Peterson a chance-but even he has second thoughts about Peterson's qualifications when Opie comes down with tonsilitis. Originally broadcast on December 26, 1966, "A New Doctor in Town" was written by Ray Brenner and Barry Blitzer. ~ Hal Erickson, All Movie Guide

O'Farrell (Bob Hope) is a navy sergeant who tries to boost the moral of the men by bringing in a shipment of beer. When the beer turns up missing, he calls an all-out search for the suds. In the process, O'Farrell captures a Japanese submarine single-handedly and tries to pilot the boat to safety. Phyllis Diller stars as the nurse who does absolutely nothing for troop moral in this uneven and poorly conceived comedy. Gina Lollobrigida and Jeffrey Hunter also star in the feature. ~ Dan Pavlides, All Movie Guide

Hearts of the West (British title: Hollywood Cowboy) stars Jeff Bridges as Lewis Tater, a 1930s-era aspiring novelist who harbors dreams of becoming the next Zane Grey or Peter B. Kyne. He arrives in Nevada to seek out the correspondence school that has "graduated" him. After learning that he's been taken to the cleaners by crooks, he stumbles onto a threadbare film-unit grinding out "B" westerns. He is given a job by unit manager Kessler (Alan Arkin), then falls in love with spunky script girl Miss Trout (Blythe Danner). With the help of crusty stunt man Howard Pike (Andy Griffith), Tyler fends off the correspondence-school crooks who want the money that he has accidentally stolen from them. ~ Hal Erickson, All Movie Guide