Terence Young Movies

George Gordon, aka Lord Byron, the clubfooted 19th-century poet with the uncontrollable libido, is played by Dennis Price in this lavish British chocolate-box epic. From the vantage point of his deathbed, Byron recalls his life and many loves, imagining that he's pleading his case before a celestial court. Joan Greenwood looks like she's just stepped out of a portrait frame as Lady Caroline Lamb (whose own sordid story would also be filmed in due time). Her performance is far more persuasive than that of Dennis Price, who seems less libertine than precocious as Byron. Roundly ridiculed by British film critics in 1949, The Bad Lord Byron has stood the test of time -- not really a classic, but an acceptable rainy-day wallow. ~ Hal Erickson, All Movie Guide

In this British thriller, a barber must steal to fund his wife's addiction to spending money. She uses the cash he took to pay off a drape maker. The stolen bills are traced back to him. The unscrupulous seamster then begins blackmailing the couple and the barber kills him. He then has his wife leave town until the trouble blows over. Just as he hears that his wife was killed in a collision, police surround him and shoot him down. ~ Sandra Brennan, All Movie Guide

The setting is Atoka County, Alabama -- the time is somewhere after the peak of the civil rights movement, after cities such as Birmingham, Alabama were out of the headlines. The movement is coming to the sticks, including Atoka County, and a lot of the white residents don't like it and are prepared to commit felonious assault, rape, or murder to get their point across. In the middle of this powder keg are two men on either side of a very dangerous line -- County Sheriff "Big Track" Bascomb (Lee Marvin) and Mayor Hardy (David Huddleston). Each man is playing both ends against the middle in the impending race war -- Bascomb wants to keep the peace as best he can, blocking the local klavern of the Ku Klux Klan from their worst excesses and making sure that the Klan's business and the county's business remain separate; Hardy, who also owns the lumber company that employs most of the county and the bank on which most of the residents depend, wants a good environment for business, which includes keeping enough poor blacks around to do the most menial work for the miserable pay he's willing to fork over; this, in turn, requires that they be too scared to ask for too much, including better treatment, but not so scared that they leave the county altogether, which would wipe out his business. Between them is Breck Stancill (Richard Burton), an eighth-generation resident with lots of land but little money and even fewer friends; a wounded war veteran and loner, he still resents the lynching of his grandfather and no longer respects what the white south purports to stand for -- he's even allowed dispossessed blacks to live for free on his property, angering the poor whites around him even more. Bascomb would like Stancill to be a little less high profile, while Hardy would like him to sell out and disappear, and wouldn't mind it if the local Klan helped that process along by trying to kill him. Bascomb's balancing act fails because of two events -- Nancy Poteet (Linda Evans) is raped one night, apparently by a black man, which precipitates the murder of a black teenager and her being violently ostracized by the white community; and a civil rights rally is planned for the town, bringing in lots of "outside agitators" and getting the local klavern eager to act against them. The prime mover in all of this is Big Track's deputy, Butt Cut Bates (Cameron Mitchell), a hardcore klansman who won't be reined in by Hardy and who is not above raping a black woman prisoner (Lola Falana) that he's arrested illegally, or trying to kill Stancill; directly opposed to him is Garth (O.J. Simpson), a young black man who witnessed a Klan murder and, in response, gets a rifle and starts meting out justice on his own. Before it's over, a major part of the county is at war and the bodies are falling everywhere. ~ Bruce Eder, All Movie Guide

Based on a story by Joseph Conrad, this 18th-century set drama is set shortly after the French Revolution and chronicles the exploits of a former counterrevolutionary pirate who befriends a mentally ill, naive young woman. Eventually his feelings of friendship turn to love and this in turn leads to tragedy when she falls in love with a French naval officer. ~ Sandra Brennan, All Movie Guide

This crime action movie is based on Peter Maas' best-selling book The Valachi Papers. That book, in turn, is based on prison conversations and the actual U.S. Senate testimony of Joseph Valachi, a high-ranking figure in the Mafia. The book, which tells precisely who did what to whom, when and why, electrified the nation. This film had to be made in Italy, because attempts to shoot in the U.S. were stymied by mob-arranged "accidents" and protests. The story is told in flashback as Valachi (Charles Bronson) tells a Federal agent about his activities from 1929 to 1961, when he worked for the Capo of Capos, Vito Genovese (Lino Ventura). Though his tale necessarily takes place in a number of episodes, it never fails to have lots of drama and action. ~ Clarke Fountain, All Movie Guide

Thunderball finds James Bond matching wits with the sinister espionage organization S.P.E.C.T.R.E, (which stands for Special Executive for Counterintelligence, Terrorism, Revenge and Extortion). This time, S.P.E.C.T.R.E. hijacks a NATO nuclear bomber, hiding the bombs under the ocean depths and threatening to detonate the weapons unless a ransom of 100,000,000 pounds is paid. The mastermind behind this scheme is international business executive Emilio Largo (Adolfo Celi), who maintains a pool full of sharks for the purpose of eliminating enemies and those henchmen who fail to come up to standard. Dispatched to the Bahamas, lucky Mr. Bond enjoys the attentions of three nubile ladies: Largo's mistress Domino Derval (Claudine Auger), British spy Paula Caplan (Martine Beswick, previously seen as a gypsy girl in the 1962 Bond epic From Russia With Love) and enemy agent Fiona Volpe (Luciana Paluzzi). ~ Hal Erickson, All Movie Guide

Valley of Eagles is set in northern Scandinavia, on the border between Sweden and Lapland. John McCallum stars as Swedish scientist Nils Ahlen, whose research data has been swiped by his assistant Nystrom (Anthony Dawson). Making things worse is the fact that Nystrom was aided in his perfidy by Ahlen's treacherous wife Helga (Mary Laura Wood). As he murderously pursues the thieves into the snowy wastes, Ahlen's trail is dogged by a police inspector (Jack Warner), who is sympathetic with the scientist but believes that the fugitives should be brought back alive. Nadia Gray co-stars as a pretty Laplander who offers aid and comfort to the embittered scientist. ~ Hal Erickson, All Movie Guide

Wait Until Dark is an innovative, highly entertaining and suspenseful thriller about a blind housewife, Susy Hendrix (Audrey Hepburn). Independent and resourceful, Susy is learning to cope with her blindness, which resulted from a recent accident. She is aided by her difficult, slightly unreliable young neighbor Gloria (Julie Herrod) with whom she has an exasperated but lovingly maternal relationship. Susy's life is changed as she is terrorized by a group of criminals who believe she has hidden a baby doll used by them to smuggle heroin into the country. Unknown to Susy, her photographer husband Sam (Efrem Zimbalist Jr.) took the doll as a favor for a woman he met on an international plane flight and unwittingly brought the doll to the couple's New York apartment when the woman became afraid of the customs officials. Alone in her apartment and cut-off from the outside world, Susy must fight for her life against a gang of ruthless criminals, led by the violent, psychotic Roat (Alan Arkin). The tension builds as Roat, aided by his gang, impersonates police officers and friends of her husband in order to win Susy's confidence, gaining access to her apartment to look for the doll. The climax of the film, a violent physical confrontation between Susie and Roat in her dark kitchen, is one of the most memorable and frightening scenes in screen history. All performances are outstanding, particularly those of Audrey Hepburn who plays a vulnerable, but self-reliant woman, and Alan Arkin, in perhaps his best role, as the ruthless, manipulative Roat. ~ Linda Rasmussen, All Movie Guide

A confirmed bachelor and a reclusive movie star tangle in this lively French comedy. The trouble begins when the bachelor vows to disprove the star's Garboesque claim that she wants to be alone. Saying that all women are alike, he sets out to seduce her. First he poses as a Realtor and offers to let her hide out in his lavish country estate. There he and she gradually get to know each other. Much to his surprise, she is quite sincere on wanting to be alone. When the woman discovers the "Realtor's" ruse she decides to teach him a lesson by promptly marrying him. ~ Sandra Brennan, All Movie Guide