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47 Ronin (1994)

47 Ronin (1994)
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In honor of the 100th anniversary of the invention of film, Toho studios produced this remake of Chushingura, a paean of feudal devotion and one of the most retold tales in all of Japanese cinema. Legendary filmmaker Kon Ichikawa reworks this old chestnut by trying find a psychological truth in the characters and the historical truth of the time period. Set in the spring of 1704, Kuranosuke Oishi (Ken Takakura) is the retainer of lord Naganori Asano. While in far-off Edo (pre-modern Tokyo), Asano drew his sword against Lord Kira. Contrary to usual practice, Asano was beheaded for his indiscretion while Kira -- who is well connected with the powerful Uesugi clan and the Shogun himself -- is spared. Sensing that justice has not been served, Oishi starts to organize the other retainers and plot revenge -- even though such an act means certain death for all involved. The chief retainer for Uesugi named Matashiro Irobe (Kiichi Nakai) tries to buy off as many of Asano's former samurais as possible. ~ Jonathan Crow, Rovi

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Starring:
Ken Takakura
Director(s):
Kon Ichikawa
Format(s):
DVD
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Synopsis of 47 Ronin

In honor of the 100th anniversary of the invention of film, Toho studios produced this remake of Chushingura, a paean of feudal devotion and one of the most retold tales in all of Japanese cinema. Legendary filmmaker Kon Ichikawa reworks this old chestnut by trying find a psychological truth in the characters and the historical truth of the time period. Set in the spring of 1704, Kuranosuke Oishi (Ken Takakura) is the retainer of lord Naganori Asano. While in far-off Edo (pre-modern Tokyo), Asano drew his sword against Lord Kira. Contrary to usual practice, Asano was beheaded for his indiscretion while Kira -- who is well connected with the powerful Uesugi clan and the Shogun himself -- is spared. Sensing that justice has not been served, Oishi starts to organize the other retainers and plot revenge -- even though such an act means certain death for all involved. The chief retainer for Uesugi named Matashiro Irobe (Kiichi Nakai) tries to buy off as many of Asano's former samurais as possible. ~ Jonathan Crow, Rovi

Theatrical Feature Running Time:
129 mins

Complete Cast of 47 Ronin


Director(s):
Kon Ichikawa
Writer(s):
Yo TakeyamaKaneo IkegamiKon Ichikawa
Producer(s):
Jitsuzo HoriuchiToshiaki HashimotoSeiji Urushido
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    Member Reviews
     
    Walter C.

    The cinematography in this film is truly stunning and it is an awesome depiction of Japanese history and culture, Japanese Samurai and the code of "Bushido". You should try to find an outline of the story and read it before watching the film, otherwise you could get quite confused about who is who and what is happening. Some pretty good martial arts, much more realistic than the typical Bruce Lee thriller but seem stylized and staged nonetheless. The superior reputation of this film and director is well deserved.

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    Richard S.

    Well being unfamiliar with the story, this really felt like it was incomplete. It gets really confusing with all the characters. About 2/3 of the movie is the set up and the story why The 47 Ronin where attacking. Then for about 25 minutes you have Samurai fighting sequences and I cant say they where very good either. Like the other people who wrote reviews for this movie, you would probibly appreciate it more if you knew more about what happened, but just from watching the movie you defiantly get a feeling of it being incomplete.

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    Scott R.

    This movie retells the classic Japanese tale of the 47 ronin. It has been told and retold so many times that this version relies on the audience being extremely familiar with the tale, and it suffers greatly for this. While I knew the basic tale, the movie introduces so many characters so quickly that its likely to be very confusing. Without any explanation of Bushido, the laws of the court, or the samurai class the 47 ronin come off looking like sour murderous thugs. Western audiences will likely find this movie to be sadly incomplete. I am not sure what it adds to the tale with its myopic view. --

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