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Il Postino (1994)

Il Postino (1994)
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In this remake of the 1983 Ardiente Paciencia by Antonio Skarmeta, the time and place have been changed to Italy in the 1950s, but the relationship between the Chilean Nobel Prize-winning poet Pablo Neruda and Mario (Massimo Troisi), the postman who delivers his copious mail, is still the focus of attention. In this version of the story, scripted by a collective of Anna Pavignano, the director Michael Radford, Troisi himself, and a few others (based on Skarmeta's original story), Neruda is an aloof and slightly elitist figure who is seeking solitude on an island off the coast of Italy, taking a respite from political problems at home. Mario is a poet at heart and employs every measure he is capable of inventing to win his way into the affections and attention of the great author. As his efforts start to bear fruit and Neruda unbends and begins to share conversation and philosophy with Mario, the postman idolizes the poet all the more. Eventually, Neruda shares his leftist political philosophy as well -- and helps him win over the captivating Beatrice, the woman of Mario's dreams. When Neruda leaves, Mario enters into high gear as he prepares material for the next time he sees Neruda -- his ardor and patience, alluded to in the original title -- are essentially indestructible. (Massimo Troisi) was fated never to know that Il Postino would receive worldwide acclaim and be nominated for an Oscar for "Best Picture" in 1995 (the first foreign film nominated in that category since Ingmar Bergman's Cries and Whispers 22 years earlier). Suffering from a heart ailment and unable to work more than an hour or two on the filming of Il Postino each day, he died in his sleep at the age of 41, the day after shooting ended on the film. ~ Eleanor Mannikka, Rovi

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Starring:
Massimo TroisiPhilippe Noiret, (more)
Director(s):
Michael Radford
Theatrical MPAA Rating:
PG
Format(s):
DVD
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Synopsis of Il Postino

In this remake of the 1983 Ardiente Paciencia by Antonio Skarmeta, the time and place have been changed to Italy in the 1950s, but the relationship between the Chilean Nobel Prize-winning poet Pablo Neruda and Mario (Massimo Troisi), the postman who delivers his copious mail, is still the focus of attention. In this version of the story, scripted by a collective of Anna Pavignano, the director Michael Radford, Troisi himself, and a few others (based on Skarmeta's original story), Neruda is an aloof and slightly elitist figure who is seeking solitude on an island off the coast of Italy, taking a respite from political problems at home. Mario is a poet at heart and employs every measure he is capable of inventing to win his way into the affections and attention of the great author. As his efforts start to bear fruit and Neruda unbends and begins to share conversation and philosophy with Mario, the postman idolizes the poet all the more. Eventually, Neruda shares his leftist political philosophy as well -- and helps him win over the captivating Beatrice, the woman of Mario's dreams. When Neruda leaves, Mario enters into high gear as he prepares material for the next time he sees Neruda -- his ardor and patience, alluded to in the original title -- are essentially indestructible. (Massimo Troisi) was fated never to know that Il Postino would receive worldwide acclaim and be nominated for an Oscar for "Best Picture" in 1995 (the first foreign film nominated in that category since Ingmar Bergman's Cries and Whispers 22 years earlier). Suffering from a heart ailment and unable to work more than an hour or two on the filming of Il Postino each day, he died in his sleep at the age of 41, the day after shooting ended on the film. ~ Eleanor Mannikka, Rovi

Theatrical Feature Running Time:
108 mins

Complete Cast of Il Postino


Director(s):
Michael Radford
Writer(s):
Furio ScarpelliAnna PavignanoMassimo Troisi
Producer(s):
Mario Cecchi GoriGaetano DanieleVittorio Cecchi Gori
Theatrical MPAA Rating:
PG
Categories:
Independent Films
Il Postino Awards:
  • 1995 - Broadcast Film Critics Association - Best Foreign Film
  • 1995 - Chicago Film Critics Association - Best Foreign Film
  • 1994 - São Paulo International Film Festival - Audience Award
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    Celia N.

    this is such a great movie! you connect with Mario and his simple plight so completely that it's sad there aren't more movies like this. subtitles move pretty quickly so bring your glasses. we've seen this several times and recommend it to anyone bored with the gratuitous violence, s*x and profanity found in most movies today. (google massimo troisi after seeing this.)

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    Fan F.

    I fall in love with this movie so badly. It is the most beatiful, and touching heart movie, ever!!!!

    Yes   |   No

     
    Christine S.

    If you enjoy poetry, you may like this film. If you enjoy looking at scenes of the Amalfi Coast, you'll probably enjoy this film. If you enjoy stories about the poor, awkward guy who finds love, you'll probably enjoy this film. Otherwise, you'll probably be bored to pieces. It's slow moving and takes a lot of concentration to watch the subtitles. Of course it would help if you speak Italian. The actors did a fine job and the script does tell the story of a bumbling man who forms a frienship with an acclaimed poet and learns to appreciate poetry himselt. But that's it. I didn't see a great deal of character development that made me want to bond with any of them. It's beautiful but boring.

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