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Daughters of the Dust (1992)

Daughters of the Dust (1992)
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At the turn of the century, West African slaves were brought to a small island near South Carolina to labor in the indigo trade. Isolated in the swampy atmosphere, the Gullah community was built based on ancient Yoruba traditions. They spoke in a distinct dialect, a combination of English and West African languages. This unique community is explored in Julie Dash's debut feature Daughters of the Dust, a costume drama about the Peazant family, a fictional group of Gullah natives living on Ido Landing. The secluded family experiences conflicts surrounding religion, industrialization, and tradition. The mystical matriarch Nana (Cora Lee Day) holds true to the beliefs of their anscestors, while Haagar (Kaycee Moore) can't wait to move away. Yellow Mary (Barbara O) returns from a life as a prostitute in Cuba with her girlfriend, and gets morally attacked by the reformed Christian Viola (Cheryl Lynn Bruce). Meanwhile, indifferent Eula (Alva Rogers) is pregnant with a baby that may or may not be the result of a rape. While the story doesn't attempt to follow a standard Eurocentric narrative, the plot revolves around a picnic on the shore in honor of the family members who chose to move to the prosperity of the north. The narrator is a spirit called the Unborn Child, who appears sometimes as a rambunctious little girl. A photographer accompanies the group to capture the events on film. ~ Andrea LeVasseur, Rovi

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Starring:
Alva RogersBarbara O, (more)
Director(s):
Julie Dash
Format(s):
DVD
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Synopsis of Daughters of the Dust

At the turn of the century, West African slaves were brought to a small island near South Carolina to labor in the indigo trade. Isolated in the swampy atmosphere, the Gullah community was built based on ancient Yoruba traditions. They spoke in a distinct dialect, a combination of English and West African languages. This unique community is explored in Julie Dash's debut feature Daughters of the Dust, a costume drama about the Peazant family, a fictional group of Gullah natives living on Ido Landing. The secluded family experiences conflicts surrounding religion, industrialization, and tradition. The mystical matriarch Nana (Cora Lee Day) holds true to the beliefs of their anscestors, while Haagar (Kaycee Moore) can't wait to move away. Yellow Mary (Barbara O) returns from a life as a prostitute in Cuba with her girlfriend, and gets morally attacked by the reformed Christian Viola (Cheryl Lynn Bruce). Meanwhile, indifferent Eula (Alva Rogers) is pregnant with a baby that may or may not be the result of a rape. While the story doesn't attempt to follow a standard Eurocentric narrative, the plot revolves around a picnic on the shore in honor of the family members who chose to move to the prosperity of the north. The narrator is a spirit called the Unborn Child, who appears sometimes as a rambunctious little girl. A photographer accompanies the group to capture the events on film. ~ Andrea LeVasseur, Rovi

Theatrical Feature Running Time:
113 mins

Complete Cast of Daughters of the Dust


Director(s):
Julie Dash
Writer(s):
Julie Dash
Producer(s):
Julie DashArthur Jafa
Daughters of the Dust Awards:
  • 1990 - Sundance Film Festival - Best Cinematography - Dramatic
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    Member Reviews
     
    Annie J.

    I too though the movie was boring until I watched it the second time. I have seen it quite a few times since then and read the book. The plot basically revolves around the Peazant family and their decision to leave for the mainland. As in any family there is conflict. The unborn child is an element because it causes friction between Eli and Eula. Because she is raped, he does not know if the Unborn Child is his. The family has expanded spiritually as well: Viola is a Christian, Yellow Mary has been exposed to being a Catholic, Bilal is a Muslim and of course Nana believes in the ways of the Ancestors-Roots and herbs. To all who did not like it, I recommed that you take a look at the features. There is an interview with Julie Dash that explains so much. This movie is a Library of Congress National Treasure and it should be. It is one of the most beautiful movies I have seen. I intend to visit the area where the movie was shot.

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    Percevial M.

    I enjoy finding independent films that have both interesting cinematography and an unpredictable plot. This movie was truly disappointing. As others have said the dialogs were difficult to understand mainly due to the fact that the actors were not really able imitate the dialect of the Gullah people. For the most part, they sounded like southerners that pronounced a few words here and there that had some African influence. The imagery in the movie was great, but I attribute that to the fact that they had beautiful surroundings; it's just not difficult to shoot striking images at the beach. The plot of the movie was confusing. It was impossible to figure out who the characters were and how hey were connected. There was probably a great concept here, but it got lost in undirected creativity and an attempt to draw emotion from viewers instead of simply telling the story, which could have stood alone after some major editing.

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    Eric M.

    What's surprising is the acknowledment on the box cover that the Gullah people speak a distinct dialect of English and West African, but no attmept is made to provide closed captioning for those who would find reading the dialogue helpful at times. I finally had to shut off the movie as I couldn't tell what was going on. Strongly recommend....if you are fluent in Gullah language that is.

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