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The Cook, the Thief, His Wife and Her Lover (1989)

The Cook, the Thief, His Wife and Her Lover (1989)
Member Rating:  
This is probably Peter Greenaway's most famous (or infamous) film, which first shocked audiences at the 1989 Cannes Film Festival and then on both sides of the Atlantic. A gang leader (Michael Gambon), accompanied by his wife (Helen Mirren) and his associates, entertains himself every night in a fancy French restaurant that he has recently bought. Having tired of her sadistic, boorish husband, the wife finds herself a lover (Alan Howard) and makes love to him in the restaurant's coziest places with the silent permission of the cook (Richard Bohringer). Though less cerebral than Greenaway's other films, featuring deadly passions reminiscent of Jacobean revenge tragedies of the early 17th century, the picture still offers the director's usual ironic and paradoxical comments on the relations between eating and sex, love and death. The film is at once funny and horrific, and those who are not used to Greenaway's peculiar style might be even disgusted or shocked; however, one might mention Sacha Vierny's brilliant camerawork, Jean-Paul Gaultier's gaudily stylized costumes, and Michael Nyman's somber, pulsating music, which will haunt the viewer long after the film's end. ~ Yuri German, Rovi

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Starring:
Richard BohringerMichael Gambon, (more)
Director(s):
Peter Greenaway
Theatrical MPAA Rating:
NC17
 
 
 
 

Synopsis of The Cook, the Thief, His Wife and Her Lover

This is probably Peter Greenaway's most famous (or infamous) film, which first shocked audiences at the 1989 Cannes Film Festival and then on both sides of the Atlantic. A gang leader (Michael Gambon), accompanied by his wife (Helen Mirren) and his associates, entertains himself every night in a fancy French restaurant that he has recently bought. Having tired of her sadistic, boorish husband, the wife finds herself a lover (Alan Howard) and makes love to him in the restaurant's coziest places with the silent permission of the cook (Richard Bohringer). Though less cerebral than Greenaway's other films, featuring deadly passions reminiscent of Jacobean revenge tragedies of the early 17th century, the picture still offers the director's usual ironic and paradoxical comments on the relations between eating and sex, love and death. The film is at once funny and horrific, and those who are not used to Greenaway's peculiar style might be even disgusted or shocked; however, one might mention Sacha Vierny's brilliant camerawork, Jean-Paul Gaultier's gaudily stylized costumes, and Michael Nyman's somber, pulsating music, which will haunt the viewer long after the film's end. ~ Yuri German, Rovi

Complete Cast of The Cook, the Thief, His Wife and Her Lover


Director(s):
Peter Greenaway
Writer(s):
Peter Greenaway
Producer(s):
Kees KasanderPascale DaumanDaniel Toscan du Plantier
Theatrical MPAA Rating:
NC17(Profanity, Strong Sexual Content, Not For Children, Graphic Violence)
Warning:  This product is intended for mature audiences only. It may contain violence, sexual content, drug abuse and/or strong language. You must be 17 or older to purchase it. By ordering this item you are certifying that you are at least 17 years of age.

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    Member Reviews
     
    Joseph B.

    An excellent movie, but some will find it too violent, artsy, or just weird. It's about a boorish, sadistic brute, the pain he causes others, and their appropriate revenge. It's also about wife abuse and how it is often ignored and tolerated. A visually stylish film that combines beauty, decor and the disgusting in a way that transforms normal settings into surreal, dramatic arenas. One of Peter Greenaway's best films and his most mainstream.

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    Stanley E.

    a fantastic movie if you let go and enjoy it

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    William B.

    This was one of the first Helen Mirren movies we had seen. It is artistically capturing, and moves quickly. This is before Miramax became a Disney dupe. I have been hooked on Helen Mirren movies ever since. It is definitely not for the average person who is incapable of suspending their value system long enough to look at art through another's eyes. It is a must see for anyone who is open-minded and sophisticated.

    Yes   |   No

     
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