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Purple Noon (1960)

Purple Noon (1960)
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René Clément's thriller Purple Noon stars Alain Delon as Tom Ripley, an American who travels to Europe on an all-expenses-paid mission to convince his friend, the errant playboy Philippe Greenleaf (Maurice Ronet), to travel to San Francisco at the request of the wealthy Greenleaf family. Initially, the pair enjoy the good life in Italy, often to the anger and dismay of Philippe's much put-upon fiancee Marge (Marie Laforet). However, as Tom's funds begin to run dry, it becomes more and more apparent that Philippe has no intentions of returning to the U.S., forcing Tom to consider more nefarious means of maintaining his extravagant lifestyle. Purple Noon is adapted from Patricia Highsmith's novel The Talented Mr. Ripley, and like Alfred Hitchcock's classic Strangers on a Train, also based on Highsmith's work, the theme of identity transference is dominant. The subject even extends to the homoerotic undercurrents which simmer below the surface of Tom and Philippe's relationship, setting into motion a love/hate tension which explodes during a high seas journey. ~ Jason Ankeny, Rovi

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Starring:
Alain DelonMaurice Ronet, (more)
Director(s):
René Clément
Theatrical MPAA Rating:
PG13
Format(s):
DVD
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Synopsis of Purple Noon

René Clément's thriller Purple Noon stars Alain Delon as Tom Ripley, an American who travels to Europe on an all-expenses-paid mission to convince his friend, the errant playboy Philippe Greenleaf (Maurice Ronet), to travel to San Francisco at the request of the wealthy Greenleaf family. Initially, the pair enjoy the good life in Italy, often to the anger and dismay of Philippe's much put-upon fiancee Marge (Marie Laforet). However, as Tom's funds begin to run dry, it becomes more and more apparent that Philippe has no intentions of returning to the U.S., forcing Tom to consider more nefarious means of maintaining his extravagant lifestyle. Purple Noon is adapted from Patricia Highsmith's novel The Talented Mr. Ripley, and like Alfred Hitchcock's classic Strangers on a Train, also based on Highsmith's work, the theme of identity transference is dominant. The subject even extends to the homoerotic undercurrents which simmer below the surface of Tom and Philippe's relationship, setting into motion a love/hate tension which explodes during a high seas journey. ~ Jason Ankeny, Rovi

Theatrical Feature Running Time:
118 mins

Complete Cast of Purple Noon


Director(s):
René Clément
Writer(s):
René ClémentPaul Gégauff
Producer(s):
Raymond HakimRobert Hakim
Theatrical MPAA Rating:
PG13(Adult Situations, Not For Children, Violence)
Categories:
Mystery & Suspense
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Member Reviews
 
DEE DEE D.

I thoroughly enjoyed this movie. Characters and plot were more than I expected. Cinematogrpahy and editing were top notch. The only reason I can think of why this isn't a Criterion Collection has got to be the Distribution Rights, not always easy to come by, because this has Criterion Collection written all over it. I Highly Recommend!

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Dan W.

While watching this film I couldn't help but notice director Rene Clement's painterly compositions and use of bright colors and sunshine. It seemed an odd contrast to what is essentially a noir story but in a way it makes the film more realistic. In the real world you can't tell if a person has evil intentions like you can in a typical noir film. The darkness in Purple Noon is very subtle as are the performances and Nino Rota's score. Sections of the film look almost like a travelogue and there was one outdoor shot with the lead actor, Alain Delon, that looked totally unstaged as if the people in the background had no idea they were being filmed. Blending this documentary type footage with the drama the film gives the impression that one isn't watching a film but reality. Of course now we take this for granted because today's films look very realistic whereas many films from this era did not.

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Geoffrey G.

Love this first version of Patricia Highsmith's "Talented Mister Ripley". It's every bit as good as the Matt Damon version - which is also great. Check 'em both out!

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