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The Art of the Steal (2009)

The Art of the Steal (2009)
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Born into a working-class family in Philadelphia, Albert C. Barnes was a man who through hard work and determination became a doctor and medical researcher, founding a successful pharmaceutical firm that made him a multimillionaire. As his fortune grew, Barnes developed a taste for art and in time assembled one of the world's most remarkable private collections, featuring original paintings by Van Gogh, Renoir, Picasso, Cézanne, and many other important artists. Barnes relied on his own instincts rather than the advice of experts when he bought paintings, and he had little use for the pretentious attitudes of Philadelphia's art collectors and high society; the animosity between Barnes and the city's art establishment grew to the point that in 1922 he opened the Barnes Foundation, a private gallery where he kept his collection rather than share it with institutions such as the Philadelphia Museum of Art. The Barnes Foundation was open by invitation only, and the doctor preferred to have his collection seen by students and serious art lovers rather than those he felt didn't appreciate the work. Barnes died in 1951, and made strict provisions in his will that his collection was not to be sold, lent to other museums, or removed from the grounds of the Barnes Foundation. Lincoln University, a traditionally African-American college, was appointed to oversee the foundation's collection. But after the death of Barnes' protégée Violette de Mazia in 1988, Lincoln University's trustees took full control of the collection, now estimated to be worth 25 billion dollars, and a number of individuals and organizations inexperienced in the world of art laid hands upon the Barnes archive. The Art of the Steal is a documentary by Don Argott that explores how greed, political power, and good intentions colluded to violate Albert C. Barnes' wishes and scatter his collection across the globe. The Art of the Steal was an official selection at the 2009 Toronto International Film Festival. ~ Mark Deming, Rovi

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Director(s):
Don Argott
Format(s):
DVD
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Synopsis of The Art of the Steal

Born into a working-class family in Philadelphia, Albert C. Barnes was a man who through hard work and determination became a doctor and medical researcher, founding a successful pharmaceutical firm that made him a multimillionaire. As his fortune grew, Barnes developed a taste for art and in time assembled one of the world's most remarkable private collections, featuring original paintings by Van Gogh, Renoir, Picasso, Cézanne, and many other important artists. Barnes relied on his own instincts rather than the advice of experts when he bought paintings, and he had little use for the pretentious attitudes of Philadelphia's art collectors and high society; the animosity between Barnes and the city's art establishment grew to the point that in 1922 he opened the Barnes Foundation, a private gallery where he kept his collection rather than share it with institutions such as the Philadelphia Museum of Art. The Barnes Foundation was open by invitation only, and the doctor preferred to have his collection seen by students and serious art lovers rather than those he felt didn't appreciate the work. Barnes died in 1951, and made strict provisions in his will that his collection was not to be sold, lent to other museums, or removed from the grounds of the Barnes Foundation. Lincoln University, a traditionally African-American college, was appointed to oversee the foundation's collection. But after the death of Barnes' protégée Violette de Mazia in 1988, Lincoln University's trustees took full control of the collection, now estimated to be worth 25 billion dollars, and a number of individuals and organizations inexperienced in the world of art laid hands upon the Barnes archive. The Art of the Steal is a documentary by Don Argott that explores how greed, political power, and good intentions colluded to violate Albert C. Barnes' wishes and scatter his collection across the globe. The Art of the Steal was an official selection at the 2009 Toronto International Film Festival. ~ Mark Deming, Rovi

Theatrical Feature Running Time:
101 mins
Director(s):
Don Argott
Producer(s):
Sheena M. Joyce
Categories:
DocumentarySpecial Interest
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Member Reviews
 
Michael O.

It was a fascinating documentary. It wasn't about looking at the art, it was about the story of the Barnes Foundation of art. Power, politics, greed. It's all there in all it's shameless glory. Very well done.

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Barbara C.

Amazing example of crookedness and trashing a person's will. I am glad we got to the existant Barnes this summer even tho a few rooms were already packed up and gone. What will happen to the glorious garden, the magnificent trees, the wondrous front doors and the buildings themselves. Should have used the word rape in the title.

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Diedre M.

I went to the Barnes Foundation and didn't appreciate the experience until I watched this documentary. I plan to go again before they move it to center city Philadelphia.

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