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Who's That Knocking at My Door? (1968)

Who's That Knocking at My Door? (1968)
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Shot over a period of several years and shown under the alternate titles I Call First and J.R., Martin Scorsese's debut feature is an autobiographical look at the conflicted life of a young, Italian-American, Catholic man in early 1960s New York. J.R. (then-unknown Harvey Keitel) spends his days and nights hanging out with his buddies in Little Italy, going to the movies, goofing around, and looking to score with "broads." When he meets The Girl (Zina Bethune) on the Staten Island ferry, she rocks his world with a shared admiration for John Ford's The Searchers (1956). A blond WASP beauty, the girl is more sophisticated than J.R.'s parochial friends and shows him that there's more to life than the neighborhood. J.R. falls in love, yet he refuses to soil her by sleeping with her. The girl, however, reveals that she is not a virgin because of a date rape. Locked in his Catholic virgin-whore complex, J.R. is disgusted by the revelation, but, after a squalid evening with his friends, J.R. decides to do the righteous thing by forgiving and marrying her. The girl will have none of it, leaving J.R. to sort out his prejudices on his own. Originally conceived as part of a trilogy with what would become Mean Streets (1973), the black-and-white Who's That Knocking already has the acute grasp of daily life, fluid camera movements, and vivid editing of images to music (such as the slo-mo scuffle to the lilting "El Watusi") that would define Scorsese's later work. Despite a successful debut at the 1967 Chicago Film Festival, no distributor picked up the film until a soft porn distributor agreed to release it if Scorsese added a nude scene. By the time, Who's That Knocking was finally released in 1969, with J.R.'s sexy fantasy accompanied by The Doors's "The End," the loose counterculture mood had made the focus on sexual repression seem out-of-date. ~ Lucia Bozzola, Rovi

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Starring:
Zina BethuneHarvey Keitel, (more)
Director(s):
Martin Scorsese
Theatrical MPAA Rating:
R
Format(s):
DVD  | Digital SD
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Synopsis of Who's That Knocking at My Door?

Shot over a period of several years and shown under the alternate titles I Call First and J.R., Martin Scorsese's debut feature is an autobiographical look at the conflicted life of a young, Italian-American, Catholic man in early 1960s New York. J.R. (then-unknown Harvey Keitel) spends his days and nights hanging out with his buddies in Little Italy, going to the movies, goofing around, and looking to score with "broads." When he meets The Girl (Zina Bethune) on the Staten Island ferry, she rocks his world with a shared admiration for John Ford's The Searchers (1956). A blond WASP beauty, the girl is more sophisticated than J.R.'s parochial friends and shows him that there's more to life than the neighborhood. J.R. falls in love, yet he refuses to soil her by sleeping with her. The girl, however, reveals that she is not a virgin because of a date rape. Locked in his Catholic virgin-whore complex, J.R. is disgusted by the revelation, but, after a squalid evening with his friends, J.R. decides to do the righteous thing by forgiving and marrying her. The girl will have none of it, leaving J.R. to sort out his prejudices on his own. Originally conceived as part of a trilogy with what would become Mean Streets (1973), the black-and-white Who's That Knocking already has the acute grasp of daily life, fluid camera movements, and vivid editing of images to music (such as the slo-mo scuffle to the lilting "El Watusi") that would define Scorsese's later work. Despite a successful debut at the 1967 Chicago Film Festival, no distributor picked up the film until a soft porn distributor agreed to release it if Scorsese added a nude scene. By the time, Who's That Knocking was finally released in 1969, with J.R.'s sexy fantasy accompanied by The Doors's "The End," the loose counterculture mood had made the focus on sexual repression seem out-of-date. ~ Lucia Bozzola, Rovi

Theatrical Feature Running Time:
90 mins

Complete Cast of Who's That Knocking at My Door?


Director(s):
Martin Scorsese
Writer(s):
Martin Scorsese
Theatrical MPAA Rating:
R(Not For Children, Nudity, Adult Language, Adult Situations, Violence)
Warning:  This product is intended for mature audiences only. It may contain violence, sexual content, drug abuse and/or strong language. You must be 17 or older to purchase it. By ordering this item you are certifying that you are at least 17 years of age.

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Member Reviews
 
B. Alan W.

Too much goofin' with the boys, not enough meat to the plot. The end is lame, lame, lame.

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Daniel C.

Fans of Martin Scorcese's hits like Goodfellas and Casino may be very disappointed watching his first film because it lacks the cohesion, flow and satisfying endings of his later works. On the other hand, the acting is excellent and this was the first unvarnished look Marty gave us into the lives of wiseguys in Little Italy. Goodfellas and other Scorcese classics evolved from it and The Sopranos owes its existence to this groundbreaking film shot and recut over many years during the 1960's ...but even the most devoted Scorcese fan would probably consider this pretty raw.

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Neal H.

Perhaps as a tribute, the film is at least similar to 1950s French new wave directors' efforts and even earlier Italian neo-realists. At least in terms of it's shot on scene, grainy, semi-autobiographical style. The early filmmaker, though, overlooks that his facination with recovering his youth and lame discussions about John Wayne come across as stale, boring, poorly acted. Equally disturbing, without the punch and speed that a whole heck of lot of editing could have, could have solved. Maybe. It's pace is funeral-like and the rookie acting efforts are nearly painful. I suspect that at the time, perhaps, it showed some promise. I am baffled though how it would have catapulted Scorsese to rank with future leading directors. I mean, it's a glorified home movie that I would not recommend.

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