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The Way We Were (1973)

The Way We Were (1973)
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"Gorgeous goyish guy" meets Jewish radical girl in Sydney Pollack's glossy romance. In 1937, frizzy-haired Red co-ed Katie Morosky (Barbra Streisand) briefly captures the attention of preppy jock Hubbell Gardiner (Robert Redford) with her passionate pacifism, while the writing talent beneath his privileged exterior entrances her. Almost eight years later, the two are reunited in New York, when well-coiffed leftist radio worker Katie spies military officer Hubbell snoozing in a nightclub. Through her force of will, and in spite of his smug rich friends, the two opposites fall in love, sparring over Katie's activist zeal and Hubbell's writerly ambivalence after a failed first novel. They head to Hollywood so that Hubbell can write a screenplay for his buddy-turned-producer J.J. (Bradford Dillman). But the House Committee on Un-American Activities' Communist witch hunt in 1947 tears the pair apart, as a pregnant Katie refuses to keep silent about the jailing of the Hollywood Ten, while a faithless Hubbell decides to save his career. When the two meet again at the dawn of the '60s, TV hack Hubbell and A-bomb protestor Katie feel the old pull, but they have to decide if it's worth the grief. Although blacklisted writers had returned to Hollywood -- and won Oscars -- by the early 1970s, the HUAC sections of Arthur Laurents's screenplay were still considered dicey, resulting in substantial cuts; Laurents reportedly blamed star Redford for not fighting them hard enough. Regardless of the edits, and critics' complaints about the film's schlockiness, 1973 audiences went for the well-executed and still politically tinged weepie, turning The Way We Were into one of the most popular films of 1973 and Redford into a major heartthrob. Streisand won an Oscar nomination for Best Actress and the Streisand-sung title tune won for Best Song. Despite the eviscerated politics, The Way We Were poignantly captures the insoluble dilemma of reconciling private desires with public awareness. ~ Lucia Bozzola, Rovi

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Starring:
Barbra StreisandRobert Redford, (more)
Director(s):
Sydney Pollack
Theatrical MPAA Rating:
PG
Format(s):
DVD
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Synopsis of The Way We Were

"Gorgeous goyish guy" meets Jewish radical girl in Sydney Pollack's glossy romance. In 1937, frizzy-haired Red co-ed Katie Morosky (Barbra Streisand) briefly captures the attention of preppy jock Hubbell Gardiner (Robert Redford) with her passionate pacifism, while the writing talent beneath his privileged exterior entrances her. Almost eight years later, the two are reunited in New York, when well-coiffed leftist radio worker Katie spies military officer Hubbell snoozing in a nightclub. Through her force of will, and in spite of his smug rich friends, the two opposites fall in love, sparring over Katie's activist zeal and Hubbell's writerly ambivalence after a failed first novel. They head to Hollywood so that Hubbell can write a screenplay for his buddy-turned-producer J.J. (Bradford Dillman). But the House Committee on Un-American Activities' Communist witch hunt in 1947 tears the pair apart, as a pregnant Katie refuses to keep silent about the jailing of the Hollywood Ten, while a faithless Hubbell decides to save his career. When the two meet again at the dawn of the '60s, TV hack Hubbell and A-bomb protestor Katie feel the old pull, but they have to decide if it's worth the grief. Although blacklisted writers had returned to Hollywood -- and won Oscars -- by the early 1970s, the HUAC sections of Arthur Laurents's screenplay were still considered dicey, resulting in substantial cuts; Laurents reportedly blamed star Redford for not fighting them hard enough. Regardless of the edits, and critics' complaints about the film's schlockiness, 1973 audiences went for the well-executed and still politically tinged weepie, turning The Way We Were into one of the most popular films of 1973 and Redford into a major heartthrob. Streisand won an Oscar nomination for Best Actress and the Streisand-sung title tune won for Best Song. Despite the eviscerated politics, The Way We Were poignantly captures the insoluble dilemma of reconciling private desires with public awareness. ~ Lucia Bozzola, Rovi

Theatrical Feature Running Time:
118 mins

Complete Cast of The Way We Were


Director(s):
Sydney Pollack
Writer(s):
Arthur LaurentsDavid RayfielAlvin Sargent
Producer(s):
Raymond StarkRichard A. Roth
Theatrical MPAA Rating:
PG(Questionable for Children, Adult Situations, Adult Language)
Categories:
Romance
The Way We Were Awards:
  • 1973 - Hollywood Foreign Press Association - Best Original Song
  • 1973 - Hollywood Foreign Press Association - Best Original Song
  • 1973 - Hollywood Foreign Press Association - Best Original Song
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    Member Reviews
     
    JoAnna E.

    For those Americans that love eggs and bread (or the satisfaction of food in general), this movie is NOT for you. This is a very political movie that focuses in on the blacklist and Hollywood - before my time. This is the story of a WASP and Jewish girl that fall in love, live together, but the outspoken and almost manlike character of Streisand pulls the two apart. He is in the movie business so her political screaming and military like fighting doesn't allow the relationship to last. Very political and not a happy ending love story, but a piece of history of a very sad Hollywood time period where writers actually discussed leaving America to write in France. Don't be fooled by Streisand's smile on the box cover - look more closely at Redford's non smile and seriousness in the gaze of his eyes. I didn't invest in Kleenex to watch this movie, but you may consider a box of tissue to view this movie. Very sad and VERY political.

    Yes   |   No

     
    B B.

    Barbra Striesand is unbelievably good in this role - sexy and sensual and smart, passionate and playful, virtuous and vulnerable. And Robert Redford is so dreamy it's delicious. A great movie. One to see again and again. Wow!

    Yes   |   No

     
    Jenypher F.

    This is a top ranking movie of Barbras,,,,right up there with Funny Girl,,,and nothing could be better than Robert Redford as a co-star and Sydney Pollack as a director.....

    Yes   |   No

     
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