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Vertigo (1958)

Vertigo (1958)
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Dismissed when first released, later heralded as one of director Alfred Hitchcock's finest films (and, according to Hitchcock, his most personal one), this adaptation of the French novel D'entre les morts weaves an intricate web of obsession and deceit. It opens as Scottie Ferguson (James Stewart) realizes he has vertigo, a condition resulting in a fear of heights, when a police officer is killed trying to rescue him from falling off a building. Scottie then retires from his position as a private investigator, only to be lured into another case by his old college friend, Gavin Elster (Tom Helmore). Elster's wife, Madeleine (Kim Novak), has been possessed by a spirit, and Elster wants Scottie to follow her. He hesitantly agrees, and thus begins the film's wordless montage as Scottie follows the beautiful yet enigmatic Madeleine through 1950s San Francisco (accompanied by Bernard Herrmann's hypnotic score). After saving her from suicide, Scottie begins to fall in love with her, and she appears to feel the same way. Here tragedy strikes, and each twist in the movie's second half changes our preconceptions about the characters and events. In 1996 a new print of Vertigo was released, restoring the original grandeur of the colors and the San Francisco backdrop, as well as digitally enhancing the soundtrack. ~ Dylan Wilcox, Rovi

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Starring:
James StewartKim Novak, (more)
Director(s):
Alfred Hitchcock
Theatrical MPAA Rating:
PG
Format(s):
DVD  | Digital SD
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Synopsis of Vertigo

Dismissed when first released, later heralded as one of director Alfred Hitchcock's finest films (and, according to Hitchcock, his most personal one), this adaptation of the French novel D'entre les morts weaves an intricate web of obsession and deceit. It opens as Scottie Ferguson (James Stewart) realizes he has vertigo, a condition resulting in a fear of heights, when a police officer is killed trying to rescue him from falling off a building. Scottie then retires from his position as a private investigator, only to be lured into another case by his old college friend, Gavin Elster (Tom Helmore). Elster's wife, Madeleine (Kim Novak), has been possessed by a spirit, and Elster wants Scottie to follow her. He hesitantly agrees, and thus begins the film's wordless montage as Scottie follows the beautiful yet enigmatic Madeleine through 1950s San Francisco (accompanied by Bernard Herrmann's hypnotic score). After saving her from suicide, Scottie begins to fall in love with her, and she appears to feel the same way. Here tragedy strikes, and each twist in the movie's second half changes our preconceptions about the characters and events. In 1996 a new print of Vertigo was released, restoring the original grandeur of the colors and the San Francisco backdrop, as well as digitally enhancing the soundtrack. ~ Dylan Wilcox, Rovi

Theatrical Feature Running Time:
128 mins

Complete Cast of Vertigo


Director(s):
Alfred Hitchcock
Writer(s):
Alec CoppelSamuel A.Taylor
Producer(s):
Alfred Hitchcock
Theatrical MPAA Rating:
PG(Violence, Not For Children, Adult Situations)
Categories:
Mystery & Suspense
Vertigo Awards:
  • 1998 - American Film Institute - 100 Greatest American Movies
  • 1988 - Library of Congress - U.S. National Film Registry
  • 1996 - New York Film Critics Circle - Most Distinguished Reissue
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Member Reviews
 
Jeremy D.

I don't feel I should be commenting on this movie since I have seen it only once. It seems only through numberous viewings could one truly appreciate this masterpiece. I will say this movie left me stunned. Hitch is the master at audience manipulation. He lures you into the film and focuses your attention on exactly what he wants you to see. The ending of this movie is amazing. Jimmy Stewart is very effective in the lead. His angst was palpable. This is definitely one of the greatest movies I have ever seen

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Miguel C.

This film was better than I expected. I never knew Stewart could play this sort of character. The story threw me for a loop. It was unexpected and appreciated. I also appreciated the psychological aspect of the characters and what they were going through. I didn't know films from that era were like this. On the technical side, I know most outdoor scenes were filmed on stage with projections. But the melding of the two was flawless. And set construction was unbelievable, especially when done for scenes that lasted only a few minutes. This was my first Hitchcock film, more to come.

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Mark W.

A very unsuspenseful movie from the "Master of Suspense". Plodding and boring. What Hitchcock ever saw in James Stewart is beyond me, because I still think he one of the most overrated actors in film history. Sorry, but the truth hurts. Try North by Northwest or Strangers on a Train instead.

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