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Throne of Blood (1957)

Throne of Blood (1957)
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Macbeth is reimagined as a samurai in feudal Japan in director Akira Kurosawa's classic adaptation of the Shakespearean tragedy. Familiar with Orson Welles's more faithful adaptation, Kurosawa chose to place a more personal stamp on his version by translating the events and characters to historical Japan. The equivalent of the tragic Scottish lord is Taketoki Washizu (Toshiro Mifune), a valiant warrior whose life is transformed by an encounter with a ghostly female spirit. The spirit offers several predictions, finally stating that Washizu will rise to power over the current warlord. When these predictions begin coming true, he and his ambitious wife decide to ensure his ascendancy to power by murdering the current ruler. As with Macbeth, Washizu achieves his goal, but his guilt and the suspicions of others soon bring about his downfall. The shift to Japanese settings is seamless, creating a historically accurate and resonant work with a culturally distinct visual style. The supporting performances also recall Japanese tradition, particularly Isuzu Yamada's creepily unemotional take on Lady Macbeth, while Mifune proves consistently gripping in the sheer intensity of his performance. The intelligence of Kurosawa's alterations retains the drama's tragic impact, especially during the conclusion, in which Washizu makes a memorable final stand against an advancing army. Impressive in every regard, Throne of Blood seems secure in the pantheon of superior film adaptations of William Shakespeare. ~ Judd Blaise, Rovi

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Starring:
Toshiro MifuneIsuzu Yamada, (more)
Director(s):
Akira Kurosawa
Format(s):
DVD
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Synopsis of Throne of Blood

Macbeth is reimagined as a samurai in feudal Japan in director Akira Kurosawa's classic adaptation of the Shakespearean tragedy. Familiar with Orson Welles's more faithful adaptation, Kurosawa chose to place a more personal stamp on his version by translating the events and characters to historical Japan. The equivalent of the tragic Scottish lord is Taketoki Washizu (Toshiro Mifune), a valiant warrior whose life is transformed by an encounter with a ghostly female spirit. The spirit offers several predictions, finally stating that Washizu will rise to power over the current warlord. When these predictions begin coming true, he and his ambitious wife decide to ensure his ascendancy to power by murdering the current ruler. As with Macbeth, Washizu achieves his goal, but his guilt and the suspicions of others soon bring about his downfall. The shift to Japanese settings is seamless, creating a historically accurate and resonant work with a culturally distinct visual style. The supporting performances also recall Japanese tradition, particularly Isuzu Yamada's creepily unemotional take on Lady Macbeth, while Mifune proves consistently gripping in the sheer intensity of his performance. The intelligence of Kurosawa's alterations retains the drama's tragic impact, especially during the conclusion, in which Washizu makes a memorable final stand against an advancing army. Impressive in every regard, Throne of Blood seems secure in the pantheon of superior film adaptations of William Shakespeare. ~ Judd Blaise, Rovi

Theatrical Feature Running Time:
109 mins

Complete Cast of Throne of Blood


Director(s):
Akira Kurosawa
Writer(s):
Hideo OguniRyuzo KikushimaAkira Kurosawa
Producer(s):
Shojiro MotokiAkira Kurosawa
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    Member Reviews
     
    Luke J.

    The things you should know about this movie before watching it (and probably already do): This is a retelling of Macbeth. This was directed by Akira Kurosawa, one of the two or three greatest Japanese directors. This is a samurai film though there is little fighting involved. There are subtitles. IF you are still with me and interested, you may be asking, "But is this as good as Yojimbo, The Seven Samurai, Ikiru, etc. I believe it is. This is a tragedy, so the fateful end is never in question. We know that Toshiro Mifune's character will most certainly die. It is getting to the end that offers the viewer such enjoyment. The composition is staggeringly beautiful. Kurosawa lets his visuals unfold gradually, and I might add that the dialogue is somewhat sparse (and barely necessary anyway). The film does start slowly, but once it picks up steam it will roll right over you. The final scene, as some have pointed out, is worth the entire film.

    Yes   |   No

     
    Crawford B.

    In typical Kurosawa fashion, the story unfolds slowly yet inexorably draws the viewer into the web of intrigue. In my opinion, one of his best films, although it lacks much of the samurai action of his more famous films. Pure storytelling at its best!

    Yes   |   No

     
    Shunsaku S.

    I have viewed this movie many times

    Yes   |   No

     
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