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Still Life (2006)

Still Life (2006)
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Jia Zhang Ke's haunting minimalist drama Still Life (aka Sanxia Haoren) takes as its focal point the real-life construction of the Three Gorges Hydro Project and it accompanying massive dam over the Yangtze River in China (allegedly the largest manmade dam in the world) -- a project that required engineers to flood the surrounding territories, including the two millennia-old city of Fengjie. Jia interweaves two stories in connection with the geographical transformation of that area. In the first, Han Sanming (Han Sanming), a miner from northern China, revisits the vicinity after a 16-year absence and attempts to find his wife and his adult daughter -- trying to locate them at addresses that now exist underwater. In the second story, nurse Shen Hong (Zhao Tao) also returns to the site of Fengjie and scours the area for her husband, who has been estranged from her for two years, and who, it seems, has become consumed by the work and lifestyle of an executive. The marriage, it turns out, is irreparable. Meanwhile, as a documentary-style backdrop to these stories, the old structures of Fengjie are continually destroyed -- walls brought to crumbling heaps, towers blown to bits -- and new, makeshift structures installed as replacements. The film thus becomes a sad-eyed meditation on the nature of social change and progress, but it is one that requires the audience to extract these deeper themes and tropes on its own, via inference and deduction. ~ Nathan Southern, Rovi

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Starring:
Zhao TaoHan Sanming, (more)
Director(s):
Jia Zhang Ke
Format(s):
DVD
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Synopsis of Still Life

Jia Zhang Ke's haunting minimalist drama Still Life (aka Sanxia Haoren) takes as its focal point the real-life construction of the Three Gorges Hydro Project and it accompanying massive dam over the Yangtze River in China (allegedly the largest manmade dam in the world) -- a project that required engineers to flood the surrounding territories, including the two millennia-old city of Fengjie. Jia interweaves two stories in connection with the geographical transformation of that area. In the first, Han Sanming (Han Sanming), a miner from northern China, revisits the vicinity after a 16-year absence and attempts to find his wife and his adult daughter -- trying to locate them at addresses that now exist underwater. In the second story, nurse Shen Hong (Zhao Tao) also returns to the site of Fengjie and scours the area for her husband, who has been estranged from her for two years, and who, it seems, has become consumed by the work and lifestyle of an executive. The marriage, it turns out, is irreparable. Meanwhile, as a documentary-style backdrop to these stories, the old structures of Fengjie are continually destroyed -- walls brought to crumbling heaps, towers blown to bits -- and new, makeshift structures installed as replacements. The film thus becomes a sad-eyed meditation on the nature of social change and progress, but it is one that requires the audience to extract these deeper themes and tropes on its own, via inference and deduction. ~ Nathan Southern, Rovi

Theatrical Feature Running Time:
108 mins

Complete Cast of Still Life


Director(s):
Jia Zhang Ke
Writer(s):
Guan NaJia Zhang KeSun Jianmin
Producer(s):
Wang TianyunXu PengleZhu Jiong
Categories:
Documentary
Still Life Awards:
  • 2008 - Los Angeles Film Critics Association - Best Foreign Language Film
  • 2008 - Los Angeles Film Critics Association - Best Cinematography
  • 2006 - Venice International Film Festival - Best Picture
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    Denna B.

    This is a docudrama that provides an interesting, but limited view of the effects the Three Gorges Dam project has had on the Chinese people. What you see is a gritty, behind the scenes view of what Chinese people are being forced to endure as a result of the project. To illustrate the effects, there are two not completely developed stories about two people searching for family members in the demolition areas. In addition, there's a short documentary film that's about a Chinese painter's views on art that includes extended periods without dialogue, following people around for no apparent reason and still shots of objects that have little practical meaning. The Dolby Digital 5.1 audio option for "Still Life" made good, but minor use of surround sound while the extra documentary film is output in stereo. As for extras, there's a trailer for the movie, an "Interview with Jia Zhang-Ke" featurette (17:28 min), a short film (1:10:20 min) and a "Press Kit" in PDF format. Lightly recommended.

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    Sarah H.

    The pace of the movie is very, very slow, and more questions are brought up throughout the movie than answers. I felt the movie went on way too long, and didn't give enough reasons to invest or care about the two (unrelated) characters' stories. Would not recommend.

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